ASCAP 2013 Annual Report
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Press Contacts
Press Contacts: Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org Berkshire Theatre Group Presents Grammy Award-Winner Jimmy Webb: The Glen Campbell Years Highlighting some of the 100-plus recordings from the Webb/Campbell songbook Pittsfield, MA– Berkshire Theatre Group (BTG) presents Grammy Award-winner Jimmy Webb: The Glen Campbell Years, highlighting some of the 100-plus recordings from the Webb/Campbell songbook at The Colonial Theatre on Saturday, March 18 at 8pm. Tickets to Jimmy Webb: The Glen Campbell Years are $25, $35 and $45. Contact the Colonial Ticket Office at 111 South Street, Pittsfield by calling 413-997-4444, or online at www.berkshiretheatregroup.org. Ticket Offices are open Monday-Friday 10am-5pm, Saturdays 10am-2pm or on any performance day from 10am until curtain. Songwriter Jimmy Webb has had chart-topping hits in a unique range of genres over the last 50 years, from country to pop to disco, with songs including “Worst That Could Happen,” “The Highway Man,” “Up, Up and Away” and “MacArthur Park.” But, perhaps the most enduring partnership out of all those memorable songs, is his musical brotherhood with Glen Campbell. Jimmy Webb: The Glen Campbell Years highlights some of the 100-plus recordings from the Webb/Campbell songbook, pulling the audience in with hits such as “Honey Come Back,” “By the Time I Get to Phoenix,” “Wichita Lineman,” “Galveston” and more! Jimmy Webb, who has shared the stage with legends such as Billy Joel, Vince Gill, Willie Nelson, Jackson Browne, was the youngest man ever inducted into the National Songwriters’ Hall of Fame, and is the current Chairman. -
Ryan Hewitt Selected Producer, Engineer & Mixer Credits
RYAN HEWITT SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Turnpike Troubadours A Long way From Your Heart (Bossier City) P E M David Rhodes Forthcoming Album (Sony UK) E Peace Forthcoming Album P E M Rivers and Rust Welcome To The Show (Tennessee Recording Company) P E M Vance Joy Forthcoming Album (Atlantic) E Dixie Chicks MMXVI In Concert (Sony Music) M Christian Lopez Red Arrow (Blaster Records) E M The Avett Brothers Live Volume 5 (American) E M Bat For Lashes The Bride (Echo Records UK) E Ed Roth Mad Beatnick (Warrior) E M Elle Macho Vovo (Clasher) P E M Anti-Flag American Spring (Spinefarm) M Jared and the Mill Orme Dugas P E M Cody Jinks I'm Not The Devil (Cody Jinks Music) E M The Lumineers Cleopatra (Dualtone) E M The Dixie Chicks DCX MMXVI Live DVD (Columbia) M Dan Mangan Forthcoming Album (Arts & Crafts Canada) E M Matt McAndrew Rush In Slowly (Job Killer Records) M Mercy Trigger Burn It All Down (600Volt/Sony) M The Railers "11:59 Central Standard Time" Single (Warner Bros) E M Sean McConnell Sean McConnell (Rounder) M The Avett Brothers Live Volume 4 (American) M Clint Black On Purpose (Thirty Tigers) E The Black Lillies Hard to Please (Thirty Tigers) P E M Harry Connick, Jr That Would Be Me (Columbia) M Crass Mammoth Crass Mammoth (Three Quarter) P E M Whitey Morgan Sonic Ranch (Independent) P E M Rivers and Rust Rivers and Rust EP (Independentl) M Terence Ryan Will Word & Hand (Three Quarter) M Third Eye Blind Dopamine (Mega Force Records) M August Rain Forthcoming Single (Independent) M Gloriana Three (Emblem/Atlantic) E 1 M- Mixer E- Engineer P- Producer RYAN HEWITT SELECTED PRODUCER, ENGINEER & MIXER CREDITS: Jessie J / Gary Barlowe Finding Neverland (Universal) E Nathen Maxwell & the Bunny Gang Thrive (Hardline Entertainment) P E M Whitey Morgan Grandpa's Guitar (Independent) P E M needtobreathe Rivers in the Wasteland (Atlantic) M Frank Ocean Lonny Breaux, Pt. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
As 'Macarthur Park' Turns 45, Jimmy Webb Will Play It in That Park - Los Angeles Times 10/16/13 12:35 PM
As 'MacArthur Park' turns 45, Jimmy Webb will play it in that park - Los Angeles Times 10/16/13 12:35 PM ! Back to Original Article As 'MacArthur Park' turns 45, Jimmy Webb will play it in that park Jimmy Webb wrote the odd 1960s hit 'MacArthur Park,' recorded by Richard Harris. He has a sense of humor about it. And yes, he saw a cake left out in the rain. June 14, 2013 | By Randy Lewis, Los Angeles Times Before becoming a widely lauded songwriter, Jimmy Webb was just another aspiring musician living in a dingy Los Angeles apartment. The Oklahoma transplant would wander from his low-rent flat in Silver Lake to a place that would inspire one of his most indelible hits, MacArthur Park. There, between Wilshire and 7th, he'd wait for his girlfriend to get off work from her job nearby. "I used to eat lunch in the park," said Webb, 66. "It was a place you could be away from the dreariness of a really bottom-scale apartment." The scenes he saw there day after day inspired him to write "MacArthur Park," the unlikely 1968 hit single sung by actor Richard Harris. TIMELINE: Must-see summer music Now, 45 years after the location he immortalized became an unlikely pop-culture touchstone, Webb will sing "MacArthur Park" in MacArthur Park on Saturday to kick off a summer concert series. It's a first for Webb, who's never performed the song at its namesake location. "MacArthur Park was — perhaps I'm painting it with the brush of nostalgia — a kind and gentle place," Webb said. -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
January 2021 BLUESLETTER Washington Blues Society in This Issue
Bluesletter J W B S . Nick Vigarino Still Rocks the House! Live at the US Embassy: Blues Happy Hour Remembering Jimmy Holden LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 I’m opening my letter with Keeping the Blues Alive Award another remembrance of another friend lost in our 2021 OFFICERS blues community. I have had to President, Tony Frederickson [email protected]@wablues.org do this a few too many times Vice President, Rick Bowen [email protected]@wablues.org lately and it is a reminder of Secretary, Marisue Thomas [email protected]@wablues.org how fragile life is and how Treasurer, Ray Kurth [email protected]@wablues.org important it is to live every day Editor, Eric Steiner [email protected]@wablues.org and make as many memories as you can. 2021 DIRECTORS Jimmy Holden passed away recently. I know there are many music Music Director, Open [email protected]@wablues.org fans who have great memories of Jimmy and his many performances Membership, Chad Creamer [email protected]@wablues.org and he touched many hearts with warmth, humor and melody. I will Education, Open [email protected]@wablues.org miss Jimmy for all of his wonderful stories about his travels. He Volunteers, Rhea Rolfe [email protected]@wablues.org traveled far and wide and we shared experiences we had both had Merchandise, Tony Frederickson [email protected]@wablues.org in multiple different localities around the world. Our conversations Advertising, Open [email protected]@wablues.org often lead to stories about adventures in Hong Kong, Thailand and other exotic places. -
2018 ASCAP Jazz Awards Program Book
2018 2018 PAUL WILLIAMS PRESIDENT & CHAIRMAN ELIZABETH MATTHEWS CHIEF EXECUTIVE OFFICER ASCAP BOARD OF DIRECTORS WRITERS JOEL BECKERMAN | RICHARD BELLIS | BRUCE BROUGHTON | DESMOND CHILD | DAN FOLIART | MICHELLE LEWIS MARCUS MILLER | RUDY PÉREZ | ALEX SHAPIRO | JIMMY WEBB | PAUL WILLIAMS | DOUG WOOD PUBLISHERS MARTIN BANDIER | CAROLINE BIENSTOCK | BARRY COBURN | JODY GERSON | ZACH KATZ | DEAN KAY JAMES M. KENDRICK | LEEDS LEVY | MARY MEGAN PEER | JON PLATT | IRWIN Z. ROBINSON THE FOUNDERS AWARD Roscoe Mitchell is an internationally renowned musician, composer, and innovator. His role in the resurrection of long neglected woodwind instruments of extreme register, his innovation as a solo woodwind performer, and his reassertion of the composer into what has traditionally been an improvisational form have placed him at the forefront of contemporary music for over five decades. Mr. Mitchell is a founding member of the Art Ensemble of Chicago, the Association for the Advancement of Creative Musicians and the Trio Space. Additionally, Mr. Mitchell is the founder of the Creative Arts Collective, The Roscoe Mitchell Sextet, The Roscoe Mitchell Quartet, The Roscoe Mitchell Art Ensemble, The Sound Ensemble, The New Chamber Ensemble and the Note Factory. He has recorded over 100 albums and has written hundreds of compositions. His compositions range from classical to contemporary, from passionate and forceful improvisations to ornate orchestral music. His most recent recording, Discussions, was counted among “The 25 Best Classical Music Recordings of 2017” by the New York Times. Also, for five decades, he has designed the Percussion Cage, an elaborate percussion instrument consisting of instruments from around the world, as well as many found instruments. -
ALLA Press Release May 26 2015 FINAL
! ! ! A$AP ROCKY’S NEW ALBUM AT.LONG.LAST.A$AP AVAILABLE NOW ON A$AP WORLDWIDE/POLO GROUNDS MUSIC/RCA RECORDS TRENDING NO. 1 ON ITUNES IN THE US, UK, CANADA, AUSTRALIA, FRANCE, GERMANY AND MORE SOPHOMORE ALBUM FEATURES APPEARANCES BY KANYE WEST, LIL WAYNE, ScHOOLBOY Q, MIGUEL, ROD STEWART, MARK RONSON, MOS DEF, JUICY J, JOE FOX AND OTHERS [New York, NY – May 26, 2015] A$AP Rocky released his highly anticipated new album, At.Long.Last.A$AP, today (5/26) due to the album leaking a week prior to its scheduled June 2nd release date. The album is currently No. 1 at iTunes in the US, UK, Canada, Australia, France, Germany, Denmark, Finland, New Zealand, Poland, Switzerland, Russia and more. The follow-up to the charismatic Harlem MC’s 2013 release, Long.Live.A$AP, A$AP Rocky’s sophomore album, features a stellar line up of guest appearances by Rod Stewart, Miguel and Mark Ronson on “Everyday,” ScHoolboy Q on “Electric Body,” Lil Wayne on a new version of the previously released “M’$,” Kanye West and Joe Fox on “Jukebox Joints,” plus Mos Def, Juicy J, UGK and more on other standout tracks. Producers Danger Mouse, Jim Jonsin, Juicy J and Mark Ronson among others, contributes to the album’s trippy new sound. Executive Producers include Danger Mouse, A$AP Yams and A$AP Rocky with Co-Executive Producers Hector Delgado, Juicy J, Chace Johnson, Bryan Leach and AWGE. In 2013, A$AP Rocky announced his global arrival in a major way with his chart- topping debut album LONG.LIVE.A$AP. -
Mosaic 1979.Pdf
MOSAIC The MOSAIC is a product of the Honors Program of the Colleges of the Arts and Sciences at The Ohio State University. mosaicist: 1. a maker or designer of mosaics; 2. a dealer in mosaics (The Random House Dictionary of the English Language, unabridged, 1968) EDITOR: Patricia J. Saluga COVER PHOTO: William B. Moore ADVISORS: Marcy B. Gerrard and Jack Cooley STAFF Mark Bajorek David Rosinger Dhruva Banerjee Susan Salopek Jim Blackwell Dale Smith Nancy Bliesner Tim Taylor LeAnn Eyerman Richard Thomas Debbie Herdman Dan Wilson Steve Luebbers Paul Zola Stephanie Lyles The MOSAIC staff would like to recognize Marcy B. Gerrard as founder and Dr. Sydney Pressey as initial beneficiary of the MOSAIC. Comfort for an Artist's Task To an onlooker an artist is just simply he Who sits in unending tranquility, And who, seemingly lacking for some chore, Sees fit to keep all world-winds at lee. But in the hope of finding that inner door Into a room burst with creativity, The artist is tackling a great problem's core, Which may leave his body exhausted and tore. So thus I am, when attempting to find That triumphant work of my hidden mind; For the laboring of spirit and my soul Will leave me broken and away from my kind. Yet to achieve this work is my only goal: The loss of all else is but a petty toll. JosephJ. Rushanan Musing Wishes are like dreams So fragile A cobweb of delicate hope Interwoven Donna Smith The Singer a circus air ... anticipation. gosh-it's-somebody-famous. -
The Grey Album and Musical Composition in Configurable Culture
What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture This article uses The Grey Album, Danger Mouse’s 2004 mashup of Jay-Z’s Black Album with the Beatles’“White Album,” to explore the ontological status of mashups, with a focus on determining what sort of creative work a mashup is. After situating the album in relation to other types of musical borrowing, I provide brief analyses of three of its tracks and build upon recent research in configurable-music practices to argue that the album is best conceptualized as a type of musical performance. Keywords: The Grey Album, The Black Album, the “White Album,” Danger Mouse, Jay-Z, the Beatles, mashup, configurable music. Downloaded from captions. What’s most embarrassing about this is how http://mts.oxfordjournals.org/ immensely improved both cartoons turned out to be.”2 n 1989 Gary Larson published The PreHistory of The Far Larson’s tantalizing use of quotation marks around “acci- Side, a retrospective of his groundbreaking cartoon. In a dentally” implies that the editor responsible for switching the I section of the book titled Mistakes—Mine and Theirs, captions may have done so deliberately. If we assume this to be Larson discussed a couple of curious instances when the Dayton the case and agree that both cartoons are improved, a number of Daily News switched the captions for The Far Side with the one questions emerge. What did the editor do? He/she did not for Dennis the Menace, its neighbor on the comics page. The come up with a concept, did not draw a cartoon, and did not first of these two instances had, by far, the funnier result: on the compose a caption. -
Client and Artist List
STUDIO AT THE PALMS Client List 2 Cellos David Copperfield Jeff Timmons 50 Cent Death Cab for Cutie Jersey Boys (Broadway) Aaron Lewis Diplo Joe Bonamassa Akina Nakamori Disturbed Joe Jonas Akon Divinyls Joey Fatone Al B Sure Dizzy Wright Joey McIntyre Alabama DJ Mustard John Fogarty Alan Parsons Doc McStuffins John Legend Ali Lohan Donny & Marie Johnny Gill Alice in Chains Dr. Dre JoJo Alicia Keys Dr. Luke Jordin Sparks Andrea Bocelli Duck Commander Josh Gracin Annie Leibovitz Eddie Levert Jose “Pepe” Quintano Ashley Tinsdale Ellie Goulding Journey Barry Manilow Elton John Jr. Sanchez Beauty of Magic (Broadway) Eminem (Grammy) Juan Montero Beyonce Ennio Morricone Juicy J Bianca Ryan Eric Benet Justin Timberlake Big Sean Evanescence K Camp Billy Bob Thornton Eve Katy Perry Birdman Family Feud (TV) Keith Galliher Bird and the Bee Family Guy (TV) Kelly Rowland Black Eyed Peas Far East Movement Kendrick Lamar Black Stone Cherry Frankie Moreno Keri Hilson Blue Man Group (Broadway) Franky Perez Keyshia Cole Bobby Valentino Future Kool & the Gang Bone, Thugs & Harmony Gavin Rossdale Kris Kristofferson Boyz II Men Ghostface Killa Kyle Cousins Brandon Flowers Gloriana Hinder Britney Spears Great Big World Lady Gaga Busta Rhymes Goo Goo Dolls Lang Lang Carnage Graham Nash Larry Goldings Charise Guns n’ Roses Lee Carr Cassie Gucci Mane Lee Hazelwood Cedric the Entertainer Gym Class Heroes Lil Jon Cee-lo Haley Reinhart Lil Wayne Celine Dion Hinder Limp Bizkit Charlie Wilson Human Nature LL Cool J Chevelle Ice-T LMFAO Chris Daughtry Icona Pop Los -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed.