Finding Aid for the Henry Holmes Smith Archive, Circa 1920S – 1993 AG 32
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Henry Holmes Smith Papers
HENRY HOLMES SMITH PAPERS Compiled by Charles Lamb and Mary Ellen McGoldrick GUIDE SERIES NUMBER EIGHT CENTER FOR CREATIVE PHOTOGRAPHY UNIVERSITY OF ARIZONA Center for Creative Photography University of Arizona Copyright© 1983 Arizona Board of Regents This guide was produced with the assistance of the National Endowment for the Arts, a federal agency. Contents The Critic's Tale: A Commentary on Henry Holmes 5 PrefureSmith's Writings on Photography, by Susan E. Cohen 7 Introduction to the Henry Holmes Smith Papers 17 Correspondence, 1929- 80 18 Writings by Henry Holmes Smith, 1925- 82 20 Nonfiction 20 Fiction 22 Miscellaneous 23 Education, 1930s- 70s 24 Courses Taught by Smith 24 New Bauhaus School and Institute of Design 24 Courses Taken by Smith 24 Lectures, Conferences, and Workshops 24 Administrative Records (Indiana University) 25 Exhibitions, 1929- 83 26 One-Man Exhibitions of Smith's Work 26 Group Exhibitions that Included Smith's Work 26 Miscellaneous Exhibitions (Not Including Smith's Work) 28 Photographic Organizations 29 Photographer's Exhibition Service, 1959- 63 29 Professional Associations, 1947 - 81 29 Other Material 30 Personal and Financial Records, 1950s- 70s 30 Reference Files, 1940s- 70s 30 Audio Visual Material, 1950s- 80 30 Related Resources 31 Prints 31 Videotape Library 31 Henry Holmes Smith: A Biographical Essay, by Howard Bossen 32 Henry Holmes Smith Bibliography, by Howard Bossen 37 Published Works by Henry Holmes Smith 37 Writings About Henry Holmes Smith 39 Preface The Guide Series is designed to inform scholars and students of the history of photography about the larger photograph, manuscript, and negative collections at the Center for Creative Photography. -
John Sexton Photography Workshops
JOHN SEXTON PHOTOGRAPHY WORKSHOps 2007–2008 WORKSHOP SCHEDULE JOHN SEXTON PHOTOGRAPHY WORKSHOps 2007–2008 INTRODUCTION hotography is an illusion. It is amazing that human beings consider a photograph to be a STAFF representation of reality. As photographers, I think we are privileged to work in the medium that has such powerful illusionistic characteristics. I clearly remember the first photographic DIRECTOR P John Sexton exhibition I attended more than thirty years ago. Seeing those photographs changed not only my photography, but changed my life. The three photographers in the exhibition were Ansel Adams, ADMINISTRATIVE ASSISTANT Laura Bayless Edward Weston, and Wynn Bullock. I had never seen works of art that were so inspiring. I still find beauty, power, and challenges in the black and white silver printing process, and continue to PHOTOGRAPHIC ASSISTANTS enjoy working within that magical medium. As the technology of photographic imaging evolves, it Anne Larsen Jack Waltman is exciting to see how the voice of photographers expressing themselves — whether with pixels or silver grains — still resonates in their prints. INSTRUCTOR John Sexton The workshops included in this year’s program will provide opportunities to learn from successful working photographers. The instructors and assistants will willingly share their experiences with CORPORATE SPONSORS you — both successes and mistakes — they have NO SECRETS. The workshops are an intense expe- Eastman Kodak Company rience, in which one will be immersed in photography from early in the morning until late at night. Bogen Imaging You will be tired at the end of the workshop, but will be filled with information and inspiration. -
Finding Aid for The
FINDING AID FOR THE FREDERICK SOMMER ARCHIVE AG 28 Center for Creative Photography University of Arizona Tucson, AZ 85721 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273 or 520-626-5224; fax 520-621-9444 DESCRIPTION Contains the personal papers, photographic materials, original artwork, audio recordings, and ephemera (1909-1999) of photographer, author, and lecturer Frederick Sommer (1905-1999). (51 linear feet) PROVENANCE Materials in this collection were purchased from Frederick Sommer, with the initial acquisition in 1980. The bulk of the archive was acquired after the artist’s death with several additions in 2001 and 2002. LANGUAGES English, German, Portuguese, and French. RESTRICTIONS AND COPYRIGHT Personal correspondence written within the past twenty-five years is protected by the Center’s privacy rule. It cannot be viewed unless permission is received from both the writer and the Sommer Foundation. Copyrights to both Frederick Sommer’s art works and his writings are held by The Frederick and Frances Sommer Foundation. For permission to reproduce or quote, contact: P. O. Box 262, Prescott, AZ 86302. SCOPE AND CONTENT The Frederick Sommer Archive contains materials documenting Sommer’s life from his childhood in Brazil, to education at Cornell University, tuberculosis recuperation in Switzerland, long residence in Prescott, Arizona, and up to his death in 1999. Materials include personal papers, original artwork and photographic materials, correspondence, financial records, audio recordings, exhibition announcements, manuscripts, as well as lecture and teaching notes. Materials date from 1909 to 1999 with the bulk of the collection dating from the 1970s to 1990s. -
Finding Aid for The
1 FINDING AID FOR THE ANSEL ADAMS ARCHIVE AG31 Center for Creative Photography The University of Arizona Tucson, AZ 85721-0103 For further information about the archives at the Center for Creative Photography, please contact the Archivist: phone 520-621-6273; fax 520-621-9444 TABLE OF CONTENTS page number Description, Provenance, Restrictions 2 Scope and Content 2-3 Organization of the Collection 3-4 Correspondence 5-25 Correspondence Index 25-30 Biographical materials 30-33 Music related materials 34-36 Activity Files 36-97 Clippings 97 Publications 97-101 Audio-visual Materials 101-106 Memorabilia 106-107 Photographic Materials 107-118 Photographic Equipment 118-122 Appendix A: Periodicals and miscellaneous, by and about Adams Appendix B: Monographs by and about Adams Appendix C: Personal library: monographs by others Appendix D: Index to photographs in the Ansel Adams Archive Ansel Adams Archive, Center for Creative Photography, The University of Arizona 1 2 DESCRIPTION Papers, photographic materials, and memorabilia, 1920s -1984, of Ansel Adams (1902 - 1984), photographer, author, teacher and conservationist. Includes correspondence (1906 - 1984) between Adams and his family, friends, business associates, and other artists; activity files documenting his commercial projects (1930s - 1977); exhibitions (1936 - 1983); his associations with the Sierra Club (1937 - 1984), Friends of Photography (1967 - 1984), and Images and Words Workshop (1967 - 1972); writings, lectures, and interviews (1931 - 1982); publications with Morgan and Morgan (1950 - 1975), 5 Associates (1952 - 1979), and New York Graphic Society (1973 - 1983); photographic materials including work, reproduction, and exhibition prints; printed materials including reproductions of his work in periodicals and a portion of his personal library; audio and visual materials relating to interviews with him; and memorabilia including awards, certificates, equipment, and clothing. -
Emmet Gowin's Photographs of Edith
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2005 The Photographer's Wife: Emmet Gowin's Photographs of Edith Mikell Waters Brown Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4501 This Dissertation is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. School of the Arts Virginia Commonwealth University This is to certify that the dissertation prepared by Mikell Waters Brown entitled "The Photographer's Wife: Emmet Gowin's Photographs of Edith" has been approved by her committee as satisfactory completion of the dissertation requirement fo r the degree of D Philosophy. , irector, Department of Art History, School of the Arts Dr. Eric Garberson, Reader, Department of Art History, School of the Arts redrika Jacobs, �r,Depalfiii'ent of Art History, School of the Arts Dr. Michael Schreffler, Reader, Department of Art History, School of the Arts Ot1irS'fiIfe"'Reader, Chief Curator, Hirshhorn Museum, Smithsonian Dr. Eric Garberson, Director of Graduate Studies, Department of Art History, School of the Arts Dr. Richard E. Toscan, Dean, School of the Arts Dr. F. Douglas Boudinot, Dean, School of Graduate Studies ©Mikell Waters Brown 2005 All Rights Reserved The Photographer's Wife: Emmet Gowin's Photographs of Edith A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University by Mikell Waters Brown, B.F.A., Virginia Commonwealth University, 1981 M.A., Virginia Commonwealth University, 1991 Director: Robert C. -
For Immediate Release First Major Museum
FOR IMMEDIATE RELEASE FIRST MAJOR MUSEUM RETROSPECTIVE FOR MODERN PHOTOGRAPHER WYNN BULLOCK SINCE 1970s TO BE MOUNTED BY HIGH MUSEUM OF ART Comprehensive exhibition will coincide with extensive gift of work by Bullock to the High Atlanta, GA, October 17, 2013 – In summer 2014, the High Museum of Art will become the first major museum in nearly 40 years to mount a retrospective of work by Wynn Bullock (1902- 1975) with the exhibition “Wynn Bullock: Revelations,” organized by the High in collaboration with the Center for Creative Photography. One of the most significant photographers of the mid- 20th century, Bullock worked in the American modernist tradition alongside Edward Weston, Harry Callahan and Ansel Adams. More than 100 black-and-white and color works by Bullock will come together for the exhibition, which will coincide with a major gift to the High from the Bullock Estate of a large collection of vintage photographs, making the High one of the most significant repositories of Bullock’s work in the country. The High is home to the most robust photography program in the American Southeast with particularly distinct holdings in the classic modernist tradition. “Wynn Bullock: Revelations” offers an unprecedentedly holistic look at Bullock’s innovative career, beginning with his early light abstractions and moving through his landscapes, figure studies, color work, negative images and late abstractions. The exhibition will be on view beginning in June 2014. A close friend of influential West Coast artists Ansel Adams and Edward Wynn Bullock (American, 1902–1975), Child in Forest, 1951, gelatin silver print, 7 7/16 x 9 3/8 in., High Museum Weston, and a contemporary of Minor of Art, Atlanta, purchase, 1978.62. -
Women Photographersphotography 1 Elist 42: WOMEN PHOTOGRAPHERS ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
ANDREW Elist 42 Women PhotographersPHOTOGRAPHY 1 Elist 42: WOMEN PHOTOGRAPHERS ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sales tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1. -
Finding Aid for the Friends of Photography Archive, 1964-2005 AG 186
Center for Creative Photography The University of Arizona 1030 N. Olive Rd. P.O. Box 210103 Tucson, AZ 85721 Phone: 520-621-6273 Fax: 520-621-9444 Email: [email protected] URL: http://creativephotography.org Finding aid for the Friends of Photography archive, 1964-2005 AG 186 Finding aid updated by Tai Huesgen, 2019 AG 186: Friends of Photography archive - page 2 Friends of Photography archive, 1964-2005 AG 186 Creator Friends of Photography Quantity/ Extent 125 linear feet Language of Materials Predominantly English Historical Note The Friends of Photography was formed in 1967 in Carmel, California of eleven members, including Ansel Adams, Beaumont & Nancy Newhall, Brett Weston, and other figures involved in 20th century photography. After Ansel Adams’s death in 1984, the Friends began searching for gallery space in San Francisco, first moving into office space and eventually opening the Ansel Adams Center in the Yerba Buena cultural district in 1989. In 2001 the Friends moved into a new facility on Mission Street in San Francisco but, facing financial difficulties, decided to close within the year. The Friends’ final exhibitions ended on September 30, 2001 and the group closed its doors to the public in October, 2001. Scope and Content Note The Friends of Photography records measure approximately 125 linear feet and date from 1964 to 2005, although the bulk of the material falls between 1985 and 2001 when the organization was based in San Francisco, California. Files from earlier years when the organization was located in Carmel, California were most likely lost during the group’s gradual move to San Francisco in the years following Ansel Adams death in 1984. -
Photographic Periodicalsphotography 0-Z 1 Elist 36: Photographic Periodicals O-Z ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA
ANDREW Elist 36: Photographic PeriodicalsPHOTOGRAPHY 0-Z 1 Elist 36: Photographic Periodicals O-Z ART CAHAN LITERATURE BOOKSELLER, LTD AMERICANA Terms: All items are offered subject to prior sale. A phone call, email or fax insures availability. Shipping and insurance charges are additional. Returns are accepted for any reason within ten days of receipt; we request notification in advance. All items must be returned in the exact condition in which they were received. Library and Institutional billing requirements will be accommodated. Customers new to us are requested to send payment in advance or provide references. For your convenience we also accept payment by Visa, MasterCard, American Express, and PayPal. Ohio customers will be charged the applicable sale tax. Overseas customers please note: all items will be shipped via insured priority airmail unless otherwise requested. A statement will be sent under separate cover and we request payment in full upon receipt. We accept payment by bank transfer, a check drawn upon a U.S. bank in dollars, or via credit card. This list represents just a small portion of our stock. If there are specific items you are seeking, we would be pleased to receive your desiderata. We hope you will keep in mind that we are always pleased to consider fine individual items or entire collections for purchase. To receive our future E-Lists and other notifications, please send us your email address so we can let you know when a new list is available at our website, cahanbooks.com. PO Box 5403 • Akron, OH 44334 • 330.252.0100 Tel/Fax [email protected] • www.cahanbooks.com 1.