HOTDOCS.CA Bring Creative and Business Together

Total Page:16

File Type:pdf, Size:1020Kb

HOTDOCS.CA Bring Creative and Business Together HOTDOCS.CA Bring creative and business together. CREATIVE INDUSTRIES MANAGEMENT GRADUATE CERTIFICATE The creative arts industry needs business experts who know how to maximize financial potential. Sheridan’s new eight-month Creative Industries Management program will teach you how to work with artists to strategize, organize, finance, negotiate, write contracts and make the most of their creations. From marketing to distribution and from large corporations to small entrepreneurs, the opportunities in film, TV, animation and gaming are endless. docs.sheridancollege.ca APRIL 25–MAY 5, 2019 : HOT DOCS CANADIAN INTERNATIONAL DOCUMENTARY FESTIVAL WELCOME TO HOT DOCS 2019 PHOTO: GABRIEL LI FIND YOUR FILMS CHOOSE YOUR TICKETS OR PASS Browse films by program or use the title index to find films. More detailed SCREENING TICKETS: $17.50–19 film descriptions and a subject index are available at www.hotdocs.ca. 6-SCREENING BUNDLE: $99 Special Events not included (p. 5–7) BUY YOUR TICKETS SPECIAL EVENTS: $17.50–24 ADVANCE Tickets $35–80 Food & Film Events Ticket Packages WWW.HOTDOCS.CA Gain access to screening tickets and select Special Events. Perfect 416.637.3123 for sharing; use multiple tickets per screening and redeem in advance. Not valid for Food & Film Events (p. 6). C rave Box Office at Hot Docs Ted Rogers Cinema 10-PACK: $159 506 Bloor Street West 20-PACK: $259 HOURS (MARCH 19–MaY 5) 11am-6pm Redeem tickets online, by phone or in person at the Crave Box Office at Hot Docs Ted Rogers Cinema. SAME DAY Tickets * All prices include HST. All prices exclude online service fees. No refunds or Same day tickets are available online, by phone and at the Crave Box Office exchanges. Hot Docs Ted Rogers Cinema Members receive a discount of up at Hot Docs Ted Rogers Cinema until one hour before screening time. to 25%. See www.hotdocscinema.ca for details. Additionally, each venue opens its box office 90 minutes before its first Accessible Screenings screening of the day (see schedule on page 39) and sells same day tickets for screenings at that venue. CC Caption track made available via personal Captiview device. OC Caption track visible on screen. RUSH Tickets ds Audio description provided. If a screening’s advance ticket block is sold out, a limited number of rush The above icons indicate films that offer closed captioning or tickets may be available at the screening venue’s box office 10 minutes described sound, subject to equipment availability, and film screenings before the film begins. Line-ups for rush tickets form roughly one hour that will feature open captioning on screen. When possible, live before the start time. captioning sponsored by Ai-Media will be presented on screen during Q&As. Hearing assist devices are available for all screenings at the FREE Daytime Screenings TIFF Bell Lightbox, Innis Town Hall and Hot Docs Ted Rogers Cinema, subject to equipment availability. Accessible screenings are Seniors (60+) and students with valid ID can take advantage of free same-day supported by The Catherine and Maxwell Meighen Foundation and tickets to films that start before 5pm. Pick up your tickets at the screening the Government of Ontario. For more information, please visit venue’s box office on the day of the screening, subject to availability. www.hotdocs.ca/access. Courtesy of CBC Docs. DESIGN: franklinHEAVY ILLUSTRATION: Robert John Paterson Hot Docs was established in 1993 as an initiative of the Documentary Organization of Canada/Documentaristes du Canada, and was separately incorporated as an independent, charitable organization in 1996. 416.637.3123 : hotdocs.ca : 3 Keep it real all year long. Make Hot Docs your home for eye-opening documentary, discussions and ideas—become a member today. At the Hot Docs Festival: Year-round at Hot Docs Ted Rogers Cinema: • Exclusive discounts and early access window • S pecial pricing and advance ordering on screenings, on ordering tickets, passes and packages series and special events • Free tickets to select screenings • Invitations to members-only screenings • No fees for online ticket purchases • Free tickets and popcorn, plus discounts on merchandise and deals of the month BRONZE $49 SILVER $99 GOLD $359 $38 FOR UNDER-30S $88 FOR UNDER-30S $348 FOR UNDER-30S AND SENIORS AND SENIORS AND SENIORS Go further in supporting Hot Docs’ mission. FROM $1,500 Includes tax receipt for the philanthropic portion of your membership. HOTDOCS.CA/MEMBERS OR VISIT THE CRAVE BOX OFFICE AT HOT DOCS TED ROGERS CINEMA All memberships are valid for one year from date of purchase. Share your love of documentary by paying it forward. A $17.50 DONATION HELPS HOT DOCS GIVE A FESTIVAL TICKET TO SOMEONE IN NEED. Each year, Hot Docs distributes over 14,000 free tickets to students, seniors, newcomers and community partners. Give today and help us continue to reach new audiences and inspire change through the art of documentary. PLEASE VISIT HOTDOCS.CA/DONATE OR THE CRAVE BOX OFFICE AT HOT DOCS TED ROGERS CINEMA TO PAY IT FORWARD! SPECIAL EVENTS APRIL 25–MAY 5, 2019 : HOT DOCS CANADIAN INTERNATIONAL DOCUMENTARY FESTIVAL Opening Night Screening NÎPAWISTAMÂSOWIN: WE WILL STAND UP Catch the world premiere screening of our opening night film, nîpawistamâsowin: We Will Stand Up (p. 13), including an exclusive Q&A with the director and special guests from the film. Supported by Inspirit Foundation. THU, APR 25 9:45 PM HOT DOCS CINEMA Tickets: $24 FREE EVENTS See online for ticketing details. IMAX Screenings at Ontario Place Cinesphere Hot Docs pays tribute to two renowned Canadian IMAX creators, Toni Myers and Jonathan Barker, by screening two of their crowning achievements, Hubble 3D (directed by Toni Myers) and Flight of the Butterflies 3D (produced by Jonathan Barker). Free and family-friendly. Presented in partnership with Ontario Place Corporation, an agency of the Government of Ontario, with support from the Government of Ontario and the Ontario Cultural Attractions Fund. Photo: ©NFB, All Rights Reserved My Grierson Panel Discussion This Curious Minds–style illustrated talk features executive producer Bill Nemtin reflecting on lessons learned from his mentor, John Grierson, who founded the National Film Board of Canada some 80 years ago and whose philosophy on documentary as a tool for social change influences Canadian identity to this day. Presented in partnership with FLIGHT OF THE BUTTERFLIES 3D the NFB. Supported by the Ontario Cultural Attractions Fund. Scientific adventure meets detective story meets natural history epic WED, MAY 1 1:45 PM TBLB FREE in the compelling journey of the monarch butterfly—a perilous year-long migration from Mexico, across the US to Canada, exquisitely captured in beautiful IMAX cinematography. Rogers Audience Award for Best Canadian Documentary HUBBLE 3D Announcement and Encore Screening May 2009: NASA astronauts embark on a mission to perform maintenance and repairs to the Hubble Space Telescope. As they go On the Festival’s final night, join us to celebrate our Canadian filmmakers about their tasks in this celestial workplace, the danger and beauty and to announce the winner of the $50,000 Rogers Audience Award surrounding them are breathtakingly captured. for Best Canadian Documentary, courtesy of the Rogers Group of Funds. SAT, MAY 4 1:30 PM OPCIN FREE SUN MAY 5 7:00 PM HOT DOCS CINEMA FREE 416.637.3123 : hotdocs.ca : 5 HOT DOCS CANADIAN INTERNATIONAL DOCUMENTARY FESTIVAL : APRIL 25–MAY 5, 2019 A Conversation with Ai Weiwei Artist, activist and filmmaker Ai Weiwei joins us for a conversation about his work as a documentary filmmaker and the importance of activism and advocacy in his art. SAT APR 27 10:30 AM BADER Tickets: $17.50 Food & Film Events Join us for intimate events with special guests from our Food & Film Tickets: $35–80 spotlights. Separately ticketed events. Limited tickets available. (includes film, special event, tax & gratuity) Discounts for Hot Docs members do not apply. Supported by the Government of Ontario and the Ontario Cultural Attractions Fund. Not redeemable on Festival passes. NOTHING FANCY AT ROSALINDA Following the 11am screening of Nothing Fancy: Diana Kennedy (p. 11), escape for a vibrant four-course tasting menu at Rosalinda, Toronto’s only Mexican plant-based restaurant, by the notable culinary minds of Grant Van Gameren, Max Rimaldi and Jamie Cook. Post-brunch, Rosalinda chef de cuisine Matthew Ravenscroft and El Rey head chef Rodrigo Aguilar will chat about the celebration of Mexican culture and cuisine in Toronto. SAT, APR 27 11:00 AM TBLB $80 Photo: AJ FERNANDO FOR THE LOVE OF PASTRY Enviable flaky butter croissants, delicate pastries and unparalleled technique and craftsmanship have always been at the heart of French pâtisserie. Join us for a decadent Sunday affair as we pair the return of a past Festival favourite, Kings of Pastry, with a conversation about the influence of France in the world of desserts with special guests. KINGS OF PASTRY D: Chris Hegedus, D.A. Pennebaker | France, Netherlands, USA, UK | 2009 | 86 min In this irresistible vérité confection, 16 pastry chefs from around the world face three days of back-breaking competition at the Meilleurs Ouvriers de France, creating fanciful, gravity-defying French pâtisserie under the scrutiny of meticulous judges. Bon appétit! SUN, APR 28 10:15 AM BADER $35 SALUTE TO PIZZA While many new faces have joined Toronto’s pie scene, Pizzeria Libretto was one of the first gamechangers that revolutionized how we eat pizza. Following the 3:45pm screening of Alla Salute (p. 23), secure your spot in our hands- on pizza-making workshop with Pizzeria Libretto’s executive chef and partner, Rocco Agostino. We’ll explore the origins of Neapolitan pizza, and how food creates warm memories and community. SUN, MAY 5 3:45 PM TBLB $80 6 : 416.637.3123 : hotdocs.ca APRIL 25–MAY 5, 2019 : HOT DOCS CANADIANS INTERNATIONALPECIA DOCUMENTARYL EVEN FESTIVALTS PRESENTED BY BIG IDEAS THE REST Featuring artist, activist and director Ai Weiwei Ai Weiwei, celebrated contemporary artist, activist and director of The Rest (p.
Recommended publications
  • The Clash of Two Images China's Media
    THE CLASH OF TWO IMAGES CHINA’S MEDIA OFFENSIVE IN THE UNITED STATES by FAN BU MAY 2013 Committee Fritz Cropp, Chair Clyde Bentley Wesley Pippert ii THE CLASH OF TWO IMAGES CHINA’S MEDIA OFFENSIVE IN THE UNITED STATES Fan Bu Fritz Cropp, Project Supervisor ABSTRACT At a time when most Western newspaper and broadcasting companies are scaling back, China's state-run media organizations are fast growing and reaching into every corner of the world, especially in North America and Africa. The $7 billion campaign to expand China’s soft power has significantly increased its media presence. But are these media offensive efforts effective? This paper analyzes the current state of the media expansion, the motivation behind it, the obstacles, suggestions and the outlook in the decades to come. iii TABLE OF CONTENTS ABSTRACT……………………………………………………...……………………….ii Chapter 1. INTRODUCTION...................................................................................................1 Goals of the Study 2. WEEKLY FIELD NOTES………………………………………………………..4 3. EVALUATION…………………………………………………………………..35 4. PHYSICAL EVIDENCE OF WORK……………………………………………39 5. ANALYSIS COMPONENT……………………………………………………..42 REFERENCES…………………………………………………………………………..53 APPENDIX 1. PROFESSIONAL PROJECT PROPOSAL………………………...……………55 2. QUERY LETTER..................................................................................................66 1 CHAPTER ONE: INTRODUCTION Growing up in Beijing, I was one of hundreds of millions who watched the China Central TV prime time newscast each night at 7. But I never realized how biased the programs were until I traveled back home recently after studying and working in journalism in the United States for five years. In the half-hour show, international news normally takes 5 to 10 minutes, most of which report on negative news around the world, such as riots in the Middle East or the economic crisis in Europe.
    [Show full text]
  • Hotdocs.Ca Hotdocs.Ca
    LOOK CLOSER IMAGE: THE GIRL DOWN LOCH ÄNZI CONCEPT: CAI SEPULIS DESIGN: franklin HEAVY APRIL 27–MAY 7, 2017 HOTDOCS.CA Presenting Platinum Partner Presenting Partners Major Supporters Official Airline Partner Your dream in focus. Honours Bachelor of Film and Television APRIL 27–MAY 7, 2017 : HOT DOCS CANADIAN INTERNATIONAL DOCUMENTARY FESTIVAL WELCOME TO HOT DOCS 2017 PHOTO: CHRISTIAN PEÑA FIND YOUR FILMS CHOOSE YOUR TICKETS OR PASS Browse films by program or use the title index to find films. More detailed SINGLE TICKETS: $17 film descriptions and a subject index are available at www.hotdocs.ca. SPECIAL EVents: $22–24 BUY YOUR TICKETS $60–150 Food & Film Events ADVANCE Tickets Ticket Packages Perfect for sharing with your friends and family, you can use as many WWW.HOTDOCS.CA tickets as you like per screening and can redeem them in advance. 416.637.5150 Tickets not valid for special events. C raveTV Hot Docs Box Office UNDER 30/SENIOR 6-PACK: $99 605 Bloor Street West 10-PACK: $149 Hours 20-PACK: $249 Monday–Friday: 10am–7pm Saturday–Sunday: 10am–5pm Ticket package holders can redeem their tickets online at www.hotdocs.ca, Thursday, April 27–Sunday, May 7: 10am–7pm by phone or in person at the CraveTV Hot Docs Box Office. SAME DAY Tickets Passes Same day tickets are available online, by phone and at the CraveTV Hot Docs Access screenings without having to select films or book tickets Box Office until one hour before screening time. in advance. Simply show your pass at the screening venue to obtain Additionally, each venue opens its box office one hour before its first your ticket.
    [Show full text]
  • Simon Fraser University Special Collections and Rare Books
    Simon Fraser University Special Collections and Rare Books Finding Aid - Robert Bringhurst fonds (MsC 154) Generated by Access to Memory (AtoM) 2.0.1 Printed: March 23, 2015 Language of description: English Simon Fraser University Special Collections and Rare Books W.A.C. Bennett Library Simon Fraser University 8888 University Drive Burnaby British Columbia V5A 1S6 Canada Telephone: 778-782-4626 Fax: 778-782-3023 Email: [email protected] http://atom.archives.sfu.ca/index.php/msc-154 Robert Bringhurst fonds Table of contents Summary information ...................................................................................................................................... 3 Administrative history / Biographical sketch .................................................................................................. 3 Scope and content ........................................................................................................................................... 4 Arrangement .................................................................................................................................................... 5 Notes ................................................................................................................................................................ 5 Access points ................................................................................................................................................... 5 Series descriptions ..........................................................................................................................................
    [Show full text]
  • PENNY LANG: 1942-2016 “One of Canada’S Undeniable Treasures” Montreal Int’L Jazz Festival
    PENNY LANG: 1942-2016 “one of Canada’s undeniable treasures” Montreal Int’l Jazz Festival Penny Lang emerged on the North American music scene in the 1960s. Her powerful interpretations and originals in folk, blues, country and gospel have gained her a large and devoted following as "a superb singer of sardonic folk material… hugely entertaining" (The Toronto Star). She also remained true to the art of entertaining, keenly perceptive and able to read the mood of her audiences. No two shows were alike, as she was a master communicator. Her songs: emotionally powerful observations of the human condition, sometimes poignant, sometimes hilarious, always memorable. Born in east-end Montréal to a musical family, Penny Lang learned the ropes in prisons, hospitals, churches, camps and dusty old theatres. During the 1960s she performed at major folk festivals (Philadelphia, Mariposa..), folk clubs and countless bars throughout North America. Her mentors were Dave vanRonk and Kate McGarrigle; she hung with Stevie Wonder and the Reverend Gary Davis; she adored Nina Simone and Pete Seeger. A near brush with fame occurred when she was asked to record Leonard Cohen’s Suzanne for a US major label but it was not to be. Her darkest years lay ahead of her, and Penny left regular performing in 1970 after the birth of her son Jason. In 1988, after some time living in rural Québec, Penny re-emerged a stronger woman and a more powerful force. With the help of friends she directed her energies into songwriting, and was welcomed back to an adoring public. She became the darling of le tout Montréal, virtually precipitating a folk/roots revival.
    [Show full text]
  • 2018 Annual Report
    2 018 Annual Report For the year ending in December 31, 2018 2018 ONTARIO PLACE ANNUAL REPORT Table of Contents Table of Contents 2 Overview of 2018 Programs and Activations 3 Operational & Financial Highlights – 2018 Programs and Activations 5 2018 Board of Directors (to November 14, 2018) 6 Redevelopment of Ontario Place 7 2018 Senior Management Team 7 Management’s Responsibility for Financial Reporting 8 Independent Auditor’s Report 9 Financial Statements 11 Notes to Financial Statements 17 An Agency of the Government of Ontario Ministry of Tourism, Culture and Sport Ontario Place Corporation 955 Lake Shore Boulevard West Toronto, ON Canada M6K 3B9 www.ontarioplace.com [ 2 ] 2018 ONTARIO PLACE ANNUAL REPORT Overview of 2018 Programs and Activations In 2018, Ontario Place offered visitors cultural, artistic, culinary and recreational programs and activations on a year round basis. The 2018 Summer Program at Ontario Place included the following activities: • Yoga in Trillium Park offered free yoga classes every Saturday and Sunday morning during the summer months; • Music and Theatre in Trillium Park offered live musical and theatrical performances on Thursday evenings and Sunday afternoons; • Recreational offerings included a synthetic skating rink, volleyball courts, ping pong tables, both table and life size chess, and an Imagination Playground for children of all ages; • Boat Rentals offered kayaks, canoes, paddleboats and rowboats for aquatic exploration; • Segway Tours offered small guided tours through the site; and • Various food and beverage offerings throughout the site including the Vista Eatery on the edge of Lake Ontario. In addition to these activities, Ontario Place operates a 240 slip Marina.
    [Show full text]
  • Morrison Announces Resignation As A.D. Fire Marshall Confident About
    Dmlv Nexus Volume 69, No. 105 Wednesday, April 5, 1989_______________________ University of California, Santa Barbara One Section, 16 Pages Devereaux Morrison Announces Operating Resignation as A.D. had with players.... To have a License in San Jose State Head chance at this stage of my life to go back to that is something I Coaching Offer Too can’t say no to. I’ve had some opportunities before this, but this Jeopardy Good to Let Pass By, one made sense.” Immediate impacts from Signs Four-Year Deal Morrison’s decision include questions regarding morale I.V. School Tightens within the Gaucho sports circle, By Scott Lawrence especially by coaches who say Security Procedures Staff Writer Morrison had made great strides in terms of personnel fervor and White Investigations UCSB Athletic Director Stan sense of purpose. Morrison resigned Tuesday to Reaction to Morrison’s an­ by State Continues accept the head basketball nouncement was consistent coaching position at San Jose among the coaches, who stood State, he announced at a Tuesday stunned inside the Events Cen­ morning press conference. ter’s Founder’s Room while By Adam M oss Morrison, a former head coach Morrison gave a 45-minute ad­ Staff Writer at Pacific and USC, will replace dress on his decision and on the Bill Berry, who was fired last state of Gaucho athletics. Under the looming threat of month following a season under­ “I’ve been here 13 years,” losing its license, the Devereux fire that began when 10 Spartan Head Women’s Volleyball Coach School in Isla Vista volunteered to players walked off the squad on Kathy Gregory said, “and I’d like increase security and tighten its Jan.
    [Show full text]
  • “A Single-Shot Masterpiece.”
    JANUARI 2020 ZED SPRAK MET Fabrice du Welz ZED SPRAK MET Willem Wallyn “We zijn allemaal wel wat prutsers.” EINDEJAARSLIJSTJES De beste films van 2019 Onze vrouw op IDFA Blue Monday movies 1917 Filmanjaro “A single-shot masterpiece.” Muidhond, THE GUARDIAN de nieuwe film van Patrice Toye Cinema ZED-STUK Cinema ZED-Vesalius Naamsestraat 96 A. Vesaliusstraat 9c 3000 Leuven 3000 Leuven SCHEMAP. 301 Word lid van Club ZED Hou je van film? Hou je van een regelmatig avondje uit naar de bioscoop? Wil je graag alles weten over de komende releases, evenementen en belangrijke filmmakers? Dan is Club ZED iets voor jou. DE VOORDELEN Maandelijks het ZED magazine in je brievenbus Maandelijks 2 tickets voor een film naar keuze uit deze maandprogrammatie Een Club ZED kortingskaart die je recht geeft op het kortingstarief voor alle bijkomende tickets PRIJS € 18 per maand € 100 per 6 maand HOE GAAT HET IN ZIJN WERK? MELD JE AAN OP CINEMAZED.BE/CLUBZED. Leden ontvangen naast het ZED Magazine maandelijks 2 unieke ticket-codes. Deze codes kunnen online of aan de balie omgewisseld worden voor filmtickets naar keuze. Deze codes zijn enkel geldig voor voorstellingen van de lopende maand- programmatie. De minimale duur van een abonnement is 3 maanden en kan te allen tijde opgezegd worden. 2 Met in- of uitleiding Met live begeleiding Onuitgegeven ontdekking Alle films zijn Nederlands ondertiteld, tenzij anders aangegeven. INHOUD Recente releases Play it Again Sam Blue Monday 4 1917 14 Little Joe 20 The Irishman 27 Singin’ in the Rain 5 Ghost Tropic Muidhond
    [Show full text]
  • CCA Wattis Institute for Contemporary Arts Presents: Abbas Akhavan: Cast for a Folly May 9 Through July 27, 2019 Curated by CCA Wattis Institute Curator Kim Nguyen
    CCA Wattis Institute for Contemporary Arts presents: Abbas Akhavan: cast for a folly May 9 through July 27, 2019 Curated by CCA Wattis Institute curator Kim Nguyen Akosua Adoma Owusu: Welcome to the Jungle May 9 through July 27, 2019 Curated by CCA Wattis Institute curator Kim Nguyen Above: Abbas Akhavan, Study for a Garden: Fountain (installation view, Delfina Foundation, London), 2012. Oscillating water sprinkler, pump, hose, pvc pond liner, water, dimensions variable. Courtesy of Catriona Jeffries, Vancouver. Photo: Christa Holka. Below: Akosua Adoma Owusu, Split Ends, I Feel Wonderful, 2012 (still). 16mm film transfer to video, 4 mins. Courtesy of the artist. San Francisco, CA—March 12, 2019—CCA Wattis Institute for Contemporary Arts proudly presents two new solo exhibitions, Abbas Akhavan: cast for a folly and Akosua Adoma Owusu: Welcome to the Jungle. For multi- disciplinary artist Abbas Akhavan, this exhibition is his first U.S. solo show and the culmination of his year as the 2018–2019 Capp Street Artist-in- Residence. Ghanaian-American filmmaker Akosua Adoma Owusu will present a medley of her films in an installation format—new territory for Owusu—in which two of her films will have their institutional premiere at CCA Wattis. Although these are two independent shows, both artists navigate histories, identities, politics, and materiality through distinct international lenses. “We are thrilled to present the newest works by each of these incredible artists,” says Kim Nguyen, CCA Wattis Institute curator and head of programs. “Abbas Akhavan’s time and attention to place made him a perfect fit for the Capp Street residency, where he can really delve into the ethos of San Francisco and its communities.
    [Show full text]
  • Being Malala MANISH MALHOTRA
    Terror and the ANTI-MUSLIM RHETORIC MANISH MALHOTRA Unplugged The Rise and Rise OF K-BEAUTY Being Social Away from SOCIAL MEDIA Being Malala DEC/JAN 2016 $4.99 CAD | Dhs 18.08 AED | £3.28 THE GIRL WHO LIVED 2 SHE CANADA HOSPITALITY DEVELOPMENT ENTERTAINMENT The Sunray Group is a dynamic and innovative organization specializing in the fast-growing hospitality industry in such areas as hotel development and management, property development and entertainment. The Group is successfully building an ever-increasing portfolio of award-winning brands, which include partnerships with Marriott Hotels, Best Western, Choice Hotels, McDonald’s and Tim Horton’s. The Sunray Group currently owns and operates 15 hotels across Ontario and Quebec. Most recently the Group has expanded into the entertainment industry, collaborating with some of India’s finest talent to bring to Canadian audiences. www.sunraygroup.ca | [email protected] | 1011 Bloor Street East, Oshawa, ON SHE CANADA 3 Editor/Publisher KAMRAN ZAIDI Executive Editor PRIYA KUMAR Associate Editor AAISHA ZAFAR ISLAM National Account Manager JACQUELINE NOVAK Art Layout Lead SABRINA LLORENTE Travel Contributor PETER MEYLER Features Contributors MARIA VASSILIOU, JUNIA GONCALVES Marketing Manager ERUM ZEHRA Subscription Inquiries: Please go to http://shemagazine.ca/subscribe To Contact SHE Canada: Write to SHE Canada, 1999 Avenue Rd., Toronto, ON, M5M 4A5 Or [email protected], Facebook: SHECanada Twitter: @SHECanada For Advertising Inquiries: Please contact Kamran Zaidi, 416 644 7788, 416 878 0SHE DANNIJO [email protected] Ipsa oxidized silver-plated, bead and suede necklace $736 SHE MAGAZINE CANADA IS A REGISTERED TRADEMARK OF KAMRA ON PRODUCTIONS INC.
    [Show full text]
  • Mother Tongue Film Festival
    2016–2020 Mother Tongue Film Festival Five-Year Report RECOVERING VOICES 1 2 3 Introduction 5 By the Numbers 7 2016 Festival 15 2017 Festival 25 2018 Festival 35 2019 Festival 53 2020 Festival 67 Looking Ahead 69 Appendices Table of Contents View of the audience at the Last Whispers screening, Terrace Theater, Kennedy Center. Photo courtesy of Lena Herzog 3 4 The Mother Tongue Film Festival is a core to the Festival’s success; over chance to meet with guest artists and collaborative venture at the Smithso- time, our partnerships have grown, directors in informal sessions. We nian and a public program of Recov- involving more Smithsonian units and have opened the festival with drum ering Voices, a pan-institutional pro- various consular and academic part- and song and presented live cultural gram that partners with communities ners. When launched, it was the only performances as part of our festival around the world to revitalize and festival of its kind, and it has since events. sustain endangered languages and formed part of a small group of local knowledge. The Recovering Voices and international festivals dedicated We developed a dedicated, bilingual partners are the National Museum of to films in Indigenous languages. (English and Spanish) website for Natural History, the National Museum the festival in 2019, where we stream of the American Indian, and the Cen- Over its five editions, the festival has several works in full after the festival. ter for Folklife and Cultural Heritage. grown, embracing a wide range of And, given the changing reality of our Through interdisciplinary research, audiovisual genres and experiences, world, we are exploring how to pres- community collaboration, and pub- drawing audiences to enjoy screen- ent the festival in a hybrid live/on- lic outreach, we strive to develop ef- ings often at capacity at various ven- line model, or completely virtually, in fective responses to language and ues around Washington, DC.
    [Show full text]
  • Berlin International Film Festival
    Press Release Forum 2019: Risk Before Perfection Arsenal – Institute for Film and Video Art is putting on the Forum as part of the Berlinale for the 49th time. The main programme consists of 39 films, 31 of which world premieres. This year’s Special Screenings are entitled “Archival Constellations” and will be announced in a second press release. The Forum 2019 main programme doesn’t consider itself some sort of ‘best of’ list, but rather gathers together a selection of films that try 69. Internationale things out, take a stance and refuse to compromise. Some look back at Filmfestspiele the history of the 20th century, while others focus on what’s to come, Berlin even as they remain anchored in the here and now. Numerous films take 07. – 17.02.2019 the written word as their starting point, drawing on or making explicit Press Office reference to literature or working with letters, poems and other writings. Potsdamer Platz 11 In the hands of Kelly Copper and Pavol Liska from the Nature Theater of 10785 Berlin Oklahoma, Elfriede Jelinek’s ghost novel “Die Kinder der Toten” thus becomes the Super 8 silent film Die Kinder der Toten, in which Phone +49 · 30 · 259 20 · 707 Fax +49 · 30 · 259 20 · 799 doppelgangers, the undead, a Nazi widow, a suicidal forester and a family of Syrian poets haunt Styria– at once a heimatfilm with a brass [email protected] band soundtrack and an exercise in home movie horror. www.berlinale.de With its magnificent costumes and opulent images, Rita Azevedo Gomes’ adaptation of a Robert Musil novella A portuguesa (The Portuguese Woman) seems almost classic by comparison.
    [Show full text]
  • February 2018.Pdf
    Founder: Vishva Nath (1917-2002) VOLUME 10 • ISSUE 2 Editor-in-Chief, Publisher & Printer: Paresh Nath FEBRUARY 2018 cover story / politics 26 Model Minority The hard questions facing the poster boy of Canadian multiculturalism daniel block The young and stylish Jagmeet Singh is the first non- white person ever to be elected the leader of a major Canadian political party. While his impressive rise is a testament to Canada’s multicultural ethos, Jagmeet is controversial within India and has a testy relationship with its government. His activism around India’s 1984 anti- Sikh pogroms has exposed tensions between Punjabi and diaspora Sikhs, and within the Sikh diaspora itself. In his quest to become the Canadian prime minister, Jagmeet will have to contend with his country’s turbulent relationship with religious minorities, his party’s inconsistent electoral fortunes and certain violent elements of Sikh politics. perspectives 26 18 politics 18 Temple Run Will Karnataka’s real, devout Hindus please stand up? narayana a 50 satire 22 A Modest Proposal For preventing the children of poor people in religion India from being a burden to their parents or 50 Bearing The Cross the economy, and for making them beneficial Pakistan’s Christians struggle to keep the faith to the public sarah eleazar kushanava choudhury FEBRUARY 2018 3 the lede 8 communities 8 A Pack of Troubles 64 How Spiti is coping with its stray-dog problem bhanu sridharan agriculture 12 Barren Land A saffron farmer’s take on crop photo essay / environment failure in Kashmir 64 The Great qazi wasif Outdoors The picnicking subculture communities in eastern India 14 Shifting Impressions arko datto What the preservation of a Roma identity entails alexander hurst books 94 arts 78 Out of Focus What Raghubir Singh did not see ratik asokan 78 the bookshelf 92 showcase 94 NOTE TO READERS: THE “SPONSORED FEATURES” ON PAGES 48–49 AND 62–63 editor’s pick 98 ARE PAID ADVERTISING CONTENT.
    [Show full text]