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EMPIRICAL ARTICLE a STUDY on CONTEMPORARY KANNADA CINEMA and HUMAN RIGHTS Jayadatta S1, Krishna Murthy B
DOI: 10.14260/jadbm/2015/35 EMPIRICAL ARTICLE A STUDY ON CONTEMPORARY KANNADA CINEMA AND HUMAN RIGHTS Jayadatta S1, Krishna Murthy B. Y2 HOW TO CITE THIS ARTICLE: Jayadatta S, Krishna Murthy B. Y. “A Study on Contemporary Kannada Cinema and Human Rights”. Journal of Advances in Business Management; Vol. 1, Issue 3, July-September 2015; Page: 305-310, DOI: 10.14260/jadbm/2015/35 INTRODUCTION: India is the larger film producer in world. It produces nearly 800-1000 films per year. Out of which regional language films also add their contribution to national and international scenario. Bollywood is the name of Hindi cinema, Tollywood is of Telugu cinema, Molly wood is of Tamil cinema, Sandal wood is of Kannada cinema etc. Celebrated its 75th year in 2009 and moving towards century. Kannada film industry has its own history from 1934 Saathi sulochana to Puttakkana Highway-2012 industry has seen many up and downs. It has its audience across all over the globe. Industry has the great talented directors, actors, novel writers like late Dr. Rajakumar and Mr. V. K. Murthy have been honored by prestigious Dada Saheb Palake awarded, the director like late Mr. Puttanna Kanagal, late Lakshmi Narayana Rao, Mr. Girish Kasaravalli, Late Mr. G. V. Iyer, Actor/director Jnanapeeta award Dr. Girish Karnad, Late Shankarna, etc Have contributed their achievements and laid milestone in film industry. Master Kishan’s Care of Footpath and Film Shanthi received in the book of Gunnies Award. Observing the film trends from past 1934-2011 it can be conclude that the early film age was about theater oriented content, 1940-50 was on mythology and social oriented subjects, 50-60s were the devotional subjects, 60-70s were based on Kannada Unification stories, 70-80s were on aggressive and love stories, Women oriented majority based on Novels works.80-90s on mixed western culture with crime stories, 90-2000 expose of half nudity and double meaning in dialogue and songs, 2001- 2011 half nudity, crime, violence, vulgarity themes. -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Research Paper Impact Factor
Research Paper IJBARR Impact Factor: 3.072 E- ISSN -2347-856X Peer Reviewed, Listed & Indexed ISSN -2348-0653 HISTORY OF INDIAN CINEMA Dr. B.P.Mahesh Chandra Guru * Dr.M.S.Sapna** M.Prabhudev*** Mr.M.Dileep Kumar**** * Professor, Dept. of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. **Assistant Professor, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. ***RGNF Research Scholar, Department of Studies in Communication and Journalism, University of Mysore, Manasagangothri, Mysore-570006, Karnataka, India. Abstract The Lumiere brothers came over to India in 1896 and exhibited some films for the benefit of publics. D.G.Phalke is known as the founding father of Indian film industry. The first Indian talkie film Alam Ara was produced in 1931 by Ardeshir Irani. In the age of mooki films, about 1000 films were made in India. A new age of talkie films began in India in 1929. The decade of 1940s witnessed remarkable growth of Indian film industry. The Indian films grew well statistically and qualitatively in the post-independence period. In the decade of 1960s, Bollywood and regional films grew very well in the country because of the technological advancements and creative ventures. In the decade of 1970s, new experiments were conducted by the progressive film makers in India. In the decade of 1980s, the commercial films were produced in large number in order to entertain the masses and generate income. Television also gave a tough challenge to the film industry in the decade of 1990s. -
Application of Film Marketing Tools in Kannada Film Industry: an Empirical Analysis 1M.Prabhudev, 2Dr.M.S.Sapna, 3Dr.Bhargavi D.Hemmige and 4Dr
International Journal of Trend in Research and Development, Volume 4(2), ISSN: 2394-9333 www.ijtrd.com Application of Film Marketing Tools in Kannada Film Industry: An Empirical Analysis 1M.Prabhudev, 2Dr.M.S.Sapna, 3Dr.Bhargavi D.Hemmige and 4Dr. B.P.Mahesh Chandra Guru, 1Research Scholar, 2Assistant Professor, 3Assistant Professor and HOD, 4Professor, 3Department of Communication and Journalism, Mahajana’s First Grade College, Mysore, Karnataka State, India 1,2,4 Department of Studies in Communication and Journalism, University of Mysore, Manasagangotri, Karnataka, India. Abstract: Film marketing process has been enriched by the remarkably. About 80 to 100 films were made every year in revolutionary changes in the field of communication science Kannada. and technology. The article is based on empirical study of Kannada film industry is marching towards progress application of film marketing tools in Kannada film industry. despite competition from other films, challenges of other film The Kannada film industry has achieved commendable personalities, video piracy, dubbing of films, inadequate film progress during the last eight decades. The film marketing theatres and other drawbacks. Kannada film industry is strategies have undergone revolutionary changes consequent on recognized at various levels for the rare accomplishments. several media campaigns, fairs and festivals in India. The There is a significant rise in the number of films (Banakar, 2016:03). review of literature clearly indicates that not even a single Kannada film industry has grown confidently both in terms of scientific investigation has been carried out on film marketing number and quality. It has the capacity for the attainment of with special reference to Kannada film industry. -
Permitted Private Satellite TV Channels-FTA (As on 26.12.2018 Obtained from Broadcast Seva) Name of the S.No Channel Name Channel Logo Category Language Broadcaster
Permitted Private Satellite TV Channels-FTA (as on 26.12.2018 obtained from broadcast seva) Name of the S.No Channel Name Channel Logo Category Language broadcaster NON- 1 9X HINDI NEWS HINDI/ENGLISH /BENGA 9X JALWA (PHIR SE NON- 2 LI&ALL INDIAN INDIAN 9X) NEWS SCHEDULE LANGUAGE 9X JHAKAAS (9X NON- 3 MARATHI MARATHI) NEWS 9X MEDIA PRIVATE LIMITED HINDI/ENGLISH /BENGA NON- 4 9XM LI&ALL INDIAN INDIAN NEWS SCHEDULE LANGUAGE NON- 5 9XO (9XM VELVET) HINDI NEWS Housefull Action (earlier 9X BAJAO (Earlier 9X NON- 6 HINDI BAJAAO & 9X NEWS BANGLA) A ONE NEWS TIME HINDI/ PUNJABI/ 7 BROADCASTING TV 24 NEWS ENGLISH PRIVATE LIMITED HINDI, ENGLISH, BHASKAR NEWS (AP MARATHI AND ALL 8 NEWS 9) OTHER INDIAN SCHEDULE LANGUAGE A.R. RAIL VIKAS SERVICES PVT. LTD. HINDI, ENGLISH, NON- MARATHI AND ALL 9 SATYA NEWS OTHER INDIAN SCHEDULE LANGUAGE Mahua Plus (earlier TELUGU/HINDI/ENGLIS AGRO ROYAL TV NON- H/GUJARATI/TAMIL/KA 10 AADRI (Earlier AADRI NEWS NNADA/BENGALI/MALA ENTERTAINMENT WELLNESS) YALAM AND MEDIA Shiva Shakthi Sai TV TELUGU/HINDI/ENGLIS WORKS PVT.LTD. (earlier BENZE TV NON- H/GUJARATI/TAMIL/KA 11 (Earlier AADRI NEWS NNADA/BENGALI/MALA ENRICH) YALAM AAMODA BROADCASTING ABN ANDHRA 12 NEWS TELUGU COMPANY JYOTHI PRIVATE LIMITED HINDI, ENGLISH AND AAP MEDIA NON- 13 ANJAN TV ALL OTHER INDIAN PVT.LTD. NEWS SCHEDULE LANGUAGES AASTHA BROAD CASTING NON- HINDI/GUJRATI/ENGLIS 14 ARIHANT NETWORK NEWS H LIMITED ABP NEWS NETWORK PVT. LTD. (Earlier ABP ASMITA (Earlie MEDIA CONTENT ABP SAMACHAR 15 NEWS GUJARATI AND GUJARATI, ABP COMMUNICATION Sanjha) S SERVICES INDIA PRIVATE LIMITED) ABP NEWS NETWORK PVT. -
Annexure I -Channel List of Odisha
Annexure I -Channel list of Odisha NO OF HD NO Of SD CHANNELS 226 CHANNELS 15 ENGLISH ENT HINDI MOVIES LIFE STYLE BENGALI HD CHANNELS STAR WORLD SET MAX FOX LIFE ABP ANANDA MAX HD AXN STAR GOLD NDTV GOODTIMES ATN BANGLA MN+HD FX UTV MOVIES FTV DD BANGLA SONY PIX HD ENGLISH MOVIES MAX2 FOOD FOOD TV SONY AATH HBO HD MOVIES NOW 2 STAR MOVIES UTV ACTION TLC KOLKATA TV HD SONY PIX MOVIES OK CARE WORLD SANGEET BANGLA SONY LEPLEX HD MOVIES NOW WOW CINEMA KIDS STAR JHALSA SONY ESPN HD CARTOON MOVIES NOW2 VAA MOVIES NETWORK AKASH AATH SONY SIX HD ROMEDY NOW CINEMA TV DISNEY JHALSA MOVIES BBC EARTH STAR UTSAV STAR MOVIES ACTION MOVIES HUNGAMA ZEE 24 GHANTA ROX HD HINDI ENT B4U MOVIES POGO MUSIC F SONY HD STAR PLUS GREEN NAAPTOL DISNEY JUNIOR RUPASI BANGLA SAB TV HD SONY BFLIX MOVIES DISNEY XD DHOOM MUSIC TRAVEL XP HD STAR SPORTS HD SAB TV MOVIE HOUSE SONY YAY R PLUS GOLD 1 STAR SPORTS HD LIFE OK SONY WAH DISCOVERY KIDS NEWS TIME 3 ZEE ANMOL BINDASS CINEMA MU BU TV ZEE BANGLA SONY PAL SAHARA FILMY NICK TELUGU SHOP CJ MUSIC BABY TV ABN HOME SHOP 18 SONY MIX KNOWLEDGE GEMINI BLUE NAAPTOL CHANEL V NAT GEO GEMINI MOVIES ZOOM B4U MUSIC DISCOVERY ZEE TELUGU STAR UTSAV BINDAS PLAY SONY BBC EARTH MAA ZEE ANMOL 9X M ANIMAL PLANET MAA GOLD DISCOVERY ID MUSIC INDIA NGC WILD MAA MOVIES EPIC 9X JALWA DISCOVERY TURBO NTV DD NATIONAL NGC MUSIC DISCOVERU SCIENCE GEMINI COMEDY ZEE TV 9XO NGC PEOPLE GEMINI MUSIC DD INDIA 9X TASHAN GYAN DARSHAN GEMINI LIFE COLORS SPORTS DD KISHAN KHUSI TV DD BHARATI STAR SPORS1 HINDI NEWS GEMINI NEWS & TV STAR SPORS2 AAJ TAK TV9 SAHARA -
67Th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67Th
67th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67th National Film Awards, 2019 Best Writing on Cinema Award for Best Book on Cinema: Sr. No. Title of the Book Language Name of Name of the Medal and the Author Publisher Cash prize 2. A GANDHIAN English Sanjay Suri HarperCollins Swarna AFFAIR: INDIA’S Publishers Kamal and CURIOS PORTRAYAL India Rs. OF LOVE IN CINEMA 75,000/- Special Mention: Sr. No. Title of the Book Language Name of the Award Author 1. CINEMA PAHANARA Marathi Ashok Rane Certificate MANUS 2. KANNADA CINEMA: Kannada P R Ramadasa Certificate JAGATHIKA CINEMA Naidu VIKASA-PRERANE- PRABHAVA Award for Best Film Critic: Sr. No. Name of Critic Language Medal and Cash Prize 1. Sohini Chattopadhyay English Swarna Kamal and Rs. 75,000/- 67th National Film Awards, 2019 Non-Feature Films Section 67th National Film Awards 2019 Non-Feature Films Results S.No. Category of Award Title of the Film Awardee Medal & Cash Prize 1. BEST NON-FEATURE AN ENGINEERED Producer & Swarna Kamal FILM DREAM (HINDI) Director : Rs. 1,50,000/- Hemant Gaba each 2. BEST DEBUT NON- KHISA Producer : P P Rajat Kamal FEATURE FILM OF A (MARATHI) Cine DIRECTOR Production Director : Raj Rs. 75,000/- Pritam More each 3. BEST ETHNOGRAPHI CHARAN-ATVA Producer : Rajat Kamal C FILM THE ESSENCE OF Films Division BEING A NOMAD Director : Dinaz (GUJARATI) Rs 50,000/- Kalwachwala each 4. BEST BIOGRAPHICAL ELEPHANTS DO Producer : Rajat Kamal FILM REMEMBER Films Division Rs 50,000/- (ENGLISH) Director : Swati Producer Pandey, Rs. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958. -
Meghbela Digital DAS Packages (Rs
Sheet1 Meghbela Digital DAS Packages (Rs. Per month excluding tax) PLATINUM DIGITAL ₹ 290 p.m. (Taxes Extra) PAY SONY AATH, STAR JALSHA, ZEE BANGLA, ETV BANGLA Bengali R PLUS GOLD, OM BANGLA, RUPASHI BANGLA, DD BANGLA, CTVN AKD Entertainment FTA PLUS, UTTAR BANGLA, ATN BANGLA, AAMAR BANGLA, CHANNEL VISION, BENGAL WATCH, SONAR BANGLA PAY JALSHA MOVIES, ZEE BANGLA CINEMA Bengali Movies FTA PLANET M CINEMA, OPERA BENG PAY ABP ANANDA, 24 GHANTA Bengali News CHANNEL 10, KOLKATA TV, AKASH BANGLA, NEWS TIME, HIGH NEWS, FTA AKHON SOMOY, VOICE 24 TRIPURA, R PLUS, TARA NEWS, MX5, VOX Bengali Music FTA DHOOM MUSIC, TARA MUZIK, SANGEET BANGLA SAB, SONY, CHANNEL V, STAR UTSAV, ZEE SMILE, STAR PLUS, LIFE Hindi PAY OK, ZEE TV, STAR VIJAY, 9X, ETC BOLLYWOOD, UTV STAR, UTV Entertainment BINDASS, COLORS, SAHARA ONE, ZOOM FTA DABANGG, DD INDIA, DD NATIONAL, EXPRESS ENTERTAINMENT COMEDY CENTRAL, AXN, STAR WORLD, FX, BIG PRIME, WB, BIG LOVE, PAY English BIG MAGIC Entertainment TV5, RTR PLANETA, FRANCE 24, GOD TV ASIA, MARINE BIZ TV, ERT FTA WORLD, KUNGFU, EURONEWS, RUSSIA TODAY, DW-TV, SONY MAX, ZEE CINEMA, STAR GOLD, ZEE ACTION, ZEE CLASSIC, ZEE PAY PREMIER, MOVIES OK, UTV ACTION, UTV MOVIES, FILMY, FIRANGI Hindi Movies MOVIE OPERA, OPERA +, CAS TV DIGITAL, CINEMA TV, B4U MOVIES, FTA MANORANJAN TV, ENTER 10 SONY PIX, HBO, STAR MOVIES, ZEE STUDIO, ZEE CAFÉ, FOX ACTION English Movies PAY MOVIES, MGM, UTV WORLD MOVIES, BIG THRILL IBN 7, IBN LOKMAT, ZEE NEWS UP, AAJ TAK, NDTV INDIA, ABP NEWS, PAY ZEE NEWS, TEZ, HEADLINES TODAY, INDIA TV, ZEE 24 TAAS Hindi News -
Downlinkin/ Uplinking Only Language Date of Permission 1 9X 9X ME
Master List of Permitted Private Satellite TV Channels as on 31.07.2018 Sr. No. Channel Name Name of the Company Category Upliniking/ Language Date of Downlinkin/ Permission Uplinking Only 1 9X 9X MEDIA PRIVATE LIMITED NON-NEWS UPLINKING & HINDI 24-09-2007 DOWNLINKING 2 9XM 9X MEDIA PRIVATE LIMITED NON-NEWS HINDI/ENGLISHUPLINKING & /BENGALI&ALL INDIAN INDIAN SCHEDULE 24-09-2007LANGUAGE DOWNLINKING 3 9XO (9XM VELVET) 9X MEDIA PRIVATE LIMITED NON-NEWS UPLINKING & HINDI 29-09-2011 DOWNLINKING 4 9X JHAKAAS (9X MARATHI) 9X MEDIA PRIVATE LIMITED NON-NEWS UPLINKING & MARATHI 29-09-2011 DOWNLINKING 5 9X JALWA (PHIR SE 9X) 9X MEDIA PRIVATE LIMITED NON-NEWS UPLINKING & HINDI/ENGLISH /BENGALI&ALL 29-09-2011 DOWNLINKING INDIAN INDIAN SCHEDULE LANGUAGE 6 Housefull Action (earlier 9X BAJAO 9X MEDIA PVT. LTD. NON-NEWS UPLINKING & HINDI 17-01-2015 (Earlier 9X BAJAAO & 9X BANGLA) DOWNLINKING 7 TV 24 A ONE NEWS TIME BROADCASTING NEWS UPLINKING & HINDI/ PUNJABI/ ENGLISH 21-10-2008 PRIVATE LIMITED DOWNLINKING 8 BHASKAR NEWS (AP 9) A.R. RAIL VIKAS SERVICES PVT. LTD. NEWS UPLINKING & HINDI, ENGLISH, MARATHI AND ALL 14-10-2011 DOWNLINKING OTHER INDIAN SCHEDULE LANGUAGE 9 SATYA A.R. RAIL VIKAS SERVICES PVT. LTD. NON-NEWS UPLINKING & HINDI, ENGLISH, MARATHI AND ALL 14-10-2011 DOWNLINKING OTHER INDIAN SCHEDULE LANGUAGE 10 Shiva Shakthi Sai TV (earlier BENZE AADRI ENTERTAINMENT AND MEDIA NON-NEWS UPLINKING & TELUGU/HINDI/ENGLISH/GUJARATI/T 22-11-2011 TV (Earlier AADRI ENRICH) WORKS PVT.LTD. DOWNLINKING AMIL/KANNADA/BENGALI/MALAYALA M 11 Mahua Plus (earlier AGRO ROYAL TV AADRI ENTERTAINMENT AND MEDIA NON-NEWS UPLINKING & TELUGU/HINDI/ENGLISH/GUJARATI/T 22-11-2011 (Earlier AADRI WELLNESS) WORKS PVT.LTD. -
A Non-Take on Kannada Cinema
A Non-Take on Kannada Cinema Chandan Gowda BIPOLAR IDENTITY: REGION, NATION, AND THE KANNADA LANGUAGE FILM By M.K. Raghavendra Oxford University Press, New Delhi, 2011, pp. 209, `695.00 n 2002, the Government of Karnataka trends in the newly unified State explain the prohibited the sales of a massive two- shifts in Kannada film conventions. And, Ivolume history of Kannada cinema publi- throughout this process, Kannada cinema shed by Hampi University Press. It apparently managed to retain its local identity vis-á-vis the had factual errors and, more importantly, had ideology of the Indian nation. A parallel point misrepresented Dr. Rajkumar, the Kannada to note is that Kannada films have all along film superstar. The prohibition still holds. And, been ambivalent about Bangalore’s status as a well-documented work on Kannada cinema Kannada city since it was initially identified continues to be unavailable. A scholarly book more with the British than with Mysore and on Kannada cinema, therefore, would normally later became home to many central govern- be an occasion for cheer. ment public sector enterprises. A dominant tendency within film studies Bipolar Identity never clarifies whether the has been to track the effects of social power Kannada films themselves strove to manage and ideology in cinematic texts. Here, the their regional self-identity within a national emphasis is less on the aesthetic properties of frame. Retaining Kannada cinema’s distinctive- cinematic images and sound and more on ness and autonomy appear to be ever-present they came ‘from a space relatively insulated their institutional coordinates in social space. -
Technical Details of TV Channels for Monitoring Purpose
File No. t403l05lZ0t6-TV (r) Government of India Ministry of Information & Broadcasting Shastri Bhawan. New Delhi NOTICE hd Dated the L3May,20l6 subject: Technical details of rv channels for Monitoring purpose. Ministry of Information and Broadcasting has set up Electronic Media Monitoring Centre (EMMC) as a subordinate office and with the mandaie to monitor the content of TV channels uplinked and downlinked in India to check the violation of programme and Advertising Codes enshrined in Cable TV Networks (Regulation) Act 1995 and i.ules framed thereunder. per 2. As Clause 5.14 of Downlinking Guidelines, "the applicant company shall provide the necessary monitoring facility at its own cost for monitoringof programmes or content by the representative of the Ministry of Information and Broadcaitingor-uny other Government agency as and when required". Accordingly, I the TV Channels, as per list enclosed in Annexure, are required to immediately provide one set of Professionat tRO for each TV channel permitted to them which can give SD-SDI output (in case of HD channels, HD-SDI output) alongwith one spare IRD per bouquel to Alternately, the pay TV broadcaster/ service should provide P}{YC. irovider Viewing Card (VC) with matching CAlvl module for interfacing with demodulators to decrypt and demodulate the channels over IP. TV Channels are alsJrequired to provide the technical details as frequency, satelrite, rocation of teleport etc. 4' The Free-to-Air (FTA) TV channels whose signals are not encrypted need not provide such equipment. However, they may immediately inform of the irlquency being used. The 5' above mentioned equipment may be sent to ADG, Electronic Media Monitoring centre, c/o Shri Ramit Lala, AGM, BECIL, lOth Floor, Soochna Bhawan, New Delhi, by 08'6.2016 under intimation to the Ministry at email i.e.