35Th Annual NEWS & DDOCUMENTARYOCUMENTARY EEMMYMMY® AAWARDSWARDS

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35Th Annual NEWS & DDOCUMENTARYOCUMENTARY EEMMYMMY® AAWARDSWARDS 335th5th AnnualAnnual TTuesday,uesday, SSeptembereptember 330,0, 22014014 JJazzazz aatt LLincolnincoln CCenter‘senter‘s FFrederickrederick PP.. RRoseose HHallall News & Doc Emmys 2014 program.indd 1 9/18/14 7:09 PM News & Doc Emmys 2014 program.indd 2 9/18/14 7:09 PM 35th Annual NEWS & DDOCUMENTARYOCUMENTARY EEMMYMMY® AAWARDSWARDS LETTER FROM THE CHAIRMAN CONTENTS Welcome to the 35th Annual News & Documentary Emmy® Awards! As 3 LETTER FROM THE CHAIRMAN the new Chairman of the National Academy of Television Arts & Sciences, it 4 LIFETIME ACHIEVEMENT is my pleasure to join you at Jazz at Lincoln Center’s Frederick P. Rose Hall WILLIAM J. SMALL to celebrate the hard work and dedication to craft that we honor tonight. 5 A Force for Journalistic Excellence Much has been written in the consumer and professional press of the in the Glory Days of TV News changes occurring in our industry, the television industry. These well docu- by Elizabeth Jensen mented changes are tectonic: the diversity of new channels continues; the new business models for funding and paying for content are multiplying; the mobile platforms 8 Mr. Small by Bob Schieffer that free the consumer to watch anytime and anywhere are appearing not only in the palm of our hands, but now, even on our wrist watches! 8 Bill the Great This is an exciting time and the journalists and documentarians we pay tribute to this evening by Lesley Stahl are on the front line of these changes. They are our eyes and ears across the globe, bringing back the The Godfather stories that affect each and every one of us. Whether a nightly newscast, an investigative special or 10 by Roger Mudd breaking news, these are the stories we tune in to each night to learn from, to be better informed and to guide us in this rapidly changing and politically volatile world. I can’t think of more impor- 10 Loyalty and Toughness tant work than what tonight’s nominees represent. On behalf of the National Academy, we wish by Tom Bettag to congratulate all of them for their outstanding contribution to the art of television reporting. 12 THE INTERNATIONAL We are especially delighted tonight to honor one of our own, William J. Small, with our Lifetime EMMY® AWARDS Achievement Award for News. Long before he shared his expertise and wisdom leading our News Recognizing Excellence in & Documentary division, Bill was the Bureau Chief of the CBS Washington news office during International News & Current Affairs what some have called the “glory days” of television news. Throughout the ’60s and ’70s and into by Bruce Paisner the ’80s, he was paramount in the dramatic evolution of network news, recruiting the likes of Dan Rather, Bob Schieffer, Diane Sawyer, Lesley Stahl, Bill Moyers, and many others. He changed not 14 NOMINEES only who we watched each evening but how. 44 PRESENTERS We, at the National Academy, would also like to celebrate a treasured-goal: our first ever awards reserved exclusively for Spanish-language news & documentary broadcasts in our 35 year history! 48 OFFICERS OF THE NATIONAL ACADEMY OF TELEVISION ARTS We are happy to embrace our Hispanic colleagues in three new categories. & SCIENCES In addition, we would like to thank all of the industry professionals who generously gave of their time to evaluate and judge the over 1,700 entries we received this year. It is their efforts that 50 SPECIAL THANKS allow us to celebrate the best and the brightest in our industry this year. Finally, I would be remiss in not thanking the national staff of NATAS who worked so hard to make this evening possible, especially Executive Director, David Winn and Manager, Christine The National Academy of Television Arts & Chin, and Awards Chair Linda Giannecchini. Sciences thanks the sponsor of the 35th Annual Enjoy the evening and best of luck to all our nominees! News & Documentary Emmy® Awards: Charles L. Dages Gift bags provided by Chairman National Academy of TV Arts & Sciences ABOUT THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Photography by Marc Bryan-Brown The National Academy of Television Arts & Sciences (NATAS) is a professional service organization dedicated Photos from the event can be viewed at to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educa- www.bryan-brown.com tional and technical achievements within the television industry. It recognizes excellence in television with the coveted Emmy® Award for News & Documentary, Sports, Daytime Entertainment, Daytime Creative Arts & Entertainment, Public & Community Service, and Technology & Engineering. NATAS membership consists of over 14,000 broadcast and media professionals represented in 19 regional chapters across the country. Beyond awards, NATAS has extensive YANGAROO Awards is the official provider of educational programs including Regional Student Television and its Student Award for Excellence for outstanding the digital platform for the submission, judging, journalistic work by high school students, as well as scholarships, publications, and major activities for both industry and voting of all programs in the 35th Annual professionals and the viewing public. For more information, please visit the website at www.emmyonline.tv News & Documentary Emmy® Awards. THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 3 News & Doc Emmys 2014 program.indd 3 9/18/14 7:09 PM LLIFETIMEIFETIME AACHIEVEMENT:CHIEVEMENT: WWILLIAMILLIAM JJ.. SSMALLMALL News & Doc Emmys 2014 program.indd 4 9/18/14 7:09 PM 35th Annual NEWS & DDOCUMENTARYOCUMENTARY EEMMYMMY® AAWARDSWARDS A Force for Journalistic Excellence in the Glory Days of TV News by Elizabeth Jensen A simple list of names conveys the enormity of William J. Small’s impact on the television news business. Dan Rather. Diane Sawyer. Bill Moyers. Bob Schieffer. Bernard Shaw. Connie Chung. Lesley Stahl. Ed Bradley. These giants of the business, and many more well-known names from in front of the camera and behind it, in some way owe their television careers to Small, this year’s lifetime achievement honoree. Small — or “Mr. Small” as he was invariably referred to — ran the legendary CBS News Washington bureau from 1962 to 1974, and then was promoted to senior vice president, director of news and a corporate vice president. Later, he was the president of NBC News, the president of United Press International and the dean of Fordham University’s Graduate School of Business. But it was from his post as Washington bureau chief during the formative years in the television news business that he first made his lasting mark, his insightful talent choices and driving work ethos helping shape the business for the decades to follow. A Chicago native who earned his master’s degree from the University of Chicago after an Army stint, Small started his broadcast career in radio. DAN RATHER AND BILL SMALL IN CHINA In 1962, he had switched to television and was running the newsroom at Louisville, Ky., CBS affiliate WHAS-TV, when he caught the attention of CBS News officials. As Roger Mudd chronicles in his 2008 book “The Place to Be; Washington, CBS, and the Glory Days of Television News,” soon after Small arrived at the Washington bureau, Walter Cronkite’s 15-minute CBS Evening News expanded into a full half-hour, ensuring that the bureau “would be the breadbasket of the CBS News operation.” Thanks to what Mudd called an “uncanny” eye for talent, Small’s bureau was stocked during his tenure with a mix of ambitious up-and-comers such as Rather and Schieffer, and seasoned pros, including Harry Reasoner, and Murrow Boys Eric Sevareid and Daniel Schorr. The list of on-air employees who came through included Marvin Kalb, Ike Pappas, Rita Braver, Bruce Morton, Martha Teichner and Martin Agronsky, and, on the production side Tom Bettag, Cindy Samuels, Ed Fouhy, and Susan Zirinsky, among others. It was, said Rather, “a pantheon of some of the best television journalists who practiced the craft.” Taming of some of the “huge egos” was a part of the job, Rather said, but no one questioned Small’s authority; he ran the bureau “with a Patton-esque fervor,” as Desmond Smith put it in a 1981 New York Magazine profile. His driven correspondents helped contribute to a turnaround for CBS, as the evening newscast surpassed NBC Nightly News in the ratings in 1968. Even more important than the network competition was the standard Small brought to journalism overall, during an era when the monumental stories included the Vietnam War, Watergate, and the Civil Rights move- ment. “I think it’s really important to understand that Bill preached the ROBERT KENNEDY AND BILL SMALL THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 5 News & Doc Emmys 2014 program.indd 5 9/18/14 7:09 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS gospel that our role in the Washington bureau was to be a force for better he engenders such journalism, and that’s almost a verbatim quote,” said Rather. Zirinsky, who loyalty is he always started in the bureau as a desk assistant and is now the executive producer had your back and of 48 Hours, called him “the man who set the standards for ethical report- was at your side.” ing.” Small, she said, had a mission “and I think when you have a single Small’s hiring thing you’re focused on and something of such import it really changes the choices were also dynamic of an industry.” notable, opening In exchange, Small fiercely defended his bureau colleagues, particularly previously closed White House correspondent Rather during his tangles with the Nixon doors to women administration. “There was no one who protected his people more than and people of Bill Small did,” said agent Richard Leibner.
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