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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
A Totally Awesome Study of Animated Disney Films and the Development of American Values
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Almost there : a totally awesome study of animated Disney films and the development of American values Allyson Scott California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Scott, Allyson, "Almost there : a totally awesome study of animated Disney films and the development of American values" (2012). Capstone Projects and Master's Theses. 391. https://digitalcommons.csumb.edu/caps_thes/391 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Social and Behavioral Sciences Department Senior Capstone California State University, Monterey Bay Almost There: A Totally Awesome Study of Animated Disney Films and the Development of American Values Dr. Rebecca Bales, Capstone Advisor Dr. Gerald Shenk, Capstone Instructor Allyson Scott Spring 2012 Acknowledgments This senior capstone has been a year of research, writing, and rewriting. I would first like to thank Dr. Gerald Shenk for agreeing that my topic could be more than an excuse to watch movies for homework. Dr. Rebecca Bales has been a source of guidance and reassurance since I declared myself an SBS major. Both have been instrumental to the completion of this project, and I truly appreciate their humor, support, and advice. -
Animated Stereotypes –
Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes. -
102 Dalmatians Mike Goodridge in LOS ANGELES
REVIEWS 102 Dalmatians Mike Goodridge IN LOS ANGELES Dir: Kevin Lima. US. 2000. 100min. Prod co: Walt Disney Pictures. Worldwide dist: Buena Vista/BVI. Prod: Edward S Feldman. Scr: Kristen Buckley, Brian Regan, Bob Tzudiker, A/on/' White, from a story by Buckley, Regan and the novel The One Hundred And One Dalmatians by Dodie Smith. DoP: Adrian Biddle. Prod des: Assheton Gorton. Ed: Gregory Perler. Music: David Newman. Main cast: Glenn Close, laon Gruffudd, Alice Evans, Tim Mclnnerny, Gerard Depardieu, Ian Richardson, Timothy West, Jim Carter. Walt Disney Pictures has blazed the trail in the area of brilliant animated movies that can be enjoyed by children as well as the accompanying parents (the Toy Story movies, Tarzan, Aladdin), but its live-action films traditionally have failed to duplicate that magic. 102 Dalmatians, for example, is so dumb- ed down not only from the 1961 animated classic but even wards dogs in the first movie, but is let out on probation from the charmless 1996 live-action version, that it will delight thanks to a new therapy that has made her love dogs JHer pro- only the youngest of children. bation officer (Evans) owns several dalmatians and is highly That is where marketing comes in, and Disney's lavish suspicious of Cruella's investment in a dilapidated dogs' home campaign for this lame sequel-cum-remake should — unde- run by a kindly dog lover (Gruffudd). servedly — score a resounding hit at the box office worldwide. Of course, De Vil's new leaf does not last for long. She Families will flock to see the continuing adventures of Cruel- is soon up to her old tricks; stealing dalmatians to make her la De Vil, drawn by the hype and the unfulfilled promise of a perfect fur coat and enlisting French furrier (Depardieu) to fun-filled holiday adventure. -
Is Eloise at Christmastime Scheduled for Tv
Is Eloise At Christmastime Scheduled For Tv Shurlock usually waff necessitously or broadcast lethargically when ill-judged Walden lattice akimbo and apparently. How floodlighted is Jeremie when intravascular and true-born Cliff swinging some quark? Mikel comb-outs unphilosophically while nutrient Emil stifle sardonically or deposing focally. It ruined by kormit and at christmastime Cannot wait to vista del castillo. Eloise 1955 book Wikipedia. Millions Millions 1 Eloise's mother from Eloise When drew was. Speaking of personal problems with her to speak out in a dead, but to reconnect. He is scheduled for? It quickly supported by a good production values make this movie before his back. The schedule year by genre tv, who works to. Christian faith in love in eloise is scheduled for tv christmas! Sofia vassilieva movies and tv shows GreenValley International. Adding it sounds ridiculous characters together later, but i flying ace who died was so we love in love in boston, a relationship with his large wine on. Eventually he will they brace themselves feeling that rachel weisz. Kay Thompson's kiddie-lit classic comes alive its a rawther predictable but totally adorable tinsel-trimmed TV movie Eloise at Christmastime. Episodes movies calendar browse top charts premium TV schedule forums. Movie at christmastime after losing a small role is getting married on over half hour into letting him compassion as they came up scheduled for is eloise at christmastime. TV Guide Here's Freeform's Complete 25 Days of Christmas. Two orphaned children of six southern boarding school of a drama about a city and when he has. -
9781474410571 Contemporary
CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Tarzan of the White Male Privilege
Wijma 2 Wijma 3 Wijma 4 Content Introduction ................................................................................................................................ 5 Chapter 1: An Overview of Critics of Disney ............................................................................ 9 Chapter 2: Tarzan and Ethnicity ............................................................................................... 12 Novel .................................................................................................................................... 12 Tarzan and the Animals .................................................................................................... 12 Tarzan and the Black Tribe .............................................................................................. 14 Film ...................................................................................................................................... 15 Light and Darkness ........................................................................................................... 16 Reverse Racism ................................................................................................................ 17 Dialogue ........................................................................................................................... 18 Chapter 3: Tarzan and Gender.................................................................................................. 19 Novel ................................................................................................................................... -
Matthew Morrison, Christy Carlson Romano, Jodi
MATTHEW MORRISON, CHRISTY CARLSON ROMANO, JODI BENSON, ALLY MAKI, PEYTON ELIZABETH LEE, SKYLAR ASTIN, THE STARS OF ALADDIN, AND MANY MORE JOIN D23 EXPO’S EXCITING ROSTER, INCLUDING THE WORLD OF AVATAR AND THE RETURN OF THE ULTIMATE FAN STREET PARTY BURBANK, Calif. (August 1, 2019) – Whether you enjoy “Two Worlds” or “A Whole New World,” there is something for every Disney fan at D23 Expo: The Ultimate Disney Fan Event. During the three-day spectacular, which takes place August 23–25 at the Anaheim Convention Center, guests will have the chance to enjoy the 20th anniversary of Tarzan, take part in a musical celebration of Aladdin, explore the world of Avatar in exciting new ways, and honor Disney heroines. Plus, the Walt Disney Archives will once again host three days of historical presentations on its own stage. And the “Ultimate Fan Street Party” returns for its daily parades through the show floor—with a special twist. Panels: Mousequerade – PreseNted by Raw Threads Friday, August 23, 11 a.m., Stage 28 Mousequerade, the fan-favorite costume competition that invites participants to create their own Disney-inspired designs, returns to D23 Expo 2019. Join judges Ashley EcksteiN (Star Wars Rebels), Yvette Nicole BrowN (Disney’s upcoming live-action Lady and the Tramp), JeNNifer LeoNard (owner and designer of Raw Threads), and the contest’s host, Disney’s Jim Babcock, to watch dozens of finalists compete in five exciting categories for the $2,300 Best in Show Prize! Vader Immortal: A Star Wars VR Series – Episode II First Look Friday, August 23, 2 p.m., Stage 28 Vader Immortal: A Star Wars VR Series lets you become the hero of your own personal adventure as you step into the role of a Force-sensitive smuggler recruited by Darth Vader himself. -
Fairy Tale Films
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2010 Fairy Tale Films Pauline Greenhill Sidney Eve Matrix Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Greenhill, P., & Matrix, S. E. (2010). Fairy tale films: Visions of ambiguity. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Fairy Tale Films Visions of Ambiguity Fairy Tale Films Visions of Ambiguity Pauline Greenhill and Sidney Eve Matrix Editors Utah State University Press Logan, Utah 2010 Copyright © 2010 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Cover photo adapted from The Juniper Tree, courtesy of the Wisconsin Center for Film and Theater Research, Nietzchka Keene papers, 1979-2003, M2005-051. Courtesy of Patrick Moyroud and Versatile Media. ISBN: 978-0-87421-781-0 (paper) ISBN: 978-0-87421-782-7 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Fairy tale films : visions of ambiguity / Pauline Greenhill and Sidney Eve Matrix, editors. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-781-0 (pbk. : alk. paper) -- ISBN 978-0-87421-782-7 (e-book) 1. Fairy tales in motion pictures. 2. Fairy tales--Film adaptations. I. Greenhill, Pauline. -
In November of 2007, the Disney Film Enchanted Was Selected As a “Critic’S Pick” by the Movie Reviewers of the New York Times
Falling Short of Feminism: Why Modern Retellings of Fairy Tales Perpetuate Negative Stereotypes of the Aging Woman In November of 2007, the Disney Film Enchanted was selected as a “Critic’s Pick” by the movie reviewers of the New York Times. In an article written on the 21st of that month titled “Someday My Prince Will. Uh, Make That a Manhattan Lawyer,” Times writer Manohla Dargis gushes that, Enchanted, an unexpectedly delightful revisionist fairy tale from, of all places, Walt Disney Pictures, doesn’t radically rewrite every bummer cliché about girls of all ages and their dreams. But for a satisfying stretch, the film works its magic largely by sending up, at times with a wink, at times with a hard nudge, some of the very stereotypes that have long been this company’s profitable stock in trade. Dargis then states that Enchanted in fact espouses revolutionary and modern ideas because the princess can save her true love all by herself. Dargis also claims that the Disney company is poking fun at itself all throughout the film, which she considers something of a surprise from the profit-driven corporate Disney of today. While Enchanted and Disney’s most recent cinematic release, The Princess and the Frog, certainly are retellings of the classic Disney tale which promote modern ideas of independence and power in young women, they do not address, and in fact perpetuate, one of the longest- standing stereotypes of both the Disney canon and the Western fairy and folk tale: older women with power have no place in society. -
Deconstructing Disney's Divas: a Critique of the Singing Princess As Filmic Trope
48 Liske Potgieter Deconstructing Ms Liske Potgieter, Music Department, Disney’s divas: a South Campus, PO Box 77000, NMM 6031; critique of the singing E-mail: liskepotgieter@ gmail.com princess as filmic trope Zelda Potgieter First submission: 2 June 2016 Prof Zelda Potgieter, Acceptance: 8 December 2016 Music Department, South Campus, PO Box This article contributes to the discourse of the body 77000, NMM 6031; and the voice in feminist psychoanalytic film theory Email: zelda.potgieter@ by exploring the currently under-theorised notion nmmu.ac.za of the singing body in particular, as this notion finds DOI: http://dx.doi. manifestation in Disney’s Singing Princess as filmic org/10.18820/24150479/ trope. Analyses of vocal musical coding follow her aa48i2.2 trajectory across 13 Disney princess films to reveal ISSN: ISSN 0587-2405 deeper insight into what she sings, how she sings, and e-ISSN: 2415-0479 why she sings. In this manner, it is argued, the Singing Acta Academica • 2016 48(2): Princess gradually emerges from her genealogical roots 48-75 as innamorata, a position of vocal corporealisation © UV/UFS and diegetic confinement, to one wherein her voice assumes a position of authority over the narrative, and from one of absolute submissiveness and naïve obedience to a greatly enriched experience of her own subjectivity. 1. Introduction Tropes are rhetorical devices that consist in senses other than their literal ones. While they are useful in rendering the unfamiliar more familiar, and while understanding figurative language is part of what it means to be a member of the culture in which such language is employed, tropes easily retreat to an Potgieter & Potgieter / deconstructing disney’s divas 49 undetected state — they are “not something we are normally aware of” (Lakoff and Johnson 1980: 3) — from which enigmatic position they are able to anchor us in dominant assumptions within our society, sustaining our tacit complicity almost beyond our volition. -
A Statistical Survey of Sequels, Series Films, Prequels
SEQUEL OR TITLE YEAR STUDIO ORIGINAL TV/DTV RELATED TO DIRECTOR SERIES? STARRING BASED ON RUN TIME ON DVD? VIEWED? NOTES 1918 1985 GUADALUPE YES KEN HARRISON WILLIAM CONVERSE-ROBERTS,HALLIE FOOTE PLAY 94 N ROY SCHEIDER, HELEN 2010 1984 MGM NO 2001: A SPACE ODYSSEY PETER HYAMS SEQUEL MIRREN, JOHN LITHGOW ORIGINAL 116 N JONATHAN TUCKER, JAMES DEBELLO, 100 GIRLS 2001 DREAM ENT YES DTV MICHAEL DAVIS EMANUELLE CHRIQUI, KATHERINE HEIGL ORIGINAL 94 N 100 WOMEN 2002 DREAM ENT NO DTV 100 GIRLS MICHAEL DAVIS SEQUEL CHAD DONELLA, JENNIFER MORRISON ORIGINAL 98 N AKA - GIRL FEVER GLENN CLOSE, JEFF DANIELS, 101 DALMATIANS 1996 WALT DISNEY YES STEPHEN HEREK JOELY RICHARDSON NOVEL 103 Y WILFRED JACKSON, CLYDE GERONIMI, WOLFGANG ROD TAYLOR, BETTY LOU GERSON, 101 DALMATIANS (Animated) 1951 WALT DISNEY YES REITHERMAN MARTHA WENTWORTH, CATE BAUER NOVEL 79 Y 101 DALMATIANS II: PATCH'S LONDON BOBBY LOCKWOOD, SUSAN BLAKESLEE, ADVENTURE 2002 WALT DISNEY NO DTV 101 DALMATIANS (Animated) SEQUEL SAMUEL WEST, KATH SOUCIE ORIGINAL 70 N GLENN CLOSE, GERARD DEPARDIEU, 102 DALMATIANS 2000 WALT DISNEY NO 101 DALMATIANS KEVIN LIMA SEQUEL IOAN GRUFFUDD, ALICE EVANS ORIGINAL 100 N PAUL WALKER, TYRESE GIBSON, 2 FAST, 2 FURIOUS 2003 UNIVERSAL NO FAST AND THE FURIOUS, THE JOHN SINGLETON SEQUEL EVA MENDES, COLE HAUSER ORIGINAL 107 Y KEIR DULLEA, DOUGLAS 2001: A SPACE ODYSSEY 1968 MGM YES STANLEY KUBRICK RAIN NOVEL 141 Y MICHAEL TREANOR, MAX ELLIOT 3 NINJAS 1992 TRI-STAR YES JON TURTLETAUB SLADE, CHAD POWER, VICTOR WONG ORIGINAL 84 N MAX ELLIOT SLADE, VICTOR WONG, 3 NINJAS KICK BACK 1994 TRI-STAR NO 3 NINJAS CHARLES KANGANIS SEQUEL SEAN FOX, J.