Worldwide Entertainment Mint Sets & More PART 2
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Movie Actresses 10 Mar 2017
Movie Actresses 10 Mar 2017 251-2017-07 This article is about my favorite movie actresses of all time. Movie critics and most people will not agree with my picks. However, my criteria is quite simple - the actress must have made at least three movies I have seen and liked and would watch again if they happened to come on the TV movie channel when I’m in the mood to see a good show. I’m going to pick my Top 20 Actresses. I could not decide on a header so you can pick the one you like best. Faye Dunaway Sharon Stone Liz Taylor #1 Faye Dunaway Born: Dorothy Faye Dunaway on January 14, 1941 (age 76) in Bascom, Florida Alma mater: Boston University Years active: 1962–present (Appeared in 81 movies) Spouse(s): Peter Wolf (m. 1974–79) Terry O'Neill (m. 1983–87) Children: Liam O'Neill (b. 1980) Facts: The daughter of Grace April, and John MacDowell Dunaway, a career officer in the United States Army. She is of Scots-Irish, English, and German descent. She spent her childhood traveling throughout the United States and Europe. Bonnie and Clyde (1967) with Warren Beatty. In the middle of the Great Depression, Clyde Barrow (Warren Beatty) and Bonnie Parker (Faye Dunaway) meet when Clyde tries to steal Bonnie's mother's car. Bonnie, who is bored by her job as a waitress, is intrigued by Clyde, and decides to take up with him and become his partner in crime. Three Days of the Condor (1975) with Robert Redford. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
It S September
What Happens Between The Cobblestones... IS ON EVERYONE’S LIPS Tidbits Overheard...Didjano’s...All The Buzzz! Look for ➨ to websites Vol.3 No.30 Cobblestones Library September 23, 2012 9/23 Checkers Day Dog established. 1914, The episode of “Dallas” that in Politics Day Mickey had Bobby Ewing returning from the dead was Trustees Riverfront report Rooney-92, Ray Charles*82 aired. 1986 With reference to the notice about the riverfront land in Sept. 16th Cobblestones: (2004), Julio Iglesias-69, 9/27 Crush a Can Day Samuel A majority of those who attended the meeting favored trimming; however, Bruce Springsteen-63, Adams*290 (1803), Revolutionary War leader, documentation has been received by the Trustees from other citizens who have a Jason Alexander-53 The strong concern that the vegetation not be trimmed. Because the riverfront land is Thomas Nast*172 (1902), Louis wetlands, DNREC must have input; however, there are many other factors also to be planet Neptune is Auchinozoss*95 (2010), William taken into consideration, some of which are explained below: discovered by German Conrad*92 (1994), Meat Loaf-65, Shaun For some years the Open Space Committee of the Trustees has astronomer Johann Gottfried Cassidy-53 The Aqueduct Race Track opened. Golle. 1846, “Keystone consulted about the management of the riverfront land near Bull 1894, The “Tonight!” show made its debut on Hill with an expert: Susan Barton, Extension Specialist on Plant Comedy” by Mack Sennett was NBC-TV with Steve Allen as host. 1954, Larry released. 1912, Flashbulbs were and Soil Sciences, Ornamental Horticulture, and Plant Protection Bird signed a seven-year contract with the Boston at the University of Delaware.With her input, our planning for patented by Johannes Celtics worth $15 million. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Joseph Stalin Revolutionary, Politician, Generalissimus and Dictator
Military Despatches Vol 34 April 2020 Flip-flop Generals that switch sides Surviving the Arctic convoys 93 year WWII veteran tells his story Joseph Stalin Revolutionary, politician, Generalissimus and dictator Aarthus Air Raid RAF Mosquitos destory Gestapo headquarters For the military enthusiast CONTENTS April 2020 Page 14 Click on any video below to view How much do you know about movie theme songs? Take our quiz and find out. Hipe’s Wouter de The old South African Goede interviews former Defence Force used 28’s gang boss David a mixture of English, Williams. Afrikaans, slang and techno-speak that few Russian Special Forces outside the military could hope to under- stand. Some of the terms Features 34 were humorous, some A matter of survival were clever, while others 6 This month we continue with were downright crude. Ten generals that switched sides our look at fish and fishing for Imagine you’re a soldier heading survival. into battle under the leadership of Part of Hipe’s “On the a general who, until very recently 30 couch” series, this is an been trying very hard to kill you. interview with one of How much faith and trust would Ranks you have in a leader like that? This month we look at the author Herman Charles Army of the Republic of Viet- Bosman’s most famous 20 nam (ARVN), the South Viet- characters, Oom Schalk Social media - Soldier’s menace namese army. A taxi driver was shot Lourens. Hipe spent time in These days nearly everyone has dead in an ongoing Hanover Park, an area a smart phone, laptop or PC plagued with gang with access to the Internet and Quiz war between rival taxi to social media. -
An Inquiry Into Animal Rights Vegan Activists' Perception and Practice of Persuasion
An Inquiry into Animal Rights Vegan Activists’ Perception and Practice of Persuasion by Angela Gunther B.A., Simon Fraser University, 2006 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication ! Angela Gunther 2012 SIMON FRASER UNIVERSITY Summer 2012 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for “Fair Dealing.” Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Angela Gunther Degree: Master of Arts Title of Thesis: An Inquiry into Animal Rights Vegan Activists’ Perception and Practice of Persuasion Examining Committee: Chair: Kathi Cross Gary McCarron Senior Supervisor Associate Professor Robert Anderson Supervisor Professor Michael Kenny External Examiner Professor, Anthropology SFU Date Defended/Approved: June 28, 2012 ii Partial Copyright Licence iii Abstract This thesis interrogates the persuasive practices of Animal Rights Vegan Activists (ARVAs) in order to determine why and how ARVAs fail to convince people to become and stay veg*n, and what they might do to succeed. While ARVAs and ARVAism are the focus of this inquiry, the approaches, concepts and theories used are broadly applicable and therefore this investigation is potentially useful for any activist or group of activists wishing to interrogate and improve their persuasive practices. Keywords: Persuasion; Communication for Social Change; Animal Rights; Veg*nism; Activism iv Table of Contents Approval ............................................................................................................................. ii! Partial Copyright Licence ................................................................................................. -
The State of the Animals II: 2003
A Strategic Review of International 1CHAPTER Animal Protection Paul G. Irwin Introduction he level of animal protection Prior to the modern period of ani- activity varies substantially Early Activities mal protection (starting after World Taround the world. To some War II), international animal protec- extent, the variation parallels the in International tion involved mostly uncoordinated level of economic development, as support from the larger societies and countries with high per capita Animal certain wealthy individuals and a vari- incomes and democratic political Protection ety of international meetings where structures have better financed and Organized animal protection began in animal protection advocates gathered better developed animal protection England in the early 1800s and together to exchange news and ideas. organizations. However there is not spread from there to the rest of the One of the earliest such meetings a one-to-one correlation between world. Henry Bergh (who founded the occurred in Paris in June 1900 economic development and animal American Society for the Prevention although, by this time, there was protection activity. Japan and Saudi of Cruelty to Animals, or ASPCA, in already a steady exchange of informa- Arabia, for example, have high per 1865) and George Angell (who found- tion among animal protection organi- capita incomes but low or nonexis- ed the Massachusetts Society for the zations around the world. These tent levels of animal protection activ- Prevention of Cruelty to Animals, or exchanges were encouraged further ity, while India has a relatively low per MSPCA, in 1868) both looked to by the organization of a number of capita income but a fairly large num- England and the Royal Society for the international animal protection con- ber of animal protection groups. -
1. Early Years: Maria Before La Callas 2. Metamorphosis
! 1. EARLY YEARS: MARIA BEFORE LA CALLAS Maria Callas was born in New York on 2nd December 1923, the daughter of Greek parents. Her name at birth was Maria Kalogeropoulou. When she was 13 years old, her parents separated. Her mother, who was ambitious for her daughter’s musical talent, took Maria and her elder sister to live in Athens. There Maria made her operatic debut at the age of just 15 and studied with Elvira de Hidalgo, a Spanish soprano who had sung with Enrico Caruso. Maria, an intensely dedicated student, began to develop her extraordinary potential. During the War years in Athens the young soprano sang such demanding operatic roles as Tosca and Leonore in Beethoven’s Fidelio. In 1945, Maria returned to the USA. She was chosen to sing Turandot for the inauguration of a prestigious new opera company in Chicago, but it went bankrupt before the opening night. Yet fate turned out to be on Maria’s side: she had been spotted by the veteran Italian tenor, Giovanni Zenatello, a talent scout for the opera festival at the Verona Arena. Callas made her Italian debut there in 1947, starring in La Gioconda by Ponchielli. Her conductor, Tullio Serafin, was to become a decisive force in her career. 2. METAMORPHOSIS After Callas’ debut at the Verona Arena, she settled in Italy and married a wealthy businessman, Giovanni Battista Meneghini. Her influential conductor from Verona, Tullio Serafin, became her musical mentor. She began to make her name in grand roles such as Turandot, Aida, Norma – and even Wagner’s Isolde and Brünnhilde – but new doors opened for her in 1949 when, at La Fenice opera house in Venice, she replaced a famous soprano in the delicate, florid role of Elvira in Bellini’s I puritani. -
Composition Catalog
1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound. -
Bellini's Norma
Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation. -
None of This Would Have Ever Happened If You Had Just Given an Oscar to Jennifer Lopez
NONE OF THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER LOPEZ By Tony Meneses Characters: Hugo Omar Nigel Elijah Yosef (all gay men of color in their 30’s/40’s) Setting: The last recorded Oscar party in gay history Time: February 9th, 2020 Wine. Charcuterie. Fresh fruit that no one’s eating. YOSEF. 1970? ELIJAH. ... Maggie Smith. NIGEL. Good one. YOSEF. 1991. ELIJAH Kathy Bates. HUGO. Also great. YOSEF. 1965! ELIJAH. Julie Andrews. NIGEL. (To Hugo.) Too easy. YOSEF 19... 46? ELIJAH. Joan fucking Crawford. NIGEL. HUGO. Oh my god! Yes ma-ma! NIGEL. That might actually be my favorite one. Mildred Pierce, can’t beat that. HUGO. What! Over Vivien Leigh, Ingrid Bergman, MERYL!?! 1 NIGEL. I stand by my decree. ELIJAH. Give me Elizabeth Taylor any day! YOSEF. 2002? In an instant it all goes quiet. NIGEL. ... What did you just say? YOSEF. 2002. Who won Best Actress in 2002? HUGO. Girl. Are you kidding? NIGEL. Oh god. She’s not. YOSEF. I’m not the biggest awards show gay, I’m sorry. HUGO. Who invited him again? ELIJAH. (Very serious.) 2002. That’s what you’re asking, Yosef? Two thousand, and two? YOSEF. Yes? ELIJAH. ... Halle Berry. Halle Berry won the Oscar that year. YOSEF. Oh. Isn’t that a good thing? We love Halle Berry. Don’t we? NIGEL. What kind of a question is that! 2 HUGO. You’re going to have to leave. ELIJAH. Halle Berry was—and remains to this day—the only woman of color to ever win the Academy Award for Best Actress. -
Types and Meaning of Metaphor in Song Lyrics by Selena Gomez
TYPES AND MEANING OF METAPHOR IN SONG LYRICS BY SELENA GOMEZ Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education in Department of English Education By : DYAH AYU EVI PUJI LESTARI A320150096 DEPARTMENT OF ENGLISH EDUCATION SCHOOL OF TEACHER TRAINING AND EDUCATION UNIVERSITAS MUHAMMADIYAH SURAKARTA 2020 i ii iii TYPES AND MEANING OF METAPHOR IN SONG LYRICS BY SELENA GOMEZ Abstrak Penelitian ini berjudul Types and Meaning of Metaphor in Song Lyrics by Selena Gomez. Penelitian ini bertujuan untuk (1) mengidentifikasi tipe-tipe metaphor yang digunakan pada lirik lagu Selena Gomez, (2) menganalisis makna metaphor yang digunakan dalam lirik lagu Selena Gomez. Metode yang digunakan dalam penelitian ini adalah metode kulaitatif. Sumber data diambil dari Sembilan lagu. Teori yang digunakan dalam penelitian ini adalah teori metaphor dari Lakoff dan Johnson (1980). Penelitian ini diawali dengan mengidentifikasi metaphor sesuai teori Lakoff dan Johnson (1980). Kemudian data yang terkumpul dianalisis untuk menemukan makna dari setiap metaphor. Hasil penelitian ini terdapat tiga tipe metaphor dalam lagu Selena Gomez yaitu structural metaphor, orientational metaphor, and ontological metaphor. Metafora Ontologis adalah yang paling sering digunakan dalam lirik lagu. Dari tiga puluh data ada dua puluh metafora ontologis. Sedangkan jenis metafora yang jarang digunakan adalah metafora struktural dan metafora orientasi. Tujuh data adalah jenis metafora struktural (23%), tiga data adalah metafora orientasi (10%), dan dua puluh data adalah metafora ontologis (67%). Kedua, jenis makna, ada tujuh jenis makna yaitu makna konseptual, makna konotatif, makna sosial, makna afektif, makna yang direfleksikan, makna kolokatif, makna tematik. Penelitian ini menemukan tiga jenis makna. Ada 11 makna konseptual (37%), kemudian 18 makna konotatif (60%), dan 1 makna kolokatif (3%).