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A Dramaturgical Analysis of the Miracle Worker
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2016 A Dramaturgical Analysis of The Miracle Worker Abby Butzer Minnesota State University Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Dramatic Literature, Criticism and Theory Commons, History of Science, Technology, and Medicine Commons, and the Otolaryngology Commons Recommended Citation Butzer, A. (2016). A Dramaturgical Analysis of The Miracle Worker [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/641/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. ! A!DRAMATURGICAL!ANALYSIS!FOR!! THE$MIRACLE$WORKER$ $ $ $ $ ! by! ABBY!BUTZER! ! ! ! A!THESIS!SUBMITTED! IN!PARTIAL!FULFILLMENT! OF!THE!REQUIREMENTS!FOR!THE!DEGREE!! MASTER!OF!ARTS! IN!! THEATRE!ARTS! ! MINNESOTA!STATE!UNIVERSITY,!MANKATO! -
Women's Center
University of North Alabama Women’s Center April 2010 Sexual Assault Awareness Month (excerpted from womenshealth.gov) Sexual assault is defined as any type of sexual activity that you do not agree to. The assault can be verbal, visual, or anything that forces a person to join in unwanted sexual contact or attention. Rape is the most common form of sexual assault and in many situations is committed on a date by a friend or acquaintance. If you or someone you know has been sexually assaulted there are some steps you can take right away after the assault. If you plan to report the assault you should not wash, comb, or clean any part of your body and if possible do not change clothes. You should go to the nearest hospital if possible. If you are afraid of going alone call a friend or family member you trust or you can also call a crisis center or hotline. There are some steps you can take to lower your risk of assault. Some of these steps include: -Be aware of your surroundings. -Walk with confidence, it makes you appear -Be assertive and don't let anyone stronger. violate your space. -Lock doors and windows even if you are -Avoid walking or jogging alone leaving for just for a few minutes. especially at night. If you or someone you know has been assaulted and you want to speak to someone Rape Response offers crisis counseling as well as many other services. To receive counseling you do not have to be a new victim and it can even be an anonymous session over the phone. -
Jean-Claude Van Johnson
! ! ! ! ! ! ! ! ! ! ! ! JEAN-CLAUDE VAN JOHNSON PILOT EPISODE: ‘THE ONE WITH THE BULGARIAN DRUG CARTEL” Written by Dave Callaham October 31, 2014 Scott Free Television UP ON: AN EXTREME CLOSE-UP OF JEAN-CLAUDE VAN DAMME’S FACE. He has a BLACK EYE but is otherwise impassive. Stoic. JCVD (V.O.) My name is Jean-Claude Van Damme. But you already know that, because I am extremely famous. I have starred in dozens of hit movies that have grossed over a billion dollars worldwide. Perhaps you remember my first starring role, in ‘Bloodsport.’ ‘Bloodsport’ is on television all of the time. Or maybe you have seen ‘TimeCop,’ which is like ‘Looper,’ but like a million times better. In ‘Double Impact’ I played twins. So if you have seen ‘Double Impact,’ I am even more famous to you. (beat) But this is not makeup on my eye. PULL BACK TO REVEAL: JCVD is standing in a DANK, DARK HALLWAY... JCVD (V.O.) This is not a movie set. ... where a steel pipe wielding THUG is racing toward him in SUPER SLO-MO. Bad intentions all over his face. JCVD (V.O.) And that man... is not an actor. As the Thug nears... JCVD (V.O.) I know what he is going to do before he does. He is going to swing at my head. Right on cue, the Thug rears back, starts his slo-mo swing. JCVD (V.O.) He must not know who I am. Because if he knew who I am, he would know: my head is a Hard Target. That is the name of one of my hit films. -
TEACHER GUIDE • Assessment Rubric
Contents .................. TEACHER GUIDE • Assessment Rubric ................................................................................... 4 • How Is Our Literature Kit Organized? ......................................................... 5 • Graphic Organizers .................................................................................... 6 • Bloom’s Taxonomy for Reading Comprehension .......................................... 7 • Teaching Strategies ..................................................................................... 7 • Summary of the Story ................................................................................. 8 • Vocabulary .................................................................................................. 9 STUDENT HANDOUTS • Spotlight on William Gibson ....................................................................... 10 • Chapter Questions Act 1, Scene 1 ..................................................................................... 11 Act 1, Scene 2 ....................................................................................... 14 Act 1, Scene 3 ....................................................................................... 17 Act 1, Scene 4 ...................................................................................... 20 Act 2, Scene 1 ...................................................................................... 23 Act 2, Scene 2 ...................................................................................... 26 Act 2, Scene -
Shock Entertainment Dealer Guide NOVEMBER 2019
DEALER GUIDE NOVEMBER 2019 JERRY LEWIS COLLECTION DEAN MARTIN COLLECTION JOHN WAYNE COLLECTION WESTERN 10 PACK COLLECTION CLASSIC ROMANCE COLLECTORS SET COVER TITLE: JERRY LEWIS COLLECTION DEALER GUIDE CONTENTS 03 JERRY LEWIS COLLECTION 04 DEAN MARTIN COLLECTION 05 JOHN WAYNE COLLECTION 06 WESTERN 10 PACK COLLECTION 07 CLASSIC ROMANCE COLLECTORS SET 08 AIR CRASH INVESTIGATION SEASON 1-18 COLLECTION 09 JEAN-CLAUDE VAN DAMME COLLECTION 10 LOVE BOAT SEASON 1 - 4 COLLECTION 11 THE GOLDBERGS SEASON 1 - 5 COLLECTION 12 RELIC HUNTER COLLECTION HD 13 MUTANT X COLLECTION HD 14 THE BEVERLY HILLBILLIES 1 - 5 COLLECTION 15 A TASTE OF CHRISTMAS / SNOWMANCE 16 ANGELS IN THE SNOW / BACK TO CHRISTMAS 17 MAGGIE'S CHRISTMAS MIRACLE / MR CHRISTMAS 18 MY CHRISTMAS LOVE / LOVE STRIKES TWICE 19 ON THE TWELFTH DAY OF CHRISTMAS / MY SANTA 20 A STAR-CROSSED CHRISTMAS / CHRISTMAS MAIL CATPLBD02PS_FRT WWW.SHOCK.COM.AU JERRY LEWIS COLLECTION RELEASE DATE 06.11.19 ARTWORK TBC SPECS LABEL: SHOCK RATING: PG DISCS: 20 DISCS RUN TIME: 1925 MINS SOUND: MONO JERRY LEWIS COLLECTION REGION: 4 ENJOY TWENTY CLASSICS FROM THE MAN DUBBED ‘HOLLYWOOD’S KING OF GENRE: COMEDY / CLASSIC COMEDY’, THE LEGENDARY JERRY LEWIS! ASPECT RATIO: WIDE SCREEN LANGUAGE: ENGLISH The great comedy legend Jerry Lewis left behind an unparalleled career filled with outrageous characters, SUBTITLES: NONE impeccable comedic timing and outright lunacy. This 20-DVD box set is a delight for anyone afflicted with a susceptibility to the fractured antics of Jerry Lewis. SALES & MARKETING KEY SELLING POINTS • Jerry Lewis is one of the best known comedians and actors of his time. -
The "Miracle Worker" and the Transcendentalist: Annie Sullivan, Franklin Sanborn, and the Education of Helen Keller'
H-Disability Morman on Wagner, 'The "Miracle Worker" and the Transcendentalist: Annie Sullivan, Franklin Sanborn, and the Education of Helen Keller' Review published on Saturday, February 1, 2014 David Wagner. The "Miracle Worker" and the Transcendentalist: Annie Sullivan, Franklin Sanborn, and the Education of Helen Keller. Boulder: Paradigm Publishers, 2012. viii + 171 pp. $140.00 (cloth), ISBN 978-1-59451-936-9; $33.95 (paper), ISBN 978-1-59451-937-6. Reviewed by Edward (Ed) T. Morman (Independent) Published on H-Disability (February, 2014) Commissioned by Iain C. Hutchison A Strong Radical Woman and the Philanthropic Men Who Knew Her Can two people, at least one of whom does not fit neatly into any mold, be used to exemplify contrasting social forces? In this delightful book, David Wagner proposes to do just that with Franklin Benjamin Sanborn and Annie Sullivan Macy, even as he points out the pitfalls of such an approach. The theme of the book is social status and the worldviews that go with it. Disability--Sullivan’s visual impairment and Helen Keller’s deaf-blindness--is responsible for the contacts between Sanborn and Sullivan, but their differences (and commonalities) derive from other sources. Sanborn (1831-1917)--considerably better known in his own time than today--was a younger contemporary of the New England transcendentalists. An admirer of Samuel Gridley Howe (1801-76), Sanborn deeply respected Howe’s work as the first director of the Perkins School for the Blind. Sanborn joined Howe as a member of the “Secret Six” funders of John Brown and, after Brown’s failed 1859 raid at Harper’s Ferry, the two men together avoided arrest by fleeing to Canada. -
Press Notes 4 of 14 Wilma Mankiller Reads to Young Students
A Valhalla Entertainment and Red-Horse Native Productions documentary for Vision Maker Media with major funding by the Corporation of Public Broadcasting Directed and Produced by Valerie Red-Horse Mohl Executive Produced by Gale Anne Hurd Publicity: Educational Sales/ All Other Territories Valhalla Entertainment Distribution Valhalla Entertainment 3201 Cahuenga Boulevard Good Docs 3201 Cahuenga Boulevard Los Angeles, CA 90068 Los Angeles, CA 90068 Sarah Feinbloom Lyndsey Miller [email protected] Julie Thomson [email protected] [email protected] (323) 850-3034 Home Sales (323) 850-3030 Vision Maker Media 1800 N 33rd St Red-Horse Native Productions Lincoln, NE 68503 Valerie Red-Horse Mohl Shirley Sneve [email protected] [email protected] (402) 472-3522 Not yet Rated, 74 min, Color © 2017 Red Horse Native Productions/Valhalla Entertainment About the Filmmakers Gale Anne Hurd Valerie Red-Horse Mohl MANKILLER Executive Producer MANKILLER Director/Producer Hurd’s career as a Producer was launched when A filmmaker of Cherokee ancestry, Red-Horse she produced and co-wrote THE TERMINATOR. Mohl’s body of work spans over three decades On location in San Francisco, the Mankiller Documentary crew interviews Roxanne Dunbar Ortiz. Pictured from left to right: Ms. Dunbar Ortiz, Hurd’s additional feature credits include the of film and television content creation and Valerie Red-Horse Mohl (Director/Producer), Tarin Anderson (Director of Photography), Robert Swanson (B-Camera Operator). Photo by Curt Mohl. Academy Award winning films -
Wilma Mankiller Principal Chief of the Cherokee Nation 1985-1995
Wilma Mankiller Principal Chief of the Cherokee Nation 1985-1995 Chapter 1 — 1:11 Introduction John Erling: Wilma Pearl Mankiller was the first female Principal Chief of the Cherokee Nation. She served as Principal Chief for 10 years from 1985 to 1995. Before that she served as the first woman Deputy Chief of the Cherokee Nation. In this interview, you will hear Wilma talk about life events that motivated her to become active in Cherokee Tribal Affairs. The interview you are about to hear takes a wonderful glimpse into a meaningful and courageous woman’s life. It is exceptionally unique as it’s her story told in her own words. We encourage you to explore her work and become inspired by reading about her life and learning from this very accomplished woman. Please consult our “For Further Reading” Section. Voices of Oklahoma is honored to have captured Wilma Mankiller’s voice so that many generations from now others will be able to benefit from it. Chapter 2 — 2:12 Mankiller Flats John Erling: Today’s date is August 13th, 2009. Wilma Mankiller: My name is Wilma Mankiller. I’m 63. My date of birth is November 18, 1945. JE: And where are we recording this? WM: We’re recording it at the Cherokee Nation Headquarters in Tahlequah, Oklahoma. JE: Tell us where you were born. WM: I was born at Hastings Indian Hospital in Tahlequah, Oklahoma. JE: In 1945. WM: In 1945. JE: Right. You were raised at Mankiller Flats. WILMa MANKILLER 2 WM: Right. JE: Tell us about Mankiller Flats. -
Helen Keller in Words and Sound - Part 2
HELEN KELLER IN WORDS AND SOUND - PART 2 0. HELEN KELLER IN WORDS AND SOUND - PART 2 - Story Preface 1. A NEAR-DEATH EXPERIENCE 2. CHILD OF THE SILENT NIGHT 3. ANNE SULLIVAN 4. THE MIRACLE WORKER 5. HELEN KELLER - ON TOUR 6. THEY DID NOT TAKE MY SOUL 7. HELEN KELLER IN WORDS AND SOUND - PART 1 8. HELEN KELLER IN WORDS AND SOUND - PART 2 One of the people who encouraged Helen Keller to study at the university level was Alexander Graham Bell. We see him, with Keller and Annie Sullivan, in this photo which was taken during July of 1894. The Library of Congress, which maintains this photo, tells us more: "Alexander Graham Bell with Helen Keller and Annie Sullivan at the meeting of the American Association to Promote the Teaching of Speech to the Deaf, July 1894, in Chautauqua, N.Y." Click on the image for a better view. We continue here with the remaining summary, and audio chapters, of Helen's book, The Story of My Life. Chapter 12 - As a child of the South, Helen had not experienced snow before the winter of 1889. While in the North, she played outside in the cold weather. Her favorite winter sport was tobagonning - which she was able to do with help. Chapter 13 - Even though she'd made great progress, Helen was frustrated because she could not speak. She'd read about a deaf-blind Norwegian girl, named Ragnhild Kaata, who had learned to do what Helen longed for. At the Horace Mann School for the Deaf, Sarah Fuller worked with her. -
Die Filme John Woos Und Die Entwicklung Des Hongkong-Kinos
Die Filme John Woos und die Entwicklung des Hongkong-Kinos. Mit einer annotierten Mediographie. Diplomarbeit im Fach Medienwissenschaft Studiengang Öffentliche Bibliotheken der Fachhochschule Stuttgart – Hochschule für Bibliotheks- und Informationswesen Petra Peuker Erstprüfer: Dr. Manfred Nagl Zweitprüfer: Dr. Horst Heidtmann Angefertigt in der Zeit vom 09. Juli 1999 bis 11. Oktober 1999 Stuttgart, Oktober 1999 Schlagwörter und Abstract John Woo John Woo Hongkong Hong Kong Kino Cinema Kungfu Martial Arts Der Citywolf A Better Tomorrow Blast Killer The Killer Im Körper des Feindes Face/Off Die vorliegende Arbeit befaßt sich mit dem chinesischen Regisseur John Woo. Anhand seiner Werke sollen die wichtigsten Strömungen und Ent- wicklungen im Hongkong-Kino dargestellt werden, wie zum Beispiel die Martial-Arts-Filme in den Siebziger Jahren, die Regisseure der „Neuen Welle“ Anfang der Achtziger Jahre und besonders Woos eigene Leistung, die Neuorientierung des Gangsterfilms. Außerdem beinhaltet diese Arbeit eine annotierte Mediographie, mit aus- gewählten Medien zum Thema Hongkong-Kino und John Woo. This paper reports on the Chinese director John Woo. The most important developments in Hong Kong Cinema are shown by means of his movies, such as the martial arts movies in the seventies, the directors of the „New Wave“ at the beginning of the eighties and especially Woos own achieve- ment, the re-orientation of the gangstermovie. This paper also contains an annotated listing of media dealing with the Hong Kong Cinema and John Woo. 2 Inhaltsverzeichnis -
Hong Kong Hollywood
HARD TARGET H ong Kong i H ollyw ood M ed udgangspunkt i John det spektakulære er så tilpas lidt Østens Sergio Leone verbale, at de kan trodse sprogbarri 'Østens Sergio Leone' er John Woo Woo filmen H ard Target eren og eksporteres bredt - men blevet kaldt, og selvom de to in kigger vi lidt på filmisk som til gengæld er så konventionali- struktører ikke ligner hinanden i kulturudveksling. serede, at de for det meste kun når hverken stil eller temaer, så er sam ud til et smalt og ultraspecialiseret menligningen ganske rammende. publikum. John Woos episke actionfilm - film Efter 20 år (han debuterede som som A Better Tomorrow 1 og 2 (86 og af Flemming Kasper sen instruktør i 1973 hos det legendari 87), The Killer (89) og Hardboiled ske Golden Harvest produktionssel (91 - vist på den danske Natfilmfe skab) og lige så mange film er John stival i februar i år) - tager ærkeame- ctioninstruktøren John Woo er Woo nu ubetinget Hong Kongs mest rikanske genrer og mimer konven A Hong Kong-filmens største eks kendte filmmager - navnef at nævne tionerne som ren overflade, fravrister portnavn siden Bruce Lee, hvis lille når talen falder på hip action. Ikke billederne enhver dybere social og håndfulde kung fu-film fra starten af mindst takket være kometen Quen- historisk resonans. Som en hyperki- 70’erne for længst har opnået klassi- tin Tarantino, der imiterer Woo i nesisk Jean-Pierre Melville (eller en kerstatus. Hong Kongs filmindustri Håndlangerne, lader sin hovedperson mindre beskidt Leone) lader han er blevet berømt for sin store pro se en konstant strøm af Woo-film på sine film blive til parader af referen duktion af kung fu-, action- og fan- sin video i True Romance, og som har cer vredet igennem et helt fremmed tasyfilm: udprægede genrefilm, som skrevet et manuskript som Woo skal perspektiv. -
Broadway Live Presents: !
! ! For Immediate Release! Contact: Sheila Kenny (859) 233-4567 ext.3285 [email protected] BROADWAY LIVE PRESENTS: ! ! ! LEXINGTON, KY (February 18, 2014) -- Broadway Live, The Opera House Fund and KentuckyOne Health present THE MIRACLE WORKER at the Lexington Opera House for five performances March 14 – 16. Few stories are as timeless or reveal the courage and resilience of the human spirit as well as THE MIRACLE WORKER. The stirring dramatization of the story of Helen Keller and her tutor Annie Sullivan has been mesmerizing audiences for decades. The Miracle Worker was playwright William Gibson’s second Broadway effort, and his most acclaimed work. His dramatic retelling of the story of Helen Keller and Annie Sullivan was initially an Emmy Award-winning teleplay for Playhouse 90. Gibson then adapted it for the stage, where it proved a critical and popular hit, garnering Tony Awards for Gibson, director Arthur Penn, and star Anne Bancroft in 1960. The 1962 film version earned Oscar nominations for Gibson and Penn; its stars, Anne Bancroft and Patty Duke, won awards for best actress and best supporting actress, respectively. THE MIRACLE WORKER tells the story of Helen Keller, deaf and blind since infancy, who finds her way into the world of knowledge and understanding with the help of ! (MORE) ! ! Annie Sullivan, her gifted tutor. In some of the most turbulent and emotion-packed scenes ever presented, The Miracle Worker is a story of victory over unbelievable odds – accomplished through conviction, perseverance and love. THE MIRACLE WORKER, produced by Montana Repertory Theatre, has been selected as the “Broadway Buddies” presentation for the 2013-14 season.