PUEBLO MÁGICO MEXICAN FILM RESIDENCY

TEPOZTLÁN, MÉXICO

PROJECT / 2016 RESIDENCY PROGRAM 2016 “PUEBLO MAGICO”IN HARMONY WITH NATURE After the successful first edition, “Pueblo Mágico” has become a activities that have a positive impact on the villagers’ lives. pioneering project and has achieved popularity in a very short time. No residency in any country across the globe has this vision and The residents will without any doubt find in “Pueblo Mágico” FICTION RESIDENCY program. an unique opportunity to create a strong network of professional contacts that will be very useful for the next steps in their film s In order to be able to dig deeper into each project and provide For each one of these areas, “Pueblo Magico” will invite national For 3-weeks the beautiful village of Tepoztlán was filled with young and career. Over the course of the residency they will make new each resident with the opportunity to surround him/herself with and international mentors who will teach master classes on their filmmakers from Mexico, Poland, Singapore, Chile, Switzerland, friends with whom they may collaborate in future films. They will professionals working in a line that is in tune with his/her film specialty and have one-to-one sessions with each resident to United States, Germany and Costa Rica. also have a clear idea on how to proceed with their films, and will project, we decided to create two residency programs this year. We provide in depth guidance on their projects. We had mentors from Denmark, Spain, the United States and have lived an unforgettable life experience. will develop a residency that will be exclusive to fiction film projects, Mexico. This mix created a unique dynamic that makes “Pueblo and one for creative documentary projects. These mentors will also propose exercises and tasks that the Mágico” a location that everyone wants to return to. residents will work on in their free time. This year, residents from different parts of the world will meet in a The fiction residency is destined to filmmakers who have made at In addition to the mentors, “Pueblo Magico” will invite a tutor, who house for three weeks in the beautiful village of Tepoztlán to develop least one short film in any genre, and are in the early stages of is a fiction film director whose task will be to support the residents their film projects guided by a team of internationally renowned development of a feature film. over the three-week period and ensure that they are making mentors who will guide them through the areas of scripting, progress with their projects. The tutor will work with the residents directing, cinematography, sound, production, distribution, The “Pueblo Magico” program will take place in the town of on one day of each week. markets and industry – ensuring that their projects develop, and Tepoztlán. prepare them to face the next step in the search for funding for the By the end of the program, the residents will have the chance production of their film. The beautiful Tepozteco landscape, mountains, the lush vegetation to present their projects in a final pitching in front of producers, of the area as well as the tranquillity of its streets will be the ideal mexicans and also from other parts of the world, who will hear their The International Professional Residency Program will have two setting for the residency. idea and maybe be interested in producing their films. distinct residencies this year: one for fiction film projects and another for creative documentary features. This change allows us 12 filmmakers – 6 Mexican and 6 from across the globe – will to fine-tune the sessions with mentors and accommodate more dedicate 3 weeks to working on the development of their film residents. projects in a space that has all the comforts they need to be focus HIGHLIGHTS only on their films. In addition, we will host a residency for indigenous youth from the poorest areas of the country that will learn the filmmaking craft and leave with a short film shot in and around Tepoztlan. * Two residencies in one year, one for documentary projects and one for fiction projects. The fiction residency program is divided into three large themes: As in the professional residencies, this new social project seeks the - Script writing (conflict, characters, dialogue etc.) support of professional mentors to provide these future filmmakers * A residency for young indigenous filmmakers. with support and guidance as they write, read, think and develop - Directing (techniques for working with actors etc.) their ideas with other filmmakers, but also generate discussions on the social environment and quality of life. * National and international projection. - Production - Festivals and markets - Pitching With this new project we aim to position ourselves as producers * ecological awareness and voluntary work. of social films, which are currently finding space in international festival circuits, as was the case of the documentary “Ecos de la montaña” by Nicolas Echeverria.

Ecology will become a fundamental part of all programs and all residents will be aware of the ecological situation of the town of Tepoztlán, and may choose to participate in extra-curricular RESIDENCY PROGRAM 2016

DOCUMENTAL RESIDENCY

The documentary genre has become a very powerful tool to change In the last week of the residence, a mentor specialized in festivals reality and tell original stories that would otherwise remain unknown. and distribution will give a master class in order for the residents to understand what options exist for this genre in the market and The residency is open to film projects in the development stage; the what festivals would be suitable for their films. filmmakers selected are seeking a space where they can connect with nature, where they can nourish their idea and complete the This 4-day workshop will end with a pitching session, in which script of their creative documentary. each of the residents will have the opportunity to present their projects to Mexican and International producers and possibly During the three weeks of the program, the residents will receive secure partnership for their film. the support and input of national and international mentors who will work with each one of them on all aspects necessary to execute At the end of the residency thanks to the the idyllic surroundings their documentary project. of Tepoztlan, the residents will leave with a clear plan on how to These will include an analysis of documentary language, the steps proceed with their films, they will also have forged friendships with necessary to complete a project while keeping your personal vision, residents and mentors from across the globe with whom they can script writing for documentary film, directing methods, and the work on projects in the future. post-production process.

A tutor specialized in the documentary genre will accompany the residents through the three week period. S/he will meet with the residents once a week and follow through on the progress that each one is making on the exercises proposed by the mentors during the group classes, but also on how each resident is advancing with his/ her film project.

This year we will continue our collaboration with the EDF team to ensure that our resident filmmakers have the opportunity to shoot short scenes of their films, that will help them in their search for the form and style of their film, and that may also serve as a trailer/work sample when applying for funding. RESIDENCY PROGRAM 2016

RESIDENCY FOR YOUNG INDIGENOUS FILMMAKERS

One of the changes in the program of “Pueblo Mágico” is the new short film. Each film will have one character and will be shot in one space that we will provide for indigenous youth, a population with location. fewer opportunities in the film industry. Two tutors will accompany them through the filmmaking process: The team of “Pueblo Magico” believe that youth from scripting the short film, learning to record sound, film, and edit. disenfranchised communities should have the tools to tell their own stories. We are convinced of the importance of creating and The residents will work in groups of 3 and as such each one will nourishing a voice amongst the youth of poor, rural, and indigenous direct, film and capture sound. They will discover that filmmaking is communities. a group activity and explore the different technical roles necessary to filmmaking. The aim of this Filmmaking Lab is to provide these teenagers with the resources to learn the filmmaking craft in this beautiful location, At the close of the residency the short films will be screened and and also to find a space for social discussion where they can talk the community of Tepoztlan and filmmakers from Mexico City will openly about their social problems . be invited to the event.

The new residence will last 10 days and will be designed for 12 In addition to covering the educational/training of the teenagers teenagers (16 to 20 years old) from indigenous communities from residency will provide accommodation and meals to the 12 selected the states of Guerrero and Oaxaca as well as Morelos. residents.

“Pueblo Mágico”s team will work with several high schools and NGO’s in Morelos, Guerrero and Oaxaca to select the 12 participants who will be chosen based on a story or script they have written that illustrates their creativity, imagination and narrative skill.

In the 10 days each resident will make a 3-5 minute creative documentary. The tutors and staff of “Pueblo Magico” will select six themes that the residents will explore and develop to make their Memories of 2015... RESIDENTS´TESTIMONIES

Antonella Sudasassi (Costa Rica) Pablo Peréz Lombardini (México) Project: Los sueños de Jeronimo / Fiction / Second feature film Project: El Despertar de las Hormigas / Fiction / Debut feature film The first great moment I recall was a barbecue Flavio, the director of I am very happy because my project “El Despertar de las Hormigas” the Residency, asked us to organise, it helped us work together as a is in a great place. The Mexican film residency helped me think a lot team, and we ate and laughed and bonded. about my project, where it stands, what i wanted to say, which was Each day of the residents we had very valuable chats from all of our essential for my film. It is a great networking place where I got to mentors, but when the night came, hours just flew when we spoke meet some very interesting mentors, producers and fellow young and discussed films and life. filmmakers. I’m looking forward to working on Florian’s film for a few months.

Mak Chun Kit (Singapore) Mauricio Lopez Fernandez (Chile) Project: Buying happiness / Documental / Second feature film Project: La Jauria / Fiction / Second feature film

On a professional front, I most enjoyed meeting people whom I could The strongest points for me at the Mexican film residency were work with on future projects. Coming from Asia, it is encouraging to getting to meet the experts like Sydney Levine, Carlos Contreras, find likeminded individuals halfway around the world. On a social Jim Stark, Nicolas Celis amongst others - the contacts that I made front, it was great exchanging ideas and indulging in film with fellow there have been very crucial to the development of my script and filmmakers. And a few of the friendships made are priceless. film project. The residence gave me more clarity on my doubts about the approach The residency is an amazing experience and a time and space where of my project, which involves a lot of ethical issues. I have reworked you can put all your energy and efforts to develop your projects, my teaser trailer and proposal. which is what I did.

Maria Fernanda Galindo (México) Luis Horacio Pineda (USA) Projecto: Defensoras / Documental / Second feature film Project: La cosecha de los naranjos / Fiction / Debut film

More than a place to write, the Mexican Film Residency was the One of the most beautiful and strongest moments in the residency was perfect opportunity to think of my project deeply, listen to other when I decided to throw away my awarded script that I had worked filmmakers and understand that sharing is an integral part of the on for 6 years and begin writing a new one from scratch keeping the creative process. same concepts based on the lessons I got in the residency from the The residence helped me to form a clearer concept of my documentary. mentors. Rio Manso the new title of my documentary is a long and intense The residency gave me invaluable tools such as information, exposure, journey and I’m grateful to the residence for putting me on the right knowledge and the friendship of all these people that I met. path.

Florian Seifert (Germany) Alexander Albrecht (Switzerland) Project: Las libelulas no mueren / Fiction / Debut feature film Project: Brooklyn treehouse / Fiction / Debut film First and foremost at the residency I gained the courage to really My experience in Tepotzlan was really magical. I made new friends, engage my project the way I wanted to. Before Tepoztlan my plans and was able to develop my initial idea for a film, and work on to shoot half of my movie in Mexico didn’t seem realistic but the exploring my characters and the story. I particularly appreciated residency allowed me to get in contact with just the right people: how one of our mentors showed us that all our written scripts and I met a producer who helped me find a Mexican co-producer. We stories are in some way connected, and encouraged us to help each begin filming in September (less than one year after the residency). other during the residency. I also found like-minded fellow filmmakers there who are a fantastic The food was great and the hosts are wonderful! network of supportive friends. SPECIAL GUEST FERNANDO TRUEBA (Spain)

Thanks to the support of the HAY FEST (International Festival of Literature and Arts) the Spanish film director and Oscar winner Fernando Trueba visited “Pueblo Mágico” to meet the first generation of residents and to inaugurate our international residency for film projects in development.

Other than meeting with each director in one-to-one sessions, he gave a Masters Class open to the general public where he spoke with participants about his career as a filmmaker, the role of the director and his experience with his film Belle Epoque which won the Oscar for best foreign film in 1992.

At the end of the Master Class, Fernando presented his film Belle Epoque at a screening held in the main square of Tepoztlán where many people form the small town and the residents of “Pueblo Mágico” enjoyed watching this chef d’oeuvre.

With the visit of Fernando Trueba, “Pueblo Mágico” launched a partnership program with festivals with the goal of strengthening ties that allow us to widen and diversify the public that international filmmakers have access to in México, as well as share in the different activities that these festivals have scheduled.

With the support of TRIBECA FILM INSTITUTE MASTER CLASS JOSÉ RODRIGUEZ (USA) GUILLERMO ARRIAGA (MÉXICO)

The visit of José Rodriguez, director of documentaries at the Tribeca Film Institute, marked a turning point in the development of the residence as In partnership with the FLICC, (Latin American Co-production José demonstrated how the different festivals are intertwined through forum), the residents of “Pueblo Mágico” visited Mexico City to alliances that generate a circuit that is very important to know in order to attended a conference given by the script writer of “Amores Perros” know which festivals to one must apply to and when to do so. Guillermo Arriaga at the University of Communication.

For many of the residents who have not yet filmed their first feature film At this occasion, the residents had the chance to see Guillermo meeting José was an exciting experience as this is one of the most Arriaga´s work first hand. He spoke in front of more than 150 people important film institutes in the world. about his career, revealing the way he works and his experience with great filmmakers. The Tribeca Film Institute is undeniably a reference when looking for financing for film – particularly for auteur cinema. With its important Furthermore, the residents of “Pueblo Mágico” had the opportunity funding capacity the Tribeca Film Institute aids emerging filmmakers to to present their projects to the scriptwriter and receive tips from him develop, produce and/or complete their films. on how they should work on the treatment of their scripts.

After a day of sharing their diverse experience José and the residents This trip to Mexico City demonstrates “Pueblo Mágico”´s intention pledged to keep in touch during the process of making their films. to generate a quality program focused on networking that allows its residents to familiarise themselves with what is happening in the film world and meet important players in the industry today.

With the support of With the support of INAUGURAL TALK MASTER CLASS JORGÉ SANCHEZ (MÉXICO) MALCOLM HARRIS (USA)

IMCINE director, Jorge Sanchez inaugurated the “Pueblo Mágico” New York artist Malcolm Harris was commissioned to bring diverse residency and familiarised himself with the projects selected for the first artistic influences to the residency in order to help the residents reflect on edition of the Mexican Film Residency. the importance of developing the artistic sensibilty.

Jorge Sánchez shared the functions of his job as director of the Mexican Malcom is a creative consultant, art amateur and cultural world icon Institute of Cinematography, with the residents, explaining what strategies based in New York. His main purpose is to live his life as a vehicle for they employ to promote national cinematographic activity. social change. His passion for art, music, fashion and entrepreneurship, combined with its extensive and diverse global social network, jointly Over all , Jorge explained to them what calls offers the IMCINE each year support a single inspiration -. “Make the world a more beautiful and better to support the production of Mexican cinema and what are the procedures for all its inhabitants”. He is an advisor to Fortune 500 companies and high that apply to them. profile clients on how to combine purposes, passion and philanthropy in their daily lives and as part of their corporate identities. In addition, after listening to the exhibitions of each resident on their projects, IMCINE director advised each of the filmmakers about the Malcom visited the residence to give a talk on the relationship between possibilities get braces by IMCINE and which points had to work in order cinema and other artistic disciplines. His passion for music, art and to meet the requirements of the calls. fashion enthused residents to think of film not as an isolated discipline but as part of a whole that is constantly influenced by the different trends The objective of this talk was not merely institutional but he was focused that are taking place in different creative fields. In addition, Malcon spoke on the strategy of “Pueblo Mágico” to support and expand the co- of the importance of the development of aesthetics in film productions, productions between Mexico and the world. giving residents tips on how to find inspiration and what materials, authors and artists could nurture them in order to develop aesthetic proposals for At the end of the talk and with the company of fernando Trueba gave their projects. opened the first generation of “Pueblo Mágico”. For “Pueblo Mágico” Malcom’s presence was very useful as a supplement to the basic tutoring program because through this artist residents could think and see film as a discipline that encompasses many others artsitic disciplines.

With the support of PROGRAM PUEBLO MÁGICO DIRECTION

DIRECTING SEMINAR BIRGITTE STÆRMOSE

With the support of the Danish Embassy in Mexico, “Pueblo Mágico” developed a 3-day filmmaking workshop with the renowned director Birgitte Staermose.

During her visit to the residency Birgitte clarified the vital role of the director in the process of developing a film project.

During their outdoor sessions in constant contact with nature, Brigitte analysed each one of the residents’ projects and worked with them on aspects of directing a film and how this role articulates with other actors involved in the process o the creation of a film.

Participation in the residence served to clarify, among other issues, the main differences are between a film director and producer.

Before leaving she gave a keynote talk about direction of actors.

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Brigitte Starmose / Denmark

Birgitte Stærmose’s first feature film, ROOM 304, premiered in the main competition in Karlovy Vary IFF followed by general release in theatres in Denmark in 2011. The film was released on VOD in the US and sold for distribution to 10 countries. Her documentary OUT-OF-LOVE received a special mention at the Berlin Film Festival amongst many other awards, it was nominated for best European short film in the EFA awards. Staermose has worked on the films SMALL AVALANCHES, PRINCIPLES OF ATTRACTION and SOPHIE with cinematographer Anthony Dod Mantle (Slumdog Millionaire).

With the support of DOCUMENTARY FILM PRODUCTION

DOCUMENTARY FILM WORKSHOP ADVICE ON PRODUCTION AND The first residency the development of film projects at “Pueblo Mágico” focused both on fiction and documentary films. PITCHING We attach great importance to the participation of renowned producers, who come to the residency to listen to the residents speak of their projects For the workshop on creative documentaries we invited Mexican filmmaker and talk to residents the production requirements, costs, etc. Lucia Gajá who in 2003 won the Ariel Award for her documentary “Soy”. At the end of each residence we hold a final pitching where producers listen to the progress that each resident has made, and decide if they are Her second documentary “Mi vida adentro” (2007) won the award for interested in producing/co-producing the film or otherwise assisting the director in the development and production process. Best Documentary the Morelia Film Festival and was premiered at the Cannes Critics’ Week, Tribeca, Silverdocs and many other international festivals. It received awards Paris, Buenos Aires, and Documenta Madrid.

Lucia gave a workshop on the main lines along which to develop a NICOLÁS CELIS / Mexico documentary script.

Aware of the projects presented at the residency, Lucia worked closely Nicolas produced the short films “Ver llover” (Palme d’Or in Cannes) with the residents who were developing documentary projects: Mak, and “ Roma” by Elisa Miller. He also produced the first documentary Maria Fernanda and Weronicka. by Tatiana Huezo, “El lugar más pequeño “ the most awarded Mexican film in 2012. More recently he worked on the production of “ Heli “ We have also invited the director of “Purgatorio”, Rodrigo Reyes who after by Amat Escalante, “ Hilda “ by Andrés Clarinod as well as “Desierto” showing his movie have talked about his experiencies as documentary by Jonas Cuarón and “Semana santa” by Alejandra Marquez, both director to the residents. recently premiered at the Toronto Film Festival. With his company Pimienta Films is producing “Tempestad” by Tatiana Huezo, “Soy negro “ by Raffi Pitts and the upcoming movie from Ciro Guerra. LUCIA Gaja / Mexico

She was born in Mexico City 1974. She studied Graphic Communication at the UNAM and directing at the University Center for Film Studies LAURA IMPERIALE / Argentina (C.U.E.C.) . She worked as assistant director to directors such as Paul Leduc and Marisa Sistach. Laura has a long history in film production. She has produced “Del She won the Ariel for her documentary “Soy”. amor y otros demonios” , “Cinco días sin Nora”, “Quemar las naves”, Lucia has been jury at several film festivals and is part of the selection “Nicotina”, “Francisca, la perdición de los hombres” and “Así es la committee of FOPROCINE. Her documentary “Mi vida adentro” vida” amongst other films. premiered in the Critics’ Week in Cannes, Tribeca, Silverdocs and She was executive producer of the highly acclaimed films: “El crimen many other international festivals received awards in Morelia, Paris, del Padre Amaro”, finalist for the Academy Award for Best Foreign Buenos Aires, and Documenta Madrid. Language Film, “El coronel no tiene quien le escriba” was official selection Academy Awards; and “El evangelio de las maravillas” selected to Un Certain Regard section at Cannes Film Festival RODRIGO REYES / México

He was born in Mexico City in 1983. He attended college at the University of California, San Diego in Madrid and Mexico City, where JIM STARK / USA he earned a degree in International Studies. Instead of following this career, Reyes chose to become a film director.

His films have been screened throughout Mexico in several Jim began his illustrious career as a co-producer on Jim Jarmush’s documentary film festivals, including DOCSDF 2010 and 2011. In early Down By Law that was nominated for the palme d’or at Cannes in 2012, Reyes won the prize at the FICUNAM international festival. 1986. In the thirty years that have followed Jim Stark has produced scores of films including Jarmush’s Mystery Train and Night on Earth, Vladan Nikolic’s Love. He is also a renowned scriptwriter, and has been cast in several independent films as an actor. Jim Stark is constantly looking for fresh talent and innovative cinema projects. He spends some months of each year in Mexico, where he collaborates with Nicolas Celis on local and international projects. with the support of CINEMATOGRAPHER

WORKSHOP ON CINEMATOGRAPHER (EFD) WITH MARIA SECCO

One of the goals at “Pueblo Mágico” is that filmmakers can generate material that will be useful for them at the time they will seek development or production funding.

It is for this reason that “Pueblo Mágico” in collaboration with EFD (the company that provides filming equipment for the biggest and important films shot Mexico) held a cienmatographer workshop that was conducted by the director of photography Maria Secco.

María conducted a workshop in which three of the residents had the opportunity to shoot a scene from their projects with all necessary equipment provided by EFD.

Residents were divided into different teams to find locations, and extras in the village in order to film the scenes.

Each resident shared in the experience, and was able to analyse the results of the filmed scenes with Maria.

María Secco / Uruguay Maria Secco has a degree in Cinematography from the C.C.C in Mexico. She has worked as director of photography in “Gasolina” (2006 ), “Las marimbas del infierno” (2010 ), “Polvo” (2011) and “Te prometo anarquía” (2015 ) by Julio Hernandez; “Agua fría de mar” (2010) by Paz Fábrega; “Vete más lejos Alicia” (2010) by Elisa Miller, “La demora” (2011) by Rodrigo Plá; “Tanta agua” (2012) by Leticia Jorge y Ana Guevara; “Lejanía” (2014) by Pablo Tamez; “Los años de fierro” (2014) by Santiago Esteinou, “La jaula de oro” (2014) by Diego Quemada Díez and “Club Sandwich” (2014) by Fernando Eimbcke. She worked as coordinator of the cinematography department at the C.C.C.

with the support of SCRIPT EDITING

SCRIPTWRITING WORKSHOP EDITING WORKSHOP WITH CARLOS CONTREAS WITH MARIANA RODRIGUEZ

The writer´s work should not be limited to inventing a story to be told in The renowned and award winning editor with several Ariels under her belt pictures, as s/he would be confining films to an unique genre: fiction. Mariana Rodriguez, conducted an entertaining workshop in which the residents understood the editor’s role as one that writes with images. With a sequence of moving pictures and sound in sync, you can express numerous sensations, and ideas. For this reason, the scriptwriter’s work is Mariana recounted her experiences working alongside renowned Mexican to provide a structure for the idea that we want to convey to the audience directors and how her work complements and brings to life the initial idea who come to watch a film. that the director brings to the project.

This structure is what will allow the passage from a script to an ordered In her workshop the residents watched different film sequences edited film, shot by shot and scene by scene. by both Mariana as well as other editors; in doing so they were able to compare different editing styles, the successes and failures in this process. With this in mind Carlos Contreras, scriptwriter of “Sueño en Otro Idioma”, “Las Oscuras Primaveras” and “Párpados Azules” met the residents in At the end she met each resident to discuss the most difficult scenes of one-to-one sessions to analyse in detail each of the scripts that they were each script in development. developing at the residency.

His lessons were very helpful to the filmmakers who discovered the strengths and weaknesses of their written projects, and with Carlos´ help were able to construct a solid base from which they could continue this creative process.

Carlos Contreras / México Mariana Rodriguez / Argentina

Carlos Contreras graduated from the University del Valle de Mexico, She studied directing at Centro Universitario de Estudios he worked as a creative consultant in advertising from 2000 to 2007. Cinematográficos (CUEC - UNAM). She has worked as an editor since He has participated in both the Sundance Writer ‘s Lab and in the 2002. She edited “ Lake Tahoe “ and “ Temporada de patos “ by Binger Film Lab, on two occasions and with three different projects: Fernando Eimbcke for which she received the Ariel Award for Best “Sueño en Otro Idioma”, “Las Oscuras Primaveras” and “Párpados Editing. She co-edited “Voces inocentes” by Luis Mandoki. She edited Azules”, which won the award for best screenplay at the Guadalajara the films “Un mundo maravilloso” and “El infierno “ by Luis Estrada; International Film Festival 2007. He participated in the 46th Spanish “ Del amor y otros demonios” by Hilda Hidalgo; “Cefalópodo” by selection of the Critics’ Week at Cannes and won the Special Jury Rubén Imaz and the documentaries “Julio Cesar Chavez “ by Diego Prize at the Sundance Film Festival 2008. Luna; “ Fraude “ by Luis Mandoki among others. POST-PRODUCTION FESTIVALS / MARKETS / DISTRIBUTION

POST-PRODUCTION WORKSHOP INTERNATIONAL PROJECTION The film industry is in constantly evolution, especially in times of rapid communication and social networks, where you can be in contact with anyone who might be interested in your film. Nevertheless, this advantage can also be a disadvantage because there is no time to process CHEMISTRY AWARD the huge amount of requests and relationships end up being impersonal. That is why one of “Pueblo Magico”s strategies related to festivals, markets and distribution is focused on bringing key players from the film industry to the residency to create close relationships with the residents that will benefit them during the production of their films and distribution of their films. In words of Andrés Martinez, founder and director of Chemistry (digital post-production company) filmmakers should approach the post- producer from the development stage of their film, because from there they can make key decisions that will influence the result of their film. SIDNEY LEVINE / USA

Inspired by this reflection “Pueblo Mágico” invited him as a mentor Sidney has been working of in the entertainment industry for three to give an intensive post-production workshop. decades. She was vice president of acquisitions for Republic Pictures and His objective was to know the distinctive features of each project and spent three years as purchaser of feature films for Lorimar. She to provide advice that could help these projects be made in a more also worked in international distribution for Twentieth Century Fox efficient manner, and as such avoid unnecessary costs and problems and ABC Video Marketing. In 1988 she co-founded FilmFinders as a once in the editing phase. back office for both business acquisitions and sales distribution and festival programming. She has taught at UCLA, MAIA , Binger, Cannes Based on his advice the residents made changes to their scripts that market, Berlinale Talent Campus and often acts as a presenter on make them more cost-effective. panels and seminars.

Andrés’ workshop had a special surprise since his company Chemistry gave a post-production package as a prize to the best project: Florian Seufert from Germany. CHRISTINE DAVILA / USA

Christine Davila is the director of Ambulante California, the traveling documentary film festival founded by Diego Luna, Gael García Bernal, Pablo Cruz and Elena Fortes. She has been the associate programmer for the Sundance Film Festival since 2008 and is the programmer for the International Film Festival dedicated to promoting Curacao Caribbean cinema. She is an associate programmer at the Los Angeles Film Festival. Christine dedicates her time and work in search of Latin American emerging talent. Andrés Martinez / México

From a young age Martinez Ríos has been contact with the world of film and postproduction, which influenced his choice of career as a director. In 1999 he decided to open the first rental company for film equipment, Aatomo Rentas that also focused on creating a technological bridge between production and postproduction. He JOSÉ RODRIGUEZ / USA recently, founded Chemistry that specialises in colour correction. José is the director of documentary programming at the Tribeca Film Institute where he oversees the development and financing for all documentary funds. He directed the Latin American program, Filmmaker Workshop Funds. After an internship as an assistant producer to Amy Hobby he settled in New York and became a script reader for Overture Films. SIDE EVENTS VISIONADOS DEFILM PELÍCULAS THEORY NETWORKING OPPORTUNITIES

“Pueblo Magico” made a visit to Mexico City to meet our allies and also to visit possible future co-producers. This is the only day that residents leave the village of Tepoztlán. CASA FERNANDA´S SCREENING ROOM

The screenings of films is a fundamental part of the three-week program. VICE MAGAZINE Thanks to the support of the Hotel Boutique Casa Fernanda residents have the privilege to enjoy a comfortable movie theatre located in the beautiful Tepozteco landscape. Vice is a media empire valued at almost 4 billion dollars, their websites have 96 million monthly visitors (half outside the US), The residents watch and study the development of cinema from the counting YouTube, HBO and other channels, they have 250 million countries where they come from, the influences of the history the twentieth viewers. century and twenty first century on cinematic practises, the advent of Its success is due to the production of low cost documentaries with sound, colour, television, digital cinema, etc. great media and artistic impact. “Pueblo Mágico” visit was conducted to expose the residents to the criteria they have for documentary As a part of the program great Mexican filmmakers are invited to the filmmakers to produce their videos. residency to share their experiences with the residents, in an intimate, relaxed setting. The residents are responsible for receiving these guests for dinner that they prepare.

GOETHE INSTITUTE MÉXICO

The Goethe Institute of Mexico was one of “Pueblo Magico’s” partners for this first edition. Thanks to their support we not only awarded a grant to a young German filmmaker but we were able to access quality films. Residents were treated to a great lunch by the Goethe team.

STUDIO AND HOUSE OF CARLOS REYGADAS

Carlos Reygadas, one of the Mexico’s most famous film directors lives in Tepoztlán. We made use of our proximity to visit the post- production studio he has built. During this visit the residents were guided to the rooms where editing, colour correction, and sound design take place. They also visited the rooms reserved for filmmakers in post- production and the house where the family of Carlos Raygadas lives.

with the support of LUXURIOUS LODGINGS AND GOURMET FOOD EXPERIENCE

Mentors were invited to enjoy the comfort of the Hotel Boutique Casa Fernanda, La Posada del Tepozteco and the exclusive Hostal de la luz, appointed by the Dalai Lama as a place of world peace.

These are spaces nestled in nature that allow the mentors to relax and refresh for another day of interaction and work with the residents.

These hotels are located in prime areas of the village of Tepoztlán where one has a wonderful view of the Tepozteco and its abundant natural environment. Mentors made use of the facilities provided including a spa, swimming pools and gourmet cuisine.

It is very important for the “Pueblo Mágico” team that the residents enjoy the natural beauty of Tepoztlan and that they have the best facilities to work, in a relaxed and comfortable atmosphere on their projects. We want the same for our mentors, that the time spent with us at the residency proves to be an unforgettable experience.

The dining experience at “Pueblo Mágico” delights the palates of our residents and mentors with delicious local dishes on offer. Our cook is responsible for preparing a varied menu that includes tasty topozteco dishes that blend tradition and innovation of modern cuisine.

For breakfast you can enjoy seasonal fruits and a variety of juices and local dishes made with homemade tortillas. In addition to traditional ingredients like coffee or granola and yogurt our chef prepares a special dish each day to help our residents start the morning with a lot of energy.

The meals are varied and designed so that the residents can try different food with unique flavours every day. Our cook always includes vegetarian dishes for those who prefer not to eat meat.

AN EXPERIENCE With the support of LIVING TOGETHER CULTURAL AND SPIRITUAL EXPERIENCE EXPERIENCE

During the three-week residency, filmmakers and mentors shared meals Tepoztlan was chosen as the location for “Pueblo Mágico” residency and leisure activities with the residents in a relaxed atmosphere that due its rich cultural heritage that the residents are able to experience strengthened ties that go beyond commercial and professional interests. during their stay here.

In addition to mentors, “Pueblo Mágico” invited filmmakers to come The residents had the opportunity to visit the magnificent old convent that to the house to screen their films and talk with the residents about their is now a museum, and walk up to the Tepozteco pyramid, from which they experiences, all this with the idea of generating more opportunities to were able to admire the spectacular view of the town and surrounding make friends so that in the future they may work together. landscape.

The industry depends largely on the networks that exist between people the had also, the opportunity to meet the inhabitants of the town and who make films and work in the industry; at “Pueblo Mágico” contacts share a moment with them during the outdoor screening of Fernando are a priority and the goal is that they are lasting and effective. Trueba’s Belle Epoque.

With all these ideas in mind, we organised Tepozteco excursions, A particularly special moment for the residents was the “day of the dead” campfires, night walks, parties, etc. for the residents, mentors, and guests. celebrations; in keeping with Mexican tradition they constructed an altar for their dead loved ones and shared stories and happy memories of these dear departed friends and family.

Yogi Hari Nam, led the residents through a yoga class in the large garden amongst plants, flowers and fruit trees in absolute silence, they were able to relax and connect with their creative essence.

Later, after enjoying delicious vegan food, they participated in the Temazcal ritual as a group, which was a rewarding experience for the residents.

These activities are organized so that residents can better concentrate and focus, which allows their ideas to flow without limitations.

STATUS OF THE PROJECTS – RESIDENTS 2015 RESULTS / COMMUNITY IMPACT

Antonella Sudasassi (Costa Rica) Maria Fernanda Galindo (México) Project: El despertar de las hormigas / Fiction / Debut film Project: Defensoras / Documental / Second feature film OUTDOOR SCREENING AND

The residency allowed Antonella to apply for and win Maria Fernanda’s documentary feature Rio Manso OPEN DOOR MASTER CLASS development funding in Costa Rica for her film El (previously Defensoras) is in development. She received Despertar de las Hormigas. This fund enabled her to funding from IMCINE (The Mexican Film Institute) to travel to the Rotterdam Film Festival and the Berlinale complete her script. where she met possible co-producers for her film. She is collaborating with two women’s organisations: The impact on the Tepoztlan community and the cultural contributions JASS and Semillas who are helping in her search for two of the project is a priority for “Pueblo Mágico”. In this regard we had other characters for her film. a great outdoor function with Eco-cinema.

We screened the film Belle Epoque directed by our special guest Fernando Trueba, where more than 300 members of the Tepoztlan community were in attendance.

After the screening, Trueba gave a talk, and invited the community to participate in his master class set for the following day. Mak Chun Kit (Singapur) Pablo Peréz Lombardini (México) Project: Buying happiness / Documental / Second feature film Project: El Caimán / Fiction / Second feature film For Trueba’s Master Class, the residency opened its doors to all interested people of all age groups; the “Pueblo Magico” residents thus had the opportunity to meet artists and people from nearby Mak was able to resolve questions around his documentary The residency allowed Pablo realise that his project villages who attended the Open Door Master Class. feature that has began its publicity campaign this March. Geronimo’s Dreams was not quite right for his first The website for the film is: feature film and is now writing a script for a feature www.buyinghappinessfilm.com entitled El Kaiman (The Cayman). He is currently working on another film in Mexico One He is going to work with fellow resident Florian Seufert Taxi Ride: a film that explores an important social issue, on his shoot in September here in Mexico. produced by Jim Stark and Nicolas Celis who he met at the residency.

Florian Seufert (Alemania) Mauricio Fernandez (Chile) Project: Las libelulas no vuelan / Fiction / Ópera Prima Project: La Jauria / Fiction / Second feature film

Florian was able to concretise the Mexican shoot for his Mauricio is writing the final draft of his feature film film that will begin in September 2016. The producers project. Jim Stark, Carlos Contreras and Nicolás Celis that he met at the residency, Nicolas Celis and Jim Stark that he met during the residence have expressed interest were vital to his project. Jim Stark is co-producing in his project. He is looking forward to collaborating his documentary feature, and put him in contact with with them once in the production of his film begins. a Mexican co-producer, Carlos Sosa (Viento del Norte Cine).

* From among 10 projects developed durign the residency we have chosen those that are most advanced at this stage.

With the support of RESULTS / PRESS RESULTS / PRESS THIS RESIDENCY WAS MADE

THANKS TO THE SUPPORT OF

Flavio Florencio Artisitc director Matyas Florencio

Productors and general coordinator d Ignacio Vazquez Ejecutive productor Eva Munyiri Academic coordinator Nina Rodriguez Academic coordinator

www.mexicanfilmresidency.org