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GRASSROOTS RUN DEEP Table of Contents Accessibiltiy Accessibility Statement
NASCO Cooperative Education and Training Institute 2008 cooperating in the struggle for land rights GRASSROOTS RUN DEEP table of contents Accessibiltiy Accessibility Statement..... 2 Making the Most e aim to avoid replicating the barriers in so- of Institute. 3 Wciety which exclude and marginalize people. We strive to create an event which is totally acces- Spotlight on sible for all who wish to participate. Friday........ 4 Spotlight on We have taken these steps to ensure that Institute Saturday...... 5 is accessible: Skill Share + Building and maintaining an environment with Schedule...... 6 zero-tolerance policy for racist, sexist, classist, Friday homophobic and/or other oppressive behaviors. Schedule...... 7 + Providing a gender neutral restroom (on the Saturday 3rd floor of the Union, just to the left of the eleva- Schedule...... 8 tors) Sunday Schedule...... 9 + Making affordable childcare available Caucuses + Housing participants in co-ops where they will and Working feel safe and comfortable Groups........ 10 + Assuring the building is wheelchair accessible Course Track Listing....... 11 + Providing ingredient lists for all meals Course Block + Asking that participants refrain from wearing One...........13 strong smelling perfumes or lotions Course Block + Requesting that all presenters speak loudly and Two...........16 clearly, respecting the needs of those who have Course Block hearing problems Three.........19 Course Block Much of the power to foster a safe and respectful Four..........23 atmosphere rests on you, the participants. Course Block All of our attempts to equalize access are made Five.......... 26 within the limits of current resources and there- Faculty Bios. 29 fore may not be perfect. We welcome suggestions Mentorship....35 for improvement and will do our best to imple- Thank You.....38 ment them. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
May 5, 2016, Vol. 58, No. 17
PHOTO: STEVE EBERHARDT • Verizon: huelga • Cinco bancos grandes 12 Workers and oppressed peoples of the world unite! workers.org Vol. 58, No. 17 May 5, 2016 $1 3 WWP at anti-Klan protest in Georgia. LONG LIVE INTERNATIONAL WORKERS’ DAY A message from WWP candidates Migrant upsurge and MAY DAY By Teresa Gutierrez Monica Moorehead for U.S. President Lamont Lilly for U.S. Vice President May Day actions this year mark the tenth anniversary of the upsurge s national electoral candidates of Workers World Party, May Day — of immigrant workers that gave birth Teresa Gutierrez to today’s national immigrant rights has been a co- A International Workers Day — to us means a demand for dignity and movement. coordinator of the unconditional liberation for the multinational working class from the Legislation introduced by Rep. May 1st Coalition yoke of global capitalism or imperialism around the world. James Sensenbrenner (R-Wis) in for Worker and We salute the millions of workers in poor and rich countries who take Immigrant Rights December 2005 had been one of the to the streets in protests, strikes and shutdowns on May Day to call most racist and reactionary bills to for a decade and is currently campaign attention to all forms of injustices, as well as triumphs, against a system pass in the House. manager for the that puts corporate profits before human needs. We salute the Cuban The Sensenbrenner bill would not Workers World revolution where millions of workers march on May Day to commem- only have made it a felony to be in the Party 2016 election John Parker for U.S. -
D E Tr O It Future Media
DETROIT FUTURE MEDIA GUIDE TO DIGITAL LITERACY ALLIED MEDIA PROJECTS MEDI RE A TU U F T I O R T E D DETROIT FUTURE MEDIA GUIDE DIGITAL TO LITERACY DESIGN: THE WORK DEPARTMENT / theworkdept.com guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit illustration by triana kazaleh sirdenis DETROIT FUTURE MEDIA guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit making our own media is a process of speaking and listening as a community, through which we transform ourselves and our world. DETROIT FUTURE MEDIA 7 contents 7 acknowledgements 9 introduction: digital literacy for community revitalization 13 background 17 foundations 25 structure 37 outcomes 45 curriculum samples 61 appendix 8 ALLIED MEDIA PROJECTS program credits Diana J. Nucera DFM Program Director DFM1 / DFM2 / DFM3 Mike Medow Director of Communications and Finance DFM1 / DFM2 / DFM3 Jeanette Lee Executive Director / Media-Based Organizing Instructor DFM1 / DFM2 / DFM3 Joe Namy Program Coordinator DFM1 / DFM2 / DFM3 Joshua Breitbart Program Advisor / Digital Stewards Instructor DFM1 / DFM2 / DFM3 Janel Yamashiro Program Coordinator / Web Instructor DFM1 / DFM2 / DFM3 Imad Hassan Program Coordinator / Video Instructor DFM1 / DFM2 / DFM3 Ora Wise Curriculum Consultant DFM1 / DFM2 / DFM3 Ron Watters Entrepreneurship and Graphics Instructor DFM2 / DFM3 Anderson Walworth IT Coordinator/ Digital Stewards Instructor DFM1 / -
Table of Contents Perspectives on Anarchist Theory
Table of Contents Introduction 2 Maia Ramnath Atmospheric Dialectics 8 Javier Sethness The Climate Crisis or the Crisis of Climate Politics? 26 perspectives Andre Pusey & Bertie Russell All Power to the People 48 on anarchist Lara Messersmith-Glavin theory Movements for Climate Action 56 Brian Tokar v.12 n.2 What We’re Reading 76 fall 2010 Cindy Crabb, John Duda, & Joshua Stevens Editorial Collective: Lara Messersmith-Glavin, Paul About the Illustrations 80 Messersmith-Glavin, and Maia Call for Submissions 81 Ramnath. Anarchist Interventions 82 Layout & Cover Design: Josh About the IAS 84 MacPhee. Perspectives on Anarchist Theoryis a publication of the Institute for Anarchist Studies (IAS). The views expressed here do not necessarily re- flect the IAS. Contact us at perspectivesmagazine@ Special Thanks: Josh MacPhee, the googlegroups.com. New articles, many artists from Justseeds, Jon Keller, not contained in our print edition, are David Combs, Cindy Crabb, John continually posted on line at our website. Duda, Joshua Stevens, AK Press, and You can see them at Anarchiststudies.org, Charles at Eberhardt Press. just look under “Perspectives.” “The non-sustainability and bankruptcy of the ruling world order is fully evident. The need for alternatives has never been stronger....As we face the double closure of spaces by corporate globalisation and militarised police states, by economic fascism aided by po- litical fascism, our challenge is to reclaim our freedoms and the freedoms of our fellow beings.... At the heart of building alternatives and localising economic and political systems is the recovery of the commons and the reclaiming of community. Rights to natural resources are natural rights. -
Nonlinearity, Autonomy and Resistant Law
Draft - in Webb, T. and Wheatley, S. (Eds.) Complexity Theory & Law: Mapping an Emergent Jurisprudence, Law, Science and Society Series (Routledge, Forthcoming) 11 Nonlinearity, autonomy and resistant law Lucy Finchett-Maddock* It can be a little difficult to plot a timeline of social centres when you’re dealing outside of linear time. – Interviewee from rampART collective, 2009 in Finchett-Maddock (2016, p. 168) This chapter argues that informal and communal forms of law, such as that of social centres, occupy and enact a form of spatio-temporal ‘nonlinear informality’, as opposed to a reified linearity of state law that occurs as a result of institutionalising processes of private property. Complexity theory argues the existence of both linear and nonlinear systems, whether they be regarding time, networks or otherwise. Working in an understanding of complexity theory framework to describe the spatio-temporality of law, all forms of law are argued as nonlinear, dependent on the role of uncertainty within supposedly linear and nonlinear systems and the processes of entropy in the emergence of law. ‘Supposedly’ linear, as in order for state law to assert its authority, it must become institutionalised, crystallising material architectures, customs and symbols that we know and recognise to be law. Its appearance is argued as linear as a result of institutionalisation, enabled by the elixir of individual private property and linear time as the congenital basis of its authority. But linear institutionalisation does not account for the role of uncertainty (resistance or resistant laws) within the shaping of law and demonstrates state law’s violent totalitarianism through institutionalising absolute time. -
The Unreal Estate Guide to Detroit
The Unreal Estate Guide to Detroit Digitalculturebooks, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. The Unreal Estate Guide to Detroit Andrew Herscher The University of Michigan Press Ann Arbor Copyright © by Andrew Herscher 2012 Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-03521-2 (pbk. : alk. paper) ISBN 978-0-472-02917-4 (e-book) “Precisely because physical devastation on such a huge scale boggles the mind, it also frees the imagination … to perceive reality anew; to see vacant lots not as eyesores but as empty spaces inviting the viewer to fill them in with other forms, other structures that presage a new kind of city which will embody and nurture new life-affirming values in sharp contrast to the values of materialism, individualism and competition that have brought us to this denouement.” —Grace Lee Boggs, The Next American Revolution “The world of capitalist culture, economy, -
University of Florida Thesis Or Dissertation Formatting
THIS COULD ONLY BE HAPPENING HERE: PLACE AND IDENTITY IN GAINESVILLE’S ZINE COMMUNITY By FIONA E STEWART-TAYLOR A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2019 © 2019 Fiona E. Stewart-Taylor To the Civic Media Center and all the people in it ACKNOWLEDGMENTS I thank, first, my committee, Dr. Margaret Galvan and Dr. Anastasia Ulanowicz. Dr. Galvan has been a critical reader, engaged teacher, and generous with her expertise, feedback, reading lists, and time. This thesis has very much developed out of discussions with her about the state of the field, the interventions possible, and her many insights into how and why to write about zines in an academic context have guided and shaped this project from the start. Dr. Ulanowicz is also a generous listener and a valuable reader, and her willingness to enter this committee at a late stage in the project was deeply kind. I would also like to thank Milo and Chris at the Queer Zine Archive Project for an incredible residency during which, reading Minneapolis zines reviewing drag revues, I began to articulate some of my ideas about the importance of zines to build community in physical space, zines as living interventions into community as well as archival memory. Chris and Milo were unfailingly welcoming, friendly, and generous with their time, expertise, and long memories, as well as their vegan sloppy joes. QZAP remains an inspiration for my own work with the Civic Media Center. -
Anarcha-Feminism.Pdf
mL?1 P 000 a 9 Hc k~ Q 0 \u .s - (Dm act @ 0" r. rr] 0 r 1'3 0 :' c3 cr c+e*10 $ 9 TABLE OF CONTENTS Introduction.... 1 Anarcha-Feminism: what it is and why it's important.... 4 Anarchism. Feminism. and the Affinity Group.... 10 Anarcha-Feminist Practices and Organizing .... 16 Global Women's Movements Through an anarchist Lens ..22 A Brief History of Anarchist Feminism.... 23 Voltairine de Cleyre - An Overview .... 26 Emma Goldman and the benefits of fulfillment.... 29 Anarcha-Feminist Resources.... 33 Conclusion .... 38 INTRODUCTION This zine was compiled at the completion of a quarters worth of course work by three students looking to further their understanding of anarchism, feminism, and social justice. It is meant to disseminate what we have deemed important information throughout our studies. This information may be used as a tool for all people, women in particular, who wish to dismantle the oppressions they face externally, and within their own lives. We are two men and one woman attempting to grasp at how we can deconstruct the patriarchal foundations upon which we perceive an unjust society has been built. We hope that at least some component of this work will be found useful to a variety of readers. This Zine is meant to be an introduction into anarcha-feminism, its origins, applications, and potentials. Buen provecho! We acknowledge that anarcha-feminism has historically been a western theory; thus, unfortunately, much of this ziners content reflects this limitation. However, we have included some information and analysis on worldwide anarcha-feminists as well as global women's struggles which don't necessarily identify as anarchist. -
PLAYNOTES Season: 43 Issue: 05
PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. -
Sisyphus and the Labour of Imagination: Autonomy, Cultural Production, and the Antinomies of Worker Self-Management
Sisyphus and the Labour of Imagination: Autonomy, Cultural Production, and the Antinomies of Worker Self-Management Stevphen Shukaitis1 Abstract Is there any radical potential left in the notion and practices of worker self-management? What I want do in this essay is to try and see if it is possible to distill something of a radical kernel from the many difficulties and complications that confront it, particularly within fields of cultural production. How can self- management contribute to what Jacques Ranciere describes as a movement not of slaves filled with ressentiment, but of people living and embodying a new time of sociability and cooperation, creating resources and skills that can spread out from this, rather than being caught and contained by the conditions of is own creation? Drawing from my own experiences working in Ever Reviled Records, a worker owned and run record label, I want to ferret out--conducting something akin to an organizational autoethnography--hints as to whether or not self-management could be useful for radical social struggles today. Introduction Let us imagine, for a change, an association of free men working with the means of production held in common, and expending their many different forms of labour-power in full self-awareness as one single social labour force…. The total product of our imagined association is a social product…. This, however, requires that society possess a material foundation, or a series of material conditions of existence, which in their turn are the natural and spontaneous product -
MIAC STRATEGIC REPORT 11-28-2008 Anarchist Movement
Matt Blunt Mark S. James James F. Keathley Van Godsey Governor Director, DPS Colonel, MSHP Director, MIAC S E R V IC E PROTECTION A N D MIAC STRATEGIC REPORT 11-28-2008 Anarchist Movement This Strategic Report analyzes the Anarchist Movement and related Anarchist activities. The majority of this in- formation is open source and can be located in many anarchy related websites. RECIPIENTS ARE REMINDED THIS DOCUMENT IS A STRATEGIC REPORT; THE INFORMATION THEREIN SHOULD NOT SERVE AS THE BASIS FOR FURTHER INVESTIGATIVE ACTIVITY. History The first known usage of the word Anarchy appears in the play “Seven Against Thebes” by Aeschylus dated at 467 BC. The heroine, Antigone openly refuses to abide by the rulers' decree to leave her brother Polyneices' body unburied, as punishment for his participation in the attack on Thebes. In this context, anarchy is referenced as a refusal to abide by government decree. According to Harold Barclay (a professor in anthropology and notable writer in anarchist theory), long before anarchism emerged as a distinct perspective, human beings lived for thousands of years in societies without gov- ernment. It was only after the rise of hierarchical societies that anarchist ideas were formulated as a critical re- sponse to and rejection of coercive political institutions and hierarchical social relationships. Thomas Jefferson spoke of his respect for a society with no government. "The basis of our governments being the opinion of the people, the very first object should be to keep that right; and were it left to me to decide whether we should have a government without newspapers or newspapers without a government, I should not hesitate a moment to prefer the latter.