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LETTER FROM THE CHAIRMAN CONTENTS

Welcome to the 35th Annual News & Documentary Emmy® Awards! As 3 LETTER FROM THE CHAIRMAN the Chairman of the National Academy of Television Arts & Sciences, it 4 LIFETIME ACHIEVEMENT is my pleasure to join you at Jazz at ’s Frederick P. Rose Hall WILLIAM J. SMALL to celebrate the hard work and dedication to craft that we honor tonight. 5 A Force for Journalistic Excellence Much has been written in the consumer and professional press of the in the Glory Days of TV News changes occurring in our industry, the television industry. These well docu- by Elizabeth Jensen mented changes are tectonic: the diversity of new channels continues; the new business models for funding and paying for content are multiplying; the mobile platforms 8 Mr. Small by that free the consumer to watch anytime and anywhere are appearing not only in the palm of our hands, but , even on our wrist watches! 8 Bill the Great This is an exciting time and the journalists and documentarians we pay tribute to this evening by are on the front line of these changes. They are our eyes and ears across the globe, bringing back the The Godfather stories that affect each and every one of us. Whether a nightly newscast, an investigative special or 10 by breaking news, these are the stories we tune in to each night to learn from, to be informed and to guide us in this rapidly changing and politically volatile world. I can’t think of more impor- 10 Loyalty and Toughness tant work than what tonight’s nominees represent. On behalf of the National Academy, we wish by Tom Bettag to congratulate all of them for their outstanding contribution to the art of television reporting. 12 THE INTERNATIONAL We are especially delighted tonight to honor one of our own, William J. Small, with our Lifetime EMMY® AWARDS Achievement Award for News. Long before he shared his expertise and wisdom leading our News Recognizing Excellence in & Documentary division, Bill was the Bureau Chief of the CBS Washington news office during International News & Current Affairs what some have called the “glory days” of television news. Throughout the ’60s and ’70s and into by Bruce Paisner the ’80s, he was paramount in the dramatic evolution of network news, recruiting the likes of , Bob Schieffer, , Lesley Stahl, Bill Moyers, and many others. He changed not 14 NOMINEES only who we watched each evening but how. 44 PRESENTERS We, at the National Academy, would also like to celebrate a treasured-goal: our first ever awards reserved exclusively for Spanish-language news & documentary broadcasts in our 35 year history! 48 OFFICERS OF THE NATIONAL ACADEMY OF TELEVISION ARTS We are happy to embrace our Hispanic colleagues in three new categories. & SCIENCES In addition, we would like to thank all of the industry professionals who generously gave of their time to evaluate and judge the over 1,700 entries we received this year. It is their efforts that 50 SPECIAL THANKS allow us to celebrate the best and the brightest in our industry this year. Finally, I would be remiss in not thanking the national staff of NATAS who worked so hard to make this evening possible, especially Executive Director, David Winn and Manager, Christine The National Academy of Television Arts & Chin, and Awards Chair Linda Giannecchini. Sciences thanks the sponsor of the 35th Annual Enjoy the evening and best of luck to all our nominees! News & Documentary Emmy® Awards:

Charles L. Dages Gift bags provided by Chairman National Academy of TV Arts & Sciences

ABOUT THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Photography by Marc Bryan-Brown The National Academy of Television Arts & Sciences (NATAS) is a professional service organization dedicated Photos from the event can be viewed at to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educa- www.bryan-brown.com tional and technical achievements within the television industry. It recognizes excellence in television with the coveted Emmy® Award for News & Documentary, Sports, Daytime Entertainment, Daytime Creative Arts & Entertainment, Public & Community Service, and Technology & Engineering. NATAS membership consists of over 14,000 broadcast and media professionals represented in 19 regional chapters across the country. Beyond awards, NATAS has extensive YANGAROO Awards is the official provider of educational programs including Regional Student Television and its Student Award for Excellence for outstanding the digital platform for the submission, judging, journalistic work by high school students, as well as scholarships, publications, and major activities for both industry and voting of all programs in the 35th Annual professionals and the viewing public. For more information, please visit the website at www.emmyonline.tv News & Documentary Emmy® Awards.

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A Force for Journalistic Excellence in the Glory Days of TV News by Elizabeth Jensen

A simple list of names conveys the enormity of William J. Small’s impact on the television news business. Dan Rather. Diane Sawyer. Bill Moyers. Bob Schieffer. Bernard Shaw. . Lesley Stahl. . These giants of the business, and many more well-known names from in front of the camera and behind it, in some way owe their television careers to Small, this year’s lifetime achievement honoree. Small — or “Mr. Small” as he was invariably referred to — ran the legendary CBS News Washington bureau from 1962 to 1974, and then was promoted to senior vice president, director of news and a corporate vice president. Later, he was the president of NBC News, the president of United Press International and the dean of ’s Graduate School of Business. But it was from his post as Washington bureau chief during the formative years in the television news business that he first made his lasting mark, his insightful talent choices and driving work ethos helping shape the business for the to follow. A Chicago native who earned his master’s degree from the University of Chicago after an Army stint, Small started his broadcast career in radio. DAN RATHER AND BILL SMALL IN In 1962, he had switched to television and was running the newsroom at Louisville, Ky., CBS affiliate WHAS-TV, when he caught the attention of CBS News officials. As Roger Mudd chronicles in his 2008 book “The Place to Be; Washington, CBS, and the Glory Days of Television News,” soon after Small arrived at the Washington bureau, ’s 15-minute CBS Evening News expanded into a full half-hour, ensuring that the bureau “would be the breadbasket of the CBS News operation.” Thanks to what Mudd called an “uncanny” for talent, Small’s bureau was stocked during his tenure with a mix of ambitious up-and-comers such as Rather and Schieffer, and seasoned pros, including Reasoner, and and Daniel Schorr. The list of on-air employees who came through included Marvin Kalb, , , Bruce Morton, and Martin Agronsky, and, on the production side Tom Bettag, Cindy Samuels, Ed Fouhy, and , among others. It was, said Rather, “a pantheon of some of the best television journalists who practiced the craft.” Taming of some of the “huge egos” was a part of the job, Rather said, but no one questioned Small’s authority; he ran the bureau “with a Patton-esque fervor,” as Desmond Smith put it in a 1981 Magazine profile. His driven correspondents helped contribute to a turnaround for CBS, as the evening newscast surpassed NBC Nightly News in the ratings in 1968. Even more important than the network competition was the standard Small brought to overall, during an era when the monumental stories included the , Watergate, and the Civil Rights move- ment. “I think it’s really important to understand that Bill preached the ROBERT KENNEDY AND BILL SMALL

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gospel that our role in the Washington bureau was to be a force for better he engenders such journalism, and that’s almost a verbatim quote,” said Rather. Zirinsky, who loyalty is he always started in the bureau as a desk assistant and is now the executive producer had your back and of 48 Hours, called him “the man who set the standards for ethical report- was at your side.” ing.” Small, she said, had a mission “and I think when you have a single Small’s hiring thing you’re focused on and something of such import it really changes the choices were also dynamic of an industry.” notable, opening In exchange, Small fiercely defended his bureau colleagues, particularly previously closed correspondent Rather during his tangles with the Nixon doors to women administration. “There was no one who protected his people more than and people of Bill Small did,” said agent Richard Leibner. color. “He really FROM LEFT: DIANE SAWYER, ED BRADLEY AND BILL SMALL “He defended me at every turn, including with the Nixon White House did see his role as trying to get me fired,” Rather said. “Bill gave them nothing but cold leveling the playing field,” said Zirinsky. Not only was he her mentor, she steel.” When Congress attacked Peter Davis’ The Selling of the Pentagon said, “but he was someone who dealt with a college girl’s insecurity,” at one documentary, “Bill never faltered,” Rather recalled. “One of the big reasons point holding a job open for her when she felt she had been promoted faster than she was ready for. When Small left for NBC in 1979, he brought with him Mudd and Kalb, as well as his focused style. Bill Wheatley, then senior producer of NBC Nightly News, remembered getting a call from Small requesting that the program jump on a story. Wheatley said it would be on the next night, but Small had other ideas. “And we had it on that night,” Wheatley recalled, adding that Small “was always a good newsman and he always drove hard to get the story.” During his three years at NBC News, Small oversaw changes at the Today show — appointing Friedman as executive producer, Willard Scott as weatherman, and Bryant Gumbel as co-host when moved up to NBC Nightly News — which propelled the show into a long lucra- tive run in first place. “Bill is a journalist’s journalist,” said Friedman. FROM LEFT: RICHARD NIXON, EDWARD COX, PATRICIA NIXON COX AND BILL SMALL IN 1971

Congratulations to Bill Small on receiving the Lifetime Achievement Award from the National Television Academy.

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Small’s contributions to the business continued after he left NBC in he served as chairman of 1982. At Fordham — where he was the Felix E. Larkin Professor of Commu- the News and Documen- nications and Director for the Center for Communications at the Graduate tary at the School of Business from 1986 to 1997, and dean from 1992 to 1994 — he National Academy of Tele- developed an MBA program in media management. From 2000-2010 vision Arts & Sciences The author of two prize-winning books: To Kill a Messenger: Television and World, and Political Power and the Press, Small has also served as president of the Radio-TV News Directors Association and the Society of Profes- sional Journalists, Sigma Delta Chi, and has received each organization’s high- est award, the Award and the Wells Key BILL SMALL WITH WALTER CRONKITE Award, respectively. “He is,” said Rather, “not just by consensus but virtual acclamation one BILL SMALL PRESENTING BOB SCHIEFFER WITH AN EMMY AWARD IN 2008 of the very best television news executives in the history of the craft.”

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TRIBUTES

MR. SMALL by Bob Schieffer I had tried for five years to get a job at CBS and Mr. Small hired me when I walked in off the street with no appointment. His secretary actually The way our NBC competitor Douglas thought I was someone else when she ushered me into his office that long Kiker used to tell it, the CBS News bureau ago April day in 1969. in the 1970s was not just the best bureau in It just so happened they needed someone and it turned out he had town. The way he saw it, if our first string guys known my old boss in and so he gave me a shot. got killed in a plane crash, our back benchers From time to time, I’ve wondered over the years what my life would would still be the best team in town. have been like had he refused to see me, or had just laughed when a brash So what do you call the guy who put young guy showed up at the bureau with no appointment. I’m fairly certain I together that remarkable team of 26 report- would have gone back to Ft. Worth and probably would have had a good life. ers? A team whose front line included Dan But I never would have experienced the incredible adventure that began Rather at the White House, Marvin Kalb at that day when he decided to take a chance on me. the State Department, Roger Mudd on Capitol I owe him everything. Hill, Daniel Schorr on general assignments, George Herman anchoring And I still call him Mr. Small. and Eric Sevareid handling commentary. The guy who Bob Schieffer has been a reporter for more than half a century, and 2014 had put it together and more importantly actually made all of those smart, marks his 45th year at CBS. He is CBS News’ Chief Washington Correspondent, aggressive, and yes, from time to time, egotistical reporters into a real team and Anchor of Face the Nation. that actually helped each other was Bill Small. I had become a very junior member of that team in 1969 and I’ll tell you what we called him: Mr. Small. Even Roger Mudd who could strike fear in BILL THE GREAT by Lesley Stahl Washington’s most powerful politicians called him Mr. Small. There was a reason. He ran the place and no one doubted it. So what In many ways, Bill Small belongs to was Mr. Small like? The first day I reported for work, he took me on a tour another age, the “golden age” of television of the newsroom. The first team sat on the front row and he pointed out news, when part of the country’s evening ritual where Rather sat, where Mudd’s desk was located, where Kalb worked. was gathering in front of the television to hear “And where will I sit?” I asked. what had happened that day from “the most “You won’t,” he said. trusted man in America,” Walter (no last name I laughed. required). Bill was a part of that, and part of He didn’t. So I stopped and he told me the assignment editor would the incredible team at CBS News that helped tell me what to do next and the assignment editor sent me off on a stake define that era for millions of Americans. out. I don’t think I sat down for a year. But to me, Bill was first and foremost the Mr. Small had one basic rule. When there was news, he expected his guy I worked for. There’s never been another people to work, to get the story and do a better job than our competitors. quite like him. Imagine a cross between and Robert Young. We were just expected to do better than our competitors. Think of Cary Grant as Walter Burns, the hard-bitten, nails-tough news- When one of our reporters complained that he never got credit for what paperman in “His Girl Friday.” But then, think of Robert Young when he he had been doing, Mr. Small said, “there’s a reason for that.” played the kindly Mr. Anderson in “Father Knows Best.” That was Bill: But there was another side to the story. Every single person in the terrifying and tender, steely and sympathetic. They don’t make them like bureau from Roger and Dan to the lowlies like me knew exactly who he him anymore. worked for — Mr. Small. When Bill was the CBS News bureau chief in Washington, he had When our bosses in New York had problems with us, we never heard to crack the whip over a team known as “Cronkite’s Horsemen”: Marvin about it. The complaints went to Mr. Small and he decided if he needed Kalb, Dan Rather, Roger Mudd and Daniel Schorr. At the same time, he to pass them on to us. He always had our backs and doubly so during the kept a sharp eye on a little group he hired in the early ’70s known as the Watergate days, when the Nixon people went after CBS News reporters in “Affirmative Action Babies”: Connie Chung, Bernie Shaw, and me. ways we had not experienced before or since. What I came to understand It was an amazing time to be a young journalist in Washington. I don’t about Mr. Small was that when he became bureau chief he took responsibil- know if Bill realized he was playing a part in television history. As far as ity for the bureau — its mission and its people which is what real leaders he was concerned, he had a job to do, and he did it the only way he knew do. When you came to work for Mr. Small, he expected you to do what how, by being tough. I remember when he hired me. He called me and said, he told you to do and if you gave it your best, he took care of you — you “You can have the job if you’re here tomorrow morning.” I thought he must got the good stories and the good assignments. (And God help you if you be . He knew I was living in . Did he really mean I should tried to go around him.) move to Washington in a day? I politely tried to explain — “But I have to

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News & Doc Emmys 2014 program.indd 8 9/18/14 7:09 PM The Fordham University Gabelli School of Business and Graduate School of Business

congratulate Bill Small our former dean, trusted adviser, and newsman of the highest standards as he receives the Lifetime Achievement Award.

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pack. I need a few days.” Small’s words: “Did you threaten to fire Rita? If you ever so much as speak He’d have none of it. “Tomorrow, or forget it,” he replied. to her again or any of my people in an unkind voice you will be gone the I was there the next day. next day.” CLICK. And Lesley Stahl said Small once told her, “Just do your But Bill Small never budged. He insisted on the strictest codes of job. Be fair and I’ll stand up to the White House.” journalism, and on good, clean writing. He once stood over my shoulder as When Bill arrived in Washington, the bureau was mainly servicing I tapped out a script on an IBM Selectric typewriter. I was pounding away, New York, grinding out radio pieces for the hourly newscasts. Everything writing on one of those old carbon books, and after my second sentence changed, however, on September 3, 1963, when the CBS Evening News he reached over my shoulder, ripped the carbon book out of the carriage, became the first network daily half-hour news program. scrunched it up and tossed it in a wastebasket. Bill Small was told to get ready for the biggest expansion in the news “If you’re going to survive,” he said, “you’ll have to write better than division’s history. Washington became the heart of the CBS News operation. that.” And off he walked. With his uncanny judge of talent, Small responded by hiring and attracting Despite his toughness — or maybe because of it — Bill Small earned our a stream of reporters, analysts and producers whose learning, skill, experi- respect, but also our affection. During some turbulent times in Washington, ence and professional standards were without equal in news broadcasting. we all came to realize he was our protector. Bill would shield us from the For the next decade and beyond, Small’s bureau nearly monopolized the wrath of the officials we were covering. He was the guy who took the phone output of CBS News, from the dawn to dusk coverage of the 1963 March on call when the White House was furious about, say, an unflattering report on Washington, the funeral of John Kennedy, the Senate’s civil rights filibuster President Nixon. He was the one who’d absorb the attack, and then stand in 1964, its unequalled reporting during Watergate, the sleazy end of Spiro his ground. He’d hang up the phone, come back into the newsroom and Agnew, the last, bitter days of Richard Nixon, the unelected presidency of tell us to keep doing what we were doing. Gerald Ford and the quick departure of . He was heroic and steadfast, especially during Watergate, when it As our chief, Small knew everything that was going on in the bureau, seemed we were getting angry calls from the White House every night. not only in our professional lives but also with our families. He knew all the It got intense. Remember Vice President Agnew calling us the “nattering bureau’s children and he saw to it that any bureau child sixteen and over got nabobs of negativism”? a job during conventions and election nights running errands, cutting copy He made us want to be better — and nobody wanted to disappoint him. and fetching coffee. When Jonathan Mudd broke his leg skiing, Small sent Around the bureau, when he wasn’t cracking his whip, he was creating a him a book, “How to Ski.” One of our young desk editors, Tom Bettag, said family. He turned the office on M Street into a home. He knew everyone’s “If you screwed up, the way he told you was so icy that you never wanted to spouses and children…and boyfriends! He made the bureau more than screw up again. But if anybody got sick in your family, Small was the guy just the greatest television newsroom in the world. He made sure it was a who said, ‘What can I do to help.’ ” place of integrity, and decency, and heart. We were embarking on a great Despite his reputation as a harsh leader, he was in fact fair, consider- adventure, and Bill was leading the way. ate, editorially sound, intolerant of slipshod work, generally immovable, To those of us who know and love him, he will always be not Mr. Small, occasionally cranky, but quietly and inordinately proud of his bureau. There but “Bill the Great.” has never been a TV bureau chief with such qualities. Lesley Stahl has been a correspondent since March 1991; the Roger Mudd was most recently the primary anchor for the History Chan- 2014–15 season marks her 24th on the broadcast. nel. Previously, he was the long-time political correspondent for CBS News, co-anchor of NBC Nightly News and political essayist for the MacNeil-Lehrer NewsHour on PBS. THE GODFATHER by Roger Mudd

For 12 years Bill Small was not only our LOYALTY AND TOUGHNESS by Tom Bettag bureau chief but also our godfather. He was 37-years old when he took over in 1962 but Bill Small was, and still is, tough. Not the we all called him “Mr. Small,” even though yelling kind of tough, but the quiet, searing the average age of his nine reporters was forty. kind of tough. He made you wish he would He was Mister Small because of his abso- yell. In my first job, I watched him create the lute power in the bureau and his control over most dominant Washington bureau a network our professional lives. He was also Mister has ever known. It was called “the place to Small because of his quiet dignity that bespoke be.” He was regularly called “The Godfather.” authority and because of his ferocious refusal He had an unbeatable eye for talent. He to be intimidated by the politically powerful or picked the best and then demanded their best. allow the New York office of CBS News to run around him or through him. To be one of Small’s people, you played by Rita Braver recalls being called an “idiot” by a New York radio execu- Small’s rules. No excuses, no missed dead- tive who threatened to fire her. Rita said she cried all night. When Small lines, no cut corners, and absolutely no playing network politics. He didn’t heard about the threat, he called the man in New York. Rita still remembers hesitate to pit one correspondent against another to get the performance

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he expected. To say his stars — Kalb, Mudd, Rather, Schieffer, Schorr, hands. He tried hard to get people home at night, to protect family vacations. Stahl — lived in fear of Bill is an understatement. But that’s only half of In return, people gave Bill more than he asked as well as endless loyalty. what made it “the place to be.” Small’s people got promotions, because Bill fought for them when there Witness the moment I saw Bill get his toughest. It was not about work, were openings around the network. but about family. On this occasion a correspondent came back from vacation All this was in the 60s and early 70s, when most offices still resembled and told Bill it had been difficult, because one of the children had gotten “Mad Men.” It took years — and the entry of more women — for most sick and had to be hospitalized for several days. Bill was livid. Not yelling, newsrooms to value work–life balance. Long before that, “The Godfa- again, but visibly upset. “Why didn’t you call me?...we could have helped ther” set immutable standards for those under him, but always leading by you get the right doctor…we could have chartered a plane if needed.” It example. When you spot an uncompromising mix of professionalism, drive, was one of those don’t-you-ever-do-that-again talks. and personal values, you can you are looking at one of Small’s people. For Bill, unswerving commitment to work ran parallel to unswerving Tom Bettag joined Bill Small’s CBS Washington bureau in 1969. He became commitment to family. At a time when many bosses cut their staffs no slack executive producer of the CBS Evening News with Dan Rather in 1986. In for any reason, Bill preached that work and family were not an either/or 1991 he became executive producer of ABC’s with for sort of thing. He knew that people having trouble at home weren’t going fourteen years. Following that he was executive producer of Koppel on Discov- to do their best at the office. ery and of CNN’s State of the Union with . He is currently a Bill always talked about his wife Gish, his children, and eventually producer at NBC News. He and his trophy wife Claire have only been married his grandchildren. And because he did, we could. He encouraged us to forty-seven years. They have two sons, Carl and Andy, and a fourth grandchild bring our families into to the office. When I did, he made time. Our sons should arrive any day. remember his taking them to the Xerox machine to make copies of their

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THE 2014 INTERNATIONAL EMMY® NOMINEES FOR NEWS & CURRENT AFFAIRS

Recognizing Excellence in International News & Current Affairs Bruce L. Paisner, President & CEO, The International Academy of Television Arts & Sciences

It is a pleasure for me to be here tonight and both the news of war and also the news of the societies that fight them. join my U.S. Academy colleagues in presenting From wars to natural and manmade disasters, from political corrup- Emmys for news coverage. tion to complicated government policies, tonight’s nominees brilliantly Even a casual observer will now recognize chronicle when things have gone wrong and how to make them better. that this is an unsettled and dangerous time Tonight we take enormous pride in saluting the international broad- around the world, and the need for reliable, casters and the journalists who work for them, for setting a standard of high quality news reporting and presentation, excellence in a field that is intellectually demanding, often dangerous and exemplified in all of our nominees, has never carries with it tremendous social and political responsibility. been so great. The 2014 Nominees come from Argentina, Brazil, Canada, China, In times of war it is critical that media cover Romania, Russia, The Philippines and The United Kingdom.

THE NOMINEES FOR CURRENT AFFAIRS ARE: THE NOMINEES FOR NEWS ARE:

JOURNALISM FOR ALL — THE ROUTE OF THE K-MONEY FANTÁSTICO E JORNAL NACIONAL — FIRE IN A ARTEAR S.A., ARGENTINA TV GLOBO/RBS TV, BRAZIL “The Route of the K-Money” uncovered a money-laundering network On January 27th, the third deadliest nightclub fire in the world killed that involves associates of the current President Cristina Kirchner and 242 people in an overcrowded night spot. Two airplanes were sent to the late former-President Néstor Kirchner. Southern Brazil; a team of over 20 professionals covered the story. We interviewed the club owner and built a replica to explain the tragedy. SUNDAY REPORT — ONE CHILD POLICY TELEVISION BROADCASTS LIMITED, HONG KONG, CHINA GUANTANAMO HUNGER STRIKE COVERAGE China’s One-child policy, conceived over 30 years ago, is said to be RT NEWS CHANNEL, RUSSIA effective in controlling the bulging population. But over the years, RT’s Guantanamo coverage penetrates the global source of controversy countless women have suffered induced abortions, forced tube-tying and shame. Detention without trial, and a spiral into a mass hunger and infanticide, ruining entire families. How is family planning strike that ran over six months and brought force-feeding into the enforced and what is the cost? global news cycle were at the core of the coverage that featured activ- ists, experts, and ex-inmates alike. IN PREMIERA CU CARMEN AVRAM — THE LONG JOURNEY HOME ’S DESCENT ANTENA 3, ROMANIA CHANNEL 4 NEWS, ITN, UNITED KINGDOM A boy saved from an abominable orphanage in Siret and living now We chart Syria’s descent into hopelessness, as the brutal civil war in the U.S. gathers the courage to return to Romania to meet the man entered its third year. With searing reports from Aleppo, Damascus, who saved his life in the orphanage, and the mother who abandoned Ras-al-Ayn and Zaatari refugee camps, the destruction of a country him and thought he was gone. and the brutalization of its people is shown.

THE FIFTH ESTATE — MADE IN BANGLADESH TV PATROL WEEKEND — MOST POWERFUL STORM CANADIAN BROADCASTING CORPORATION, CANADA ABS-CBN, PHILIPPINES In North America, viewers sometimes turn away from stories about The most powerful storm in modern history almost took the lives of overseas disasters. When pictures of the Rana Plaza collapse first came several ABS-CBN personnel who trooped to Tacloban City and Samar out, many had that reaction. Dhaka seemed like a million miles away. before Super Typhoon Haiyan (Local Name: Yolanda) ravaged the ‘Made in Bangladesh’ is a personal story that makes the “foreign” sud- Visayas Region. After a weekend of devastation and rescue, TV Patrol denly seem universal. was able to broadcast images of the typhoon’s destruction.

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News & Doc Emmys 2014 program.indd 12 9/18/14 7:09 PM WE PROUDLY SALUTE OUR EMMY NOMINEES

OUTSTANDING CONTINUING COVERAGE OF A NEWS STORY IN A REGULARLY SCHEDULED NEWSCAST

ANDERSON COOPER 360º | BOSTON BOMBING VICTIM VOWS TO DANCE AGAIN

OUTSTANDING NEWS DISCUSSION AND ANALYSIS

ANDERSON COOPER 360º | GUNS UNDER FIRE: AN AC360 TOWN HALL

BEST STORY IN A REGULARLY SCHEDULED NEWSCAST

ANDERSON COOPER 360º | REHAB RACKET

OUTSTANDING LIVE COVERAGE OF A CURRENT NEWS STORY

CNN NEWSROOM | CNN’S COVERAGE OF TYPHOON HAIYAN

OUTSTANDING VIDEO JOURNALISM: NEWS

MARK PHILLIPS, CNN | REPORTING FROM AFGHANISTAN AND THE PHILIPPINES

OUTSTANDING SCIENCE AND TECHNOLOGY PROGRAMMING

CNN FILMS | ESCAPE FIRE

OUTSTANDING CINEMATOGRAPHY: DOCUMENTARY AND LONG FORM

CNN FILMS | GIRL RISING

OUTSTANDING PROMOTIONAL ANNOUNCEMENT EPISODIC

CNN FILMS | BLACKFISH

OUTSTANDING LIGHTING DIRECTIONS & SCENIC DESIGN

CNN HEROES | CNN HEROES: AN ALL-STAR TRIBUTE

OUTSTANDING NEWSCAST OR IN SPANISH

CNN EN ESPAÑOL | PANORAMA MUNDIAL

OUTSTANDING COVERAGE OF A BREAKING NEWS STORY IN SPANISH

CNN EN ESPAÑOL | POPE ELECTION

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Executive Producer: Charlie Moore discussion table and made the observations of Americans a part Senior Broadcast Producer: Kara Kasarjian of the program’s analysis. NOMINATIONS Senior Producers: Susan Chun, Mary Anne Fox, Kerry Rubin, Executive Producer: Linda Winslow Sean Yates National Affairs Editor: Murrey Jacobson Producer: Kirk McDonald, Jack Gray, Trish Turner Producers: Mary Jo Brooks, Anne Davenport, Merrill Schwerin, OUTSTANDING INVESTIGATIVE JOURNALISM Editorial Producers: Devna Shukla, Elisa Roupenian, Kari Catherine Wise IN A NEWS MAGAZINE Pricher Manging Producer: Patti Parson

60 MINUTES CBS FACE THE NATION CBS OUTSTANDING BUSINESS AND ECONOMIC Lethal Medicine 50th Anniversary of John F. Kennedy’s Assassination REPORTING IN A NEWS MAGAZINE The “Lethal Medicine” investigative project provided the first Face the Nation was broadcast live from the 6th Floor Museum look inside New England Compounding Center, the Mas- at Dealey Plaza in Dallas — formerly the Texas School Book 60 MINUTES CBS sachusetts pharmacy whose tainted steroid injections caused a Depository — to commemorate the 50th anniversary of President 40 Million Mistakes meningitis outbreak that has killed at least 64 people and sick- Kennedy’s Assassination. Anchor and Moderator Bob Schieffer 60 Minutes spent nine months investigating the inner workings of ened some 700 more. shared his personal connection to this moment in history — the consumer credit reporting industry. The report revealed that Executive Producer: when the shots rang out in Dallas, he was a reporter at the Fort not only do tens of millions of Americans have significant errors Executive Editor: Bill Owens Worth Star Telegram, and landed an exclusive interview with Lee on their credit reports, but that consumers have little power to Senior Producer: Michael Radutzky Harvey Oswald’s mother just hours after Oswald’s arrest. Face fix the errors. Producers: Michael Rey, Oriana Zill de Granados the Nation included a rare interview with Luci Baines Johnson, Executive Producer: Jeff Fager Co-Producers: Andrew Bast, Michael G. Kaplan, Stephanie whose father was sworn in as President just hours after Ken- Executive Editor: Bill Owens Palewski Brumbach, Emily Rand nedy’s death, plus eyewitness accounts of the assassination and Producers: James Jacoby, Michael Karzis Correspondent: reflections from historians on that day and on Kennedy’s broader Co-Producer: Matthew Lev legacy. Woven throughout the program were key images and Correspondent: 60 MINUTES CBS moments from the assassination from the CBS News archives, The Pioneer Hotel Fire including the unforgettable first television news report from 60 MINUTES CBS Louis Taylor’s story began during the week before Christmas, legendary CBS anchor Walter Cronkite. China’s Real Estate Bubble back in 1970, when an historic fire swept through an Arizona Executive Producer: Mary Hager Real estate, especially residential,has been one of the driving landmark, the Pioneer Hotel in downtown Tucson, killing 28 Senior Producer: Robert Hendin forces of the hot Chinese economy. But now a bubble has been people. The following morning, Taylor, a 16-year-old African Producers: Emily Bradley, Kimberlee Shaffir, Sean Kelly created that could lead to a debt crisis many fear could bring the American, was charged with setting the fire and later convicted Field Producer: Courtney Jay world’s second largest economy to a standstill. of 28 counts of murder. He spent nearly 42 years in prison, until Director: Sue Ann Staake-Wayne Executive Producer: Jeff Fager he was released in the spring of 2013 as a result of a series of 60 Anchor & Moderator: Bob Schieffer Executive Editor: Bill Owens Minutes reports about the case. Executive Story Editor: Victoria M. Gordon Executive Producer: Jeff Fager NOW ORA TV Producer: Shachar Bar-On Executive Editor: Bill Owens Head Trauma in the NFL Correspondent: Lesley Stahl Producers: James Jacoby, Michael Karzis Following the death of 43-year-old future NFL hall of fame Co-Producers: Terry Manning, Alexandra Poolos Co-Producer: Matthew Lev linebacker Junior Seau in 2012, specialists studied his brain and Correspondent: Steve Kroft found he tested positive for chronic traumatic encephalopathy, a ROCK CENTER WITH NBC disease caused by head trauma. Seau’s death thrust the controver- Theft & Taxes FAULT LINES AL JAZEERA AMERICA sial topic of head injuries among athletes into the limelight and Last year, the I.R.S. estimates that nearly one million people Haiti in a Time of Cholera set off a raft of lawsuits brought by thousands of former players had fraudulent tax returns filed in their name and using their Nearly 8,000 people have died horrible, painful deaths since a accusing the league of covering up information about the dangers actual social security numbers. Rock Center spent several months cholera epidemic swept through Haiti after a major earthquake of concussions. In light of these lawsuits, this episode of Larry shadowing a Tampa investigation that ultimately resulted in the in 2010. A growing body of scientific evidence shows that United King Now tackles the compelling subject of head trauma in the indictment of several large players who allegedly stole millions Nations peacekeepers brought the disease into the country. Fol- NFL, and sheds new light on an issue that will have a lasting of dollars from the US Treasury and flaunted it by purchasing lowing the trail of UN authority from Haiti to New York all the impact on athletes, fans, the league, and the world of sports in expensive cars and jewelry. way up to Ban Ki Moon, Fault Lines asks who should be held general. Executive Producer: accountable. Executive Producers: Alison Glader, Jason Rovou Senior Executive Producer: David Corvo Executive Producer: Mathieu Skene Senior Executive Producer: Wendy Walker Senior Broadcast Producer: Ellen Mason Senior Producer: Carrie Lozano Senior Producer: Malavika Gangolly Producer: Jenny Dubin Producers: Singeli Agnew, Jeremy Dupin, Sebastian Walker Senior Editorial Producer: David Theall Additional Producers: Beverly Chase, Andrew Finklestein Correspondent: Sebastian Walker Producers: Serena Brahney, Ben Monie, Lisa Phillips Correspondent: Director: Scott Brown FAULT LINES AL JAZEERA AMERICA Host: Larry King ROCK CENTER WITH BRIAN WILLIAMS NBC Made in Bangladesh Wage War In November 2012, a fire at the Tazreen Fashions factory in MOYERS & COMPANY AMERICAN PUBLIC Over the course of a four-month investigation into a little-known Bangladesh killed at least 112 people. Walmart’s Faded Glory TELEVISION loophole in the Fair Labor Standards Act of 1938, NBC News brand shorts were among the clothing found in the charred Mark Leibovich on Glitz and Greed in Washington revealed that one of the nation’s best-known charities has been remains. Walmart blamed its supplier, saying the order had been Bill Moyers interviews Mark Leibovich about his best-selling paying disabled workers just pennies an hour. The loophole allows subcontracted to Tazreen without its authorization. But as Fault book “This Town: Two Parties and a Funeral — Plus, Plenty of companies and organizations to receive federal funding to employ Lines follows the paper trail of the Faded Glory order, what some Valet Parking! — in America’s Gilded Capital.” Leibovich vividly the disabled, but also allows these institutions to pay the workers call an ‘open secret’ is revealed: corporations deliberately turn a described the bipartisan lust for power, money and notoriety in less than the minimum wage, with no bottom limit. Goodwill blind eye to the practice of subcontracting. Washington D.C. and how it has advanced a system of crony Industries, a multibillion-dollar company whose executives make Executive Producer: Mathieu Skene capitalism, warped our politics and deeply undermined the very six-figure salaries, was among the nonprofit groups that take the Senior Producer: Paul Sapin notion of government of, by, and for the people. most advantage of the loophole, paying some workers as low as Producer: Laila Al-Arian Executive Producers: Roy, Judy Doctoroff O’Neill 3 cents an hour. As a result of the Rock Center report, President Correspondent: Anjali Kamat Producer: Gina Kim, Lena Shemel Obama included disabled workers in his 2014 executive order Host: Bill Moyers mandating that all workers employed under federal contract earn OUTSTANDING NEWS DISCUSSION AND $10.10 an hour. ANALYSIS PBS NEWSHOUR PBS Executive Producer: Alexandra Wallace Voices of the ACA Senior Executive Producer: David Corvo ANDERSON COOPER 360 CNN In the month after the Affordable Care Act (ACA) exchanges Senior Broadcast Producer: Ellen Mason Guns Under Fire: An AC360 Town Hall were open, PBS NewsHour reached out to average Americans to Senior Producer: Boyle Anderson Cooper gathered important voices from all sides of the offer them an opportunity to share their experiences with the Producer: Anna Schecter debate to discuss gun laws in America and how to stop gun vio- ACA and its impact on their lives — for good and for bad. Each Additional Producer: Beverly Chase lence. The town hall at George Washington University took place segment in the series combined the voice of a citizen alongside Correspondent: Harry Smith just weeks after the shootings at Sandy Hook Elementary, commentary from one of the nation’s leading health policy where 20 children and six staffers were shot to death, and as the reporters or analysts, who responded to the citizen’s experience Obama White House was calling for new gun legislation. with the ACA and put it into context. The result was a series Anchor: Anderson Cooper featuring an innovative format that gave viewers a seat at the

14 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 14 9/18/14 7:09 PM CONGRATULATULATIONS TO ALL OUR 2014 NEWS & DOCUMENTARY EMMY® AWARD NOMINEES! 15 NOMINATIONS!

VALENTINE ROAD Best Documentary Outstanding Coverage of a Current News Story—Long-Form Marta Cunningham, Director/Producer; Gil Goldschein, Jon Murray, Sheila Nevins, Executive Producers; Sasha Alpert, Eddie Schmidt, Producers; Lisa Heller, Supervising Producer WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON Best Documentary Outstanding Arts and Culture Programming Sebastian Junger, Director; Sheila Nevins, Executive Producer; James Brabazon, Nick Quested, Producers; Sara Bernstein, Supervising Producer; Gretchen McGowan, Co-Producer CRISIS HOTLINE: VETERANS PRESS 1 Outstanding Informational Programming—Long-Form Ellen Goosenberg Kent, Director; Sheila Nevins, Executive Producer; Dana Perry, Producer; Jacqueline Glover, Supervising Producer GIDEON’S ARMY Outstanding Informational Programming—Long-Form Dawn Porter, Director/Producer; Sheila Nevins, Executive Producer; Nancy Abraham, Jacqueline Glover, Senior Producers; Julie Goldman, Producer THE CRASH REEL Outstanding Informational Programming—Long-Form Lucy Walker, Director/Producer; Dan Cogan, Geralyn Dreyfous, Sheila Nevins, Executive Producers; Julian Cautherley, Producer; Sara Bernstein, Supervising Producer TALES FROM THE ORGAN TRADE Outstanding Investigative Journalism—Long-Form Ric Esther Bienstock, Director/Producer/Executive Producer; Simcha Jacobovici, Producer/Executive Producer; Sheila Nevins, Executive Producer; Felix Golubev, Producer; Nancy Abraham, Supervising Producer Outstanding Writing Ric Esther Bienstock, Writer 50 CHILDREN: THE RESCUE MISSION OF MR. & MRS. KRAUS Outstanding Historical Programming—Long-Form Steven Pressman, Director/Producer; Sheila Nevins, Executive Producer; Jacqueline Glover, Supervising Producer AMERICAN WINTER Outstanding Business and Economic Reporting—Long-Form Joe Gantz, Director/Producer; Sheila Nevins, Executive Producer; Harry Gantz, Co-Director/Producer; Sara Bernstein, Supervising Producer; Aaron I. Butler, Devon Terrill, Co-Producers Outstanding Arts and Culture Programming Tom Donahue, Director/Producer; John Balis, Ed Durkin, Steve Edwards, Executive Producers; Margaret Whitton, Co-Executive Producer; Ilan Arboleda, Joanna Colbert, Kate Lacey, Producers FIRST COUSIN ONCE REMOVED THANK YOU Outstanding Editing: Documentary and Long-Form NATIONAL ACADEMY Alan Berliner, Editor OF TELEVISION ARTS GASLAND PART II & SCIENCES (NATAS) Outstanding Research MEMBERS FOR Trish Adlesic, Josh Fox, Matthew Sanchez, Deborah Wallace, Researchers YOUR RECOGNITION! PUSSY RIOT: A PUNK PRAYER Outstanding Music & Sound Simon Russell, Composer; Chris Bertolotti, Sound Editor/Re-Recording Mixer

©2014 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

News & Doc Emmys 2014 program.indd 15 9/18/14 7:09 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

OUTSTANDING EDITING — NEWS very technical effort to tell a tale of beauty & adventure (where THE ULTIMATE GUIDE TO HISTORY CHANNEL should we put the go-pros, the jibs, the helicopters?) became an THE PRESIDENTS 48 HOURS CBS emotionally draining hard news story. The challenge for editor The Ultimate Guide to the Presidents is a historical series told in Art Theft Segments from “ DA” Richard Buddenhagen was to tell a story that not only captured chronological order that investigates the evolution of the ‘highest “Brooklyn DA” cameras followed Assistant DA Lawrence Oh and the charm and talent of an up-and-coming star, but that rose to a office in the land’; an ambitious primer on the 43 men whose his team as they investigated the theft of three paintings — part level worthy of the loss of a young woman’s life. unique personalities and goals have left an indelible mark on our of an important contemporary art collection — and then devised Editor: Richard Buddenhagen country and the world. The graphics and design elements word- an elaborate sting to catch the house painter they suspected was lessly communicate the development of the world around the responsible. With cameras in multiple locations, it is the skill- OUTSTANDING GRAPHIC DESIGN & ART President as years change, from the construction of the White ful cutting between the detectives inside the house monitoring DIRECTION House and Capitol Building to visual clues of the historical hidden cameras; the team outside waiting to make an arrest; and context. the DA in his office — that allows the audience to experience the BIG HISTORY H2 Graphics Producer: Fikret Manoglu very real drama unfolding in front of them. Big History is an attempt to tell the whole story of our Universe Graphics: Alper Nakri Editor: Doreen Schechter from the Big Bang to the modern world, by calling upon knowl- Graphics & Visual Effects: Alexis Nelson, Rick Sander, Scott edge from disciplines including astronomy, geology, and biology. Rose, Alex Lewis, Marten Coombe, Raxa Kansara, Brendan 60 MINUTES CBS The series weaves science into the familiar history of mankind, Naylor, Michael Cummins, Kurtis Ritani Africa Mercy revealing unexpected connections and patterns along the way. The world’s largest civilian hospital ship takes volunteer medical Most science or history documentaries have the luxury of focus- OUTSTANDING LIVE COVERAGE OF A staff to the Third World where they have restored sight to thou- ing on one subject. However, with Big History, the subject matter CURRENT NEWS STORY — LONG-FORM sands of people suffering from cataracts and returned smiles to changed dramatically from episode to episode: “The Sun”, “Mete- victims of facial tumors and cleft palates. ors”, “The Horse”, “Salt” and so on. Visual effects play a large role CBS NEWS CBS Editor: Warren Lustig in bringing Big History’s message to life, including techniques Boston Marathon Bombings such as matte paintings, green screen composites, set extensions, CBS News coverage of the Boston marathon bombings was dis- 60 MINUTES CBS full CG environments, CG characters, and many fluid dynamic tinguished by its calm but informative approach to an unfolding Return of the Humpback simulations. terrorist attack. CBS News broadcast the first video of the after- “Return of the Humpback” takes a look at two conservationists Creative Director: Steffen Schlachtenhaufen math of the first explosion at the finish line. It was a frantic and trying to achieve the same result, saving the humpback (and Art Directors: Dominique Navarro, Chris Ramirez scary scene, however, the tone of the coverage — set by anchor other) whales, using two different methods and strategies. The Visual Effects Supervisors: Matt Drummond, Christopher Gaal, Scott Pelley — was measured and careful. As the dragnet on the editing challenge with this story was to blend all the various John R. McConnell suspects closed in, CBS was on the air with continuous coverage source materials — “Whale Wars” shows, interviews with con- Compositors: Dean Guiliotis, Carter Higgins, Brad Moylan, during the massive manhunt for the suspects, and for the capture servationists Nan Hauser and Paul Watson, whale watching with Ian Pauly of Dzhokhar Tsarnaev. Scott Pelley, never-before seen footage — into an exciting rare Lead 3D Visual Effects Artist: Michael Ranger Executive Producers: Patricia Shevlin, Michael Solmsen glimpse of two sides of the same coin. 3D Artist: Scott Bell, Jennie Bozic, Keith Yakouboff, Sebastiano Senior Producers: Heather Abbott, Guy Campanile, Lulu Editor: Tom Honeysett D’Aprile, Mario Cardona Chiang, Tim Gaughan, Kimberly Godwin, Pat Milton, Ward Lead FX Artist: Nico Sugleris Sloane, Len Tepper, Jerry Cipriano 60 MINUTES CBS Senior Broadcast Producer: Jim McGlinchy The Greatest Show on Earth INDEPENDENT LENS PBS Producers: Amy Birnbaum, Arden Farhi, Kevin Finnegan, Karen A portrait of ’s Metropolitan Opera, centered Beauty Is Embarrassing Raffensperger, Chris St. Peter, Heather Tesoriero, Andres on the rehearsal and performance of a radically re-imagined For over 30 years, Wayne White has made an indelible mark Triay, Eric Shapiro, Kimberly Kaplan, Ben Nygaard, Kelsey production of Giuseppe Verdi’s “Rigoletto.” The most important on the creative world. As a designer, painter, puppeteer, sculp- Myers choices in editing involved finding the most impressive musical tor, and musician, White has created images and ideas that are Correspondents: Don Dahler, Jonathan Elias, Dr. Jonathan and dramatic moments, and interweaving them with backstage an integral — yet sometimes subconscious — part of the pop LaPook, John Miller, Bob Orr, Lou Young views of the processes that make them possible. “Rigoletto” was culture lexicon. Director Neil Berkeley: “I knew that design and Anchor & Managing Editor: Scott Pelley photographed with one and sometimes two cameras, over a total animation would play a very big part in the movie. If you’ve ever of seven performances. With additional scenes from the Met’s seen Wayne’s artwork you know that it begs to be animated. It CBS NEWS CBS HD broadcast, there was a wealth of material to work with, but has a kinetic energy that seems to jump from the canvas…The The Election of Pope Francis editing was more complex than is usual. Editor Terry Manning goal of the design aesthetic was to always honor Wayne’s work CBS News offered extensive and comprehensive coverage of the combines sights and sounds to create the experience of a single and his own style…Wayne has a very handmade look to all of his historic election of Pope Francis, from the day Pope Benedict “opening night” performance as might have been covered by a artwork. His favorite tools are hot glue and cardboard so anything announced in February 2013 that he was ‘retiring’ from the great number of cameras. we created had to have a very tactile feel. The imagery had to feel Papacy all the way through CardinaI Jorge Bergolio’s first day as Editor: Terry Manning very organic and real. To achieve this we focused on the small Pope a month later. details that make an object look like it’s actually in front of you. Executive Producers: Patricia Shevlin, 60 MINUTES CBS So paint brushed images had to have a human touch, photos Senior Producers: Heather Abbott, Guy Campanile, Tim The Nile Crocodile had to feel like Polaroids and objects had to look like they could Gaughan, Kimberly Godwin, Michael Solmsen, Jerry Cipri- Of all the species of crocodile throughout the world, none is more have been made in a workshop. For the animators this made the ano, Lulu Chiang feared than Africa’s Nile crocodile. They can grow up to 20 feet process a joy to develop.” Senior Broadcast Producer: Jim McGlinchy long, weigh as much as a car, and bite as hard as a Tyrannosaurus Art Directors: Neil Berkeley, Milan Erceg, Andrew Julien, Producers: Win Ansley, Lynne Edwards, Ben Plesser, Agnes Rex. The Nile crocodile is responsible for hundreds of deaths each Anthony Maiuri, William Campbell, Will Johnson Reau, Justine Redman, Fernando Suarez, Ashley Velie, Nicole year, striking people as they bathe or wash clothes by the river’s Young, Eric Shapiro, Katy Conrad, Kaci Lindhorst edge. It takes a particularly brave sort to get close to these deadly NIGHTLINE ABC Correspondents: Mark Phillips, Allen Pizzey creatures in the water, and yet two nature photographers have JFK Remembered Anchor: Norah O’Donnell built a career in the last five years doing just. Brad Bestelink and November 23, 1963 will forever live as a dark day in American Anchor & Managing Editor: Scott Pelley Andy Crawford, a husband and wife team, have been following History. 50 years later, ABC News attempts to re-tell the story of these crocodiles into the murky depths of Botswana’s Okavango President Kennedy’s last hour alive. ABC’s graphic artists wove Delta, putting their lives on the line in order to film this fearsome archival photos together with film and original broadcast footage predator in its natural habitat. Their ultimate goal, they say, is to from ABC News radio and television. The result was a creative learn as much as they can about the Nile crocodile’s behavior in and moving tribute to the late President order to help humans avoid them. Creative Director: Hal Aronow-Theil Editor: Paul Bellinger Art Director: James Holbrook

60 MINUTES SPORTS SHOWTIME SUPERHEROES: A NEVER-ENDING BATTLE PBS Great Falls Superheroes: A Never-Ending Battle presents an epic tale of This story had set out to showcase the arresting beauty and American mythology, examining how the evolution of costumed daunting challenge of whitewater kayaking on the Great Falls crusaders reflects our social, political and cultural history. The of the Potomac River. Correspondent David Martin and a team series explores comic book superheroes as both mythos and art of five cameramen were just getting ready to capture a fleet of form, tracing their outward growth from small, humble roots kayakers preparing for their annual race down the Falls, when to near ubiquity and commercial success. The film presents this tragedy struck. The team recorded the stark drama of the death near-century breadth of artwork — with its myriad formats, styles of rising star Shannon Christy, who had disappeared beneath a and quality — in a visually cohesive manner. torrent of water, never to be seen alive again. What had been a Designer: Alexander Cardia

16 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 16 9/18/14 7:09 PM CONGRATULATIONS TO ALL THE NOMINEES. INCLUDING OURS. 15 CHANNELS 30 ORIGINAL SERIES 7 EMMY NOMINATIONS A GAME OF SHARK AND MINNOW New Approaches to News & Documentary Programming: Current News GUN COUNTRY New Approaches: Documentaries MODERN LOVE New Approaches: Arts, Lifestyle, Culture THE JOCKEY New Approaches: Arts, Lifestyle, Culture MAKING A SCENE: MAGAZINE’S ANNUAL GREAT PERFORMERS VIDEO SERIES New Approaches: Arts, Lifestyle, Culture A SHORT HISTORY OF THE HIGHRISE New Approaches: Arts, Lifestyle, Culture RETRO REPORT: THE SHADOW OF THALIDOMIDE Outstanding Continuing Coverage of a News Story in a News Magazine

nytimes.com/video Beyond words.

NNewsews & DocDoc EmmysEmmys 20142014 program.inddprogram.indd 1717 99/19/14/19/14 112:092:09 PPMM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

CNN NEWSROOM CNN NBC NEWS SPECIALS NBC Producers: Marcela Gaviria, Martin Smith CNN’s Coverage of Typhoon Haiyan Boston Marathon Bombings Correspondent: Charles M. Sennott With no infrastructure in the affected area to rely on, CNN had From the chaos of the bombings on Monday, April 15, 2013, to bring in every resource it took to gather and transmit news and the frantic search for information, through the reports on FRONTLINE PBS of the devastation Typhoon Haiyan wrought in the Philippines. Wednesday as investigators tried to identify suspects, to the day- Syria Behind the Lines Nevertheless, the network provided viewers with both a wide- long shootout and manhunt in Watertown on Friday, NBC News’ The world has watched Syria’s agony from a distance. For tens ranging and an up-close view of the record-breaking storm and distinguished coverage of the was of thousands of Syrians, though, the civil war is unfolding with its accompanying destructive surge. With respect and compassion, characterized by comprehensive and accurate reporting. intimate horror: families destroyed in an instant; once-peaceful CNN teams told the stories of dazed survivors combing moun- Executive Producers: Bob Epstein, Mark Lukasiewicz villages ripped apart by sectarian rage; neighbors confronting tains of debris looking for loved ones and searching for food and Producers: Michelle Acevedo, Allenbaugh, Rosanna Arlia, neighbors across a no man’s land of hatred, suspicion and terror. water in a city without power and cut off from communication John Bailey, Anne Binford, Stacy Brady, Marisa Buchanan, “Syria Behind the Lines” reveals what has been happening inside with the rest of the country. Betsy Cline, Nadine Comerford, Kim Cornett, Tricia Culligan, the war-torn country and foreshadows what is to come. President, CNN Worldwide: Jeff Zucker Robert Dembo, Angie Dorr, Richard Esposito, Lauren Fair- Executive Producer: David Fanning INTERNATIONAL NEWSGATHERING TEAM banks, Mary Beth Fay, Gina Gentilesco, David Ingram, Naomi Deputy Executive Producer: Raney Aronson-Rath Executive VP and Managing Director, CNN International: Tony Karam, Justin Kirschner, Jamie Kraft, Susan Kroll, John Leto, Executive Producer for Quicksilver Media: Eamonn Matthews Maddox Bernie Lubell, Megan Marcus, Yvette Miley, Mary Murray, Producer: Olly Lambert Senior Vice President, Global Relations: Parisa Khosravi Christopher Nelson, Jamie Novogrod, Neil O’Brien, Katie VP and Managing Editor, CNN International | Asia Pacific: Ellana Primm, Stephanie Psyllos, Rob Rivas, Frank Salamone, Duane HBO DOCUMENTARY FILMS HBO Lee, Scott, Sam Singal, Gresham Streigel, Jenn Suozzo, David Valentine Road Senior Operations Director for CNN International: Will King Verdi, Cydney Weiner, Steve Wende, Kip Whitlock, Tom Valentine Road explores the 2008 murder of 15-year old Lawrence Senior Directors of Coverage: Cynde Strand, Roger Clark, Samson Winter, Julmary Zambrano King, a student at E.O.Green Junior High in Oxnard, California. Desta, Thomas Evans Anchors/Correspondents: Ron Allen, , Savannah King had begun exploring his gender identity, and was shot by News Editors: Salma Abdelaziz, Saad Abedine, Hamdi Guthrie, , Michael Isikoff, , Mara 14-year old Bradnon McInerney. The film explores the circum- Alkhshali,Yasmin Amer, Azedeh Ansari, Zarifmo Aslam- Schiavocampo, Anne Thompson, Brian Williams, Pete Williams stances that led to the shocking crime, as well as its complicated shoyeva, Yousuf Basil, Marilia Brocchetto, Kass Cohen, John Directors: Brett Holey, Peter Lauterbach aftermath. Director Marta Cunningham tells the story from the Dear, Claudia Domingues, Neda Farshbaf, Allison Flexner, Additional Producers: Ralph Diaz, Judy Farinet, Mark Foley, point of view of the school’s marginalized children of color, and Christabelle Fombu, Radina Gigova, Alex Hunter, Lindsay Mike Gallagher, Maralyn Gelefsky, Gil Muro, ZainibNaseer, uses animation in telling King’s story. The film also tells the story Isaac, Joyce Joseph, Aliza Kassim, Talia Kayali, Jessica King, Roberta Spring of Brandon McInerney, King’s killer. News coverage portrayed Elwyn Lopez, Kahtan Mahdi, Sara Mazloumsaki, Edwin Mesa, him as a white supremacist, but interviews with his family and Joseph Netto, Anna-Maja Rappard, Claudia Rebaza, Larry NBC NEWS SPECIALS NBC friends paint a more complicated picture. Register, Nicky Robertson, Samira Said, Samuel Santamaria, Inauguration of Director/Producer: Marta Cunningham Khushbu Shah, Esprit Smith, Karen Smith, Mohammed Following a long campaign year and the re-election of Barack Executive Producers: Gil Goldschein, Jon Murray, Sheila Nevins Tawfeeq, Christine Theodorou, Saskya Vandoorne, Brian Obama, his second inauguration came at a pivotal moment for Producers: Sasha Alpert, Eddie Schmidt Walker, Kevin Wang the U.S. NBC News cameras captured all the events of the official Supervising Producer: Lisa Heller Director of International Planning: Earl Casey swearing in on January 20th and then covered the full day of Futures Supervising Editor: Gena Harper-Somra January 21st from the morning church service through the oath POV PBS Futures Senior Editor, Asia/Latin America: Emer Sutin of office and the Inaugural Parade. Brooklyn Castle Futures Senior Editor, Middle East: Bruce Conover Executive Producers: Bob Epstein, Mark Lukasiewicz This public-school powerhouse in junior high chess competi- Futures Editor: Debra Traynor Anchor: Brian Williams tions has won more than 30 national championships, the most of Director of Third Party Content: Waffa Munayyer Correspondents: Peter Alexander, Tom Brokaw, , any school in the country. Its 85-member squad boasts so many TEAM IN THE PHILIPPINES , David Gregory, , Tamron strong players that the late Albert Einstein, a dedicated chess Anchors: Kristie Lu Stout, Anderson Cooper Hall, , Lester Holt, , , maven, would rank fourth if he were on the team. Most astound- Correspondents: Andrew Stevens, , Anderson Natalie Morales, Ron Mott, Kelly O’Donnell, , Luke ingly, I.S. 318 is a Brooklyn school that serves mostly minority Cooper, Ivan Watson, , , Karl Russert, , , Pete Williams students from families living below the poverty line. Brooklyn Penhaul Director: Brett Holey Castle is the exhilarating story of five of the school’s aspiring CNNE Correspondent: Diego Laje Producers: Doug Adams, Rosanna Arlia, John Bailey, Jay Black- young players and how chess became the school’s unlikely inspira- Producers: Simon Harrison, Ingrid Formanek, Tim Schwarz, man, Brooke Brower, Marisa Buchanan, Tony Capra, Kim tion for academic success. Lonzo Cook, Kathy Quiano, Arlene Espiritu, Zharina Cornett, Oliver Cox, Natalie Cucchiara, Ilana Drimmer, Clare Director/Producer: Katie Dellamaggiore Arnaldo, Camille Aragona, Pam Boykoff, Lisa Cohen, Mary Duffy, Tory Duncan, Lauren Fairbanks, Betsy Fischer, Dave Executive Producers: Simon Kilmurry, Geoff Gibson, Robert Anne Fox, Yoko Wakatsuki, Ravi Hiranand, Armie Jarin- Forman, Scott Foster, Joshua Janiak, Nick Johnson, Meade McLellan, Julie Parker Benello, Wendy Ettinger, Judith Helfand Bennett, Elizabeth Joseph, Kari Pricher Jorgensen, Naomi Karam, Courtney Kube, Rich Latour, Libby Co-Executive Producers: Cynthia Lopez, Neal Flaherty, John SHOW TEAMS Leist, Jana Lerner, Megan Marcus, Zoe Marcus, Michelle Forté, Christophe Charlier and Brian Satz Senior Vice-President: Sam Feist Melnick, Rich Minner, Bridget Nurre, Neil O’Brien, Michelle VP, Programming and Production: Chris White Vice-President of Programming: Janelle Rodriguez Perry, Deb Pettit, Shelby Poduch, Katie Primm, Stephanie Series Producer: Andrew Catauro Vice President of Washington, D.C. Programming: Eric Sherling Psyllos, Rob Rivas, Joel Seidman, Frank Thorp, Ali Weinberg, Producers: Nelson Dellamaggiore, Brian Schulz Director of Programming: John Antonio Cydney Weiner, Katie Yu Anchors: , Victor Blackwell, , Don Additional Producers: Mike Benetato, Stacy Brady, Jon Carder, POV PBS Lemon Judy Farinet, Erin Feeney, Mark Foley, Maralyn Gelefsky, Don The World Before Her Weather Anchor: Chad Myers Lynch, Mary Muzina, Zainib Naseer, Nanette Noffsinger, The World Before Her is a tale of two . In one, Ruhi Singh Executive Producers: Charlie Moore, Ted Winner, Christina Michele Richinick, Lenny Venezia, Susan Vitorovich is a small-town girl competing in Bombay to win the Miss Ginn, Jay Shaylor pageant — a ticket to stardom in a country wild about beauty Senior Broadcast Producers: Kara Kasarjian, David Gelles OUTSTANDING COVERAGE OF A CURRENT contests. In the other India, Prachi Trivedi is the young, militant Senior Producers: Sean Yates, Susan Chun, Kerry Rubin, Mary NEWS STORY — LONG FORM leader of a fundamentalist Hindu camp for girls, where she Anne Fox, Brad Hodges, Vaughn Sterling preaches violent resistance to Western culture, Christianity and Supervising Producer: Linda Roth FRONTLINE PBS Islam. Moving between these divergent realities, the film creates Producers: Michael Heard, Victoria Kennedy, Kari Pricher, in Crisis a lively, provocative portrait of the world’s largest democracy at a Rick Bastien, Heather Zorn, Harrison Bohrman, Bethany Three years after the popular uprising that led to President Hosni critical transitional moment — and of two women who hope to Crudele, Terry White, Margie Lennon, Stephen Samaniego, Mubarak’s ouster, and over a year after Egypt’s first free elections, shape its future. Walt Miller, Jim Guthrie, Chandrika Lakshminarayan, Mallika FRONTLINE, and GlobalPost teamed up to trace the rise and Director/Producer: Nisha Pahuja Kallingal, Sean Morris, Emily Atkinson, Jill Chappell, David dramatic fall of the Muslim Brotherhood — one of the most Executive Producers: Simon Kilmurry, Andrew Cohen, Mike Gracey, Peter Lanier, Stephanie Kotuby, Dugald McConnell, powerful and yet misunderstood social movements in the Middle Chamberlain Sean Morris, Meghan Rafferty, Hunter Burgarella, Chris Dos East. “Egypt in Crisis” goes deep inside the forces that swung Producers/Executive Producers: Ed Barreveld, Cornelia Principe Santos, Rachael Shackelford, Marlo Fowler, Donn Cost, Jen Egypt from hopeful revolutionary state to military dictatorship, Co-Executive Producer: Cynthia Lopez Mikell, Howard Moss, Dennis Anderson and also examines the pervasive power of what Egyptians have VP, Programming and Production: Chris White Directors: Jeff Watts, Troy Jordan, Mark Brachowski, Chip Hirzel come to call “the deep state,” a sprawling and complex power Series Producer: Andrew Catauro structure made of the military, security apparatus, judiciary and private enterprise. Executive Producer: David Fanning Deputy Executive Producer: Raney Aronson-Rath

18 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 18 9/18/14 7:09 PM Outstanding Coverage of a Breaking News Story in a Regularly Scheduled Newscast Direct Hit: Oklahoma Tornadoes “,” “World News with Diane Sawyer” and “Nightline” Outstanding Continuing Coverage of a News Story in a Regularly Scheduled Newscast Crisis in Syria “Nightline” Outstanding Feature Story in a Regularly Scheduled Newscast American Valor: The Long Road Home “Nightline” Caught in the Crossfire (September 11, 2013) “Nightline” Caught in the Crossfire (December 23, 2013) “Nightline” Gift of Sight “Nightline” Outstanding Investigative Journalism in a Regularly Scheduled Newscast Raid in the Philippines “Nightline” OUT OF BREATH: The Untold Story of Big Money, Black Lung and Doctors for the Coal Companies ABC News Investigates with the Center for Public Integrity “World News with Diane Sawyer” and “Nightline” Outstanding Business and Economic Reporting in a Regularly Scheduled Newscast Billion Dollar Losers – China Fraud and U.S. Markets ABC News Brian Ross Investigates “Nightline” Outstanding Coverage of a Breaking News Story in a News Magazine The Boston Manhunt “20/20” Outstanding Feature Story in a News Magazine Unbreakable: One Girl Changing the World “20/20” Outstanding Interview A Murder, A Mystery: Amanda Knox Speaks “20/20” Best Story in a Regularly Scheduled Newscast The Raid The War for Paradise “Nightline” Hidden America: Fear and Hope at Strawberry Mansion “World News with Diane Sawyer” and “Nightline” Best Report in a News Magazine Unbreakable: One Girl Changing the World “20/20” Outstanding Writing Unbreakable: One Girl Changing the World “20/20” Outstanding Graphic Design & Art Direction JFK Remembered “Nightline” Outstanding Promotional Announcement Unbreakable: One Girl Changing the World ABC News Marketing & Creative

------Congratulations to all the nominees ------

News & Doc Emmys 2014 program.indd 19 9/19/14 8:59 AM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

OUTSTANDING COVERAGE OF A BREAKING Producers: Kathleen O’Connell, Shoshanah Wolfson, Avi Director: Stephen Lucas NEWS STORY IN A NEWS MAGAZINE Cohen, Susan Mallie, Josh Gelman, Kim Kennedy, Rodney Correspondents: , Ann Curry, Chris Hansen, Comrie, Chuck Stevenson, Megan Towey, Ruth Chenetz, Sally Lester Holt, , Dennis Murphy, Pete Williams 20/20 ABC Rosen, Karen Raffensperger, Peter Henderson, Patti Aronofsky, Anchor: Brian Williams The Boston Manhunt Alec Sirken, Liza Finley, Clare Friedland, Linda Martin, Paul This special edition of 20/20 was breaking news in the truest LaRosa, Tom Seligson, Justine Redman, James Stolz, Sara Ely OUTSTANDING CONTINUING COVERAGE OF sense: one of the suspects who turned the Boston Marathon Hulse, Chris O’Connell, Judy Rybak, Ryan Corso, Josh Yager, A NEWS STORY IN A NEWS MAGAZINE into a trail of terror was in the process of being caught, literally Jonathan Leach moments before this broadcast went to air. The full resources of Field Producers: Peter Shaw, Taigi Smith, Ryan Smith, Elena 60 MINUTES CBS ABC News brought viewers the very latest information as police DiFiore, Lauren Clark 12/14 cornered suspect number two, bloodied, hiding in a boat. Parents of the victims of the Newtown, CT massacre tell Scott Executive Producer: John Green, Marc Burstein 60 MINUTES CBS Pelley that theirs is a lifetime quest to change gun laws in hopes Senior Executive Producer: David Sloan Boston Bombings of preventing the gun violence that took the lives of their young Senior Producers: Janice Johnston, Matthew Lombardi, Danielle Scott Pelley interviews Boston Police Commissioner Edward children. They had spent the week lobbying the Connecticut Rossen, Miguel Sancho, Roxanna Sherwood, Lisa Soloway, Davis and people who knew the accused Boston Marathon State Legislature, which passed the nation’s strictest gun control Rhonda Schwartz, Nadine Shubailat Bombers to get a clearer picture of the men suspected of planting law, and were headed to Washington, DC to speak to members Producers: Thomas Berman, Joseph Diaz, Sean Dooley, Marc the two deadly bombs at the Patriot’s day event and the ensuing of Congress. They talked about the empty chairs at their dinner Dorian, Shana Druckerman, Jim DuBreuil, Kimberly Launier, manhunt. tables, and the fear that what happened in Newtown could hap- Resa Matthews, Michael Mendelsohn, Andrew Paparella, Executive Producer: Jeff Fager pen again. And they talked about solutions, including background Muriel Pearson, Rob Wallace, Seni Tienabeso, Cynthia Galli, Executive Editor: Bill Owens checks, limiting the size of magazines, and better mental health Megan Chuchmach, Angela Hill, Matthew Mosk, Kelley Senior Producer: Michael Radutzky screening. Robinson, Mollie Riegger, Adam Sechrist, Brooke Stangeland, Producers: L. Franklin Devine, Keith Sharman, Katie Spikes, Executive Producer: Jeff Fager Cleo Andreadis, Gwen Gowen, Carlos Boettcher, Michelle Nicole Young Executive Editor: Bill Owens McPhee, Ashley Jennings, Shushanhah Walshe, Josh Haskell, Correspondent: Scott Pelley Producer: Henry Schuster Jason Volack, Whitney Lloyd, Fabian Westerwelle, Matt Co-Producers: Rachael Kun Morehouse, Warren Lustig Hosford, Ed Lopez, Rob Wallace, Drew Millhon, Sam Riley, TERROR IN BOSTON: AN NBC NEWS SPECIAL NBC Correspondent: Scott Pelley Sally Hawkins, Courtney Condron, John Santucci, Brandon Just hours after bombs exploded at the Boston Marathon, NBC Bodow, Zunaira Zaki, Katie Conway, Eric Jones, John Kapeta- News broadcast “Terror In Boston,” an extraordinary, hour-long 60 MINUTES CBS neas, Shahriar Rahmanzadeh, Miseon Lee, Justin Weaver, Ali primetime special anchored by Brian Williams. The report Imminent Danger Ehrlich, Jen Leon, Mary Kathryn Burke, Mollie Riegger provided viewers with accurate and restrained reporting, context Two weeks after the mass shooting at the Washington DC Navy Coordinating Producers: David Reiter, Wendy Fisher, David and perspective, as it brought home to Americans what had Yard, 60 Minutes aired a comprehensive story on the underlying Meyers, Andy Fies, Greg Croft occurred and what was still unfolding. The special combined root of many such incidents: untreated mental illness. The report Field Producers: Randy Kreider, Rym Momtaz live interviews with long-form taped reports to bring the fullest explained the complex medicine and biology underlying severe Correspondents: , Linsey Davis, , Deborah perspective possible to our national audience. forms of mental illness like schizophrenia; but, it also addressed Roberts, Brian Ross Senior Executive Producer: David Corvo the social problems created by a broken mental health system. Anchors: , Executive Producers: Elizabeth Cole, Alexandra Wallace Many people with mental illness go untreated, either because they Senior Broadcast Producers: Adam Gorfain, Ellen Mason are too sick to understand that they need help, or because there 48 HOURS CBS Senior Investigative Producer: Adam Gorfain, Allan Maraynes, are not adequate resources available to help them. Caught Ellen Mason Executive Producer: Jeff Fager The Boston Marathon bombing was the bloodiest terror attack in Senior Producers: Jim Gerety, Charmian Ling, Aretha Marshall, Executive Editor: Bill Owens the US since 9/11, leaving one of America’s great cities paralyzed Allison Orr, Producers: Coleman Cowan, Graham Messick and the nation in shock as authorities rushed to track down who Senior Line Producer: Rich Latour Co-Producers: Matthew Richman, Evie Salomon was responsible. This special report was the dramatic culmina- Senior Investigative Producer: Allan Maraynes Correspondent: Steve Kroft tion of CBS News’ solid week of original reporting. As it had Coordinating Producer: Susan Nalle done from the moment of the Patriots Day attack, the aim of this Producers: Justin Balding, Tim Beacham, Dan Bregman, primetime broadcast was to clearly assemble the available facts Elizabeth Brown, Robert Buchanan, Kim Cornett, Brad Davis, and report them devoid of hype, rumor and speculation. Anthony Galloway, David Gelles, Marianne Haggerty, Izhar Senior Executive Producer: Susan Zirinsky Harpaz, Meade Jorgensen, Sara Karlson, Tom Keenan, Kim Executive Editor: Al Briganti Krawitz, Michael Nardi, Fred Rothenberg, Tim Sandler, Anna Correspondents: , , John Miller, Dean Schecter, Ellen Sherman, Sue Simpson, Dan Slepian, Reynolds, Terrell Brown, , , Troy Justin Smith, Jane Stone, Adrienne Wheeler, Jay Young, Roberts, Richard Schlesinger, Esther Zucker Senior Producers: Anthony Batson, Peter Schweitzer, Judy Field Producers: Simon Doolittle, Sergei Ivonin, Terrell Tygard, Nancy Kramer, Michael Solmsen Tangonan

20 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 20 9/18/14 7:09 PM WWee proudlyproudly congratulatecongratulate oourur cclientslients nnominatedominated fforor 335th5th AnnualAnnual NewsNews & DDocumentaryocumentary EEmmymmy® AwardsAwards

OOUTSTANDINGUTSTANDING CCOVERAGEOVERAGE OOUTSTANDINGUTSTANDING IINVESTIGATIVENVESTIGATIVE OOUTSTANDINGUTSTANDING IINVESTIGATIVENVESTIGATIVE OOUTSTANDINGUTSTANDING OOFF A BBREAKINGREAKING NNEWSEWS STORYSTORY JJOURNALISMOURNALISM IINN A RREGULARLYEGULARLY JJOURNALISMOURNALISM IINN A NNEWSEWS DISCUSSIONDISCUSSION IINN A RREGULARLYEGULARLY SSCHEDULEDCHEDULED SSCHEDULEDCHEDULED NNEWSCASTEWSCAST NNEWSEWS MAGAZINEMAGAZINE AANDND AANALYSISNALYSIS NNEWSCASTEWSCAST WWORLDORLD NNEWSEWS WWITHITH 6600 MMINUTES:INUTES: AANDERSONNDERSON CCOOPEROOPER 360:360: GGOODOOD MMORNINGORNING AAMERICA,MERICA, DDIANEIANE SSAWYERAWYER AANDND NNIGHTLINE:IGHTLINE: TTHEHE PPIONEERIONEER HHOTELOTEL FFIREIRE GGUNSUNS UNDERUNDER FFIRE:IRE: WWORLDORLD NNEWSEWS WWITHITH OOUTUT OOFF BBREATH:REATH: THETHE UNTOLDUNTOLD AANN AAC360C360 TTOWNOWN HHALLALL DDIANEIANE SSAWYERAWYER AANDND SSTORYTORY OFOF BIGBIG MMONEY,ONEY, BBLACKLACK SSTEVETEVE KKROFTROFT NNIGHTLINE:IGHTLINE: DDIRECTIRECT HHIT:IT: LLUNGUNG ANDAND DDOCTORSOCTORS FFOROR AANDERSONNDERSON COOPERCOOPER OOKLAHOMAKLAHOMA TTORNADOESORNADOES TTHEHE CCOALOAL COMPANIES.COMPANIES. AANN ABCABC NNEWSEWS BBRIANRIAN ROSSROSS OOUTSTANDINGUTSTANDING FFEATUREEATURE SSTORYTORY FFACEACE TTHEHE NNATION:ATION: MMICHAELICHAEL CORNCORN IINVESTIGATIONNVESTIGATION WWITHITH TTHEHE IINN A NNEWSEWS MMAGAZINEAGAZINE 550TH0TH AANNIVERSARYNNIVERSARY DDAVIDAVID MMUIRUIR CCENTERENTER FFOROR PUBLICPUBLIC IINTEGRITYNTEGRITY OOFF JJOHNOHN FF.. KKENNEDY’SENNEDY’S 220/20:0/20: UUNBREAKABLE:NBREAKABLE: OONENE AASSASSINATIONSSASSINATION MMICHAELICHAEL CORNCORN GGIRLIRL CCHANGINGHANGING TTHEHE WWORLDORLD RROBINOBIN ROBERTSROBERTS BBOBOB SCHIEFFERSCHIEFFER CCHRISHRIS VLASTOVLASTO DDAVIDAVID SSLOANLOAN OOUTSTANDINGUTSTANDING WWRITINGRITING GGINGERINGER ZEEZEE 6600 MMINUTES:INUTES: TTHEHE RRECYCLERSECYCLERS BBESTEST SSTORYTORY ININ A RREGULARLYEGULARLY 6600 MMINUTES:INUTES: CCOSMICOSMIC RROULETTEOULETTE BBOBOB SIMONSIMON SSCHEDULEDCHEDULED NNEWSCASTEWSCAST OOUTSTANDINGUTSTANDING CCONTINUINGONTINUING AANDERSONNDERSON COOPERCOOPER NNBCBC NNIGHTLYIGHTLY NEWSNEWS CCOVERAGEOVERAGE OOFF A NNEWSEWS SSTORYTORY OOUTSTANDINGUTSTANDING IINVESTIGATIVENVESTIGATIVE WWITHITH BBRIANRIAN WWILLIAMS:ILLIAMS: IINN A RREGULARLYEGULARLY 6600 MMINUTES:INUTES: TTHEHE RRECYCLERSECYCLERS JJOURNALISM—LONG-FORMOURNALISM—LONG-FORM TTHEHE BBORDERORDER WWARAR SSCHEDULEDCHEDULED NNEWSCASTEWSCAST BBOBOB SIMONSIMON MMARKARK POTTERPOTTER FFRONTLINE:RONTLINE: AANDERSONNDERSON CCOOPEROOPER 3360:60: A DDEATHEATH IINN SST.T. AUGUSTINEAUGUSTINE NNIGHTLINE:IGHTLINE: BBOSTONOSTON BOMBINGBOMBING VICTIMVICTIM OOUTSTANDINGUTSTANDING CCONTINUINGONTINUING TTHEHE WWARAR FFOROR PPARADISEARADISE VVOWSOWS TTOO DANCEDANCE AAGAINGAIN CCOVERAGEOVERAGE OOFF A NNEWSEWS SSTORYTORY GGLENNLENN SILBERSILBER AANDERSONNDERSON COOPERCOOPER IINN A NEWSNEWS MMAGAZINEAGAZINE DDANAN HHARRISARRIS OOUTSTANDINGUTSTANDING LLIVEIVE CCOVERAGEOVERAGE TTODAY:ODAY: MMILITARYILITARY DDEATHEATH 6600 MMINUTES:INUTES: IIMMINENTMMINENT DDANGERANGER WWORLDORLD NNEWSEWS WWITHITH DDIANEIANE OOFF A CCURRENTURRENT NNEWSEWS SSTORY—TORY— BBENEFITSENEFITS DDENIEDENIED DDURINGURING SSAWYERAWYER AANDND NNIGHTLINE:IGHTLINE: SSTEVETEVE KKROFTROFT LLONG-FORMONG-FORM GGOVERNMENTOVERNMENT SSHUTDOWNHUTDOWN HHIDDENIDDEN AAMERICA:MERICA: FFEAREAR AANDND HHOPEOPE AATT 6600 MMINUTES:INUTES: TTHEHE GGASKOSASKOS CCBSBS NNEWS:EWS: TTOMOM MMAZZARELLIAZZARELLI SSTRAWBERRYTRAWBERRY MMANSIONANSION BBOSTONOSTON MMARATHONARATHON BOMBINGSBOMBINGS KKELLYELLY O’DONNELLO’DONNELL SSTEVETEVE KKROFTROFT DDONON DAHLERDAHLER MMICHAELICHAEL CORNCORN 6600 MMINUTES:INUTES: TTHEHE LLOSTOST BOYSBOYS BBOBOB ORRORR OOUTSTANDINGUTSTANDING FFEATUREEATURE SSTORYTORY BBOBOB SIMONSIMON OOUTSTANDINGUTSTANDING REGIONALREGIONAL IINN A RREGULARLYEGULARLY HHEATHEREATHER TESORIEROTESORIERO NNEWSEWS STORYSTORY - SPOTSPOT NNEWSEWS SSCHEDULEDCHEDULED NNEWSCASTEWSCAST OOUTSTANDINGUTSTANDING CCOVERAGEOVERAGE LLOUOU YYOUNGOUNG WWISNISN 1122 NNEWSEWS 8 NNIGHTLINE:IGHTLINE: TTHEHE GGIFTIFT OOFF SSIGHTIGHT OOFF A BREAKINGBREAKING NNEWSEWS STORYSTORY ((MILWAUKEE,MILWAUKEE, WI):WI): IINN A NEWSNEWS MMAGAZINEAGAZINE CCBSBS NNEWS:EWS: SSIKHIKH TTEMPLEEMPLE SSHOOTINGHOOTING DDAVIDAVID MMUIRUIR TTHEHE EELECTIONLECTION OOFF PPOPEOPE FFRANCISRANCIS 220/20:0/20: TTHEHE BOSTONBOSTON MANHUNTMANHUNT AABEBE LUBETKINLUBETKIN SSUNDAYUNDAY MMORNING:ORNING: NNORAHORAH O’DONNELLO’DONNELL BBANDAND OOFF BBROTHERSROTHERS JJOHNOHN GREENGREEN DDAVIDAVID MARTINMARTIN NNBCBC NNEWSEWS SSPECIALS:PECIALS: OOUTSTANDINGUTSTANDING REGIONALREGIONAL DDAVIDAVID MMUIRUIR BBOSTONOSTON MMARATHONARATHON BOMBINGSBOMBINGS NNEWSEWS STORYSTORY - INVESTIGATIVEINVESTIGATIVE RREPORTINGEPORTING SSUNDAYUNDAY MMORNING:ORNING: DDEBORAHEBORAH RROBERTSOBERTS BBRETTRETT HOLEYHOLEY TTHEHE HHOLOCAUSTOLOCAUST DDAVIDAVID SSLOANLOAN MMARAARA SCHIAVOCAMPOSCHIAVOCAMPO NNBCBC 5 NNEWSEWS AATT 1100 LLEEEE COWANCOWAN EELIZABETHLIZABETH VARGASVARGAS ((DALLASDALLAS – FORTFORT WORTH,WORTH, TTX):X): DDRIVENRIVEN TTOO DISTRACTIONDISTRACTION RROBOB WALLACEWALLACE NNBCBC NNEWSEWS SSPECIALS:PECIALS: IINAUGURATIONNAUGURATION OFOF SSCOTTCOTT FFRIEDMANRIEDMAN BBESTEST REPORTREPORT BBARACKARACK OOBAMABAMA IINN A NNEWSEWS MAGAZINEMAGAZINE 4488 HHOURS:OURS: CCAUGHTAUGHT BBRETTRETT HOLEYHOLEY CCHIPHIP COLLEYCOLLEY OOUTSTANDINGUTSTANDING NEWSCASTNEWSCAST 220/20:0/20: UUNBREAKABLE:NBREAKABLE: OONENE OORR NNEWSEWS MMAGAZINEAGAZINE GGIRLIRL CCHANGINGHANGING TTHEHE WWORLDORLD RRONON MOTTMOTT RROBOB KLUGKLUG IINN SSPANISHPANISH DDAVIDAVID SSLOANLOAN RRICHARDICHARD SCHLESINGERSCHLESINGER KKELLYELLY O’DONNELLO’DONNELL CCHUCKHUCK TODDTODD NNOTICIEROOTICIERO TTELEMUNDOELEMUNDO 6600 MMINUTES:INUTES: DDISABILITY,ISABILITY, UUSASA TTERRORERROR IINN BBOSTON:OSTON: AANN NBCNBC NNEWSEWS SSPECIALPECIAL JJOSÉOSÉ DIAZ-BALARTDIAZ-BALART SSTEVETEVE KKROFTROFT AALLANLLAN MARAYNESMARAYNES OOUTSTANDINGUTSTANDING BBUSINESSUSINESS AANDND ECONOMICECONOMIC RREPORTINGEPORTING 6600 MMINUTES:INUTES: IIMMINENTMMINENT DDANGERANGER OOUTSTANDINGUTSTANDING COVERAGECOVERAGE IINN A NNEWSEWS MMAGAZINEAGAZINE OOFF A BBREAKINGREAKING NNEWSEWS SSTORYTORY SSTEVETEVE KKROFTROFT OOUTSTANDINGUTSTANDING IINTERVIEWNTERVIEW IINN SSPANISHPANISH 6600 MMINUTES:INUTES: 6600 MMINUTES:INUTES: TTHEHE LLOSTOST BOYSBOYS 6600 MMINUTES:INUTES: AANGELNGEL OOFF DDEATHEATH 4400 MMILLIONILLION MMISTAKESISTAKES PPOPEOPE FFRANCISRANCIS BBOBOB SIMONSIMON SSTEVETEVE KKROFTROFT SSTEVETEVE KKROFTROFT JJOSÉOSÉ DIAZ-BALARTDIAZ-BALART

A UUNITEDNITED TTALENTALENT AAGENCYGENCY CCompanyompany

News & Doc Emmys 2014 program.indd 21 9/18/14 7:09 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

60 MINUTES CBS NEED TO KNOW PBS Francis Kelsey. But, as Retro Report found, decades later the The Gaskos Dying to once-infamous drug has been discovered to be a life-saving FBI agents tell Steve Kroft about their 16-year search and even- The death of Alfonso Martinez Sanchez, 39, in March of last year treatment for patients in the throes of deadly diseases from tual capture of Boston mobster Whitey Bulger, once No. 1on sparked little attention. A construction worker and father of five leprosy to blood-born cancers. This salvation, however, continues the Most Wanted List. For 60 Minutes, this story marked the who’d lived in Southern California for more than 20 years before to carry a human cost; the shadow of its past is being revisited culmination of nearly 15 years of reporting and some half a dozen being deported to , he was to die today in places like Brazil, and victims say they continue to look previous pieces on the corrupt relationship between the FBI and in the Arizona desert while attempting to cross into the United warily toward thalidomide’s future. the Winter Hill Gang, a powerful confederation of Irish and Ital- States from Mexico. But “Dying to Get Back,” a joint investiga- Producer: Kit R Roane ian mobsters led by Bulger, whose specialties included extortion, tion by The Investigative Fund at The Nation Institute and PBS’s Co-Producer: Jeff Bernier loan sharking, gambling and murder. Need to Know, found that his death was part of a disturbing phe- Senior Producer: Larry Chollet Executive Producer: Jeff Fager nomenon: even as tighter border security has sent illegal border Executive Producer: Kyra Darnton Executive Editor: Bill Owens crossings plummeting, migrant deaths are on the rise — particu- Series Creator: Chris Buck Producer: Tanya Simon larly among the deported parents of American children. Co-Producers: Daniel J. Glucksman, Nichole Marks Executive Producer: Marc Rosenwasser OUTSTANDING FEATURE STORY IN A NEWS Correspondent: Steve Kroft Executive-in-Charges: Stephen Segaller, MAGAZINE Senior Broadcast Producer: Scott Davis 60 MINUTES CBS Broadcast Producer: Irene Francis 20/20 ABC The Lost Boys Editorial Producer: Judith Starr Wolff Unbreakable: One Girl Changing the World “The Lost Boys” was a series of stories spanning more than a Producer: Brian Epstein From the moment news surfaced that a 15-year-old Pakistani girl decade. 60 Minutes first aired the saga of the lost boys in May Field Producer: Alexandra Nikolchev had been shot in the head by the because she believed 2001, documenting how boys orphaned by Sudan’s brutal civil Correspondent & Producer: John Larson girls should have the right to go to school, ABC News commit- war walked barefoot by the thousands, eventually staggering into Investigate Editor, The Nation Institute: Esther Kaplan ted to telling Malala Yousafzai’s story. No one knew if she would a refugee camp in northern Kenya. It was there that 60 Minutes Investigative Reporter, The Nation Institute: John Carlos Frey live or die, or would ever be able to speak again. When it became originally met them, just as they were preparing to leave for a new clear that she would not only survive but would continue to speak life and new world in the . catches up RETRO REPORT THE NEW YORK TIMES out about the need to educate girls around the world, her courage with them 12 years later. The Shadow of Thalidomide and commitment made her one of the most inspiring people of Executive Producer: Jeff Fager When it was introduced in Germany in the late 1950s, thalidomide the year. Executive Editor: Bill Owens was supposed to be a miracle drug: a completely safe sleeping pill Executive Producers: Eric Avram, Jessica Velmans Producer: Draggan Mihailovich that could also treat a range of ills. But it proved to be something Senior Executive Producer: David Sloan Correspondent: Bob Simon far more sinister — a poison of a sort that caused an untold Senior Producers: Muriel Pearson, Teri Whitcraft Co-Producers: Nathalie Sommer, Warren Lustig, Matthew number of spontaneous abortions and led to thousands of terribly Producer: Joseph Diaz Richman deformed infants. The United States was largely spared this Field Producers: Keturah Gray, Habibullah Khan, Zunaira Zaki medical disaster thanks to a young FDA reviewer named Dr. Reporter: Diane Sawyer

22 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 22 9/18/14 7:09 PM CONGRATULATIONS TO OUR 2014 NEWS & DOCUMENTARY EMMY® NOMINEES

“…a journalistic masterpiece. If you haven’t seen it, LEAGUE OF DENIAL find it. It is everywhere on the internet. It should be.” BILL DWYRE, TIMES

“NOVA has been doing more and more of these ‘instant specials’…finding ways to explore the science behind headlines…it’s a very smart move.” DAVID BIANCULLI, TVWORTHWATCHING.COM

“This epic accounting of a life and political career refuses to…trod the predictable path.” CHRIS VOGNAR, DALLAS MORNING NEWS

THANK YOU PBS FOR YOUR LEADERSHIP IN JOURNALISTIC EXCELLENCE

News & Doc Emmys 2014 program.indd 23 9/18/14 7:09 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

60 MINUTES CBS victims of facial tumors and cleft palates. them in the summer months, when they would occasionally fly Africa Mercy Camera: Chris Everson, Ian Robbie out to feed before sunset, allowing them to be filmed at up to The world’s largest civilian hospital ship takes volunteer medical 3000 frames per second; and using a combination of time lapse staff to the Third World where they have restored sight to thou- 60 MINUTES CBS and thermal imaging cameras to capture bats waking up from sands of people suffering from cataracts and returned smiles to Lamborghini hibernation and warming up to their usual ‘operating temperature’ victims of facial tumors and cleft palates. The goal of this piece was to capture the allure of one of the of 100° F. Executive Producer: Jeff Fager world’s most expensive cars and to translate visually the feeling Camera: Roland Breitschuh, Torbjörn Karvang, Michael Kern, Executive Editor: Bill Owens of sitting at the wheel of this icon of engineering — the Lam- Dr. Rudolf Diesel, Dr. Nickolay Hristov Producers: Rachael Kun Morehouse, Henry Schuster borghini. A classic car whose exclusive club of aficionados are Co-Producer: Warren Lustig willing to wait a year to lay hands on the object of their desire. ONE LIFE NATIONAL GEOGRAPHIC WILD Correspondent: Scott Pelley Using classic sequences, sweeping aerials and clever use of go- Using over four years of filming on every continent, this film gives pros, the cameramen capture the flowing exterior beauty and the audiences a delicate view of animals in the most critical moments 60 MINUTES CBS ‘feel’ of the Lamborghini on the road. of their lives. Whether it’s a mother protecting her newborn baby The Recyclers Camera: Wim De Vos, Massimo Mariani seal pup, the tongue of a chameleon capturing its prey or grebes In Cateura, a tiny, impoverished community on the outskirts of dancing across a lake, One Life shows how life has answered the Asuncion, ’s capital, one can’t help but notice the trash. 60 MINUTES CBS challenges faced by each of these living things. But there are some remarkable sounds coming from the trash — The Copts Cinematographers: The Cinematography Team the melodies of Mozart and Vivaldi. Children, who would ‘The Copts of Egypt’ was an attempt to translate into images the otherwise have been destined for a life spent combing through ancient nature of one of the world’s oldest Christian communi- WILD ARABIA ANIMAL PLANET mountains of trash in search of sellable scraps, now spend every ties, embattled and trying to survive in turbulent times, struggling With unparalleled access, Animal Planet takes viewers to the free moment playing music using instruments fashioned from the to hang on to their ancient faith. Producer Harry A. Radliffe crossroads of three continents to a clandestine kingdom of rich trash that surrounds them. had a special vision — how to bring to life the chiaroscuro layers culture and breathtaking beauty. Once the trade hub of the Executive Producer: Jeff Fager of centuries of faith. The cinematographers sought to express ancient world, Arabia has transitioned into a secluded splendor Executive Editor: Bill Owens that vision: in the wide landscape shots, the dark churches and a where the modern world brushes up against a vast and ageless Producer: Michael H. Gavshon hermit’s cave, in the charred remains of houses of prayer where sweeping terrain. In this ground-breaking special, an inter- Co-Producers: Paul Bellinger, Vanessa Fica the play of light and darkness evoked layers of history among the national team of cameramen filmed the stunning diversity of Correspondent: Bob Simon destruction, and changing emotion in the faces of people. Arabia’s wildlife over the course of 2 years — from desert foxes Camera: Chris Albert, Wim De Vos, Scott Monro and magnificent oryx to deadly scorpions and some of the rarest ANN CURRY REPORTS NBC humpback whales on earth. And in never-before-seen footage, A Face In The Crowd CBS EVENING NEWS WITH SCOTT PELLEY CBS we catch a glimpse of the rare — captured in the When he was 22 years old, Richard Norris suffered an accidental Church Van wild in HD for the very first time. shotgun blast into his face that left him extremely disfigured. Videojournalists Jake Barlow and Eric Jensen, and reporter Dean Cinematographers: John Aitchison, Susan Gibson, Ted Giffords, After living for 15 years as a recluse, he chose to risk a ground- Reynolds, follow Yolanda Morris as she drives a rattletrap van Max Hug-Williams, Jonathan Jones, Justin Maguire, David breaking face transplant surgery. through one of the most violent areas of Chicago, transporting Mckay, Hugh Miller, Beno Saradzic, Rolf Steinmann, Toby Executive Producers: Alexandra Wallace, David Corvo, neighborhood kids to summer camp at the New Mount Calvary Strong, Mateo Willis Elizabeth Cole Baptist Church. Using two broadcast and two GoPro cameras, Senior Producer: Adam Gorfain the report tells an ongoing story in a new way. OUTSTANDING SCIENCE AND TECHNOLOGY Producers: Justin Balding, Adam Rivera Videojournalists: Jake Barlow, Eric Jensen PROGRAMMING Anchor: Ann Curry MARK PHILLIPS — REPORTING FROM CNN CNN FILMS CNN DAN RATHER REPORTS AXS TV AFGHANISTAN AND THE PHILIPPINES Escape Fire Kim vs. Kabul Mark Phillips’ work is testament to his ability to tell a story This first-ever documentary from CNN Films looks at the For all of the billions spent fighting the war in Afghanistan, through his pictures, not just by observing from a distance but by American healthcare system through the gripping personal stories progress can often seem futile. Victories on the battlefield do becoming closely involved and bringing his empathy with each of patients, providers, and experts, from a veteran struggling to little to change the country’s moral fabric and customs that date subject to the fore. Philips’ work is also defined by a deep respect free himself from narcotics, to a woman who has had dozens of back centuries, especially when it comes to women’s rights and and admiration for his subjects and their individual stories. In unnecessary heart procedures. Produced and directed by Matthew basic human dignity. Dan Rather Reports discovered one such case these reports from Afghanistan and the Philippines, he secures a Heineman and Oscar-nominee Susan Froemke, Escape Fire asks in a 6-year-old girl who had been sold by her father to pay off a level of trust that allows each story to evolve organically. why the world’s most expensive healthcare system so often deliv- debt. This report tell the remarkable story of an American lawyer Photojournalist: Mark Phillips ers insufficient care. named Kim Motley who is working to free the young girl, and, Directors/Producers: Matthew Heineman, Susan Froemke who has decided to live in Kabul while fighting for the country’s OUTSTANDING CINEMATOGRAPHY — Executive Producer: Doug Scott largest underclass, its women. DOCUMENTARY AND LONG FORM Co-Producers: Elyssa Hess, Bradley J. Ross, Adam White Executive Producer: Wayne Nelson Senior Post Producer for CNN: John Cooke Producers: Steve Tyler, Tracy Wholf CNN FILMS CNN Executive Producer for CNN: John Cooke Senior Producer: Elliot Kirschner Girl Rising Correspondent: Dan Rather From Academy Award-nominated director Richard E. Robbins, HOW TO BUILD A PLANET SCIENCE CHANNEL Girl Rising journeys around the globe to witness the strength Creating an Earth ROCK CENTER WITH BRIAN WILLIAMS NBC of the human spirit and the power of education to change the Just what do you need to construct the cosmos? What happens Over A Barrel world. Viewers get to know nine unforgettable girls living in when you get something wrong? How was Earth created? How to “Over a Barrel” is the story of rarely seen indigenous tribes in the developing world: ordinary girls who confront tremendous Build a Planet takes on the ultimate engineering project to show Ecuador preparing to battle a government plan to open nearly 8 challenges and overcome nearly impossible odds to pursue their viewers what scientists think happened when entire planets were million acres of pristine Amazon rainforest to oil drilling, includ- dreams. Prize-winning authors put the girls’ remarkable stories created. Driven by state-of-the-art computer graphics and the ing large tracts on the tribes’ ancestral land. It is also the story of into words, and renowned actors give them voice. latest scientific findings, “Creating an Earth” shows audiences how the United States, as the leading importer of oil from Ecua- Directors of Photography: Nicole Hirsch Whitaker, Adam how Earth formed through the combination of various elements dor, is helping to drive that plan. Beckman, David Rush Morrison, Mike Ozier, Felipe Perez- and scientific principles. Like any construction project mistakes Executive Producer: Alexandra Wallace Burchard, Steven Piet, Kiran Reddy will be made like a moon in the wrong place or a little too much Senior Executive Producer: David Corvo iron in the mix. But out of these mistakes will come fascinating, Senior Broadcast Producer: Ellen Mason KILLER IN THE CAVES real insights into what makes Earth and even the solar system Senior Producer: Justin Balding There’s a killer stalking the caves of North America. Seemingly hospitable for mankind. Producer: Tim Sandler overnight, a disease known as white-nose syndrome is wiping Executive Producer, Science Channel: Neil Laird Additional Producers: Beverly Chase, Irene Trullinger out bats by the millions. In a race against time, bat expert Dr. Executive Producers, BBC: Will Aslett, Mark Hedgecoe Correspondent: Ann Curry DeeAnn Reeder and wildlife biologist Greg Turner search for Series Producer: Arif Nurmohamed the cause of — and a cure for — this mysterious fungus. Bats are Series Director: Nick Shoolingin-Jordan OUTSTANDING VIDEO JOURNALISM — NEWS nocturnal and incredibly fast, which made filming them extremely Directors: Mike Slee, Nigel Simpkiss challenging. The filmmakers had to find a way to film with high Host: Richard Hammond 60 MINUTES CBS frame rates in extremely low-light situations — two things that Africa Mercy usually exclude each other. The solution: First, accustom bats The world’s largest civilian hospital ship takes volunteer medical to light and train them to fly in green screen studios, allowing staff to the Third World where they have restored sight to thou- for the use of higher frame rates than would be possible in the sands of people suffering from cataracts and returned smiles to field. Techniques for filming bats in the field included shooting

24 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

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News & Doc Emmys 2014 program.indd 25 9/18/14 7:09 PM "Outstanding Newscast or News Magazine in Spanish”

News & Doc Emmys 2014 program.indd 26 9/18/14 7:09 PM RAPE IN THE FIELDS

“Outstanding Investigative Journalism—Long-Form”

“Outstanding Coverage of a Breaking News Story in Spanish”

BOLIBURGUESES

“Outstanding Investigativeative Journalism in SpaSpanish”n

News & Doc Emmys 2014 program.indd 26 9/18/14 6:50 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

NOVA PBS Executive Producer: David Fanning FRONTLINE, , THE CENTER PBS Manhunt - Boston Bombers Deputy Executive Producer: Raney Aronson-Rath FOR INVESTIGATIVE REPORTING, AND At 2:50 pm on April 15, two bomb blasts turned the Boston Producers: Frank Koughan, Glenn Silber U.C. BERKELEY’S INVESTIGATIVE REPORTING Marathon finish line from a scene of triumph to tragedy, leaving Correspondent: PROGRAM three dead, hundreds injured, and a city gripped by heartbreak Rape in the Fields/ Violación de un Sueño and terror. Less than five days later, the key suspects were identi- FRONTLINE PBS “Rape in the Fields/Violación de un Sueño” is an unprecedented fied and apprehended with one dead, the other in custody. How League of Denial: The NFL’s Concussion Crisis broadcast partnership between FRONTLINE and Univision did investigators transform the chaos of the bombing into a When FRONTLINE’s producers launched a yearlong investiga- Documentaries (Documentales Univision), which joined forces to coherent trail of clues, pointing to the accused killers? NOVA tion into the National Football League’s growing concussion bring this powerful and underreported story to a broad, diverse follows the manhunt step by step, examining the role modern crisis, they faced a formidable challenge. League officials made and multi-lingual audience. The film was broadcast on two technology — combined with old-fashioned detective work — it clear that they would not cooperate. To tell the story the NFL national networks, in two languages reaching millions of view- played in cracking the case. With the help of top criminal did not want told, the producers and reporters sought out players, ers. Led by Correspondent Lowell Bergman, the project was a investigators and anti-terrorism experts, NOVA explores which their families, and scientists on both sides of the issue who were yearlong effort by the Investigative Reporting Program at the technological innovations worked — and which didn’t — and willing to talk. They traced the league’s response to the discovery UC Berkeley Graduate School of Journalism and the Center for how the world of crime fighting could be transformed tomorrow. of a chronic brain disease in dozens of deceased players, dating Investigative Reporting. It shed light on pervasive sexual assault Senior Executive Producer: Paula S. Apsell back to the first known case of chronic traumatic encephalopathy against the immigrant women who pick and handle the food we Executive Producer: Julia Cort (CTE) in the brain of Pittsburgh Steeler’s legend Mike Webster. eat every day. Producer: Miles O’Brien The film showed how even though doctors concluded that Web- Executive Producer: David Fanning ster’s diagnosis might have resulted from the thousands of head Deputy Executive Producer: Raney Aronson-Rath OUTSTANDING INVESTIGATIVE hits he had endured, the NFL insisted there was no evidence Executive Producer, Univision: Juan Rendon, Isaac Lee JOURNALISM — LONG-FORM linking football to chronic brain disease, and used its own heavily Editor, The Center for Investigative Reporting: Susanne Reber funded research arm to try to kill the findings and discredit the Producer: Andrés Cediel FRONTLINE PBS researchers behind them. Reporter, The Center for Investigative Reporting: Bernice Yeung A Death in St. Augustine Executive Producer: David Fanning Correspondent: Lowell Bergman FRONTLINE and The New York Times investigated the death of Deputy Executive Producer: Raney Aronson-Rath Producer, Spanish Version: Natalie Osma a 24 year-old single mother in , and raised questions about Producers: Jim Gilmore, Michael Kirk, Mike Wiser Correspondent, Spanish Version: Maria Elena Salinas how police handle cases when there is the possibility of domestic Reporters: Steve Fainaru, Mark Fainaru-Wada violence by one of their own. On September 2, 2010, Michelle O’Connell died from a gunshot to the mouth. The gun belonged to her boyfriend, Jeremy Banks, a deputy with the St. John’s Country Sheriff ’s Office. Arriving on the scene, Banks’ colleagues investigated and almost immediately concluded that the death was a suicide. But was it?

ongratulations to all the Nominees of the 35th Annual News & Documentary Emmy® Awards!

The News & Documentary Emmy® Awards is a national broadcast journalism competition. It promotes journalistic excellence by awarding the coveted Emmy® Award to the very best news reports and documentary films aired on national television or streamed over the internet each year.

28 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

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HBO DOCUMENTARY FILMS HBO OUTSTANDING REGIONAL NEWS STORY — Reporters: Mike Anderson, Shelby Croft, Colleen Henry, Abe Tales from the Organ Trade SPOT NEWS Lubetkin, Marianne Lyles, Christina Palladino, Kent Wain- Tales From The Organ Trade is an unflinching descent into the scott shadowy world of black-market organ trafficking: the brokers, WFAA NEWS 8 WFAA-TV Reporter/Photographer: Matt Salemme the rogue surgeons, the impoverished men and women who are (DALLAS – FORT WORTH, TX) Anchors: Kathy Mykleby, Patrick Paolantonio, Terry Sater, Toya willing to sacrifice an organ for a quick payday and the desper- Dixon Circle Washington ate patients who face the agonizing choice of obeying the law or Scanners squawked that Dallas police officers needed back-up Editor: Sam Cundari saving their lives. after an officer-involved shooting. When News 8 crews first Digital Managing Editor: Tom Swigert Director/Producer/Executive Producer: Ric Esther Bienstock arrived, they discovered something more serious. Hundreds Managing Editor: Renee Raffaelli Producer/Executive Producer: Simcha Jacobovici of angry people started gathering, yelling at officers. Police Engineers: Sean Downs, Blaine Hackbarth, Norm Hunicutt, Executive Producer: Sheila Nevins descended on the scene from across the city. News 8 dominated Jim Steinhart Producer: Felix Golubev local coverage with reporters at several locations, including one Photojournalists: David Bakken, Cary Edwards, John Lazarevic, Supervising Producer: Nancy Abraham with a live backpack unit that put viewers inside the fragile and Saman Wanniarachchi frightening situation. Assignment Desks: Jennifer Fritz, Sally Severson, Julie Stay INDEPENDENT LENS PBS Producer: Amanda McNew Assistant News Director: Ed Reams The Invisible War Operations Manager: Yve Jones The Invisible War is a groundbreaking investigative documentary WFAA NEWS 8 AT 10 WFAA-TV about one of America’s most shameful and best kept secrets: (DALLAS – FORT WORTH, TX) WNBC BREAKING NEWS WNBC-TV the epidemic of rape within the U.S. military. The film paints a Texas Tornado Outbreak (NEW YORK, NY) startling picture of the extent of the problem — today, a female In the 24 hours after an outbreak of 19 tornadoes, WFAA Chan- Superstorm Sandy soldier in combat zones is more likely to be raped by a fellow nel 8 reporters spread out across North Texas not only to survey WNBC was a lifeline for millions during Superstorm Sandy. soldier than killed by enemy fire. Focusing on the powerfully the devastation, but to talk to those who survived. The largest of The news team was live with coastal evacuations, flood rescues, emotional stories of rape victims, The Invisible War exposes the the tornadoes, an EF-4, hit Granbury, Texas. And in Cleburne, hospitals without power, ambulance calls going unanswered, systemic cover-up of military sex crimes, chronicling the women’s Texas, damage was widespread, but no one died in the storms. firefighters unable to reach blocks of burning homes, and even struggles to rebuild their lives and fight for justice. Channel 8 found communities tested, but not defeated. a crane damaged by winds left dangling over a busy Director: Kirby Dick Producer: Meagan Harris neighborhood. The community needed vital information about Producers: Tanner King Barlow, Amy Ziering shelter, food, gasoline and electrical repairs, and WNBC provided Executive Producers: Regina Kulik Scully, Maria Cuomo Cole, NOTICIERO 39 KXTX-TV it, both on TV and online. Abigail Disney, Sarah Johnson Redlich, Jennifer Siebel New- (DALLAS – FORT WORTH, TX) News Director: Susan Sullivan som, Geralyn White Dreyfous, Nicole Boxer-Keegan, Teddy Oklahoma Devastation Leifer On May 20, 2013, news of a powerful tornado in Moore, Okla- OUTSTANDING REGIONAL NEWS STORY — Executive Producer for ITVS: Sally Jo Fifer homa rattled newsrooms around the country. The newsroom INVESTIGATIVE REPORTING Deputy Executive Producer, Independent Lens: Lois Vossen leadership at KXTX Telemundo 39 reacted quickly by sending a crew to the scene. It was a 4 hour drive during rush hour from KING 5 NEWS (SEATTLE, WA) KING-TV POV PBS Dallas, Texas to Moore, Oklahoma. The goal was to be live for Fraud on the Job Special Flight the 10PM newscast and inform Spanish speaking viewers about In a series of reports titled “Fraud on the Job,” the KING 5 Special Flight is a dramatic account of the plight of undocu- the devastation and rescue efforts. Investigators exposed fraud and abuse in the program that mented foreigners at the Frambois detention center in Geneva, Reporter: Fernando Mejia reserves millions in taxpayer money for disadvantaged contracting Switzerland, and of the wardens who struggle to reconcile Photographer: Noe Cumplido businesses owned by women and minorities. The Washington humane values with the harsh realities of a strict deporta- State Department of Transportation is responsible for adminis- tion system. The 25 Frambois inmates featured are among the WISN 12 (MILWAUKEE, WI) WISN-TV tering the program and contracts with a small state agency, the thousands of asylum seekers and illegal immigrants imprisoned Sikh Temple Shooting Office of Minority and Women’s Business Enterprises, to certify without charge or trial and facing deportation to their native On August 5, 2012, the WISN newsroom responded to police which contractors qualify as “disadvantaged business enterprises,” countries, where they fear repression or even death. The film calls at the Sikh Temple in Oak Creek, Wisconsin, a suburb or DBEs. The state’s share of federal highway funds comes with is a heart-wrenching exposé of the contradictions between the of Milwaukee. Gradually the magnitude of events revealed some strings attached, including a requirement that a certain country’s compassionate social policies and the intractability of its themselves. It was the day Wade Michael Page, a lone gunman, percentage of money spent on transportation projects be reserved immigration laws. terrorized worshippers on a Sunday, leaving six people dead and for minority-owned firms. Director/Producer: Fernand Melgar three wounded. Page then killed himself. WISN’s exemplary News Director: Mark Ginther Executive Producers: Simon Kilmurry, Stéphane Goël, Elise coverage conveyed the reality of the violence, put a focus on the Executive Producer of Investigations: Kellie Cheadle Shubs stories of the victims, outlined the emotional costs to the com- Investigative Reporter: Susannah Frame Co-Executive Producer: Cynthia Lopez munity as a whole, and provided historical context. Photographer: Steve Douglas VP, Programming and Production: Chris White Executive Producer: Rita Aleman Series Producer: Andrew Catauro Executive News Producer: Jessica Schmid Producers: Eric Marshall, Tonya Simpson, Paula Vansack

30 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

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KNXV-TV DAILY NEWSCAST KNXV-TV Producer: Eva Parks convicted killers spent as little as four years behind bars. The (PHOENIX, AZ) Senior Investigative Reporter: Scott Friedman investigation prompted state lawmakers to initiate immediate Ford Escape: Exposing a Deadly Defect Photojournalist: Peter Hull reforms and a new state law to prevent violent offenders from It could have been just another news story. A 17-year old girl being released too soon. died in a car crash. The story lasted about a minute in the KNXV WTHR EYEWITNESS NEWS WTHR-TV Producer: Cyndee Hebert newscast. But a recorded 911 call from the girl’s mother, made it (INDIANAPOLIS, IN) Photojournalists: Bill Ditton, Steve Rhodes clear there was much more to this story that needed to be told. Investigating the IRS Investigative Reporter: Bob Segall The car had accelerated out of control - and KNXV wanted to As the national deficit soared, WTHR exposed fraud, confu- know why. A five-month investigation uncovered a hidden defect sion and government mismanagement that resulted in illegal OUTSTANDING COVERAGE OF A BREAKING in hundreds of thousands of SUVs, triggered a federal inves- immigrants getting billions of dollars in improper tax credits NEWS STORY IN SPANISH tigation and caused two major automakers to recall more than and refunds from the Internal Revenue Service. WTHR gained 700,000 SUVs. unparalleled access to tax records and immigrant communities CNN EN ESPAÑOL CNN EN ESPAÑOL Executive Producer: Maria Tomasch to show exactly how the fraud was committed. The investigation Pope Election Producer: Lauren Gilger revealed the IRS had known about the widespread problems As the Catholic Church waited on this most recent conclave Editor: Scott Sherman for a decade but failed to act, and that IRS managers actively on the election of the next Pope, Cardinal Bergoglio was always Photojournalist: Gerard K. Watson encouraged their tax examiners to ignore blatant signs of fraud. on the radar of Latin Americans as one of the most qualified Investigative Reporter: Joe Ducey WTHR’s investigation and multiple follow-up reports quickly candidates for the papacy. In the previous election of the pope, gained national attention, triggered a new Inspector General information emerged from the Conclave that Bergoglio had NBC 5 NEWS AT 10 KXAS-TV audit, and prompted the IRS to implement changes designed to removed his name from the candidacy. CNN en Español’s overall (DALLAS – FORT WORTH, TX) reduce fraud and to save taxpayers billions of dollars. coverage consisted of Jose Manuel Rodriguez in Buenos Aires Driven to Distraction Producer: Cyndee Hebert and Jose Levy and Adriana Hauser leading the coverage from This nine-month-long investigation revealed serious crashes and Photojournalists: Bill Ditton, Jacob Jennings, Steve Rhodes Rome with supporting anchors Patricia Ramos in Atlanta and injuries caused by a danger that exists in virtually every police Investigative Reporter: Bob Segall Juan Carlos Lopez in Washington. When Cardinal Bergoglio car in the United States. Dashboard-mounted technology has was announced as Pope and given the name of Francis I, CNN turned modern patrol cars into offices on wheels. Computers, WTHR EYEWITNESS NEWS WTHR-TV en Español went live to The National Cathedral in Buenos Aires cameras, GPS devices, radios, smart phones and license plate (INDIANAPOLIS, IN) where hundreds of believers where celebrating and praying on scanners compete for the officer’s attention while driving, and Released Too Soon? the naming of the new pope. The network’s continuous coverage the consequences of those distractions can be life altering. This This WTHR investigation exposed how thousands of criminals featured live images from the Vatican, Buenos Aires and reporters investigation led to significant policy changes at two of the largest successfully manipulated Indiana’s outdated prison sentenc- around the world. police departments in Texas. It sparked action from the world’s ing system annually — in some cases, with devastating results. Executive Producer: David Gamez largest organization of police leaders, and became mandatory Through a massive Open Records request, WTHR’s investigative Director of Newsgathering: Robert Lenz, Benjamin Fernandez safety training viewing for every highway trooper in one state. unit discovered rapists and child molesters were routinely set free Senior Producers: Magdalena Cabral, Marcela Salazar, Marcela Executive Producer of Investigations: Shannon Hammel after serving just a small fraction of their sentences, and some Andrade, Angeles Font Producers: Sarimar Hernandez, Samuel Santamaria Field Producer: Claudia Rebaza Directors: Rick Hernandez, Andres Ovalle, Julian Quijano, Alice Bejarano, Jose Nuñez Anchors: Patricia Ramos, Juan Carlos Lopez Correspondents: Jose Levy, Adriana Hauser, Jose Manuel Rodriguez, Rey Rodriguez, Maria Santana Head Writers: Tatiana Heredia, David Valenzuela, Dinorah Ross

NOTICIERO UNIVISION UNIVISION Oklahoma Tornado On May 20, 2013, a tornado struck the town of Moore, Okla- homa. Twenty-five people were killed and 377 injured. Noticiero Univision anchor, Maria Elena Salinas, traveled to the site of the disaster where homes once stood to speak with the families who had lost it all. President of News: Isaac Lee Senior Vice President/Executive News Director: Daniel Coronell Vice President/News Director: Patsy Loris Executive Producers: Gabriela Tristan, Maria Martinez Henao Senior Producer: Alexis Aran Producers: Byron , Jorge Solino Correspondent: Maria Elena Salinas

POPE FRANCIS TELEMUNDO On March 13, 2013 the eyes of the world were on Rome when a papal conclave elected Jorge Mario Bergoglio as Pope Francis — the Catholic Church’s first Latin American pope. From the time of Pope Benedict’s resignation, and in the weeks leading up to the historic announcement, Noticias Telemundo provided comprehen- sive and extensive coverage. Telemundo’s coverage on the day of election, and their continuous coverage lasting over 12 hours was anchored from Rome by Jose Diaz-Balart and from the network’s headquarters in the U.S. by Maria Celeste Arraras. In addition, Telemundo had team coverage from Mexico (a country with one of the largest Catholic communities in the world), Argentina (the birthplace of the new pope and where he served as a cardinal) and several major cities in the U.S. with large Hispanic Catholic com- munities, including Chicago, Los Angeles and New York. A panel of experts in Rome and provided perspective, and active digital and social media engagement allowed viewers to grasp the magnitude of the event and become part of the coverage. Senior Executive Producer: Sylvia Rosabal Executive Producer: Leticia Herrera Senior Producer: Desiree Colomina Senior Broadcast Producer: Eva Luna Producers: Gremaund Angee, Jaime Ascencio, Ana Avila, Juliana

32 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 32 9/18/14 7:09 PM 35th Annual NEWS & DDOCUMENTARYOCUMENTARY EEMMYMMY® AAWARDSWARDS

Gonzalez, Fabiola Ortiz, Fernando Ramirez, Yolanda Zugasti, TRATA DE MUJERES: DE DISCOVERY EN Senior Vice President/Executive News Director: Daniel Coronell Grace Solorzano, Paula Gonzalez, Elizabeth Valdes, Elisa TENANCINGO A NUEVA YORK ESPAÑOL Vice President/News Director: Patsy Loris Ross, Karren Carranza, David Vila, Guadalupe Rincon This documentary explores the growing phenomenon of traffick- Executive Producers: Gabriela Tristan, Maria Martinez Henao Field Producers: Carlos Calvo, Oscar Lagos, Hugo Luna, Ramfis ing in women for sexual exploitation from Mexico to the U.S. by Producers: Elizabeth Cotte, Carlos Martinez, Lucia Burga, Rodriguez, David Necochea traveling from the Mexican town of Tenancingo to seedy loca- Daniela Aray, Carime Hernandez Writer: Irma Negroni tions in New York, to uncover how mafia families lure girls into Assignment Editors: Arianna Requena, Roberto Pons, Rafael Anchors: Maria Celeste Arraras, Jose Diaz Balart prostitution through the false pretenses of arranged marriages. Tejero, Guillermo Martinez, Malena Marchant, Jorge Mota Correspondents: Carlos Botifol, Carmen Dominicci, Vanessa Executive Producer: Michela Giorelli, Luis Del Valle Bureau Chiefs: Deborah Durham, Porfirio Patiño, Maria Pinon, Hauc, Rogelio Mora Tagle, Maribel Osorio, Isolda Peguero, Supervising Producer: Irune Ariztoy, Rafael Rodriguez Gisela Saez, Luis Donadio Raul Torres, Jorge Bernal Producer: Luciano Gorriti Coordinating Producers: Oscar Sepulveda, Janice Martinez, Director: William Hicklin Luis Canola, Danis Sosa, Julio Rodriguez, Wilson Mendoza, OUTSTANDING INVESTIGATIVE JOURNALISM Amelia Elice, Shirley Venegas, Jose Gomez, Manny Rodriguez, IN SPANISH OUTSTANDING NEWSCAST OR NEWS Julisa Prowl, Osbelto Denis, Carlos Perez, Sandra Paz, Jerry MAGAZINE IN SPANISH Otero AQUÍ Y AHORA UNIVISION Field Producers: Inocente Alvarez, Andres Sanchez, Andres Boliburgueses AL ROJO VIVO TELEMUNDO Juarez, Frank Ramirez, Roque Hernandez, Jorge Contreras, For nearly a decade, the Hugo Chavez Administration in Ven- Hosted by Emmy® Award-winning journalist María Celeste Miguel Carrillo, Roberto Villanueva ezuela accused the U.S. of being ruled by “imperialists,” who were Arrarás, Al Rojo Vivo con María Celeste sets the news and enter- Writers: Daniel Morcate, Susana Mickle, Fernando Escobar, responsible for mankind’s many ailments, including poverty and tainment agenda for Hispanic audiences. The acclaimed news Ezequiel Perez, Rodolfo Perez, Jaime Yanez, Ivan Rodriguez even the 2010 earthquake in Haiti. On several occasions, Chavez magazine’s innovative style and dynamic format highlight the Anchors: Jorge Ramos, Maria Elena Salinas, Felix De Bedout, himself said being rich was “bad “and that “the rich won’t enter “human story” behind the news. “Al Rojo Vivo” features a variety Lourdes Ramos, Ilia Calderon, Enrique Acevedo the Kingdom of Heaven.” But the lifestyle of businessmen and of compelling content, including investigative, health, entertain- Correspondents: Maria Antonieta Collin, Lourdes Del Rio, Jaime officials, who amassed fortunes by supporting the Chavez revolu- ment and fashion segments. Garcia, Maria Luisa Martinez, Pablo Sanchez, Blanca Rosa tion, stands in stark contrast to the message of the Venezuelan Executive Producer: Pilar Garibotto Vilchez, Luis Megid, Juan Carlos Gonzalez, Joaquin Fuentes, Government, which labeled itself as “Bolivarian Socialist.” Senior Broadcast Producer: Ricdamis Garcia Juan Carlos Aguiar, Pedro Ultreras, Vilma Tarazona Senior Executive Producers: Isaac Lee, Daniel Coronell Producers: Sairy Perez, Osvaldo Velasquez, Mario Bernal, Juli- Segment Producers: Selymar Colon, Leonor Suarez, Arlen Fer- Director: Gerardo Reyes ana Gonzalez, Lisbeth Fernandez, Carlos Galindo, Janneth nandez, Maria Arce, Jorge Cancino, Fernando Lopez Executive Producer: Jairo Marin Quintero, Lorraine Caceres, Marcelo Rey, Gabriela Velez, Assignment Manager: Jeannette Casal Miranda Melina Zambrano, Karen Carranza, Guadalupe Rincon, NOTICIERO UNIVISION UNIVISION Producers: Casto Ocando, Tomás Ocaña, Margarita Rabin Leonor Ayala EDICION NOCTURNA Reporters: Gerardo Reyes, Mariana Atencio Chief Writer: Irma Negroni Hosted by Ilia Calderon and Enrique Acevedo, the late edition Writers: Lola Marmol, Ramon Melendez of Noticiero Univision serves over 50 million Hispanics in the AQUÍ Y AHORA UNIVISION Correspondents: Diego Arias, Magaly Ayala, Linda Candelo, U.S. with in-depth coverage on the most important national and El Chapo: El Eterno Fugitivo Edgardo del Villar, Carmen Dominicci, Sofia Lachapelle, Jorge global events. Examples of such coverage in 2013 include exten- Two and a half months before the arrest of Joaquin “El Chapo” Miramontes, Janet Rodriguez, Enrique Usales, Guadalupe sive coverage of the legislative struggle for immigration reform in Guzman, Univision aired a special about the untold story of Venegas Washington, reports on natural disasters such as Hurricane Ingrid the elusive drug lord who runs Mexico’s biggest drug cartel. He Digital Producer: Juan Carlo in Mexico and the devastating tornado in Moore, Oklahoma, had avoided justice for thirteen years. This special details how Directors: Rey Carrasquillo, Andy Garcia as well as the hunt for Christopher Dorner, a former member this man became the modern mastermind behind the violent, Anchor: Maria Celeste Arraras of the LAPD accused of gunning down cops and their families. multimillion dollar business of worldwide drug trafficking. Aquí y U.S. Hispanics count on Noticiero Univision Edición Nocturna to Ahora reports from the guerrilla fields in Colombia, to the Sierra NOTICIERO TELEMUNDO TELEMUNDO provide them with the latest and most relevant information that Madre in Mexico, and then shows how drugs cross the border Anchored by María Celeste Arrarás and José Díaz-Balart, impacts their lives, their communities, and the world. into the United States and make it to the violent streets of Chi- Noticiero Telemundo, the fastest-growing network newscast on President of News: Isaac Lee cago or distribution points in Madrid. Spanish-language television, is a vital source of information for Senior Vice President/Executive News Director: Daniel Coronell Senior Executive Producers: Isaac Lee, Daniel Coronell the U.S. Hispanic community. Its acclaimed team of correspon- Vice President/News Director: Patsy Loris Directors: Gerardo Reyes, Jairo Marin dents and collaborators offers the latest national and international Executive Producers: Gabriela Tristan, Maria Martinez Henao Coordinating Producers: Maria Martinez Henao, Keith Summa, news, interviews with key figures and analysis, with a special Producers: Elizabeth Cotte, Carlos Martinez, Lucia Burga, Jeannette Casal Miranda, Porfirio Patiño emphasis on events and issues of most relevance to Hispanics Daniela Aray, Carime Hernandez Co-Hosts: Maria Elena Salinas, Teresa Rodriguez in the United States such as the election of a Pope from Latin Assignment Editors: Arianna Requena, Roberto Pons, Rafael Reporters: Gerardo Reyes, Mariana Atencio, Maria Antonieta America. Hispanics rely on Noticiero Telemundo for in-depth, Tejero, Guillermo Martinez, Malena Marchant, Jorge Mota Collins, Tifani Roberts, Tomás Ocaña extensive coverage of the topics that impact their daily lives such Bureau Chiefs: Deborah Durham, Porfirio Patiño, Maria Pinon, Producers: Margarita Rabin, Tomás Ocaña, Casto Ocando, immigration reform, education, finance and empowerment of the Gisela Saez, Luis Donadio Jorge Mota, Tifani Roberts Latino community. Coordinating Producers: Oscar Sepulveda, Janice Martinez, Senior Executive Producer: Sylvia Rosabal Luis Canola, Danis Sosa, Julio Rodriguez, Wilson Mendoza, HUESOS QUE HABLAN DISCOVERY EN ESPAÑOL Executive Producer: Leticia Herrera Amelia Elice, Shirley Venegas, Jose Gomez, Manny Rodriguez, In Ciudad Juarez, a place accustomed to violence, members of the Senior Broadcast Producer: Eva Luna Julisa Prowl, Osbelto Denis, Carlos Perez, Sandra Paz, Jerry city’s Forensic Service Unit research and analyze evidence found Producers: Leonor Ayala, Karen Carranza, Guadalupe Rincon, Otero at crime scenes within state of the art facilities and laboratories as Victoria Rivas-Vasquez, Elizabeth Valdes, Gremaud Angee, Field Producers: Inocente Alvarez, Andres Sanchez, Andres they face risks and pressure from those demanding answers over Ana Avila, Glenda Contreras, Paula Gonzalez, Fabiola Ortiz, Juarez, Frank Ramirez, Roque Hernandez, Jorge Contreras, the death of their relatives. Fernando Ramirez, Elisa Ross, David Vila, Desiree Colomina Miguel Carrillo, Roberto Villanueva Executive Producers: Michela Giorelli, Luis Del Valle, Guillermo Co-Producers: Robert Rivadeneira, Orlando Bazaka, Jessu Esser, Writers: Daniel Morcate, Susana Mickle, Fernando Escobar, Galdos Fabiola Perez, Yuri Delgado Ezequiel Perez, Rodolfo Perez, Jaime Yanez, Ivan Rodriguez Supervising Producers: Irune Ariztoy, Rafael Rodríguez, Mauricio Writers: Irma Negroni, Ana Correa Anchors: Ilia Calderon, Enrique Acevedo Vélez-Domínguez Anchors: Maria Celeste Arraras, Jose Diaz Balart Correspondents: Maria Antonieta Collin, Lourdes Del Rio, Jaime Producer: Loretta Van der Horst Correspondents: Carlos Botifoll, Cristina Londoño, Rogelio Garcia, Maria Luisa Martinez, Pablo Sanchez, Blanca Rosa Director: Giovanni Ulleri Mora Tagle, Isolda Peguero, Janet Rodriguez, Angie Sandoval, Vilchez, Luis Megid, Juan Carlos Gonzalez, Joaquin Fuentes, Raul Torres, Vanessa Hauc, Lori Montenegro Juan Carlos Aguiar, Pedro Ultreras, Vilma Tarazona NARCO ARMAS DISCOVERY EN ESPAÑOL Digital Producers: Eduardo SuÑol, Natalia Urrego,Olga Luna Segment Producers: Selymar Colon, Leonor Suarez, Arlen Narco Armas describes the arms race of organized crime in Mex- Fernandez, Maria Arce, Jorge Cancino, Fernando Lopez ico, shows the weapons most commonly used by criminal groups NOTICIERO UNIVISION UNIVISION and illustrates the way the United States has become in recent Hosted by co-anchors Maria Elena Salinas and Jorge Ramos, years the main source of supply of the Mexican cartels. Univision’s flagship nightly newscast is the Hispanic community’s Executive Producers: Michela Giorelli, Luis Del Valle, Guillermo No. 1 source for national and international news and political Galdos analysis. From extensive coverage on immigration issues, to the Supervising Producers: Mauricio Vélez-Domínguez, Rafael election of the first Latin American Pope, to the devastation Rodriguez, Irune Ariztoy, caused by Hurricane Ingrid in Mexico, Noticiero Univision seeks to inform, engage and empower, providing over 50 million His- panics in the U.S with a window on the world and information crucial to making informed decisions about their lives. President of News: Isaac Lee

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PANORAMA MUNDIAL CNN EN ESPAÑOL that has never been a uniform entity, and whose members have But look closer and you’ll see this is one tough bird. Capable of CNN en Español’s primetime newscast is a showcase of the been actively debating their differences from their first days in taking life’s hard knocks, they bounce right back, and keep on world news leader’s resources in Latin America. With journalists this country. waddling. and offices that only CNN has, we bring the most relevant stories Executive Producers: Julie Anderson, Henry Louis Gates, Jr., Executive Producers: John Cavanagh, Cassian Harrison of our region to the audience through the storytelling skills of our Peter Kunhardt, Dyllan McGee Producers: Philip Dalton, James Manfull, Matthew Gordon most experienced anchor, Patricia Janiot. The news is presented in Executive in Charge: Stephen Segaller Coordinating Producer: Katy Jones Garrity a variety of formats including packages from reporters in the field Senior Producer: Rachel Dretzin Director: John Downer who live the stories themselves; live shots from CNN en Espa- Director/Producer/Senior Story Producer: Leslie Asako Gladsjo ñol’s bureaus to report the very latest news and the events that Directors/Producers: Sabin Streeter, Jamila Wignot, Phil WILD ARABIA ANIMAL PLANET affect viewers’ daily lives. Panorama Mundial goes beyond Latin Bertelsen For the first time ever, Animal Planet exposes what lies hidden America to connect the audience to news from around the world. in the mystical and mysterious wilderness in Wild Arabia. This The Middle East, and Asia are only some of the regions THE FIVE PBS two-hour special gives an authentic illustration of Arabia’s dra- CNN en Español covers, with correspondents like Jerusalem In 1989, five black and Latino teenagers from Harlem were matic and varied landscape, its rich and extraordinary wildlife, its bureau chief Jose Levy who has more than 30 years of experience. arrested and later convicted of raping a white woman in New ancient culture and its remarkable transformation. Executive Producer: David Gámez York City’s Central Park. They spent between 6 and 13 years in Executive Producers: Mick Kaczorowski, Brian Leith Director of Newsgathering: Robert Lenz, Benjamin Fernandez prison before a serial rapist confessed that he alone had com- Producer: Kenitra Ford Senior Producer: Magdalena Cabral mitted the crime, leading to their convictions being overturned. Series Producer: Dan Rees Producers: Carolina López, Eileen Panzardi, Sandra Gómez, Set against a backdrop of a decaying city beset by violence and Series Producer/Director: Chadden Hunter Patricia Ramos, Richard Beltran, Angeles Font racial tension, The Central Park Five tells the story of that horrific Directors: Julián Quijano, Rosa Scott crime, the rush to judgment by the police, a media clamoring OUTSTANDING BUSINESS AND ECONOMIC Anchor: Patricia Janiot for sensational stories and an outraged public, and the five lives REPORTING — LONG FORM Correspondents: Ione Molinares, Osmary Hernández, Juan upended by this miscarriage of justice. Carlos López, Adriana Hauser, Jose Levy, Andrés López, Rey Executive Producer: Ken Burns FRONTLINE PBS Rodríguez, Jose Levy Producer/Directors: Ken Burns, Sarah Burns, David McMahon The Retirement Gamble Head Writers: David Valenzuela, Dinorah Rosas “The Retirement Gamble” is an eye-opening investigation of Segment Producers: Ana María Luengo-Romero, Gustavo OUTSTANDING NATURE PROGRAMMING Wall Street’s reign over America’s retirement landscape, and González the popular 401K plans that have become most people’s plan of AFRICA DISCOVERY CHANNEL choice. More than five years after the crash of 2008 and the sub- OUTSTANDING HISTORICAL A revealing look at a seemingly familiar continent that still sequent loss of one trillion dollars in 401(k) retirement funds, this PROGRAMMING — LONG-FORM holds many secrets. A Discovery Channel/BBC co-production FRONTLINE investigation took viewers inside the often opaque four years in the making, Africa brings the continent to life with financial services sector that runs most of our retirement plans. HBO DOCUMENTARY FILMS HBO never-before-filmed species, animal behaviors and secret, natural Using his own retirement fund as a case study, FRONTLINE 50 Children: The Rescue Mission of Mr. & Mrs. Kraus wonders of the world. Correspondent Martin Smith exposed gross inequalities in the 50 Children: The Rescue Mission of Mr. & Mrs. Kraus tells the Executive Producers: Michael Gunton, Mike Masland, Susan fees individuals pay to invest in their retirement, and the hidden dramatic, previously untold story of Gilbert and Eleanor Kraus, a Winslow, Robert Zakin charges buried within the complex plans. Jewish couple from Philadelphia who followed their conscience, Producer/Directors: Simon Blakeney, Kate Broome, Jeanine Executive Producer: David Fanning traveling to Nazi-controlled Vienna in spring 1939 to save a Butler, James Manfull, Hugh Pearson, Verity White, Matthew Deputy Executive Producer: Raney Aronson-Rath group of children. The film avoids the familiar historical images Wright Producer: Marcela Gaviria often associated with the Holocaust — concentration camps, Directors: Ben Aviss, Katrina Bartlam, Nick Easton, Felicity Correspondent: Martin Smith mass graves, emaciated bodies. Instead, it tells a historically Lanchester, Rosie Thomas significant story about two relatively ordinary Americans who, Coordinating Producer: John Cavanagh FRONTLINE PBS despite all the obstacles that stood in their way, wound up doing Series Producer: James Honeyborne The Untouchables something extraordinary. It also raises questions about President Line Producer: Brigitta Shroyer “The Untouchables” was a definitive investigation into one of Roosevelt’s actions — or lack of actions — when it came to sav- the key unanswered questions of the financial crisis: why no Wall ing Jews during this period. CHASING ICE NATIONAL GEOGRAPHIC CHANNEL Street banks or senior executives were criminally prosecuted. With Executive Producer: Sheila Nevins Chasing Ice documents James Balog’s three-year quest to capture the five-year statute of limitations approaching, FRONTLINE Producer/Director: Steven Pressman the natural world in transformation. Placing 25 time-lapse examined whether the U.S. Department of Justice (DOJ) failed to Supervising Producer: Jacqueline Glover cameras in Iceland, Greenland, Alaska and Montana, Balog’s act on evidence that Wall Street intentionally originated, pack- lenses bear witness to the tension between the huge, enduring aged and sold toxic home loans that poisoned the global economy. DEFIANT REQUIEM: VOICES OF RESISTANCE PBS power of the glaciers and their ultimate fragility as they crumble Executive Producer: David Fanning In the spring of 1944, a handpicked group of Nazi officers was piece by piece into the ocean. Compressing years into 75 arrest- Deputy Executive Producer: Raney Aronson-Rath treated to an unusual performance by inmates in a concentration ing minutes, the film offers a breathtaking and haunting visual Producer: Martin Smith camp. What appeared to be a soaring rendition of a choral mas- retrospective of glaciers receding at unprecedented speeds, and Co-Producers: Ben Gold, Linda Hirsch terpiece was intended as a subversive condemnation of the Nazis massive pieces of ice sheets breaking off into the ocean. and a desperate message to the outside world. Led by conductor Executive Producers: David J. Cornfield, Linda A. Cornfield HBO DOCUMENTARY FILMS HBO Raphael Schächter, a chorus of 150 inmates performed one of Director/Producers: Jerry Aronson, Paula DuPre’ Pesmen, Jeff American Winter the world’s most difficult and powerful choral works, Verdi’s Orlowski For countless middle-class families who have experienced job Requiem, a Catholic work re-imagined by imprisoned Jews as loss or an unexpected financial setback, the American Dream a condemnation of their captors. Ultimately, they performed ONE LIFE NATIONAL GEOGRAPHIC WILD has become an American nightmare. Working families who once for Nazi senior officers and the International Red Cross, sing- Using over four years of filming on every continent, One Life gives seemed to be on a path to economic security have discovered how ing what they dared not say. Six decades later, conductor Murry audiences a delicate view of animals in the most critical moments quickly they can slip from the middle class into poverty. American Sidlin and a new choir take Verdi’s Requiem back to Terezin to of their lives. Whether it’s a mother protecting her newborn baby Winter spotlights struggling Oregon families who called the reawaken this little known chapter of heroism and the resilience seal pup, the tongue of a chameleon capturing its prey or grebes state’s 211 social services hotline for help in the winter of 2012. of the human spirit. dancing across a lake, One Life shows how life has answered the Producer/Director: Joe Gantz Director/Executive Producer: Doug Shultz challenges faced by each of these living things. Executive Producer: Sheila Nevins Executive Producers: Whitney Johnson, Peter Schnall, Doug Executive Producers: Marcus Arthur, Martyn Freeman, Amanda Producer/Co-Director: Harry Gantz Shultz Hill, , Joe Oppenheimer Supervising Producer: Sara Bernstein Producers: Martin Pope, Michael Rose Co-Producers: Aaron I. Butler, Devon Terrill THE AFRICAN AMERICANS: MANY RIVERS PBS Directors: Michael Gunton, Martha Holmes TO CROSS WITH HENRY LOUIS GATES, JR. INDEPENDENT LENS PBS Noted Harvard scholar Henry Louis Gates, Jr. recounts the full PENGUINS: WADDLE DISCOVERY CHANNEL The Revolutionary Optimists trajectory of African American history in his groundbreaking ALL THE WAY Children are saving lives in the slums of Kolkata. Amlan Gan- six-part series The African Americans: Many Rivers to Cross with Filmmaker John Downer explores the colorful secrets behind guly doesn’t rescue slum children; he empowers them to become Henry Louis Gates, Jr. The series traces the evolution of the Afri- the elusive world of penguins. For Penguins: Waddle All The Way, change agents, battling poverty and transforming their neighbor- can American people, and explores how they forged their own Downer developed a cutting-edge team of robotic Spycams, hoods with dramatic results. Filmed over the course of several history, culture, and society against often unimaginable odds. known as PenguinCams, to offer viewers an unprecedented years, The Revolutionary Optimists follows Amlan and three of the By highlighting the tragedies, triumphs and contradictions of glimpse into the lives and challenges of three different penguin children he works with on an intimate journey through adoles- the black experience, the series delves into the untold stories of species: Emperor penguins in Antarctica, Rockhopper penguins cence, as they fight for the better future he encourages them to the African American community, which abolitionist Martin R. on the Falkland Islands, and Humboldt penguins in the Atacama imagine is deservedly theirs. Delany famously described as “a nation within a nation” — one Desert of Peru. These animals are feisty, curious, even a bit nuts. Producer/Directors: Nicole Newnham, Maren Grainger-Monsen

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Executive Producer for Stories for Change: Cara Mertes INDEPENDENT LENS PBS THE NEW YORK TIMES THE NEW YORK Executive Producer for ITVS: Sally Jo Fifer The Waiting Room MAGAZINE TIMES Deputy Executive Producer, Independent Lens: Lois Vossen Lawrence Lerew’s approach to editing The Waiting Room was Making a Scene: The New York Times Magazine’s Annual focused on creating an immersive experience placing each audi- Great Performers Video Series OUTSTANDING EDITING — DOCUMENTARY ence member in the waiting room itself. The structure of the film For the first time the series commissioned lines of dialogue from AND LONG FORM is based on a composite day in the life of the Emergency Depart- an eclectic group of screenwriters responsible for some of the best ment at Oakland California’s public hospital. To create the sense feature-film scripts of 2013, to write an intriguing, amusing or HBO DOCUMENTARY FILMS HBO of the 250 plus people who pass through the waiting room every- captivating line of dialogue. Then the lines were given to cin- First Cousin Once Removed day, he interwove an ensemble cast of four primary characters as ematographer Janusz Kaminski to use as inspiration to create 11 First Cousin Once Removed is a deeply personal portrait of Edwin well as secondary character story lines to show the constant original very short films. Honig — distinguished poet, translator, critic, teacher, and flow of patients and medical staff that respond to their needs. Executive Producer: Shayla Harris filmmaker Alan Berliner’s cousin — and a chronicle of Edwin’s Editor: Lawrence Lerew Producers: Joanna Milter, Kathy Ryan journey through the ravages of memory loss and Alzheimer’s Director: Janusz Kaminski disease. Shot over five years, the film is a collage of dozens of THE IMPOSTER A&E Issue Editor: Adam Sternbergh visits with Edwin at his home in Providence, RI, and a chance to In 1994 a 13-year-old boy Nicolas Barclay disappeared without Interactive Designers: Arem Duplessis, Meghan Louttit, John portray his life with the same raw honesty that resonates in his a trace from his home in San Antonio, Texas. Three and a half Niedermeyer, Jason Sfetko poetry. Filmmaker Alan Berliner: “One of the most important years later he is found alive thousands of miles away in a village Director/BTS Video: Catherine Spangler decisions I made while editing the film was to intercut footage in southern Spain with a horrifying story of kidnap and torture. Magazine Web Editor: Samantha Henig from my various visits with Edwin, rather than structure the film His family is overjoyed to bring him home. But all is not quite as chronologically. Doing so allowed me to more closely represent it seems. The Imposter employs inventive editing techniques that THE NEW YORK TIMES OP-DOCS THE NEW YORK the true workings of Edwin’s mind, grounded in his intuitions, his fuse confessional interviews and -like dramatic re- AND THE NATIONAL FILM BOARD TIMES associations, his unconscious, and the poetically resonant work- creations. It asks the audience to play detective and untangle the OF CANADA ings of his extraordinary mind. It also challenged me to create conflicting perspectives of the boy’s desperate family, an obsessed A Short History of the Highrise more nuanced layers of meaning and irony, by continually discov- private investigator and the master manipulator at the center of “A Short History of the Highrise” is an interactive documentary ering new connections inside of our wide-ranging conversations the story. Just when it seems the puzzle of Nicholas Barclay has that explores the 2,500-year global history of vertical living and over a five-year period.” come together, another corkscrew twist turns everything upside issues of social equality in an increasingly urbanized world. With Editor: Alan Berliner down. its original storytelling technique that artfully mixes documen- Editor: Andrew Hulme tary film, interactive elements, crowd-sourced contributions INDEPENDENT LENS PBS and historical images from The New York Times photo archive, Ai Weiwei: Never Sorry NEW APPROACHES — ARTS, LIFESTYLE, “Highrise” has pioneered a new approach to covering architecture, Ai Weiwei is arguably the most internationally celebrated Chi- CULTURE culture and society — uniquely redefining our views on how nese artist of the modern era. The inscrutable bearded visionary we live together, and even more crucially, why. The project is a burst onto the scene with vast conceptual installations such as his THE NEW YORK TIMES THE NEW YORK TIMES significant leap in fully integrating a range of media into one eight million hand-painted ceramic sunflower seeds inside Tate Modern Love cohesive story. Modern, and went on to design the iconic Bird’s Nest stadium for In 2013, The New York Times launched its first animated web Executive Producers: Silva Basmajian, Jason Spingarn-Koff the Olympics. But at heart, Ai Weiwei is a troublemaker video series, based on the “Modern Love” column. For years, the Producer: Gerry Flahive with a serious agenda: to challenge the oppression of the Chinese weekly column has had an interpretative, clever illustration that Coordinating Producer: Kathleen Lingo people by their government with rebellious and irreverent ges- runs with the text and so, animation was the perfect next step in Director, Writer, Editor: Katerina Cizek tures. Director Alison Klayman had incredible access to Ai and expanding the series’ online presence. Interactive Art Direction And Development: Jacky Myint the editing reflects that intimacy, careful never to be coercive. By Series Producer: Zena Barakat gaining access to Ai’s own documentaries and behind-the-scenes NEW APPROACHES — CURRENT NEWS footage of major art exhibitions, as well as archival footage of THE FUTURE STARTS HERE AOL ON major historical events from the Cultural Revolution to Tianan- The Future Starts Here explores how humanity is co-evolving with THE NEW YORK TIMES THE NEW YORK TIMES men Square protests, the film also positions Ai’s story within the technology and becoming a huge factor in the human experience A Game of Shark and Minnow larger sweep of contemporary Chinese and world history. of connecting. Social media has undoubtedly become embedded Whoever controls the South China Sea controls the enormous Editor: Jennifer Fineran in society and this series takes a deeper dive into the way we oil reserves that are beneath it, as well as the shipping lanes Co-Editor: Alison Klayman distribute content and social interactions every day. through which much of the world’s goods travel. The fight for Executive Producer/Director: Tiffany Shlain that control may well be the most significant geopolitical issue INDEPENDENT LENS PBS Producers: Sawyer Steele, Arne Johnson on the globe. And while that battle is being fought out in inter- Detropia Writers: Tiffany Shlain, Sawyer Steele, Ken Goldberg, Arne national tribunals and being expressed through overt military was the birthplace of the middle-class; a great city that Johnson actions and threats, it’s also being played out almost comically, came with the guarantee of the American dream. Today, the Editors: Tiffany Shlain, Arne Johnson, Shane King on tiny landmasses throughout the sea, as the disputing countries Motor City is suffering from a bad case of post-industrialism. Hit Animations: Una Lorenzen place their citizens on them and try to claim those “territories” as with the deadly combination of myopic executives, corrupt politi- Cinematographer: Jesse Dana their own. One example is a tiny island called Ayungin, where a cians, severe racial tensions, and a lack of innovation, Detroit now rusted World War II-era ship has been run aground and where stands as a shell of its former self. Detropia tells the dramatic story THE NEW YORK TIMES THE NEW YORK TIMES eight Filipino soldiers spend their days spearfishing and raising of a city and its most innovative people who refuse to leave the The Jockey fighting cocks and singing karaoke, all the while observing and building, even as the flames are rising. How do you convey a city The goal of “The Jockey” was to create a three-dimensional recording the movements of a Chinese frigate that circles them that lives as much in the past as the future? The yearlong editing profile of a little-known athlete who is also the winningest jockey day and night. This unique multimedia storytelling experience process always came back to this question. Editor Enat Sidi used in American history. To do it, Times editors, photographers and weds deeply evocative and intelligent writing — the product of pacing — the organic sounds of the city, visual impressions and developers would find new ways to incorporate video in a long- months of in-depth reporting — with a groundbreaking visual of course the stories from the subjects — to weave hundreds of form written narrative so that a cohesive narrative flowed freely presentation. hours into a love poem for a troubled community. from one medium to the other. Reporter: Jeff Himmelman Editor: Enat Sidi Reporter: Barry Bearak Photographer/Videographer: Ashley Gilbertson Photographer/Videographer: Chang W. Lee Interactive Editors: Shan Carter, Mike Bostock INDEPENDENT LENS PBS Video Editor: Catherine Spangler Executive Producers: Steven Duenes, Nancy Donaldson How to Survive a Plague Executive Producers: Steven Duenes, Jason Stallman, Andrew Editor: Joel Lovell How to Survive a Plague is the story of two coalitions — ACT Kueneman Producers: Xaquín G.V., Derek Watkins UP and TAG (Treatment Action Group) — whose activism Producer: Xaquín G.V., Nancy Donaldson Video Editors: Nancy Donaldson, Steve Maing and innovation turned AIDS from a death sentence into a man- Interactive Developer: Jon Huang Multimedia Producer: Tom Giratikanon ageable condition. Despite having no scientific training, these Designer: R. Smith Photo Editor: Clinton Cargill self-made activists infiltrated the pharmaceutical industry and Photo Editor: Becky Lebowitz Hanger helped identify promising new drugs, moving them from experi- Additional Producers: Shan Carter, Graham Roberts, Josh mental trials to patients in record time. With unfettered access Williams to a treasure trove of never-before-seen archival footage from the Additional Photography: Peter DaSilva 1980s and ‘90s, filmmaker David France puts the viewer smack in Composer: Thomas Gamble the middle of the controversial actions, the heated meetings, the heartbreaking failures, and the exultant breakthroughs of heroes in the making. Editors: T. Woody Richman, Tyler H. Walk

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News & Doc Emmys 2014 program.indd 35 9/18/14 7:09 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

THE NSA FILES DECODED the lives of 30 individuals living in McDowell County, W.Va., an Deputy Editor/Photography and Producer: Meaghan Looram Between June and December 2013, Guardian US reported a area that is representative of many boom-and-bust areas across Graphic/Multimedia Editor and Producer: Josh Williams series of exclusive stories, based on thousands of documents the country. Hollow combines video portraits, data visualiza- leaked to the Guardian by former intelligence analyst Edward tions, photography, soundscapes, community-generated content 2014 INTERNATIONAL EMMY AWARD Snowden, which exposed the vast scale and scope of domestic and and grassroots mapping to bring these stories to life through an FOR NEWS international surveillance programs. The reporting revealed the online experience. close relationship between technology companies and intelligence Director: Elaine McMillion Sheldon FANTÁSTICO AND TV GLOBO/ agencies, and showed how technology has led to the widespread, Interactive Designer: Jeff Soyk JORNAL NACIONAL RBS TV, BRAZIL indiscriminate and routine mass collection of telephone and Multimedia Producers: Tricia Fulks, Billy Wirasnik, Nathaniel Fire in a Nightclub Internet data of millions of Americans. “NSA Files: Decoded” Hansen On January 27th, the third deadliest nightclub fire in the world is an explanatory multimedia feature that captures, distills and Multimedia Editors: Sarah Ginsburg, Kerrin Sheldon killed 242 people in an overcrowded night spot. Two airplanes weaves together complex political, legal and technological issues Web Designers: Russell Goldenburg, Robert Hall were sent to Southern Brazil; a team of over 20 professionals raised by the Guardian’s exclusive reporting of NSA surveillance covered the story. We interviewed the club owner and built a activities. Employing all of the Internet’s storytelling tools — THE LAST CLINIC THE ATAVIST replica to explain the tragedy. including video, interactives, maps, charts, text and GIFS — the In Mississippi, a new law threatens to shut down the Jackson Producer: Carlos Eduardo Salgueiro, Dagoberto Souto Maior, web-native feature guides readers through the revelations in an Women’s Health Organization, the last abortion provider in the Anderson Vargas, Ellen Appel immersive, accessible and visually compelling way. state. Award-winning filmmaker and photographer Maisie Crow Editors: Luiz Nascimento, Ricardo Villela, Alvaro Pereira Interactive Editor: Gabriel Dance and writer Alissa Quart provide an intimate portrait of the lives Júnior, Luiz Ávila, Cezar Freitas, Gérson Cruz, Fernando Reporters: Ewen MacAskill, Gabriel Dance at the center of this political maelstrom. From one of the clinic’s Castro, Maurício Setubal, Luiz Petry, Jennifer Skipp, Colemar Interactive Designers: Feilding Cage, Greg Chen doctors, who feels duty-bound to travel there each week from Machado, José, Carlos Ferreira, Accacio Fernandes, Jorge Producers: Kenan Davis, Nadja Popovich, Kenton Powell, Ruth out of state; to a leading protester, a doctor who once performed Espírito Santo, Evane Bertoldi Spencer, Lisa van Gelder abortions herself; to the young women wrestling with a decision Correspondents: William Bonner, José Roberto Burnier, Additional Producers: Spencer Ackerman, Kayla Epstein, Paul that will change the course of their lives, this unique multimedia Giovani Grizotti, Cesar Menezes, Luís Eduardo Silva, Lewis, Amanda Michel, Katie Rogers, Dominic Rushe story takes you beyond the slogans. The Last Clinic captures the Oneide Moura Editors: Janine Gibson, Stuart Miller humanity behind an incendiary issue. Videographer: Bob Sacha Director, Producer, Cinematographer, Editor: Maisie Crow GUANTANAMO HUNGER RT NEWS Producer, Assistant Editor and Additional Camera: Raisa Zaidi STRIKE COVERAGE CHANNEL, RUSSIA THE SEATTLE TIMES THE SEATTLE TIMES Executive Producers: Evan Ratliff, Barbara Ehrenreich, Gary Rivlin RT’s Guantanamo coverage penetrates the global source of Sea Change: The Pacific’s Perilous Turn Editorial Producer: Olivia Koski controversy and shame. Detention without trial, and a spiral into In 2013, Seattle Times reporter Craig Welch and photographer Writer/Producer: Alissa Quart a mass hunger strike that ran over six months and brought force- Steve Ringman traversed the world’s greatest ocean — moving Additional Producer: Sydney Gressel feeding into the global news cycle were at the core of the coverage from a research expedition in Papua New Guinea to a crab boat Graphics: Gray Beltran that featured activists, experts, and ex-inmates alike. on the Bering Sea to a stilt village in Indonesia — to illuminate Composer: Jefferson Rabb Producer: Ekaterina Burova, Veronica Volokhonovich, Olga and explain one of the planet’s greatest environmental threats. Sound: Damian Biniek Tarbeeva, Ekaterina Karaseva, Maria Kvantrishvili, Tatyana Reporter: Craig Welch Camera: Nathan Fitch, Hunter Newman Bochkareva, Elizaveta Mayofis, Eduard Chizhikov Photojournalist: Steve Ringman Editors: Irakly Gachechiladze, Alexey Kuznetsov, Dinara Digital Designer: Katrina Barlow PLANET MONEY MAKES A T-SHIRT NPR Toktosunova Video Editors: Genevieve Alvarez, Danny Gawlowski There’s an astonishing world behind a simple T-shirt. To Correspondents: Marina Portnaya, Gayane Chichakyan, Egor explore that world, Planet Money designed and sold shirts to Piskunov, Anastasia Churkina WSJ LIVE their listeners, and then followed the shirts around the world to Presenters: Bill Dodd, Kevin Owen, Matt Trezza, Thabang Prescribed — A Personalized Tour of ‘Obamacare’ report on how they were made. Planet Money sold 25,000 shirts Motsei The Affordable Care Act dominated headlines in 2013. As the via Kickstarter, and followed them across four continents and an largest overhaul of the U.S. healthcare system since the creation archipelago, letting their audience track their reporting on Tumblr SYRIA’S DESCENT CHANNEL 4 NEWS, of Medicare and Medicaid in the 1960s, the attention was war- and Instagram. This interactive documentary — a key component ITN, UNITED KINGDOM ranted. Yet few people really understood the law and how it would of the most ambitious online project in NPR’s history — uses We chart Syria’s descent into hopelessness, as the brutal civil war affect them. WSJ’s Digital Video team set out to close the gap video, photos, graphics, audio, text and social media tools to tell entered its third year. With searing reports from Aleppo, Damas- between the ubiquitous coverage and the level of comprehension. stories about the actual people who made the shirts, and about cus, Ras-al-Ayn and Zaatari refugee camps, the destruction of a Executive Producer: Andy Regal the global economic forces that shape their lives. country and the brutalization of its people is shown. Producers: Jarrard Cole, Neal Mann Executive Producer: Alex Blumberg Producers: Marcel Mattelsiefen, Teresa Smith, Sharron Ward, Director: Jarrard Cole Multimedia Producers: Nacho Corbella, Katie Hayes Luke, Eric Sarah Corp, Job Rabkin, Rob Hodge, Chris Hease, Ray Reporter: Janet Adamy Helton, James Jensen, Soren Jensen, David Nevala, Claire Queally, Mani,Agnieszka Liggett, Ollie King, Caz Rhodes, Interactive Designer: Paul Antonson O’Neill Matt Whelham Interactive Editor: Jarrard Cole Photojournalist: David Gilkey Editors: Ben de Pear, Nevine Mabro, Shaminder Nahal Video Director: Joshua Davis Correspondents: Alex Thomson, Jon Snow, Cathy Newman, NEW APPROACHES — DOCUMENTARIES Designers: Suzanne Batmanghelichi, Quoctrung Bui Jackie Long, Jonathan Miller, Krishnan Guru-Murthy Senior Interaction Designer: Wes Lindamood FRONTLINE PBS News Apps Developers: Jeremy Bowers, Danny DeBelius TV PATROL WEEKEND ABS-CBN, PHILIPPINES The Bombing of Al Bara Reporter/Producer: Adam Cole Most Powerful Storm “The Bombing of Al-Bara” is a highly original 36 minute online Reporters: Jess Jiang, Zoe Chace, Jacob Goldstein, Caitlin The most powerful storm in modern history almost took the lives hybrid documentary that grew out of a larger, long-term project Kenney, David Kestenbaum, Marianne McCune, Robert Smith of several ABS-CBN personnel who trooped to Tacloban City produced by FRONTLINE. Featuring an almost entirely uncut Graphics Editor: Alyson Hurt and Samar before Super Typhoon Haiyan (Local Name: Yolanda) rush of a single take that captured the moment a Syrian Air Force Picture Editor: Kainaz Amaria ravaged the Visayas Region. After a weekend of devastation and jet twice bombed a rural village in north- western Syria, it goes on Sound Editor: Drew Kennedy rescue, TV Patrol was able to broadcast images of the typhoon’s to document in visceral detail the awful human consequences of Visuals Editor: Brian Boyer destruction. the worst civil war for a generation. Released online, “The Bomb- Producers: Ma. Regina Reyes, Cheryl C. Favila, Engelbert C. ing of Al Bara” has gathered almost half a million hits, and has THE NEW YORK TIMES THE NEW YORK TIMES Apostol become one of the defining pieces of reportage to emerge from Gun Country Editors: Ramil Mateo Bautista, Eric Samson, Maricelle Syria’s brutal civil war. They bring families together and tear them apart. They kill Bajande-Herrera, Francis Earl Cueto, Angelito Papasin Executive Producer: David Fanning innocent people and protect them. The United States continues Correspondents: , Alvin Elchico, Deputy Executive Producer: Raney Aronson-Rath to love and revile its hundreds of millions of firearms. Here is a Producer: Azmat Khan look at that complicated relationship, told through the personal 2014 INTERNATIONAL EMMY AWARD FOR Assistant Managing Editor for Digital Media: Sarah Moughty stories of Americans, produced by an all-star multimedia team CURRENT AFFAIRS Filmmaker: Olly Lambert at The New York Times. With stark portraiture by Times’ staff pho- tographer, Todd Heisler, and compelling reporting by esteemed JOURNALISM FOR ALL ARTEAR S.A., ARGENTINA HOLLOW: HOLLOWDOCUMENTARY.COM reporter Catrin Einhorn, “Gun Country” is an up-close and The Route of the K-Money AN INTERACTIVE DOCUMENTARY in-depth look at the dynamics between Americans and their guns. “The Route of the K-Money” uncovered a money-laundering The Story of a Shrinking American Community Reporter and Producer: Catrin Einhorn network that involves associates of the current President Cristina Hollow is an interactive documentary that merges cinematic tech- Photojournalist: Todd Heisler Kirchner and the late former-President Néstor Kirchner. niques with web-based storytelling to encourage a dialogue about Deputy Editor/Digital News Design and Producer: John Producers: Carlos De Elia, Ricardo Ravanelli, Tamara Florin, the issues that face small-town America. The project examines Niedermeyer Andrea Rodriguez

36 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 36 9/18/14 7:09 PM 35th Annual NEWS & DDOCUMENTARYOCUMENTARY EEMMYMMY® AAWARDSWARDS

Editors: Felix Villaverde, Carlos Christensen, Daniel Gordo , Claire Brinberg, Pete Austin, Hana Karar, Jon Correspondents: Tom Costello, Harry Smith, , Correspondents: Jorge Lanata, Nicolas Winazki Meyersohn Angus Walker Executive Editorial Producer: Santina Leuci Anchor and Managing Editor: Brian Williams SUNDAY REPORT TELEVISION BROADCASTS Deputy Editorial Producer: Justin Weaver One Child Policy LIMITED, HONG KONG, CHINA Producers: Brinda Adhikari, Brandon Bodow, Carlos Boettcher, OUTSTANDING CONTINUING COVERAGE OF China’s One-child policy, conceived over 30 years ago, is said to Darcy Bonfils, Brandon Chase, Courtney Condron, Katie A NEWS STORY IN A REGULARLY SCHEDULED be effective in controlling the bulging population. But over the Conway, Larry Dechant, Alison Ehrlich, Sabina Ghebremed- NEWSCAST years, countless women have suffered induced abortions, forced hin, Jennifer Harrison, Matt Hosford, Matt Jaffe, Ashley tube-tying and infanticide, ruining entire families. How is family Jennings, Amanda Keegan, Mi Seon Lee, Roger Lee, Beth ANDERSON COOPER 360 CNN planning enforced and what is the cost? Loyd, Melissa Lustrin, John Marshal, Scott McCartney, Drew Boston Bombing Victim Vows to Dance Again Producers: Kwan Ming-lun; Yuan Siu-ching Millhon, Sarah Netter, Maria Nikias, Eric Noll, Alex Perez, When two bombs exploded near the finish line of the Boston Editor: Yoo Yiu-kam Bartley Price, Shahriar Rahmanzadeh, Daisha Riley, Christine Marathon three people were killed. Another 275 people were Cameraman: Wan Tak-ming Romo, John Santucci, James Scholz, Emily Stanitz, Gina injured in the attack, including spectator Adrianne Haslet-Davis. Sunseri, Holly Sweet, Gerry Wagschal, Claire Pedersen, Dan The professional dance instructor lost her left leg below the knee IN PREMIERA CU CARMEN AVRAM ANTENA 3, Lieberman, Caren Zucker, Max Golembo, Gerard McNiff, and vowed to dance again. Haslet-Davis talked to Anderson The Long Journey Home ROMANIA Samantha Wnek Cooper from her hospital bed, then agreed to videotape her A boy saved from an abominable orphanage in Siret and living Coordinating Producers: Elena Genovese, Erin Keohane, Barbara recovery and share her emotional journey with the world. now in the U.S. gathers the courage to return to Romania to meet Schmitt, David Herndon, Michael Kreisel, Wendy Fisher, Anchor: Anderson Cooper the man who saved his life in the orphanage, and the mother who Whitney Lloyd, David Reiter, Troy McMullen, Yoni Mintz, Executive Producer: Charlie Moore abandoned him and thought he was gone. Greg Croft Senior Broadcast Producer: Kara Kasarjian Producer: Carmen Avram Additional Producer: Eliana E. Larramendia Senior Producers: Kerry Rubin, Mary Anne Fox, Sean Yates, Editor: Adrian Robe Reporters: Mike Boettcher, Sam Champion, David Muir, Reena Susan Chun Correspondent: Denisa Morariu Ninan, Byron Pitts, Cecila Vega, , Alex Perez Producers: Chuck Hadad, Leah Smith, Kelly Daniel, Catherine Cameramen: Cristian Tamas, Mihai Dina, Liviu Dochita Anchors: Robin Roberts, Diane Sawyer, Vojdik

THE FIFTH ESTATE CANADIAN BROADCASTING NBC NIGHTLY NEWS WITH BRIAN WILLIAMS NBC BBC WORLD NEWS AMERICA BBC WORLD NEWS Made in Bangladesh CORPORATION, CANADA Devastation in Oklahoma Inside Syria’s Deadly Conflict In North America, viewers sometimes turn away from stories On May 20, a massive tornado struck Moore, Oklahoma, killing Throughout 2013, BBC World News America showed a continued about overseas disasters. When pictures of the Rana Plaza col- 24 people and injuring almost 400 others. Nightly News’ coverage commitment to covering the civil war in Syria and humanitar- lapse first came out, many had that reaction. Dhaka seemed like a involved a huge team effort, with Brian Williams anchoring from ian impact of the crisis. Chief International correspondent Lyse million miles away. “Made in Bangladesh” is a personal story that Moore. Lester Holt led the coverage, describing how survivors Doucet travelled to a village outside of Homs where she found makes the “foreign” suddenly seem universal. “emerged from shelters into an alien world of utter destruction.” evidence of a massacre. It was a gruesome scene where at least Producers: Lysanne Louter, Tarannum Kamlani, John Badcock, Kate Snow reported on Plaza Towers Elementary and how 6th 100 people were reportedly killed and burned in their homes by Julian Sher, Jim Williamson grade teacher Rhonda Crosswhite crouched over four children in government forces. Ian Pannell exposed how some children were Editor: Aileen McBride a bathroom stall and told them, “We are not dying today.” Ann forced to live in caves to survive, and also witnessed the aftermath Correspondent: Mark Kelley Curry reported on the harrowing experience of Janna Ketchie, of an incendiary bomb attack, where scores of children were left who left her two young children at day care, couldn’t get to them with napalm-like burns over their bodies. Paul Wood exposed OUTSTANDING COVERAGE OF A BREAKING before the tornado, but later found that they had survived. NBC’s concerns about the power of Islamist radicals in Syria’s armed NEWS STORY IN A REGULARLY SCHEDULED coverage told highly personalized stories about loss but also about uprising. And Jeremy Bowen, had a front line view of the fighting NEWSCAST hope in the face of such incredible loss. taking place in the ancient Christian town of Maaloula. Executive Producer: Patrick Burkey Executive Producers: Paul Danahar, Kate Farrell, Andrew Roy BBC WORLD NEWS AMERICA BBC WORLD NEWS Senior Broadcast Producer: Sam Singal Producers: Feras Ahmed, Mughira Al Sharif, Lana Antaki, Kate Typhoon Haiyan: Destruction in the Philippines Director/Senior Broadcast Producer: Brett Holey Benyon-Tinker, Richard Colebourn, Darren Conway, Riam From the moment Typhoon Haiyan struck the Philippines in Senior Producer: Tracey Lyons, Jennifer Suozzo, Albert Oetgen, Dalati, Phil Goodwin, Sara Halfpenny, Ghassan Ibraheem, early November, the BBC was on the ground bringing viewers a Madeleine Haeringer, Aurelia Grayson Fred Scott, Kevin Sissons, Kevin Sweeney, Rachel Thompson, clear picture of the destruction. Among the hardest hit areas was Producers: Laura Allenbaugh, Justin Balding, Roxanne Garcia, Lina Sinjab the city of Tacloban, where most of the buildings were destroyed Carmen Gonzalez, Andrew Gross, Charles Hadlock, Correspondents: Jeremy Bowen, Lyse Doucet, Ian Pannell, Paul and for days people waited for any help to arrive. The BBC’s Jon Madeleine Haeringer, Aarne Heikkila, Mark Hudspeth, Leo Wood Donnison and Rupert Wingfield Hayes were among the first Juarez, Joo Lee, Victor Limjoco, Caroll Ann Mears, Heather on the scene — witnessing the struggle people had coming to O’Neill, Amy Perrette, Kim Cornett, Sossy Dombourian, CBS EVENING NEWS WITH SCOTT PELLEY CBS grips with the scale of the devastation and realizing many of their Olivia Santini, Michelle Melnick, Adam Desiderio, Doug Bangladesh Factory Collapse loved ones had been lost. Alastair Leithead travelled across Cebu Stoddart, Leo Juarez, Samira Puskar, Naomi Karam, Stacy When the concrete pillars of the eight-story Rana Plaza collapsed Island to get an idea of just how hard it was to transport aid to Brady, David Verdi, Bradd Jaffy, Kevin Monahan, Mario in Bangladesh in May 2013, the shoddily constructed building those who needed it most. Andrew Harding travelled to Guiuan, Garcia, Dan Shepherd pancaked. CBS News Correspondent, Holly Williams went the place where the typhoon first struck and heard heartbreaking Coordinating Producers: Jack Chesnutt, Al Henkel undercover to discover why. stories of families torn apart. Correspondents: Tom Costello, Ann Curry, Lester Holt, Janet Executive Producer: Patricia Shevlin Executive Producers: Kate Farrell, Jo Floto, Andrew Roy Shamlian, Kate Snow, Anne Thompson Senior Producer: Heather Abbott Producers: Jiro Akiba, Alice Budisatrijo, Liz Corbin, Kate Anchor and Managing Editor: Brian Williams Producers: Thorsten Hoefle, Justine Redman Forbes, Melanie Marshall, Chika Nakayama, Stuart Philipps, Correspondent: Holly Williams Joe Phua, Dean Squires, Aggarat Bansong, Grant Henderson, NBC NIGHTLY NEWS WITH BRIAN WILLIAMS NBC Jinky Jorgio Typhoon CBS EVENING NEWS WITH SCOTT PELLEY CBS Correspondents: Jon Donnison, Andrew Harding, Alastair Leit- Typhoon Haiyan was an exceptionally powerful that dev- Syria Rebel Territory head, Rupert Wingfield Hayes astated parts of Southeast Asia, especially the Philippines, when CBS News Correspondent and producer Randall it struck on November 8. It was the deadliest Philippine typhoon Joyce drove over the Turkish border to Syria to report from the GOOD MORNING AMERICA, WORLD NEWS ABC on record, killing more than 6,200 people. It was also the stron- dangerous Syrian rebel-held territory of Jebel-a-Zawiya in ldlib. WITH DIANE SAWYER AND NIGHTLINE gest typhoon ever recorded in terms of wind speed. Beyond those Traveling with armed guards from the Syrian Martyr’s Brigade, Direct Hit: Oklahoma Tornadoes daunting statistics, the typhoon left millions of people in the they saw the devastating impact of the Syrian army’s daily air On May 20 a massive tornado touched down in Oklahoma Philippines in an epic struggle for survival. It was that struggle assaults, including the aftermath of 6 parachute bombs, a particu- and roared all the way towards Moore, damaging everything in that NBC News tried to capture in more than a week of intense, larly terrifying bomb because it drifts down slowly with a lethal its path. It was an EF-5 twister, the most powerful and deadly breaking-news coverage led by two veteran correspondents, Harry payload. It was a graphic reminder of how this constant bombard- tornado there is, leaving 24 people dead, nine of them children. Smith and Dr. Nancy Snyderman, NBC’s chief medical editor. ment is destroying the lives of civilians caught in the cross hairs. ABC News positioned a team well in advance of the storm, pro- Executive Producer: Patrick Burkey, Jamie Kraft Executive Producer: Patricia Shevlin viding viewers with the whole picture of how the storm impacted Senior Broadcast Producers: Sam Singal, Jennifer Suozzo Senior Producer: Heather Abbott this bedroom community. Senior Producers: Jay Blackman, Andrew Franklin Producers: Lynne Edwards, Randall Joyce, Ben Plesser, Jane Executive Producer: Michael Corn, Jeanmarie Condon, Almin Producers: Eric Baculinao, Jane Derenowski, Ed Flanagan, Whitfield Karamehmedovic Susan Kroll, David Lom, Chiara Sottile, Yuka Tachibana, Correspondent: Clarissa Ward Senior Executive Producer: Tom Cibrowski Christina Vallice, Kyle Eppler, Bill Angelucci, Jonathan Mossek, Senior Broadcast Producer: Tom Johnson Kevin Burke, Larry Edgeworth, Arata Yamamoto, Victor Senior Producers: Angela Ellis, Mike Noble, Denise Rehrig, Limjoco, Andy Eckardt, Carlo Angerer, Adrienne Mong, David Sarah Ruth, Kristin Sebastian, Jay Shaylor, Simone Swink, Verdi, Stacy Brady, Bob Croce, Jim Seida, Maggie Kasner

THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 37

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NIGHTLINE ABC same time building ambient sounds that depicted the real and LINCOLN@GETTYSBURG PBS Caught in the Crossfire: Crisis in Syria natural sounds of the landscapes found in traditional natural Lincoln@Gettysburg describes a major turning point in American According to the , more than 100,000 people have history films. The music mines the rich, deep tradition of music history: the rebirth of a nation and the dawn of the information died in the clashes between President Bashar ai-Assad’s govern- from iconic western films, while using heavy rhythm sections, age. In 1863, Abraham Lincoln proved himself a master of a new ment and rebel forces who want him out. The Syrian people are blistering guitars and highly processed musical audio, to make the frontier with his ‘high-tech’ command center — the War Depart- caught in this deadly conflict and there is no end in sight. ABC soundtrack current and vital. ment Telegraph Office, America’s first ‘Situation Room’. The News launched a division-wide effort in 2013 to hear directly Composer: Chris Beaty film was shot in sites and settings not only reminiscent of the era, from mothers, children, doctors, school teachers, and people from Sound Designers: Rob Fritts, David Kowalski, Emmanuel but in a few cases, such as the interior of the White House tele- both sides of the lines in Syria. With unprecedented access, this Mairesse, Salvatore Vecchio graph office, were actual rooms built in the 1860’s.Lighting was intimate series of human diaries shows what has become com- Sound Mixer: Rob Fritts extremely important to the editorial thrust of the show, to convey monplace in this devastated country...unimaginable suffering and the dark mood of a divided nation at war and Lincoln’s somber the struggle to survive, no matter which side one is on. OUTSTANDING LIGHTING DIRECTION & moods. His train ride to Gettysburg, the horrors inside the medi- Executive Producer: Jeanmarie Condon SCENIC DESIGN cal tents in the aftermath of one of America’s deadliest battle, and Senior Broadcast Producer: Almin Karamehmedovic the scenes of Lincoln huddled in his War Room all speak to the Producers: Ely Brown, Sarah Kolinovsky, Jenna Millman A CRIME TO REMEMBER INVESTIGATION power and importance of this incredible moment in our history. Reporter: DISCOVERY Design Director: Peter Schnall Additional Producers: Abdulmajeed Abdulmajeed, Rhana Natour A Crime to Remember invites viewers to step into the past and unravel the intricacies of real-life murder cases of the ’50s and SHADOW OPS: CODE NAME TRIGON MILITARY TODAY & NBC NIGHTLY NEWS NBC ’60s. Set against the backdrop of Studebakers, fedoras, and three- CHANNEL Military Death Benefits Denied During Government Shut- martini lunches, these stories of truly mad men and women reveal Shadow Ops tells real stories of espionage from the Cold War. down complicated relationships where thwarted dreams and repressed Interviews with actual operatives, agents and handlers combine Andrea Mitchell revealed impact of the U.S. government’s 16-day passions led to terrible crimes. The series stays true to period with archival footage, graphics and reenactments to bring these shutdown on what has always been regarded as sacrosanct: ben- fashion while highlighting the cultural taboos and social norms riveting operations to life. The goal is to tell these harrowing efits for America’s armed forces and their families. In this case, that informed each case. Each episode plays out like a dramatic stories in the most cinematic way possible, and to make sure that the families of those who’d paid the ultimate sacrifice for our period thriller designed to have the viewer relive those “bad old anything depicted onscreen feels absolutely true. The filmmakers country were left unprotected in their moment of need by the days.” The goal of the art direction was to create a highly stylized recreated locations from Bogota to to all while government shutdown. yet realistic look that supports both the time period and these staying true to the aesthetic details of the Cold War period. The Executive Producers: Pat Burkey, Don Nash true stories. lighting team created a lighting and color palette that authenti- Co-Executive Producer: Tom Mazzarelli Production Designer: Amy Williams cally evoked the era, with saturated yellows, browns, greens, and Senior Producers: Pete Breen, Matthew Carluccio, Scott Foster, Director of Photography: Andreas Burgess heavy use of shadow. The scenic design team made use of every Libby Leist, Albert Oetgen, Steve Thode kind of location — sets on a studio back lot, actual apartment Producers: Doug Adams, Lete Childs, Tory Duncan, Bill CNN HEROES: AN ALL-STAR TRIBUTE CNN buildings in Eastern Europe, old bathhouses, abandoned build- Hatfield, Sarah Heidarpour, John Holland, , Rich CNN Heroes: An All-Star Tribute, honors “everyday people chang- ings — and sourced vehicles from the right countries and right Minner, Carl Sears, Shawna Thomas, Frank Thorp ing the world.” The annual event has been a CNN tradition for periods. Correspondents: Andrea Mitchell, Kelly O’Donnell the past seven years. Airing December 1, 2013 the ceremony was Lighting Director: George Dascalescu held at The American Museum of Natural History in New York. Design Director: Doug Shultz OUTSTANDING MUSIC & SOUND The stage was built in the Irma and Paul Milstein Family Hall Art Director: Adrian Cristea of Ocean Life, which is dominated by a great blue whale hanging AFRICA DISCOVERY CHANNEL from the ceiling. The cavernous “whale room” was transformed OUTSTANDING PROMOTIONAL Africa is a seven-part series that brings the continent to life in a into an intimate stage and dining room, with dramatic light- ANNOUNCEMENT — INSTITUTIONAL new way, uncovering bizarre, brutal and newly discovered animal ing and a stage that included a performance area, an immersive behaviors in the deserts of the Kalahari, the dense forests and micro-bezel monitor array and a building block installation of 20 AMERICAN EXPERIENCE PBS snow-capped peaks of the Savanna, the dynamic Congo rainfor- internally-lit cubes featuring multiple portraits of those individu- JFK Promo est, the ever-changing climate of the Cape and the massive and als who do extraordinary humanitarian work and make a real There is a unique place in the hearts and minds of Americans and parched Sahara desert. Not bound to traditional African instru- difference in their communities. of people around the globe for John F. Kennedy. That emotion mentation, the score uses a broad pallet of instruments — from VP Design, CNN: Guy Pepper was on full display in November 2013 when the world marked orchestral to more unusual solo instruments, percussion and President, Clickspring Design: Erik Ulfers the 50th anniversary of Kennedy’s assassination. Countless hours vocals — to intimately connect with the creatures and landscape Senior Design Director, Clickspring Design: Jim Youmans of television programming attempted to capture the essence of a of this vast continent, and the richness of their stories. Executive Producer, Clickspring Design: Lori Nadler man who was nearly impossible to pin down. It was that environ- Composers: Sarah Class, Will Slater Coordinating Director, Clickspring Design: Renee Cullen ment into which American Experience released a new four-hour Sound Mixer: David Kowalski Senior Lighting Designer, The Lighting Design Group: Steven Brill biography entitled “JFK”. How could this biography stand apart? Sound Recordists: Marc Hatch, Bill Rudolph Assistant Lighting Designer, The Lighting Design Group: That question placed a lot of pressure on introducing the film Sound Editors: Kate Hopkins, Tim Owens Wolfram Ott through a unique and dynamic trailer. This trailer drew on the Dubbing Mixers: Chris Domaille, Graham Wild Automated Lighting Designer, The Lighting Design Group: iconic and the comfortable, but from there pushed at the edges, Music Editor: Dan Brown Michael Appel counterbalancing known images with the unknown images, jux- Gaffer, The Lighting Design Group: Christopher Szabo taposing JFK’s voice with poetic and unexpected text on screen, HBO DOCUMENTARY FILMS HBO Manager of Production, The Lighting Design Group: reminding the viewer that there’s as much unknown about this Pussy Riot: A Punk Prayer Tony Siniscalco man as there is known. In scoring this film, composer Simon Russell, got as far away in Scenic Project Manager, CNN: Sharon Braunstein Editor: Glenn Fukushima feel and tone from Pussy Riot’s own music as possible, developing a very subliminal, ambient score. Russell’s score creates a sonically : HISTORY BRAIN GAMES NATIONAL GEOGRAPHIC CHANNEL unsettling feeling, conveying Nadia, Mariya & Katerina’s sense 48 HOURS TO LIVE CHANNEL Brain Games is a show all about how amazing (and sometimes of separation and isolation. Russell used a wide range of different The majority of 48 Hours to Live follows the story of Oswald’s not-so-amazing) the human brain can be. Each week, the show instruments; samples, guitars, strings, horns & basses - all treated interrogation at the Dallas Police Department. The film incorpo- puts viewers’ brains to the test through a series of experiments, with various ambient, special effects to blend them into an overall rates dramatic reenactments that atmospherically yet accurately games and puzzles to demonstrate the power — and surprising soundscape, a score that almost goes un-noticed but that ties depict the backdrops of the historical scenarios surrounding the limitations — of the human brain. Brain Games is hosted by everything together. Kennedy assassination. Significantly, these reenactments were “wonder junkie” and philosopher/futurist Jason Silva, a man who Composer: Simon Russell filmed entirely at the historic sites related to the presidential gets very excited about technology, perception, and the power of Sound Editor/Re-Recording Mixer: Chris Bertolotti assassination. Presently, the Municipal Building that houses the human imagination. Jason also has a sizable following online for old Dallas Police Department is gutting those historic offices his “Shots of Awe” — two minute spoken-word performances WILD WEST NATIONAL GEOGRAPHIC WILD and jail cells. Thus 48 Hours to Live is the only film that will ever that combine philosophy and stream-of-consciousness musings The Wild West: a legendary world populated by mythic figures. preserve such a fully realized visual account of Oswald’s world. about topics like singularity, psychology, and a “rapture with the But for the animals that live in this part of the country today, 48 Hours to Live’s art director worked painstakingly alongside wonders of the universe.” The promo harnesses Jason’s excitement that legend is a savage reality. It is still a land of opportunity, but employees of the Dallas Municipal Building to accurately recon- and pure love for imaginative expression in a spot that allowed also a harsh testing ground — bitter cold, barren deserts, cruel struct the Dallas Police Department as Oswald would have seen it. Jason to be Jason. Jason is surrounded by an imaginative graphical coastlines, and mountains. The sound design aimed to consciously Director of Photography: Tim Metzger and physical representation of his thoughts about the show as he adopt a new take on the Spaghetti Westerns, and applied that in Scenic Design: R. Scott Frawley, Lynne Moone says them. His rant was all about the positive qualities of Brain a novel way to how natural history documentaries are heard. This 2nd Unit Cinematographer: Tim Sessler Games, delivered in the style that is so quintessentially “Jason.” included sound effects in post that gave the films an unnatural Chief Marketing Officer: Courteney Monroe hyper sound during dramatic slow motion scenes, while at the SVP/Group Creative Director/Writer: Andy Baker

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Creative Director, Design: Brian Everett that fateful day with the raw emotions of the moment being felt 60 MINUTES CBS Creative Director: Robert Bisi through the original video and audio. Angel of Death Writer: Jason Silva Executive Producer: Julie Haaland Charles Cullen is considered one of the most prolific serial killers Production Manager: Kevin Lahr Senior Producer/Editor: Joey Romano in U.S. history. Cullen was a nurse who drugged patients, some- Composer: Tony Anderson Producers: Justin DiLauro, Milka Stanisic times healthy patients, sometimes spiking random IV bags in the Graphic Designer Simon Potter storage closet, at ten different hospitals in and Penn- CBS NEWS CBS Creative Director Dave McCoy sylvania over a 16-year career. On April 28, 2013 Cullen broke his Little Different Sound Designer: Greg Capolino public silence for the first time in an interview with Steve Kroft. This image spot was created to show young news viewers that So did the detectives who broke the case, a New Jersey state CBS News has got it covered by doing news a ‘little different’. ABC NEWS MARKETING & CREATIVE ABC official instrumental in stopping him, and a fellow nurse-turned- The concept behind the “Little Different” spot is to drive home Unbreakable: One Girl Changing the World confidential informant. the message that original reporting must be a little different, to From the moment news surfaced that a 15-year-old Pakistani girl Executive Producer: Jeff Fager be good. had been shot in the head by the Taliban because she believed Executive Editor: Bill Owens SVP/Creative Director: Dave McCoy girls should have the right to go to school, ABC News committed Executive Story Editor: Victoria M. Gordon VP/Executive Producer: Julie Haaland to telling Malala Yousafzai’s story. No one knew if she would live Producer: Graham Messick Producer: Justin DiLauro or die, or would ever be able to speak again. When it became clear Co-Producers: Maria Gavrilovic, Stephanie Palewski Brumbach, Editor: Rich O’Connell that she would not only survive but would continue to speak out Lauren Seifert, Andy Soto, Robert Zimet Graphic Designer/Animator: Alex Rupert about the need to educate girls around the world, her courage and Correspondent: Steve Kroft Co-Producer: Milka Stanisic commitment made her one of the most inspiring people of the Sound Designer: Eric Casimiro year. Malala’s astonishing story is one of inspiration, bravery, fear, CBS THIS MORNING/CHARLIE ROSE ON PBS CBS Director of Production: Milka Stanisic horror and hope — and that was the charge of all the marketing One-on-One with Assad & promo creative produced for this special event. From the imag- On Saturday, August 31, 2013 President Obama spoke from the DISCOVERY’S SHARK WEEK 2013 DISCOVERY ery, to the story-telling/copy, to the editing, execution and design, Rose Garden to announce that he would pose the question of CHANNEL to the powerful original song by the group One Republic, it was whether to authorize military strikes against Syria to Congress. Shark Week is television’s longest running must-see summer TV crucial to be memorable, relatable, honest, and deeply original. Charlie Rose’s interview with Syrian President Bashar al-Assad event. For 26 years, Shark Week has entertained, thrilled and Executive Producer/Creative Director: Alan Ives came at a time when Syrians were paying very close attention amazed the Discovery audience by showcasing and documenting Associate Creative Director/Producer: Andres Sandoval to what was happening in Washington — and at a time when these awe-inspiring creatures. How do you reinvent a 26-year- Senior Art Designer: Rodrigo Redondo Assad’s comments about chemical weapons had a real relevance old franchise? With Snuffy the Seal! An imaginative and fresh Sound Designer/Mixer: Leslie Mona-Mathus to a critical question facing America’s government. approach to promoting Shark Week. The results of Snuffy’s power Correspondent: Charlie Rose were instant. The promo took the Internet by storm and went CNN FILMS: BLACKFISH CNN Chairman of CBS News and Executive Producer of 60 Minutes: viral. Shark Week 2013 might have been a bad week to be a seal, Blackfish is a powerful, immersive CNN Film about killer whales Jeff Fager but for the rest of us it was pretty awesome. in captivity. The goal with the episodic promo was to take early CBS This Morning Executive Producer: Chris Licht Director/Creative Director: Peter McKeon Sundance buzz and build viewer anticipation for a theatrical- Charlie Rose Executive Producer: Yvette Vega Supervising Producer: Jason Turner quality television “event.” Using bold copy, rapid edits, critics Charlie Rose Senior Producer: Courtney Litz Director of Photography: Kevin Sarnoff quotes, and an expansive score, the message was this: Blackfish Charlie Rose Managing Editor: Tim Morrison VP Marketing: Josh Kovolenko contains all the drama & intrigue of the most exciting Hollywood CBS This Morning Senior Broadcast Producer: Ryan Kadro SVP Marketing: Lara Richardson thrillers, as riveting & pulse-pounding as any feature film. Charlie Rose Producers: Cora Engelbrecht, Neil Goldman, Lara Marketing Manager: Curtis Smith Senior VP Creative Services: Rick Lewchuk Gungor, Tamara Sepper, Adam Waller, Oz Woloshyn Director Marketing: Chris Adams Creative Director: Sean Houston CBS This Morning Producers: Paige Kendig, Paul Needham Executive Producer: Teresa Antista Senior Director of Design: Robert Poulton 60 Minutes Executive Editor: Bill Owens Producer: Don Anderson Executive Writer/Producer/Editor: Bill Platt CBS News Producer: Randall Joyce Co-Producer: Zach Lyall Assistant Design Director: Ned Reid CBS News Correspondent, London: Editor: Philippe Bergerioux Graphic Designer/Compositor: Heather Steckley CBS News Damascus Producer: Agnes Reau Writer: Sanderson Dean Senior Audio Engineer/Sound Designer: Bryan Stone CBS News London Assignment Editor: Vicky Burston Head of Animation & Visual Effects: Quico Encenias CBS News London Bureau Chief: Andy Clarke Visual Effects Supervisor: Stanley Ng FRONTLINE PBS CBS News London Deputy Bureau Chief: Deb Thomson Graphic Designer: Julia Kipperman League of Denial “Dangerous Love Affair” Trailer CBS News London Producer: Fernando Suarez Football is America’s favorite pastime. We love the sport for its INSIDE COMBAT RESCUE NATIONAL GEOGRAPHIC drama and danger. But is it at the players’ expense. And impor- NBC NIGHTLY NEWS WITH BRIAN WILLIAMS NBC CHANNEL tantly, when did the NFL know that repetitive head injuries Interview with Iranian President Hassan Rouhani The U.S. Air Force’s Pararescuemen, also known as PJs (Parares- might be putting their players at risk of serious brain injury? In August, Ann Curry traveled to Tehran to cover the inauguration cue Jumpers), are an elite special operations group tasked with Playing off the NFL’s slogan “Are you ready for some football?”, of new president Hassan Rouhani. He used to lay recovering and providing medical treatment for wounded person- FRONTLINE asked the audience to “get ready to change the way out his agenda for ending Iran’s isolation, to address tensions over nel on the field of battle. They are combat search and rescue, and you see the game.” Iran’s nuclear development, and to initiate social reform in Iran. their motto and mindset are heroically simple: That Others May Executive Producer: David Fanning Executive Producers: Alexandra Wallace, Patrick Burkey Live. National Geographic Channel embedded with a Pararescue Deputy Executive Producer: Raney Aronson-Rath Senior Producers: Stacy Brady, David Verdi unit in Kandahar, Afghanistan, on a four-month deployment. It Producer: Missy Frederick Producers: Justin Balding, Tom Bettag, ML Flynn, Anthony marked the first time that any cameras were allowed to document Editor: John MacGibbon Galloway, Kevin Monahan their missions. A fairly simple idea drives the promo campaign: Field Producer: Hooman Majd Even Heroes Need Saviors. Even the brave men and women who OUTSTANDING INTERVIEW Additional Producer: Ali Arouzi risk it all in the name of duty need help from above on their worst Chief Foreign Correspondent: Ann Curry day. It is the PJs who look after who look after us. 20/20 ABC Chief Marketing Officer: Courteney Monroe A Murder, A Mystery: Amanda Knox Speaks POV PBS SVP Group Creative Director: Andy Baker For over five years ABC News covered the story of Amanda 56 Up Writer/Creative Director: Tyler Korba Knox, convicted of murder by an Italian court in 2009, freed on In 1964, a group of British 7-year-olds were interviewed about Design Director: Carla Daeninckx appeal in 2011, and convicted again in 2013. And all the while, their lives and dreams in a groundbreaking television documen- Editorial: Dan Marks Knox was waiting for the day she’d be heard. She chose ABC tary, Seven Up. Since then, renowned director Michael Apted has News and Diane Sawyer. As an Italian court ruled that Knox returned to film the same subjects every seven years, tracking their OUTSTANDING PROMOTIONAL should go on trial for a third time, she talked openly, knowing ups and downs. In 56 Up we find the group settling into middle ANNOUNCEMENT — EPISODIC every word of the interview could affect her freedom. age and surprisingly upbeat. Through marriage and childbirth, Senior Executive Producers: Eric Avram, David Sloan poverty and illness, the “kids” have come to terms with both hope 48 HOURS CBS Executive Producer: Jessica Velmans and disappointment. As It Happened: John F Kennedy 50 Years Senior Producer: Geoff Martz Director/Producer: Michael Apted Veteran correspondent Bob Schieffer brings viewers face-to-face Senior Editorial Producer: Nadine Shubailat Executive Producer: Simon Kilmurry with the fear and tension surrounding JFK’s assassination as Producers: Nikki Battiste, Phoebe Natanson Co-Executive Producer: Cynthia Lopez it unfolded on that tragic and historic day. Viewers are in the Field Producers: Joseph Diaz, Keturah Gray, Astrid Rodrigues Producer: Claire Lewis moment with legendary anchor Walter Cronkite and journal- Anchor: Diane Sawyer VP, Programming and Production: Chris White ism’s iconic reporters: Charles Collingwood, , Series Producer: Andrew Catauro and . This spot echoes and honors

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POV PBS POV PBS LIFETIME ACHIEVEMENT Reportero Herman’s House Reportero follows a veteran reporter and his colleagues at Zeta, Herman Wallace may be the longest-serving prisoner in solitary WILLIAM J. SMALL a Tijuana-based independent newsweekly, as they stubbornly confinement in the United States — he’s spent more than 40 Former CBS News Washington Bureau Chief, and Former President, ply their trade in one of the deadliest places in the world for years in a 6-by-9-foot cell in Louisiana. Imprisoned in 1967 for NBC News members of the media. In Mexico, more than 50 journalists a robbery he admits, he was subsequently sentenced to life for a have been slain or have vanished since December 2006, when killing he vehemently denies. Herman’s House is a moving account Presented By: Dan Rather President Felipe Calderón came to power and launched a govern- of the remarkable expression his struggle found in an unusual Anchor & Managing Editor, Dan Rather Reports ment offensive against the country’s powerful drug cartels and project proposed by artist Jackie Sumell. Imagining Wallace’s organized crime. As the drug war intensifies and the risks to “dream home” began as a game and became an interrogation of journalists become greater, will the be silenced? justice and punishment in America. The film takes us inside the OUTSTANDING INFORMATIONAL Director/Producer: Bernardo Ruiz duo’s unlikely 12-year friendship, revealing the transformative PROGRAMMING — LONG-FORM Executive Producer: Simon Kilmurry, Sally Jo Fifer power of art. Co-Executive Producer: Cynthia Lopez Director/Producer: Angad Singh Bhalla FRONTLINE PBS VP, Programming and Production: Chris White Executive Producers: Simon Kilmurry, Ed Barreveld, Loring Outlawed in Pakistan Co-Producer: Patricia Benabe McAlpin When Pakistani teenager Kainat Soomro accused four men of Series Producer: Andrew Catauro Co-Executive Producer: Cynthia Lopez gang rape, the courageous young woman did not put her suffer- Producer: Lisa Valencia-Svensson ing behind her. For this unforgettable documentary filmmakers OUTSTANDING ARTS AND CULTURE VP, Programming and Production: Chris White Habiba Nosheen and Hilke Schellmann spent five years tracing PROGRAMMING Series Producer: Andrew Catauro both Kainat’s odyssey through Pakistan’s broken justice system- and her alleged rapists’ quest to clear their names. The result is a HBO DOCUMENTARY FILMS HBO OUTSTANDING BUSINESS AND ECONOMIC powerful and nuanced profile of courage in a society where rape Casting By REPORTING IN A REGULARLY SCHEDULED victims and their families are often considered dishonorable and Casting pioneers like Marion Dougherty and Lynn Stalmaster NEWSCAST subjected to humiliation, poverty, and mortal danger. were iconoclasts whose exquisite taste and gut instincts ultimately Executive Producers: Raney Aronson-Rath, David Fanning, Sally helped change the old studio system and usher in New Hol- NIGHTLINE ABC Jo Fifer lywood through landmark movies like “Midnight Cowboy,” “The Brian Ross Investigates: Billion Dollar Losers — China Fraud Producer/Directors: Habiba Nosheen, Hilke Schellmann Graduate,” “Butch Cassidy and the Sundance Kid” and “Bonnie and U.S. Markets Coordinating Producer: Diana Holtzberg and Clyde.” Afforded unprecedented freedom and power by tele- In this Nightline investigation, ABC News chief investigative vision, they broke away from traditional typecasting and brought correspondent Brian Ross and producer Matthew Mosk provide HBO DOCUMENTARY FILMS HBO new kinds of leading men and women to the screen, among the first in depth account of an unprecedented spree of invest- Crisis Hotline: Veterans Press 1 them Dustin Hoffman, Bette Midler, Robert Duvall and Gene ment fraud originating from China and quietly robbing American At a time when the number of military service members who Hackman. A fast-paced journey through the last half-century of investors of tens of billions of dollars. take their own lives exceeds the number of those killed in the call Hollywood history from a new perspective, Casting By spotlights Executive Producers: Jeanmarie Condon, Almin Karamehmedovic of duty, Crisis Hotline: Veterans Press 1 transports viewers to the filmmaking’s unsung hero — the casting director. Chief Investigative Producer: Rhonda Schwartz frontline of the urgent battle against veterans’ suicide. The docu- Executive Producers: John Balis, Ed Durkin, Steve Edwards Producer: Matthew Mosk mentary was filmed over nine months at the only national hotline Co- Executive Producer: Margaret Whitton Chief Investigative Correspondent: Brian Ross for veterans seeking urgent attention, based in upstate New York. Producers: Ilan Arboleda, Joanna Colbert, Kate Lacey Director: Ellen Goosenberg Kent Director/Producer: Tom Donahue PBS NEWSHOUR PBS Executive Producer: Sheila Nevins Is Globalization Wiping Out the American Surfboard Producer: Dana Perry HBO DOCUMENTARY FILMS HBO Industry? Supervising Producer: Jacqueline Glover Which Way Is the Front Line from Here? The Life and Time of To explore the many forces at play in the debate over free trade, Tim Hetherington PBS NewsHour Business and Economics Correspondent Paul HBO DOCUMENTARY FILMS HBO On April 20, 2011, photographer and filmmaker Tim Hethering- Solman introduces viewers to the effect globalization is having on Gideon’s Army ton was killed by mortar fire in Misrata, Libya, where he’d been a distinctly American industry: surfboard manufacturing. Solman In 1961, Clarence Earl Gideon was arrested for stealing soda and covering the civil war. His death ended a brilliant ten-year career interviews economists with different perspectives on free trade, a few dollars from a pool hall. Unable to afford an attorney, he in which he covered such dramatic stories as the conflicts in as well as U.S. surfboard business owners and workers who are was convicted after representing himself at trial. Gideon appealed Liberia and Afghanistan, but also transcended the conventional facing cheap competition from imported boards. By interspers- his conviction to the Supreme Court, which ruled unanimously boundaries of image-making to become one of the most impor- ing the theoretical with the real-world, Solman personalizes that the right to counsel in a criminal case is fundamental to the tant journalists of his generation. Illuminating the risks of the the debate and makes this complex economic conundrum both American system of justice. More than 12 million people are combat journalist’s profession, Which Way Is The Front Line From engaging and easier to understand. arrested in the United States each year and most of them will be Here? The Life and Time of Tim Hetherington chronicles his work Executive Producer: Linda Winslow represented by one of the United States’ 15,000 public defenders. on the battlefield to reveal what made him such a singular talent, Senior Producer: Murrey Jacobson Gideon’s Army follows a group of idealistic young public defenders and a remarkable human being. Producers: Lee Koromvokis, Diane Lincoln Estes in the Deep South, where lawyers face particularly difficult chal- Director: Sebastian Junger Business & Economics Correspondent: lenges due to high bonds, minimum mandatory sentencing and a Executive Producer: Sheila Nevins culture that is traditionally “tough on crime.” Producers: James Brabazon, Nick Quested PBS NEWSHOUR PBS Director/Producer: Dawn Porter Supervising Producer: Sara Bernstein New Uses for Virtual Reality Executive Producer: Sheila Nevins Co-Producer: Gretchen McGowan PBS NewsHour Business and Economics Correspondent Paul Senior Producers: Nancy Abraham, Jacqueline Glover Solman meets with Oculus VR to explore this incredible new Producer: Julie Goldman INDEPENDENT LENS PBS technology and how its devices might impact society as a whole. Ai Weiwei: Never Sorry After introducing the VR headset, Solman examines the research HBO DOCUMENTARY FILMS HBO Ai Weiwei is arguably the most internationally celebrated Chi- of Jeremy Bailenson, founding director of Virtual Human Inter- The Crash Reel nese artist of the modern era. The inscrutable bearded visionary action Lab, whose Oculus VR experiments take images of young In 2009, American snowboarding champion Kevin Pearce was burst onto the scene with vast conceptual installations such as his gamers and create much older, life-like digital avatars of them. enjoying the most successful competitive season of his career, eight million hand-painted ceramic sunflower seeds inside Tate Some of Bailenson’s findings show that subjects who had seen winning several events and challenging the dominance of his Modern, and went on to design the iconic Bird’s Nest stadium for their future selves in the “virtual mirror” later put twice as much friend-turned-rival, the legendary Shaun White. But on Dec. 31, the Beijing Olympics. But at heart, Ai Weiwei is a troublemaker money into a savings account than those who hadn’t. Solman’s while riding the slopes of Park City, Utah in final training for the with a serious agenda: to challenge the oppression of the Chinese report casts new light on potential new markets for the gaming 2010 Winter Olympics, he suffered a traumatic brain injury that people by their government with rebellious and irreverent ges- industry and a new role that virtual reality may play in our digital left him in a coma, followed by a long road of adjusting to what tures. His activism has cost him his freedom repeatedly, but he future that is more than just fun and games. would be a lifelong disability. The Crash Reel is a ride through never seems to lose his childlike approach to serious dissidence Executive Producer: Linda Winslow the world of Pearce, whose story underscores the high stakes for executed with a wink. Senior Producer: Murrey Jacobson extreme sports stars. Executive Producers: Andrew Cohen, Julie Goldman, Karl Katz, Producers: Lee Koromvokis, Diane Lincoln Estes Producer/Director: Lucy Walker Larry Warsh Business & Economics Correspondent: Paul Solman Executive Producers: Dan Cogan, Geralyn Dreyfous, Sheila Executive Producer for ITVS: Sally Jo Fifer Nevins Deputy Executive Producer, Independent Lens: Lois Vossen SUNDAY MORNING CBS Producer: Julian Cautherley Producers: Alison Klayman, Adam Schlesinger, Colin Jones Making Ends Meet Supervising Producer: Sara Bernstein Director: Alison Klayman Corporate profits tell one story. Employee wages tell another. Reported over the course of four months, “Making Ends Meet”

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introduces audiences to the realities of life among the more than challenge was to write for the two very different structural ele- State and Federal agencies, charged to protect their health but ten million Americans who are classified as the working poor. ments of the documentary. On the one hand, the film is verite’, failing miserably at the job. Research involved countless hours Inequality is the buzzword in policy circles today, on the lips of driven by characters. Here the writing had to be sparse and in of consultation with scientists and researchers working in the pundits and the President alike. But for those who perform the the background. On the other hand, the film has an investigative environmental, engineering, geological, biological, physical and tasks essential to the functioning of our economy — who do the edge, almost like a police who-dunnit. Here the writing had to chemical fields; Closely following and investigating all docu- actual work that pushes profits and stock prices higher — this lead, so that the audience can understand how the investigative mentation pertaining to attempts by stakeholders in the affected story is nothing new. pieces fall into place. The two styles had to live together without regions to gain relief; Hundreds of hours spent recording the Executive Producer: Rand Morrison interfering with each other, and seamlessly blend so that the story proceedings of Local, State and Federal hearings into the ongoing Senior Producers: Gavin Boyle, Amy Rosner, Jason Sacca is front and center. investigations, and delving into the records departments of State Producers: Lauren Barnello, Ed Forgotson, Ayesha Siddiqi Writer: Ric Esther Bienstock environmental agencies; And a deep dive into archival records in Correspondent: Erin Moriarty order to illustrate the failed policies and regulatory systems that PBS NEWSHOUR WEEKEND PBS have been evolving in the political process over the last 50 years. OUTSTANDING WRITING Flying Coach Researchers: Trish Adlesic, Josh Fox, Matthew Sanchez, In the course of flying more than two million miles on assign- Deborah Wallace 20/20 ABC ments, Correspondent John Larson has found it is the people he Unbreakable: One Girl Changing the World meets along the way who often have the most memorable stories. OUTSTANDING FEATURE STORY IN A Diane Sawyer not only conducted the first in-depth television “Flying Coach — Normandy” is an immigrant story, overheard REGULARLY SCHEDULED NEWSCAST interview with Malala Yousafzai, she wove together multiple on a flight from Boston. It involves a grandfather’s vision, a narratives from the people who touched Malala’s life — her father’s inspiration, a family’s sacrifice, and a few twists along the BBC WORLD NEWS AMERICA BBC WORLD NEWS doctors, her father, radical and mainstream Muslims to add depth way. Ultimately it is a tale of achievement. Suffering in the to the story. Most of all, the writing of this 20/20 hour revealed Writer: John Larson “The silence is haunting.” That was the line which began Andrew the young girl behind the news story and gave viewers a better Harding’s report from the Central African Republic. But instead understanding of her remarkable transformation. OUTSTANDING RESEARCH of signalling peace, this silence was a sign of fear and beneath it Writer: Diane Sawyer there were stories of incredible loss. 60 MINUTES CBS Executive Producers: Kate Farrell, Andrew Roy 60 MINUTES CBS Guantanamo and Gitmo Producers: Christian Dembe Kette, William Edmundson, Kate Cosmic Roulette 60 Minutes took a close look at the troubled U.S. military prison Forbes, Fred Scott, Toby Woodbridge When a meteor roughly the size of a small building blazed at Guantanamo Bay, Cuba for a two-part report, exploring Correspondent: Andrew Harding through the sky above Chelyabinsk, Russia, the event was widely the legal and national security challenges as well as the human covered and quickly forgotten, while the broader and more struggle that make Guantanamo such a uniquely complicated CBS THIS MORNING CBS important story was largely ignored. “Cosmic Roulette” reveals puzzle. After the 60 Minutes team extensively researched both Note to Self: Newtown Father that the world’s space agencies had no idea this asteroid was the history and current use of the naval base at Guantanamo In December of 2012, the unthinkable happened at Sandy coming. Science stories are often very hard to write because the Bay, Lesley Stahl interviewed Brigadier General Mark Martins, Hook Elementary School in Newtown, Connecticut. The world underlying information is so complex, but this story posed an the chief prosecutor charged with giving these men a fair and watched as 26 families came to terms with the loss of innocent additional challenge: to expose a surprising gap in our nation’s transparent trial. loved ones — most of them children. To mark the anniversary space priorities without resorting to fear-mongering or apocalyp- Researchers: Richard Bonin, Cassi Feldman, Pia Malbran one year later, CBS This Morning invited Jimmy Greene, who lost tic hype. The story was written in a way that brings people along his six year old daughter Ana in the shootings, to participate in slowly, on a journey that is both physical and intellectual. A lot 60 MINUTES CBS CBS’s “Note to Self ” series. The result is a deeply personal and of scientific ground is covered in a very short time, but the story Lethal Medicine inspirational message that is difficult to achieve in a traditional never lags, laying out important and largely neglected facts with The “Lethal Medicine” investigative project provided the first interview. clarity, precision, and flair. look inside New England Compounding Center, the Mas- Executive Producer: Chris Licht Writers: Anderson Cooper, Andy Court sachusetts pharmacy whose tainted steroid injections caused a Senior Broadcast Producer: Ryan Kadro meningitis outbreak that has killed at least 64 people and sick- Editorial Producer: Samantha Jacobson 60 MINUTES CBS ened some 700 more. The 60 Minutes team sought out sources Producer : Paige Kendig, Craig Shea The Recyclers that worked for the company which had been shut down follow- In Cateura, a tiny, impoverished community on the outskirts of ing the outbreak, and obtained video from inside NECC which NIGHTLINE ABC Asuncion, Paraguay’s capital, one can’t help but notice the trash. provided viewers with the first visuals inside the company. They American Valor: The Long Road Home But there are some remarkable sounds coming from the trash — also spoke with dozens of patients who had fallen ill after receiv- This compelling and at times heartbreaking conversation is the the melodies of Mozart and Vivaldi. Children, who would ing the tainted steroids, and found that for many, the treatment culmination of a story that has reported on for otherwise have been destined for a life spent combing through was more brutal than the sickness itself. The report also includes nearly a decade. In 2004 in the Army truck carrying Tomas mountains of trash in search of sellable scraps, now spend every an interview with FDA Commissioner Margaret Hamburg, Young came under withering attack. A bullet shattered his spine, free moment playing music using instruments fashioned from the whose agency is responsible for overseeing drug safety in the instantly paralyzing him. Sgt. Robert Miltenberger saved Young’s trash that surrounds them. United States. life that day, and was awarded the Silver Star for his heroism. Writers: Michael H. Gavshon, Bob Simon Researchers: Andrew Bast, Michael G. Kaplan, Michael But while Miltenberger was physically uninjured, the mental Radutzky, Emily Rand, Michael Rey, Oriana Zill de Granados and emotional trauma, and deep guilt, continued to haunt him. DEFIANT REQUIEM: VOICES OF RESISTANCE PBS Late in 2013 Raddatz brought the two men together. One was Defiant Requiem: Voices of Resistance tells the story of a Nazi FRONTLINE PBS suffering physically, the other ravaged mentally. They meet to try concentration camp, Terezin, where inmates fought back with art Outlawed in Pakistan and find some peace and closure. The story provides an intimate and music. This cultural rebellion reached its peak when a choir “Outlawed in Pakistan” tells the story of a Pakistani teenager, snapshot into the pain that so many men and women who have of 150 inmates confronted the Nazis face to face and performed Kainat Soomro. In 2007, the young woman told the police that returned home from war zones live through each day. Verde’s requiem, reimagined as a condemnation of their captors. she had been raped by four men from her village. The accused Executive Producers: Jeanmarie Condon, Almin Karamehmedovic The film features many intimate and eloquent interviews with men said she was lying. As the film reveals, in a place like Paki- Producers: Ely Brown, Bartley Price, Shushannah Walshe survivors from the camp. The writing strikes a delicate balance , rape can be an exceptionally difficult crime to prove. Most of Chief Foreign Affairs Correspondent: Martha Raddatz between providing the information necessary to follow the events the time, little or no evidence is collected by the police, because a and allowing the survivors to tell their stories themselves. Under- woman who says she has been raped is rarely believed. “Outlawed NIGHTLINE ABC lying everything is the overall theme of the film: the sustaining in Pakistan” was 5 years in the making, and involved the filmmak- Caught in the Crossfire: Reports from Jordan power of art. The Holocaust and the power of art; these are broad, ers obtaining and examining thousands of pages of documents ABC’s Lama Hassan and a team of Nightline producers embed- heavy themes that in the wrong hands can easily slip into simple and court records, in addition to using their investigative skills to ded with a group of doctors in Jordan, all volunteers who traveled cliché. In the hands of the skilled writer of Defiant Requiem they track down witnesses in remote areas of Pakistan that even the to the region to minister to the wounds of innocent children. become fertile ground for well-balanced stories and nuanced courts were not able to find. All were literally caught in the crossfire in this deadly conflict, revelations. Researchers: Habiba Nosheen, Misha Rezvi, Hilke Schellmann, their injuries unimaginable to most parents. After a week of Writer: Doug Shultz Mohammed Ali Sheikh, Dan Sugarman, Shannon Romines tense debate between the President, Congress, and US allies, the President said there would be no American missile strikes against HBO DOCUMENTARY FILMS HBO HBO DOCUMENTARY FILMS HBO Syria. Meanwhile, for these displaced Syrians, the war raged on. Tales from the Organ Trade Gasland Part II Executive Producers: Jeanmarie Condon, Almin Karamehmedovic Every 60 minutes — somewhere in the world — a human Gasland II details the out-sized influence of oil and gas industry Senior Producer: Jon Meyersohn organ is sold on the black market. Tales from the Organ Trade is interests on our democracy. The film tracks the unfolding and Producers: Eric Johnson, Alex Waterfield an unflinching descent into the world of black-market organ evolving stories of families in Texas, Wyoming and Pennsylva- Additional Producers: Jackie Jesko, Ben Newman, Candace Smith trafficking: the street-level brokers, the rogue surgeons, the nia, and the trials faced by stakeholders in these regions as they Reporter: Lama Hasan impoverished sellers and the desperate buyers. The writer’s attempt to gain relief and navigate the muddy waters of both

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NIGHTLINE ABC Investigative Unit: Blake Morrison, Megan Twohey benefit claims of coal miners who were sick and dying of black Caught in the Crossfire: Terry Moran Reports Senior Producers: Matt Carluccio, Katie Boyle lung disease. The team explored thousands of previously classified This special edition of Nightline provides a rare glimpse inside Producers: Kevin Monahan, Maggie Kassner legal filings and went undercover with miners to see first-hand the war-torn country of Syria through intimate, personal dis- how doctors hired by coal companies conducted their exams. patches from all sides of the conflict. For more than six months, NIGHTLINE ABC Within of the reports, Johns Hopkins suspended its ABC News gathered and painstakingly sifted through more than Raid in the Philippines black lung program, effectively shutting down the questionable 70 hours of harrowing video shot by 12 different Syrian civilians Nightline went undercover in Subic Bay, once home to an Ameri- denial process. U.S. senators began crafting reform legislation living all over a country in peril. With unprecedented access, this can naval base in the Philippines, now a renowned haven for the using the series of reports as a guide and Congressmen began diary shows what has become commonplace in this devastated sex tourism industry and underage trafficking. This story put a calling for a federal investigation. country — unimaginable suffering and the struggle to survive, no face on this inhumane plague, spending time with an American Executive Producers: Jeanmarie Condon, Almin matter which side one is on. bar owner, hidden cameras rolling, as he bragged about selling Karamehmedovic, Michael Corn Executive Producers: Jeanmarie Condon, Almin Karamehmedovic underage girls for sex with foreign tourists. The story culminated Chief Investigative Correspondent: Brian Ross Producers: Ely Brown, Sarah Kolinovsky, Jenna Millman, with the late-night raid where the bar owner was arrested and Chief Investigative Producer: Rhonda Schwartz Matthew McGarry, Molly Hunter charged with child abuse. With all the attention on Subic Bay Investigative Producer: Matthew Mosk Field Producer: Ali El Khalaf after the raid and Nightline’s report, several of the sex bars were Producer: Megan Chuchmach Managing Editor, International News: Jon Williams shut down and Nightline has been told that there is now “a strong Senior Editor, Center for Public Integrity: Ronnie Greene Chief Foreign Correspondent: Terry Moran deterrent in place” against underage trafficking. Reporters: Matthew Mosk (ABC News) Chris Hamby (Center Additional Producers: Abdulmajeed Abdulmajeed, Rhana Natour Executive Producers: Jeanmarie Condon, Almin Karamehmedovic for Public Integrity) Producer: Alex Waterfield Field Producer: Randy Kreider NIGHTLINE ABC Reporter: Alexander Marquardt The Gift of Sight BEST STORY IN A REGULARLY SCHEDULED ABC News traveled to Ethiopia to profile a doctor with a quick, PBS NEWSHOUR & THE CENTER FOR PBS NEWSCAST simple and inexpensive procedure that restores vision to people INVESTIGATIVE REPORTING in the most isolated and impoverished corners of the world. The Veterans & Opiates ANDERSON COOPER 360 CNN idea that countless lives can be improved so easily prompted ABC This co-production from The Center for Investigative Report- Rehab Racket News viewers to respond in overwhelming fashion with more ing and the PBS NewsHour shows how Department of Veterans’ A yearlong investigation by CNN and The Center for Inves- than $400,000 in donations. Tens of thousands of eyes will be Affairs doctors are overprescribing veterans powerful narcotic tigative Reporting revealed widespread fraud in California’s looking out at the world, as if for the first time, because of this painkillers, fueling their drug-dependencies and leading to tragic taxpayer-funded drug rehab program, part of the largest Medicaid report. outcomes. The Center analyzed 12 years of prescription drug data system in the U.S. The investigation found poor government Executive Producers: Jeanmarie Condon, Almin Karamehmedovic from the Department of Veterans Affairs, and found that since oversight in a program that paid out $94 million to clinics that Senior Producer: Jon Meyersohn the 9/11 terrorist attacks prescriptions for four opiates — hydro- showed signs of fraud. The series led to the shutdown of 225 clin- Producer: Christine Romo codone, oxycodone, methadone and morphine — have surged ics, dozens of criminal investigations, a public apology from the Reporter: David Muir by 270 percent, far outstripping the increase in patients. Since program’s director, and legislation to curb further abuse. the investigation was broadcast it has been the subject of two Senior Investigative Producer, CNN: Scott Zamost SUNDAY MORNING CBS congressional hearings, and the number of veterans prescribed Senior Investigative Correspondent, CNN: Band of Brothers narcotic painkillers has dropped by 37,000. Editorial Director, CNN: Richard Griffiths “Band of Brothers” is a story about the human spirit rising above Executive Producer: PBS NewsHour: Linda Winslow Investigative Unit Director: Patricia DiCarlo devastating setbacks and unbearable loss. Veterans whose lives Executive Producer: The Center for Investigative Reporting: Executive Producer, AC 360: Charlie Moore had been brought crashing down by terrible wounds of war are Susanne Reber Producer: Karen Nolan made whole again — if not in body then certainly in spirit — by Senior Producer: The Center for Investigative Reporting: Senior Editor, the Center for Investigative Reporting: Amy Pyle the transformative power of song. As one young man who lost Stephen Talbot Reporters, the Center for Investigative Reporting: Will Evans, an eye and suffered traumatic brain injury told us, the music Executive Editor: The Center for Investigative Reporting: Christina Jewett “changed my life; saved my life.” Robert Rosenthal Executive Producer: Rand Morrison Editorial Director: The Center for Investigative Reporting: NBC NIGHTLY NEWS WITH BRIAN WILLIAMS NBC Senior Producers: Gavin Boyle, Amy Rosner, Jason Sacca Mark Katches The Border War Producer: Mary Walsh Producer: The Center for Investigative Reporting: Adithya In this series of groundbreaking original reports, Mark Potter Co-Producer: David Bhagat Sambamurthy took viewers to the Mexican border to show that, despite official Correspondent: David Martin Producer: PBS NewsHour: Dan Sagalyn claims of success, large parts of the border were still not secure Story Editor: The Center for Investigative Reporting: Amy Pyle and that drug and human traffickers, often armed, were routinely SUNDAY MORNING CBS Contributing Producer: The Center for Investigative Reporting: crossing privately owned American land. The Holocaust Michael Montgomery Executive Producers: Patrick Burkey, Jamie Kraft Against the backdrop of one survivor’s firsthand account, this Investigative Correspondent: The Center for Investigative Senior Broadcast Producer: Sam Singal report examines disturbing new Holocaust research in two areas: Reporting: Aaron Glantz Senior Producer: Tracey Lyons The number of camps built by the Nazis, and the involvement of Producers: Al Henkel, Steven Louie, Olivia Santini German women in helping to implement genocide. The findings PBS NEWSHOUR WEEKEND PBS Correspondent: Mark Potter on both fronts point to a single conclusion: The campaign of Costly Generics savagery and dehumanization during World War II was far more Generic drugs now make up around 80 percent of prescriptions NIGHTLINE ABC widespread than any prior estimates remotely suggested. filled, and many assume generics are always cheap. But a PBS The Raid Executive Producer: Rand Morrison NewsHour Weekend investigation found that’s not always the case. Nightline went undercover in Subic Bay, once home to an Ameri- Senior Producers: Gavin Boyle, Amy Rosner, Jason Sacca Retail prices for generic drugs can vary wildly from pharmacy to can naval base in the Philippines, now a renowned haven for the Producers: Remington Korper, Amiel Barton Weisfogel pharmacy — a fact few consumers know anything about. This sex tourism industry and underage trafficking. The story put a Correspondent: story had tremendous response online, including comments from face on this inhumane plague, spending time with an American viewers who said they shopped around after watching the report. bar owner, hidden cameras rolling, as he bragged about selling OUTSTANDING INVESTIGATIVE JOURNALISM One found a $72 drug for $28 at another store, and a father underage girls for sex with foreign tourists. The story built with a IN A REGULARLY SCHEDULED NEWSCAST said he found his son’s $200 medication for $74 after seeing the sense of urgency and anticipation, culminating with the late-night NewsHour report. raid where the bar owner was handcuffed and arrested, charged NBC NIGHTLY NEWS AND TODAY NBC Executive Producers: Marc Rosenwasser, Stephen Segaller with child abuse. With all the attention on Subic Bay after the Lost Children Executive-in-Charge: Neal Shapiro raid and Nightline’s report, several of the sex bars were shut down. NBC Investigates, in partnership with Reuters looks at what Editorial Producer: Judith Starr Wolff Executive Producers: Jeanmarie Condon, Almin Karamehmedivoc happens when foreign adoptions go wrong. A four part series by Broadcast Producer: Irene Francis Producer: Alex Waterfield NBC’s National Correspondent Kate Snow uncovered a shocking Correspondent/Producer: Megan Thompson Reporter: Alexander Marquardt underground universe online where parents, many overwhelmed Senior Broadcast Producer: Scott Davis with their children’s behavior and language problems, can quite NIGHTLINE ABC easily move unwanted children into the homes of strangers. She WORLD NEWS WITH DIANE SAWYER ABC The War For Paradise found that many children were handed off at truck stops and din- AND NIGHTLINE Hidden in the shadows of Rio de Janiero are sprawling, lawless ers, some numerous times. The practice is called re-homing. OUT OF BREATH: The Untold Story of Big Money, Black Lung shantytowns known as favelas. In these communities chaos thrives Executive Producers: Patrick Burkey, Don Nash and Doctors for the Coal Companies. An ABC News Brian and ruthless drug gangs reign supreme — and unchallenged. Senior Executive Producer, Investigations: Richard Esposito Ross Investigation with the Center for Public Integrity As Rio prepared to host the World Cup and the Olympics, the Managing Producer, Investigations: Robert Dembo This year-long joint investigation examined how doctors and government tried to take control of these long-forgotten ter- Digital Managing Editor: Mark Schone lawyers, working at the behest of the coal industry, helped defeat ritories. That takeover was anything but peaceful, escalating into

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an all-out war on the streets of residential neighborhoods where 60 MINUTES CBS INDEPENDENT LENS PBS one-third of the city’s population lives. Imminent Danger How to Survive a Plague Executive Producers: Jeanmarie Condon, Almin Karamehmedovic Two weeks after the mass shooting at the Washington DC Navy How to Survive a Plague looks back to the “plague years” in Amer- Producer: Nick Capote Yard, 60 Minutes aired a comprehensive story on the underlying ica’s AIDS epidemic. It begins in 1987, the sixth year of the crisis. Reporter: root of many such incidents: untreated mental illness. The report 16,000 Americans are dead, yet no drug exists to slow the dying, explained the complex medicine and biology underlying severe and little is being allocated for research. The film follows a small WORLD NEWS WITH DIANE SAWYER ABC forms of mental illness like schizophrenia. But, it also addressed number of people with AIDS and their advocates who founded AND NIGHTLINE the social problems created by a broken mental health system. two revolutionary grassroots organizations: ACT UP and, later, Hidden America: Fear and Hope at Strawberry Mansion Many people with mental illness go untreated, either because they the Treatment Action Group. Facing their approaching mortality, For more than five years, Strawberry Mansion was considered one are too sick to understand that they need help, or because there despite a lack of formal training, they take on the science of the of the most dangerous high schools in the country with its 435 are not adequate resources available to help them. plague — from epidemiology to virology, oncology to immunol- students, 94 security cameras, six police officers and two metal Executive Producer: Jeff Fager ogy — and transform themselves into the most knowledgeable detectors. For nearly a year, Diane Sawyer, Claire Weinraub and Executive Editor: Bill Owens experts in the field, recognized by Nobelists and the leading sci- their team were given unprecedented access by the Philadelphia Producers: Coleman Cowan, Graham Messick entific minds of the day. Their efforts over nine years lead directly School Board to follow Strawberry Mansion’s Principal, Linda Co-Producers: Matthew Richman, Evie Salomon to a new class of drugs that accomplish miracles: 6-10 million Wayman and her impassioned teachers as they charted a new Correspondent: Steve Kroft people worldwide are alive today because of their efforts. course for the school. Director/Producer: David France Executive Producers: Michael Corn, Jeanmarie Condon, Almin 60 MINUTES CBS Producer: Howard Gertler Karamehmedovic The Lost Boys Executive Producers: Joy Tomchin, Dan Cogan Senior Producers: Jon Meyersohn, Claire Weinraub “The Lost Boys” was a series of stories spanning more than a Executive Producer for ITVS: Sally Jo Fifer Producers: Ely Brown, Eric Johnson, Denise Martinez- decade. 60 Minutes first aired the saga of the lost boys in May Deputy Executive Director: Lois Vossen Ramundo, Candace Smith 2001, documenting how boys orphaned by Sudan’s brutal civil Field Producers: Ozren Milharcic, Stephanie Wash war walked barefoot by the thousands, eventually staggering into INDEPENDENT LENS PBS Reporter: Diane Sawyer a refugee camp in northern Kenya. It was there that 60 Minutes The Invisible War originally met them, just as they were preparing to leave for a new The Invisible War is a groundbreaking investigation into one of BEST REPORT IN A NEWS MAGAZINE life and new world in the United States. Bob Simon catches up America’s most shameful and best kept secrets: the epidemic of with them 12 years later. rape within the U.S. military. The film paints a startling picture 20/20 ABC Executive Producer: Jeff Fager of the extent of the problem — as many as one in 5 women Unbreakable: One Girl Changing the World Executive Editor: Bill Owens have been sexually assault while serving in the military. The From the moment news surfaced that a 15-year-old Pakistani girl Producer: Draggan Mihailovich Department of Defense estimates there were a staggering 26,000 had been shot in the head by the Taliban because she believed Correspondent: Bob Simon servicemen and women have been sexually assaulted in fiscal girls should have the right to go to school, ABC News commit- Co-Producers: Nathalie Sommer, Warren Lustig, Matthew year 2012 alone. Focusing on the powerfully emotional stories ted to telling Malala Yousafzai’s story. No one knew if she would Richman of rape victims, the film is a moving indictment of the systemic live or die, or would ever be able to speak again. When it became cover-up of military sex crimes, chronicling the women’s struggles clear that she would not only survive but would continue to speak BEST DOCUMENTARY to rebuild their lives and fight for justice. It features hard-hitting out about the need to educate girls around the world, her courage interviews with high-ranking military officials and members of and commitment made her one of the most inspiring people of HBO DOCUMENTARY FILMS HBO Congress that reveal the perfect storm of conditions that exist for the year. Valentine Road rape in the military, its long-hidden history, and what can be done Executive Producers: Eric Avram, Jessica Velmans Valentine Road explores the 2008 murder of 15-year old Lawrence to bring about much-needed change. Senior Executive Producers: David Sloan, Eric Avram King, a student at E.O.Green Junior High in Oxnard, California. Director: Kirby Dick Senior Producers: Muriel Pearson, Teri Whitcraft King had begun exploring his gender identity, and was shot Producers: Tanner King Barlow, Amy Ziering Field Producers: Keturah Gray, Habibullah Khan, Zunaira Zaki by 14-year old Brandon McInerney, in a hate crime. The film Executive Producers: Regina Kulik Scully, Maria Cuomo Cole, Producer: Joseph Diaz explores the circumstances that led to the shocking crime, as well Abigail Disney, Sarah Johnson Redlich, Jennifer Siebel Reporter: Diane Sawyer as its complicated aftermath. Director Marta Cunningham tells Newsom, Geralyn White Dreyfous, Nicole Boxer-Keegan, the story of the crime from the point of view of the school’s mar- Teddy Leifer 60 MINUTES CBS ginalized children of color, and uses animation in telling King’s Executive Producer for ITVS: Sally Jo Fifer Disability, USA story. The film also tells the story of Brandon McInerney, King’s Deputy Executive Producer, Independent Lens: Lois Vossen 60 Minutes reports about the explosive growth of the federal killer. News coverage portrayed him as a white supremacist, but disability insurance program which could become the first interviews with his family and friends paint a more complicated THE CENTRAL PARK FIVE PBS government benefits program to run out of money. When the picture. In 1989, five black and Latino teenagers from Harlem were program first began in the 1950s, it was envisioned as a small pro- Director/Producer: Marta Cunningham arrested and later convicted of raping a white woman in New gram to assist people who were unable to work because of illness Executive Producers: Gil Goldschein, Jon Murray, Sheila Nevins York City’s Central Park. They spent between 6 and 13 years in or injury. But it has grown to be an enormous program that serves Producers: Sasha Alpert, Eddie Schmidt prison before a serial rapist confessed that he alone had com- nearly 12 million people. The dramatic growth is due to aging Supervising Producer: Lisa Heller mitted the crime, leading to their convictions being overturned. baby boomers, a bad economy, and the rise of a disability law Set against a backdrop of a decaying city beset by violence and industry that is gaming and, in some cases, scamming a huge and HBO DOCUMENTARY FILMS HBO racial tension, The CentraI Park Five tells the story of that horrific vulnerable system. In addition, the rapid growth of the system is Which Way Is the Front Line from Here? The Life and Time of crime, the rush to judgment by the police, a media clamoring directly tied to deep and chronic economic desperation in com- Tim Hetherington for sensational stories and an outraged public, and the five lives munities around the country. On April 20, 2011, photographer and filmmaker Tim Hethering- upended by this miscarriage of justice. Executive Producer: Jeff Fager ton was killed by mortar fire in Misrata, Libya, where he’d been Executive Producer: Ken Burns Executive Editor: Bill Owens covering the civil war. His death ended a brilliant ten-year career Producer/Directors: Ken Burns, Sarah Burns, David McMahon Producers: James Jacoby, Michael Karzis in which he covered such dramatic stories as the conflicts in Co-Producer: Matthew Lev Liberia and Afghanistan, but also transcended the conventional Correspondent: Steve Kroft boundaries of image-making to become one of the most impor- tant journalists of his generation. Illuminating the risks of the 60 MINUTES CBS combat journalist’s profession, Which Way Is the Front Line From Guantanamo and Gitmo Here? The Life and Time of Tim Hetherington chronicles his work 60 Minutes takes a close look at the troubled U.S. military prison on the battlefield to reveal what made him such a singular talent, at Guantanamo Bay, Cuba in a two-part report exploring the and a remarkable human being. legal and national security challenges as well as the human strug- Director: Sebastian Junger gle that make Guantanamo such a uniquely complicated puzzle. Executive Producer: Sheila Nevins Executive Producer: Jeff Fager Producers: James Brabazon, Nick Quested Executive Editor: Bill Owens Supervising Producer: Sara Bernstein Producer: Richard Bonin Co-Producer: Gretchen McGowan Co-Producers: Richard Buddenhagen, Pia Malbran Correspondent: Lesley Stahl

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PRESENTERS

N.J. BURKETT multi-part, non-fiction series. CNN aired seven CNN Films in 2013, including the N.J. Burkett is a senior correspondent for New York’s WABC- award-winning Blackfish. Among the CNN Original Series developed under Entelis’s TV. For over two decades he has reported on everything from guidance are ’s Parts Unknown, Morgan Spurlock’s Inside Man, Chica- war and diplomacy to crime and politics; from aviation disasters goland, executive produced by , and The Sixties executive produced by to natural disasters, race relations and police misconduct. On Tom Hanks and Gary Goetzman. In her talent role, Entelis oversees the identification, September 11, 2001, after two jets struck the World Trade recruitment, and development of all correspondents, anchors, and on-air contribu- Center, Burkett and his news photographer narrowly escaped tors for CNN Worldwide. Entelis has had an extensive career in television news as a the collapse of the South Tower. Their work was seen on television news broadcasts producer and as a senior executive, spending 30 years at ABC News where she was around the world. Burkett covered the war in Iraq in 2003. He covered the terrorist senior vice president of talent strategy, development and research until May 2011. bombings in Madrid and London, as well as the war between and Hezbol- lah in Southern Lebanon, the Israeli-Hamas War in Gaza, three Israeli national JEFF FAGER elections and the Palestinian popular uprising, known as the Intifada. Burkett was Jeff Fager became the first chairman of CBS News in February the only local New York TV news correspondent to report from Japan after the 9.0 2011, after reshaping its flagship broadcast, 60 Minutes, into earthquake, tsunami and nuclear accident in 2011. Burkett is a two-time Edward an editorially more vibrant and news-conscious program that R. Murrow Award winner and a four-time Emmy® winner. He shared the George regularly makes Nielsen’s Top 10. His efforts have also made Foster Peabody Award and the Alfred I. duPont-Columbia University Award with the 60 Minutes brand a hit on the Internet and the model of his colleagues at ABC for his reporting on the September 11th attacks. Burkett is successful electronic journalism in the digital age. Fager has also the President of the New York Chapter of NATAS, and a member of the NATAS expanded the brand to cable; , which he co-executive produces, is in Executive Committee and Board of Trustees. its third season on Showtime. As he continues to guide 60 Minutes, he is seeking to transfer that success to all of the news division’s platforms, on television, radio and the Internet. Fager appointed Scott Pelley as network news anchor in June 2011. After Juju Chang is an Emmy® Award-winning Co-Anchor of ABC three years, the CBS Evening News with Scott Pelley has won a George Foster Peabody News’ Nightline. She also reports regularly for Good Morning award, an Alfred I. duPont-Columbia Silver Baton, a George Polk award and three America and 20/20. Chang covered breaking news of the dev- Emmy® Awards. In January 2012, Fager guided the relaunch of CBS This Morning, astating effects of Superstorm Sandy from lower Manhattan into a broadcast critically acclaimed for its fresh focus on harder news and its new to Breezy Point to the Rockaways. She reported on the mass team of talent. In recognition for these and his other achievements, he received the shootings in Newtown, CT, interviewing a mother of one of the 2013 Paul White Award, the highest honor given by the Radio, Television, Digital young victims. For a special Nightline series following the shooting at Sandy Hook, News Association. Fager came to the chairman’s position with more than 30 years she profiled a young family of gun enthusiasts in Utah. Chang has covered global of experience at every stage of the electronic news business, including 15 years at the events and issues like the earthquake in Haiti and maternal and infant mortality in executive producer level, seven of those at the helm of 60 Minutes. Mozambique. Her Nightline segments on parenting and lifestyle issues include a report on the shocking epidemic of newborns de-toxing from painkillers. Chang’s CYNTHIA LOPEZ many hour-long reports include the story of murdered 8th grader Larry King, which Cynthia López is the Commissioner of the New York City examined the issues of anti-gay bullying and juvenile justice. Mayor’s Office of Media and Entertainment. López joined the City of New York from American Documentary | POV, CHUCK DAGES where she had worked since 2000. Previously, she served as Charles (Chuck) L. Dages has spent 35 years in the entertain- executive vice president and co-executive producer of the award ment business in a career spanning technology to operations winning POV (Point of View) documentary series, where she to business management. He is currently Chair of the National was responsible for all aspects of the organization’s development, working with key Academy of Television Arts & Sciences, where he works with stakeholders in education, public policy and community development. During López’s the NATAS Executive Committee and the Board of Trustees tenure, POV earned numerous awards. In 2013 alone, it was one of only 13 nonprofit on securing its mandate of recognizing excellence in the televi- organizations worldwide to receive a $1 million MacArthur Award for Creative and sion and media industry. During his 15 years at CBS Dages oversaw many projects, Effective Institutions. Among its other honors are a Special News & Documentary including the renovation of the Theater for the Late Show with David Emmy® Award for Excellence in Television Documentary Filmmaking, two IDA Letterman and the construction of the CBS Broadcast Ops Center for the 1992 and Awards for Best Continuing Series, 32 additional Emmy® Awards, 17 George 1994 Winter Olympic Games. In his 20 years at Warner Bros. he focused on motion Foster , 12 duPont-Columbia Broadcast Journalism Awards, three picture restoration, postproduction, digital workflows, and interactive entertainment. ®, the Prix Italia and the Webby. López is the recipient of eight He led the creation of a complete studio digital facility for The Ellen DeGeneres Show News & Documentary Emmy® Awards. at the Warner Bros. Studio in Burbank, CA, and he was the senior executive assigned to Warner Bros. Motion Picture Imaging Inc. and WB Advanced Editorial Services NATALIE MORALES Inc, an all-digital post facility that became a global enterprise for film and television Natalie Morales is the news anchor of NBC News’ Today. series production and classic film restoration. Chuck has received many industry Morales also serves as co-host of the third hour. Prior to her honors, including three Emmy® Awards, and was named a Power Player in Digital role as news anchor, Morales served as Today national corre- Entertainment by Silicon Valley’s AO Network. spondent from 2006 to 2011. Morales also served as a national correspondent for all NBC News platforms including NBC AMY ENTELIS Nightly News with Brian Williams, Dateline NBC, and MSNBC. Amy Entelis is senior vice president for talent and content Prior to joining Today, Morales was an anchor and correspondent at MSNBC from development, responsible for new program development and 2002 to 2006. While working for NBC News, Morales has reported on several acquisitions for CNN Worldwide. Under her leadership, CNN major breaking news stories. In October 2010, Morales live-translated and reported launched two new broadcast content brands in 2013: CNN on the Chilean miner rescue — coverage that was seen worldwide and recognized Films, created to acquire and co-produce feature-length docu- with a 2010 National Headliner Award. Her other notable reports include the 2009 mentary films, and CNN Original Series, created to develop presidential inauguration; the Southern California wildfires; the Minneapolis bridge

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collapse; and the recovery efforts; the Tsunami disaster; the death TERESA RODRIGUEZ of Pope John Paul II; the 2004 presidential election; the war in Iraq; and the Columbia Teresa Rodriguez co-anchors Univision’s primetime weekly Shuttle explosion. In 2010, she was awarded a Daytime Emmy® Award as part of newsmagazine program, Aquí y Ahora (), featuring Today’s recognition as the best morning news program. investigative and consumer stories on important issues facing U.S. Hispanics, as well as interviews with leading newsmak- ers, politicians, and celebrities. She also hosts a weekly special Charles Osgood, often referred to as CBS News’ poet-in-res- segment on Univision’s national newscast Noticiero Univision idence, has been anchor of CBS News Sunday Morning since (Univision News) titled “Primer Plano” (Foreground), an in-depth news report on a 1994. He also anchors and writes The Osgood File, his daily current national and/or international issue. Rodriguez joined the Univision family news commentary broadcast on the CBS Radio Network. He in June 1982 when she became the first woman ever to host a national primetime was called “one of the last great broadcast writers” by his Sunday Spanish-language newscast. While in this position she covered a number of important Morning predecessor, Charles Kuralt. Osgood was recognized national and international news events such as Pope John Paul II’s visit to the U.S. with the 2008 National Association of Broadcasters Distinguished Service Award. He and the 1984 presidential election. Rodriguez has won eleven Emmy® Awards. She was the recipient of the 2005 Paul White Award, presented by the Radio-Television also writes a weekly news article for Univision.com. Her 10-year investigative report News Directors Association, for lifetime contribution to electronic journalism. He on the terrifying rape and murder of more than 450 Mexican women in Ciudad was inducted into the Broadcasting and Cable Hall of Fame in 2000 and joined the Juarez, Mexico, was published by Simon and Schuster/Atria Books in both Spanish ranks of the National Association of Broadcasters Hall of Fame in 1990. He has and English, under “The Daughters of Juarez: A True Story of Serial Murder South been an anchor and reporter for many CBS News broadcasts, including the CBS of the Border,” and quickly rose to the best-seller list. Morning News, the CBS Evening News with Dan Rather and the CBS Sunday Night News. Osgood recently made his big screen debut as the narrator of Dr. Seuss’ Horton BOB SCHIEFFER Hears a Who, the animated feature film adaptation of the beloved children’s book. Bob Schieffer is CBS News’ Chief Washington Correspondent, and Anchor of Face the Nation. In 2013, Face the Nation was the BRUCE PAISNER highest rated Sunday for the second consecutive year Bruce L. Paisner is Senior Advisor to the Chief Executive Offi- and the broadcast attracted 4.57 million viewers for its show cer of Hearst Entertainment and Syndication and serves on covering the 50th anniversary of JFK’s assassination, the highest the boards of Hearst’s Cosmopolitan TV Channels in Spain, ratings since 9/11. Schieffer has won virtually every award in Latin America and Canada. From 2004 to 2009, he headed broadcast journalism including 7 Emmy® Awards, the overseas Press Club Award, the the operations of Hearst Entertainment & Syndication, the Paul White Award, and the Edward R. Murrow Award. Schieffer has been a reporter corporate group responsible for Hearst’s interests in cable tele- for more than half a century and is one of the few reporters in Washington to have vision networks, television production and distribution, newspaper syndication and covered all four of the major beats: the Pentagon, the White House, Congress and merchandise licensing. For over 20 years, he served on the Boards of Directors of the State Department. He became the network’s chief Washington correspondent in Lifetime Television, A&E Network and History Channel. A leading spokesperson 1982 and was named the anchor and moderator of Face the Nation in 1991. Schieffer and advocate for television industry issues around the world, Paisner is President anchored the Saturday edition of the CBS Evening News for 23 years. In March 2005, & CEO of The International Academy of Television Arts & Sciences, the largest with the departure of Dan Rather, Schieffer served as interim anchor of the CBS organization of broadcasters in the world, which recognizes excellence in international Evening News, until August 2006 — a period that saw a substantial increase in ratings. television programming with The International Emmy® Award. He is also a member He is the author of four books: The New York Times bestsellers “This Just in,” and of the Council on Foreign Relations and The Century Association. “Bob Schieffer’s America,” as well as “Face The Nation: My Favorite Stories from the First 50 Years of the Award-winning News Broadcast” and “The Acting President.” DAN RATHER For more than 60 years, Dan Rather has covered virtually every MARVIN SCOTT major event in the world and he continues to do extensive A recent inductee into the New York State Broadcasters Hall on-scene reporting. His resume reads like a history book, from of Fame and the recipient of ten Emmy® Awards, Marvin his early local reporting in Texas on to his Scott is the Senior Correspondent of the PIX 11 News at 10. unparalleled work covering the assassination of President John Scott also hosts the weekly issues-oriented program PIX 11 F. Kennedy; the civil rights movement; the White House and NEWS CLOSEUP. Since joining WPIX in New York in 1980, national politics; wars in Vietnam, Afghanistan, the Persian Gulf, Yugoslavia and he has served in multiple capacities as an anchor, reporter, host Iraq. In 2006 Rather founded the company News and Guts and became anchor and and producer. A veteran journalist with over 40 years of experience in both print managing editor of Dan Rather Reports on HDNet (now AXS TV), which special- and broadcast mediums, Scott’s assignments have taken him from the front lines of izes in investigative journalism, international reporting, and in-depth interviews. Iraq, Cambodia and the Middle East, to the highways of America’s South, where Rather has interviewed every United States president from Dwight D. Eisenhower he covered civil rights protests with Dr. Martin Luther King. He has interviewed to George W. Bush and Barack Obama, and virtually every major international leader six American presidents, and during visits to the Middle East interviewed Golda of the past 30 years. In 2004, as a correspondent for 60 Minutes II, Rather broke what Meier, Yitzhak Rabin and , among others. In New York, he has covered was arguably that year’s biggest story — the abuse of prisoners at Iraq’s Abu Ghraib every Mayor since John Lindsay. Scott’s coverage of the Congressional Whitewater prison. More recently, his Dan Rather Reports for AXS TV has been honored with hearings won him two Emmy® Awards. Scott has received many honors, including four Emmy® Awards for war and investigative reporting. Rather served as anchor a citation in the Congressional Record for “responsible reporting”, and top honors and managing editor of the CBS Evening News from March 9, 1981 to March 9, from the for his coverage of the Three Mile Island nuclear plant 2005, the longest such tenure in broadcast journalism history. accident, and his reporting of the TWA 800 tragedy. He’s was recently inducted into the coveted “Silver Circle” of the National Academy of Television Arts and Sciences.

THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES 45

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THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

A Non-profit Association Dedicated to the Advancement of Television

EXECUTIVE COMMITTEE Charles L. Dages Barbara Williams Perry Chair 1st Vice Chair

Alison Gibson Jamie Jensen Terry D. Peterson 2nd Vice Chair Secretary Treasurer

Harold Crump Jim McKenna N.J. Burkett Chair’s Representative Chair’s Representative Chair’s Representative

Dick Splitstone Presidents’ Representative

BOARD OF TRUSTEES Phillip L. Bell Paul Gluck John Mays David Bennett Pam Grimes Lisa D. Olken Susan Buehler Robert Hammer Terry O’Reilly NJ Burkett Bruce Harlan Chip Richards Julie Coan Les Heintz Jerry Rimmer Kevin Cokely Ellen Jones Pryor Michael Rodriguez Dominic Dezzutti Martha C. Kattan Melinda Roeder Jim Disch Jim Kirchherr Denise Rover MaryEllen Eagelston Joe Koskovics Tom Schnecke Chuck Emmert Scott LaPlante Marvin Scott Evelyn Escamilla Peter Levy Jim Timmerman Linda Giannecchini Roger Lyons Angie Weidinger Alison Gibson Danielle Mannion Cynthia Zeiden

NATIONAL AWARDS COMMITTEE Linda Giannecchini — Chair David Burt Mark Dissin Charlie Jablonski Ken Aagaard Chiqui Cartagena Holly Gauntt Laura Mandel Harriet Abraham Kevin Cokely Seth Haberman Jerry Romano

NATIONAL COMMITTEE CHAIRPERSONS Administration: Geneva M. Brignolo & Diane Bevins Marketing: Tim Egan Audit and Corporate Governance: Gene Policinski Membership: Jason Anderson Career Development: John Hammond Moving Forward — Daytime Awards: Denise Rover Communications and Publicity: Laura Mandel National Awards: Linda Giannecchini Education: Danielle Mannion Programs: Cynthia Zeiden Engineering Achievement: Robert Seidel Public Relations: Roger Lyons Finance: Alison Gibson Rules: Joe Koskovics Impactful Technologies: Evelyn Escamilla Scholarship: Adam Sharp Innovations and Initiatives: Marcus Riley Website and Social Media: Doug Mummert Legal: David M. Ephraim Strategic Planning: Julie Lucas

48 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 48 9/18/14 7:09 PM TThehe NationalNational AcademyAcademy ofof TelevisionTelevision ArtsArts & SciencesSciences

UUPCOMINGPCOMING

TTECHNOLOGYECHNOLOGY & EENGINEERINGNGINEERING JJanuaryanuary 8,8, 20152015 TThehe BBellagioellagio HHotel,otel, LasLas VegasVegas CCREATIVEREATIVE ARTSARTS AAprilpril 224,4, 22015015 UUniversalniversal HHilton,ilton, LLosos AAngelesngeles DDAYTIMEAYTIME AAprilpril 226,6, 22015015 WWarnerarner BBros.ros. SStudios,tudios, LLosos AAngelesngeles SSPORTSPORTS MMayay 55,, 22015015 JJazzazz aatt LLincolnincoln CCenter,enter, NNewew YYorkork NNEWSEWS & DDOCUMENTARYOCUMENTARY SSeptembereptember / OOctober,ctober, 20152015 JJazzazz aatt LLincolnincoln CCenter,enter, NNewew YYorkork

For Sponsorship Information contact: Paul Pillitteri 212-586-8424 / [email protected]

News & Doc Emmys 2014 program.indd 49 9/18/14 7:09 PM 35th35 Annual NEWSN & DDOCUMENTARYOCUMENTARY EEMMYMMY® AWARDS

VERY SPECIAL THANKS TO

THE HUNDREDS OF JUDGING PANELISTS FROM THE WORLD OF NEWS & DOCUMENTARY

THE STAFF OF THE NATIONAL ACADEMY OF PRODUCTION STAFF TELEVISION ARTS & SCIENCES Steve Ulrich, Producer David Winn Bryan Russo, Director Executive Director, News and Documentary Emmy® Awards Jim Carroll, Stage Manager Christine Chin Steve Head, Talent Liaison Manager, News & Documentary Emmy® Awards Marc Bryan-Brown, Photographer Dan Kelly, Voiceover Announcer Paul Pillitteri David Beld, Associate Producer Chief Administrative Officer Christine Chin, Associate Producer David Michaels Leslie Richin, Social Media Senior Executive Director, Daytime Emmy® Awards Brent Stanton VIDEO POST-PRODUCTION Executive Director, Daytime Emmy® Awards Jesse Adlin, Editor Steve Ulrich David Ferreira, Graphic Designer Executive Director, Sports Emmy® Awards Steve Head THE INTERNATIONAL ACADEMY OF TELEVISION Associate Director, Sports Emmy® Awards ARTS & SCIENCES Bruce Paisner, President & CEO Robert Lazo Director, Chapter Relations Fred Cohen, Chairman Camille Bidermann Roizen, Senior Vice President & Delroy Binger Executive Director Manager, IT Services Gerry Brahney, Advertising Director Luke Smith Nathaniel Brendel, Emmy® Judging Director Manager, Awards Department Zoë Dyck, Marketing, Web & Design Manager Jessica Franco, Emmy® Judging Manager Don Demaio Shakima Jones, Bookkeeper Graphic Design Max Newman, Membership Manager Barbara Baker Eva Obadia, Senior Director, Communications & Partnerships Manager, Administration Tracy Oliver, General Manager Susan Raqib, Emmy Entries Assistant Very special thanks to CBS News for the Bill Small tribute Yesima Sherrod, Events & Partnerships Manager video, especially Susan Zirinsky, Executive Producer, 48 Hours; Jennifer Ball, Office Coordinator Tom Seligson, Producer; Charlotte Fuller, Field Producer; and Marlon Disla, Editor

YANGAROO Awards Audiences Unlimited, Inc. Cliff Hunt, COO; Richard Klosa, CTO; Ricardo Martinez, Sr. Angela O’Brien, Beverly Merrill and Andrea Simmons Manager Customer Service WorldStage, Inc. — Audio and Video The Accounting Firm of Lutz and Carr Production Services Don Shaefitz and Shari Ferrara Great Performances — Catering NewsPro The Staff and Management of Jazz at Lincoln Jeff Reisman, Danny Schreiber, David Klein and Chuck Ross Center’s Frederick P. Rose Hall Program Guide Design A very special thanks to all the employees of the broadcast and Elise Cozzi cable networks, and independent production houses who provided us with much needed information and visual material.

50 THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES

News & Doc Emmys 2014 program.indd 50 9/18/14 7:09 PM News & Doc Emmys 2014 program.indd 51 9/18/14 7:09 PM THANKS FOR INSPIRING US Congratulations to our producers on their 43 News & Documentary Emmy® nominations THE AFRICAN AMERICANS: MANY RIVERS TO CROSS • AMERICAN EXPERIENCE • CENTRAL PARK FIVE DEFIANT REQUIEM: VOICES OF RESISTANCERES • FRONTLINE • INDEPENDENT LENS • NOVA • PBS NEWSHOUR POV • SUPERHEROES: A NEVER ENDING BATTLE

For a full list of PBS Emmy® nominees, visit .org/awards/news-documentary-emmy-awards

Credits (clockwise from top left): and Gwen Ifill of PBS NewsHour, photo courtesy of Robert Severi; Central Park Five, photo courtesy of Daily News/Getty Images; The African Americans “Many Rivers to Cross with Henry Louis Gates Jr.”, photo courtesy of Peter Simon;– Egypt in Crisis, photo courtesy of Mosa’ab Elsharmy; League of Denial: The NFL’s Concussion Crisis, photo courtesy of Getty Images/George Gojkovich; Outlawed in Pakistan, photo courtesy of Hilke Shellman; Ken Burns, photo courtesy of Florentine Films; Brooklyn Castle, photo courtesy of Producers Distribution Agency.

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