Updated 6/17/2019 Panel (Overarching) Institution Presentation LOCATION Individual Presentation Title First Name Last Name Affiliation Moderator 8 AUGUST - THURSDAY 12noon REGISTRATION OPEN Orrington Hotel

2-4pm Orrington Hotel WORKING GROUPS: Conference Rooms CHAIR(S): Latin American, Latino/a and Caribbean Dance Studies Lester Tome: [email protected] Dancing the Long Nineteenth Century Olivia Sabee: [email protected] Early Dance Emily Winerock: [email protected] Dance and Music Nona Monahin: [email protected] Dance and Technology Susan Lynn Wiesner: [email protected] Dance History Teachers Kathaleen Boche: [email protected] Nyama McCarthy-Brown & Takiyah Amin: Diversity [email protected], [email protected] Asian and Asian Diaspora Dance Studies (New Working Group Exploratory Meeting) Emily Wilcox: [email protected] Practice as Research Vida Midgelow: [email protected] Jen Atkins & Cristina Rosa: Popular, Social, and Vernacular Dance [email protected] [email protected] Graduate Student Caucus Melissa Melpignano: [email protected] 3:30-4:30 Hilton Orrington, 2nd EXPLODE queer dance: Midwest floor landing Training Module Perfomance Marcela Torres Nola Hanson 4:30-6:30pm

Plenary I, Reservoirs of Movement: Common Flows and Circulation Orrington Hotel Grand Ballroom Karyn Recollet, University of Toronto Pallabi Chakravorty, Swarthmore College Jennifer Harge, Independent Artist Harmony Bench, Ohio State University Ramsay Burt, De Montfort University 6:30-8pm

OPENING RECEPTION, Orrington Hotel 8-10pm SCREENDANCE VIEWING AND PANEL Block Museum of Art Rosemary Lee's Common Dance (film) ‘Gather together here’: Exploring the “Finding commonality” British Centre for Dance Common Across Disciplines in choreographer Rosemary Lee reflects on Research, Coventry Rosemary Lee’s Common Dance the making of Common Dance Rosemary Lee University What Brings Us Together: Cultural Centre for Dance Trauma, Collective Identity and Touch in Research, Coventry Rosemary Lee’s Common Dance Victoria Thoms University Centre for Dance Research, Coventry Finding the Commons in the Enclosure Charlotte Waelde University 8:30-9:30pm EXPLODE! queer dance festival: Midwest Evanston History Center Solo Square Dance Nic Gareiss 9 AUGUST - FRIDAY 8:30-10am REGISTRATION OPEN ALL DAY Kresge Hall Sensing National Commons: Choreography and Affects of Genealogies: Common Anxieties of National Belonging UH 122 National Belonging Rebecca Chaleff UC San Diego Anusha Kedhar Belonging to the US, Belonging to Japan: Itō Michio and the Japanese Immigrant Community in Southern University of California Tara Rodman California, Irvine Ballet Fathers: Fame, Fortune or Family Santa Clara Port de bras and Power UH 101 First? David Popalisky University Tara Zahra Post-Soviet Ballet in Ukraine as a Common Property Ania Nikulina UC Riverside BBC Ballet: Televising Dance for Britain’s Social Democratic State Laura Quinton New York University The Intersection of Culture and In the Line of Dance: Lived Psychology in Diasporic Ballroom Experiences in the Ballroom Dance Pedagogy: “You Have to Hate Yourself if Industry UH 102 You Want to be Better.” David Outevsky University of Calgary Juliet McMains Common, Basic, and Middlebrow: The Basic Ballroom Bitch Denise Machin Pomona College

Russians Rumba-ing in Reno? The Lived Experience of Foreign Ballroom Dancers Brigham Young in the US Ballroom Dance Industry Roger Wiblin University - Idaho California State Questioning the Dance Commons in University, Long Defining the Commons UH 121 Higher Education Colleen Dunagan Beach Stacy Prickett California State Cultivating the Commons (Where it University, Long Doesn't Belong) Manuel Macias Beach Ethnographic Study of Ponderosa: California State Practical Modes University Long of Repurposing the Dance Common Erin Reynolds Beach Updated 6/17/2019 Assembling the Dancing Commons: Kinetic Human, Nonhuman, and Posthuman Dancers: Animated Bodies Inhuman Multiplicities KRS 2435 and Kinetic Residue Hilary Bergen Concordia University Jessica Rajko Dancing Body Doubles: Flashes of the Posthuman in the Choreographic Assemblages of 'Flashdance' Allison Peacock Concordia University What’s in a Game?: Fortnite, Emotes, University of and Dance (Criticism) in Common Pamela Krayenbuhl Washington Tacoma

What We Do Between the Worlds Affects From A Toppled Place: Perspectives All the Worlds: Postmodern Dance As Celia Weiss on Horizontality KRS 2415 Witchcraft, Magic, Ritual, and Healing Michael Morris Denison University Bambara Kissing Drones: Horizontal Relationships The Ohio State with Surveillance Technology Benny Simon University Horizontalist Gestures: Techniques of University of Protest in Popular Choreography Fenella Kennedy Alabama Cultivating Horizontal Socialities: Contact Improvisation and the Ten Principles of Burning Man Kelly Klein Independent Scholar Waldorf School of Ethics of Practicing in Common WIRTZ 101 (blackbox) “The Inoperative Common in Jérôme Bel” Giulia Vittori Orange County Colleen Hooper Marymount Stop Poking Me Catherine Cabeen Manhattan College State University of New York at Paula Peters Fredonia Heather "It’s Time to Wave the Napkin!”: Dîner en Rastovac Thinking Through Indigineities KRS 2410 Blanc, Unison, and Colonial Performance Alana Gerecke York University Akbarzadeh Re•Vision: The Decolonize Pedagogy: Examining an Centre for Art and Embodied, Co-creative Process of Social Justice, Building Incommensurable Solidarity Evadne Kelly University of Guelph Ted Shawn and Hygienic Commonalities between the Colonial and Indigenous Dancing Body at the Delissaville Aboriginal Reserve, 1947 Averyl Gaylor La Trobe University University of Palimpsest Bodies, Common Ground and California Santa Commonality/Heterogeneity UH 112 Aesthetics/Ethics of Difference Ruth Hellier-Tinoco Barbara Catherine Cole TranscenDance; The Life of a Dancer, The Language of Dance Ruth Sherman Mills College Modern Dance, Community Membership and Identity at Namasagali College, University of Cape Uganda Jill Pribyl Town Choreographing to Common Music: A Comparison of Petipa and Balanchine Oberlin College Music in the Ballet Archives UH 218 Settings of Music by Drigo Kara Yoo Leaman Conservatory Hanna Jarvinen Musical Anatomies and Scientistic Case Western Ruptures in Stepanov Notation Sophie Benn Reserve University Relache's Volte-Face Rachana Vajjhala Boston University Dancing around the Issue: A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Structural Questions UH 312 Contemporary Dance Jessica Teague Dance Europe Jennifer Fisher Performing Entangled British Identities in University of Policy and Practice Katherine Mueller Connecticut Finding the Common: Multi-partner University-Industry Collaboration in Dance Addict Dance Higher Education Sally Crawford-Shepherd Academy Addict Dance See Above. Tara Mellowes Academy Dramaturgical Choices and Ethical Dance dramaturgy as a common ground Federal University of Considerations UH 318 between artist and audience Daniella Aguiar Uberlândia Ariel Nereson The Village on the Stage: A Pan-African The Graduate Dance Dramaturgy Margit Edwards Center - CUNY Sensing The City: Case-studying ethics of Centre For Dance difference and belonging in site- Research, Coventry responsive dance practice. Dr Natalie Garrett Brown University, UK University of Central Amy Voris Lancashire It's Less Like an Object and More Like the Weather: John Cage and Northwestern Dance (library exhibit) Deering Library Greg MacAyeal University 10:30-12pm Susan Leigh Foster Outstanding Scholarly Research Award Honorary Panel UH 122 Acquiring Citizenship: Conditions of Dancing Service, Dancing Citizenship: The University of Difference UH 102 José Limón in the Army, 1943-1945 Rebekah Kowal Iowa Amanda Graham Jacob’s Pillow Dance Festival and/as the Barnard College of “United Nations of Dance” Paul Scolieri Columbia University Performing Social Citizenship: The Embodied Politics of ‘Insistent Presence’ Christopher-Rasheem McMillan Un/common Un/grace: Grace and Beyond the Commons of God’s Grace: the Grotesque in Early and Modern European Thought on the ‘pagan’ as European Dance UH 412 Defined by her Dance Lindsey Drury Freie Universität Emily Winerock Choreographing the Anti-commons: The Bentley University Witches' Dances in Macbeth Linda McJannet (Emerita) Grace, Ungrace, and the Machine: Historical Intersections of Dance and the University of Mechanical Alison Moore Pittsburgh Disjointed, Out of Sync, Fatigued: alonetogether: enacting an aesthetics of Simon Fraser Bodies-in-Common KRS 2410 ethics P Megan Andrews University Vida Midgelow Shadowboxing in the Dark (and other works) Anike Joyce Sadiq Independent Artist Politics of Fatigue, Aesthetics of Risk: Julie Tolentino’s A True Story About Two California College of People Raegan Truax the Arts Updated 6/17/2019 Public Space of Dance and The Consciousness Of People's The Arts College of Livelihood of Society KRS 2415 Livelihood Of Today’s Chinese Dance Yiling Fu Guangxi University Qingyi Liu Make Friends by dancing and Sharing a World：A New Image of Contemporary Shanghai Theatre Chinese Dance Development Man Li Academy The New Type of Mass Dance Culture in Shanghai Theatre Public Network Space Nan Lin Academy On the Utilization of Public Space Resources in Shanghai City in Dance Shanghai Theatre Aesthetic Education Lin Zhang Academy University of Maryland, College Embodied Anti-Racism Workshop WIRTZ 101 (blackbox) Crystal U. Davis Park Nyama McCarthy-Brown OSU Contemporary Re-embodiments of The De-commoning of Classical Chinese Appalachian State Asian Identity UH 121 Canons in Edward Lam Dance Theater Kin-Yan Szeto University San San Kwan Gestural (Im)Politics: Activism in Contemporary Indian Dance Nandini Sikand Lafayette College Spatial Creolization: Spatial and Cultural Transverse in Cloud Gate’s Cursive II (2003), and Pichet Klunchun’s Black and The Ohio State White (2011) Tsung-Hsin Lee University Dancing Belonging through Global The Hebrew Dancing Bodies: Palestinian Dance University of Global Pedagogies and Belonging KRS 2435 Teachers and Choreographers in Israel Hodel Ophir Jerusalem Elizabeth Schwall School of Arts and Aesthetics, Choreographing Signature: Jawaharlal Nehru Contextualising 'ownership' in the Making University, New of Classical Dance in Contemporary India Amritha Sruthi Radhakrishnan Delhi, INDIA

Aware of the Ignored: Revealing Chinese Tertiary Dance Students’ Untold Stories Sichuan Normal of Learning with Dancer-Teachers Xi Xiong University Sichuan Normal Huan Su University Towards Sinophone Dance Training: National University Rethinking Systems of Training KRS 2329 Theorizing the ‘phone’ in Sinophone Elizabeth Chan of Singapore James Steichen Glocalized Ballet in South Korea. Common Aesthetic of Expanded Ballet University of Practice. Su Jin Kim Hamburg Complicated Classicism: The Problem of Chinese “Classical” Dance Ziying Cui Temple University House Dance, Embodied Cognition, and The University of Grappling with Experience UH 112 Empathy Christian Kronsted Memphis Katherine Mezur Southern Utah University & Spaces of (Un)Common Meaning: Duets University of for Dancing Language Alexandra Bradshaw-Yerby Washington Together Dancing: Interrelationality as a Strategy for Rethinking Western Texas Woman's Contemporary Dance Technique Robin Conrad University

Land, Location, Identity UH 218 Common I/lands Claudia Kappenberg University of Brighton Olive McKeon Gaëtan Rusquet and New Materialisms: Bringing non-human actants into theories of the commons Kate Mattingly University of Utah Steps in common: the different Dance Department, approaches of three indigenous National Taiwan choreographers in Taiwan Szu-Ching Chang University of Sport Dancing Together? UH 312 Dance as Dialogue Jess McCormack University of Bristol Mlondolozi Zondi Negotiating the Commons: Solidarity Practices in and through Collaboration Stefanie Sachsenmaier Middlesex University Common Forms: Choreographing the Poetic Preface of Guglielmo Ebreo's De The Ohio State Historical Specificities Across Time UH 318 pratica seu arte tripudii Tamara Hauser University Petri Hoppu

Clint Morrison Jr. Ohio State University When baroque dance becomes a contemporary form of choreographic Canaveira de ICNOVA - NOVA language – what’s its common ground? Alexandra Campos FCSH Choreographing the Greek Chorus: Ninette de Valois’s Oresteia of Aeschylus (1926) Gabriela Minden University of Oxford Common Pansies. Queer Traces in the Universität Sweating Archives UH 101 German Dance Archives Eike Wittrock Hildesheim Joanna Das Common Dance, Uncommon Stories Oral FernUniversität in History epistemology for dance Ricardo Viviani Hagen Orientalist Aesthetics as Common Repertoire: Bugaku, Cultural Capital, and Bowling Green State Critical Reception Angela Ahlgren University 12:30-2pm

Moving Commons: Community Dance Meet in Dance Lobby for Appalachian State and Embodied Activation [gathering] outdoor location Cara Hagan University University of Petra Kuppers Michigan Emory and Henry Annalee Tull College University of Charli Brissey Michigan Sustainability and Radical Praxis, Dance as a Decolonizing Process: A Independent Artist/ with Butoh WIRTZ 101 (blackbox) Radical Praxis for Embodiment Tanja Faylene Woloshen Educator Rainy Demerson An Empty Room: Theorizing Butoh and commons-based performance strategies as cultural sustainability Michael Sakamoto Dancing Masculinities: Transnational University of North Performances of Gendered Race "Now they are just about guapería": Carolina at Chapel Kareem and Class UH 101 Sacred Swagger for a “New Man 2.0” Maya Berry Hill Khubchandani Updated 6/17/2019 Technologies of Power: Constructing Hegemonic Brahmin Masculinity in Kuchipudi Dance Harshita Mruthinti Kamath Emory University Battle of the Bamboo: The Shadows of University of Illinois Empire in the Kinesthetic Midwest Lorenzo Perillo at Chicago Merce Cunningham In Common: A University of Centennial Celebration UH 122 Teaching How Not to Know Carrie Noland California, Irvine Gay Morris Merce Cunningham Sharing the Cunningham Legacy Jennifer Goggans Trust

3D Cinema & Choreographer’s “After-Life” Alla Kovgan Independent Artist Communicating and Sharing: Dance The Identity of “Chinese Dama (middle- Beijing Dance and Public Culture in China KRS 2415 age women) ”in Chinese Square Dance Yu Mu Academy Fangfei Miao Supply and Demand in Chinese Dance Beijing Dance Education: Differences and Disparities Xin Wang Academy Beijing Dance The Social Roles of Dance in China Yanjie Zhang Academy The Presentation of Everyday Gestures: Beijing Dance Works by Three Generations of Academy, University Contemporary Chinese Choreographers Cui Mao of Michigan Community Consciousness and the Modern Transformation in Traditional Beijing Dance Chinese Folk Dance Rui Xu Academy Noyes Group Movements: Improvising Towards Collective Dance Center Cellar Noyes Group Movements: Improvising Middle Tennessee Choreography Studio Towards Collective Choreography Meg Brooker State University Dance and the Maternal: choreographing the “knowledge commons” of Queen's University Inscribing a Feminist Body KRS 2410 breastfeeding women Aoife McGrath Belfast MiRi Park Performative Pregnancies Johanna Kirk UCLA

The Dance of Birth Efia Dalili Independent Scholar Salvaging Common Ownership and Authenticity: Nigerian Traditional Dance University of Lagos, Innovation and "Authenticity" KRS 2435 Practice in Focus Oluwatoyin Olokodana-James Nigeria Cristina Rosa

Tales of Chinese Dancers from the Beijing Dance Academy: Authenticity and Performativity in Wang Mei’s Dance Film Jingqiu Guan UCLA When Common Comes to Campus: Preserving the Authenticity of Vernacular USC Kaufman Forms in Elite Spaces Sarah Fried-Gintis School of Dance ¡Urban stomp! The Artistic and Cultural Social Dance Glocalities and Connections between Swing and Mambo Communities UH 121 in New York City Derrick Washington Marta Savigliano Université de The (kill)joys of Lindy hop - Discontinuities Montréal/Independe and Failures in Reading Anaïs Sékiné nt University of We're All In This Together: From Motown, Maryland, College to Gang Stackin, to the Detroit Jit Gianina K. Lockley Park Sisterhood in the City: Creating Community Through Lion Dance Betina (Counter)publics and the Commons UH 102 Performance in Boston’s Chinatown Casey Avaunt Colgate University Panagiotara (Re)Thinking Publics: Circulating Danced Idea-Imaginaries Across 17th Century South Asia and Beyond Pallavi Sriram Colorado College The Dance of the Two Worlds: National Identities, Common Goods and Alma Mater Citizenship at the Italian Festival of Studiorum - Spoleto (1958-1965) Giulia Taddeo University of Bologna Orienting Ourselves to See: Mapping Nested Dance Ecosystems as Curatorial Ecologies of Practice KRS 2329 Practice in New England Deborah Goffe Hampshire College Wendy Perron Moving ‘Dance’: Independent Dance Institutions and New Performance Aesthetics in Chicago's Shifting Guild Literary Performance Ecology Ira S Murfin Complex Dancing Grannies in China: The Intervention of Female Aging Body in State University of Public Space Hui Peng New York at Buffalo Who can afford to be emotional?: The cultural politics of emotion with practice Thinking Feeling UH 112 research in the university context Shantel Ehrenberg University of Surrey Charmaine Wells KU Leuven Experiences as Products: the Curious (University of Case of Tino Sehgal Raf Geenens Leuven, Belgium) Beyond Emotions: An Exploration of the Tamkang University Performer-Audience Connection Through in New Taipei City, Spirit-Dancing Wen-chi Wu Taiwan Theorizing Meaning and Movement in Dancing Protest UH 218 Common: Legacies of Protest Dance Katherine Mazurok Queen's University Michelle Lavigne Protest, Subjection and Tele-Counter- Federal University of Choreographies within the Precarious Rio de Janeiro Legacy of Democratic Common Sérgio Pereira Andrade (UFRJ) Heterotopia and Co-Creative Choreographies: Reimagined Space and Relationship in Jeanine Durning's "To Smith College Being" Xan Burley Department of Dance Tourism, Travel, and (Post)colonial Common Rhythms of Berber Dance: A Identity UH 312 Heterotopian Performance in the Sahara Anna Kimmel Stanford University Janet O'Shea Reconciling the “Imagined Community” – The Postcolonial Representation of Texas Woman's Mohiniyattam Anisha Rajesh University Manipuri in the Visual Archives and the King's College Forming of a Repertoire Debanjali Biswas London EXPLODE! queer dance festival: Dance Center Ballroom Midwest Studio Agentic Mode Marcela Torres Training Module Workshop Marcela Torres Updated 6/17/2019 Nola Hanson 2:30-4pm A Gathering of/for Butoh Commons Dance Center Ballroom [gathering] Studio Bruce Baird UMass Amherst Texas Woman's Rosemary Candelario University University of San Megan Nicely Francisco Reviewing in Common: Dance University of the Arts Criticism and Scholarship UH 122 Hanna Järvinen Helsinki, Finland Larraine Nicholas Gay Morris independent scholar University of Stacey Prickett Roehampton De Montfort Funmi Adewole University University of Decolonizing Dance Discourses: California, Los Gathering 1 [gathering] KRS 2415 Anurima Banerji Angeles Anurima Banerji Cynthia Lee UC Santa Cruz Royal Holloway Prarthana Purkayastha University of London Arabella Stanger University of Sussex University of María Regina Firmino-Castillo California, Riverside Jasmine Johnson Brown University Anusha Kedhar UC Riverside From Poem to Dance via Music: Text, Music, and Dance: Departures and Convergences in Commonalities in Form and Jonathan Taylor’s Transfigured Night Mount Holyoke Kara Yoo Expression KRS 2435 (1980). Nona Monahin College Leaman

Form Versus Expression: The Common Compositional Task for Arnold Schönberg and Anne Teresa de Keersmaeker Renate Braeuninger Independent Scholar California State Hermann Bahr Records Duncan’s University, Expressive Development, 1902–1903 Chantal Frankenbach Sacramento Artist-Activist-Academics: (Re)thinking Identity through Migration and Performing Presence: Dislocated Roma The Ohio State Performance UH 121 Claim the Commons in Istanbul, Turkey Danielle Schoon University Meghan Quinlan On Board(hers): Rewriting female immigrant narratives through movement Lucille Toth Ohio State University Royal Central Crossing Over: Improvised Dance in School of Speech Detention Jane Munro and Drama

Dance, Sovereignty, and its Afterlives UH 102 The Dancing Leviathan Ana Isabel Keilson Harvard University The Symbolic Bodies of the People: University of Modernist Gestural Imaginaries Lucia Ruprecht Cambridge Political Theology of Modern Dance: Freie Universität Community, Sovereignty, and Law Alexander Schwan Berlin Resurrecting the Living: Nijinsky (some Jagiellonian remarks on the choreopolitics of liturgy) Wojciech Klimczyk University Practices of Punk, Voguing, and Why do we love extravagance and Embodied Excess WIRTZ 101 (blackbox) opulence? Marlon Jimenez Oviedo Brown University Hye Wong Wang Why do we love extravagance and opulence? Courtney Lau Brown University Dancing the “Star Image” Lailye Weidman Hampshire College What remains common? Translation What remains common? Translation processes; a path of Caminhos - Dance Center Cellar processes; a path of Caminhos - 1998/2017 Studio 1998/2017 Luiza Banov USP Sayonara ( SAYÔ) Pereira University São Paulo

Dancing a Demand for Space: The Interventions of Sophie Maslow and Pearl Primus in the American Cultural and University of Jessica Modern "American" Bodies UH 101 Economic Commons at the 92nd Street Y Jessica Friedman California, San Diego Herzogenrath The “Common Body” of Erick Hawkins James Moreno University of Kansas American Document, American Music, Boston College / American Minstrelsy Daniel Callahan Radcliffe Institute Common Contours: Joann Dance Ethnography and its Kealiinohomoku’s Silhougraphs® and (Dis)contents UH 218 Dance Analysis in Black and White Judith Hamera Princeton University Halifu Osumare Dancing from the sidewalk to the astrodome: An urban ethnography of Sama Bajau choreographic phenomenon in Manila as social action and process of University of the learning Regina Angelica Bautista Philippines California State Multiply Moving: Un/Common Directions in University, San Dance Ethnography Christine Sahin Marcos Jaleo de Jerez and Tumulte Noir: Juana Fashion Institute of Vargas "La Macarrona" at the Exposition Technology, CUNY A Spanish Commons? UH 312 Universelle, Paris, 1889 K. Meira Goldberg Graduate Center Michelle Clayton Tilting Across the Racial Divide: Jacinto Padilla (El Negro Meri) and the Flamenco Universidad de Clown Kiko Mora Alicante Instituto de Historia, Consejo Superior de Dancing Spanish Commons: La Investigaciones Argentina's Ballets Espagnols Idoia Murga Castro Científicas (CSIC) Translocal Visibility: The Chicago Funk, Footwork, and the DJ KRS 2410 Footwork Circle in Los Angeles Benjamin Court UCLA Kat Richter Adrian Piper’s "Funk Lessons": The Politics of the “Social” in Dance and Art Randi Evans UC Berkeley Updated 6/17/2019

DJs, Dancers, and the Invisible Commons of Creativity: An Examination of the Influence of Embodied Knowledge on the Development of Hip Hop Technology Kelly Bowker UC Riverside

Cognitive and Immersive Systems Movement as Query — retrieving media Laboratory @ Interdisciplinary Partnerships, leveraging language-like qualities of EMPAC, Rensselaer Evolving Bodies UH 318 movement David Allen Polytechnic Institute Philippa Rothfield Towards Disability-Centric Community- Based Research: The Politics and Making Kiki Hous of of Vital Affor“Dances” in Dance Science Peaches (formerly Collaborations James Severson UCSC) Re-constructing, re-creating, re-imagining: Exploring the use of photography as a medium for dance and disability interventions Kathryn Stamp Coventry University Street Urchanism as a Kaleidoscopic Dancin' in the Street KRS 2329 Performance Samson Sunday Akapo University of Ibadan Susanne Ravn Dancing On the street: Imagination of the University of mystical and Sacred Alliances Rachmi Larasati Minnesota Dancing City?: Role of Dance and Ambilaterality in Urban Regeneration SungKyunKwan Projects of Seoul City Joohee Kim University 4:30-6pm PLENARY II, Dance Work for the Commons: Actions, Interventions, Innovations Orrington Hotel, Grand Ballroom Sarah Wilbur, Duke University Ramon Rivera-Servera, Northwestern University Shamell Bell, Independent Artist/Scholar/Activist Rachel Carrico, University of Florida Emil Wilcox, University of Michigan 6:30-7:30pm

Graduate Student Happy Hour, Prairie Moon Restaurant and Bar 8-10pm Dance on Camera Screening Block Museum of Art Curated by Amy Worth Sarah Prinz Wilkinson DYNAMITE Leila Jarman Escapes and Reversals (Solo) Ginger Krebs

TCU School for Classical & Secondary Surfaces Redux Nina Martin Contemporary Dance

TCU School for Classical & Roma Flowers Contemporary Dance Underground Jun Bum Bae North Carolina State University & FAD Rippled Memory Autumn Mist Belk Collections The Good Christian Talia Koylass 7-10pm EXPLODE! queer dance festival: Midwest

Links Hall, 3111 Western Avenue, Chicago Ticketed Event. Buses leave from Hotel Orrington at 7pm. Buses return after show, around 10:30pm.

Ayodele Dance & Drum J’Sun Howard Murda Mommy Jennifer Monson & Nibia Pastrana Santiago Le Na Moo Darling Shear Joel Valentin-Martinez LaWhore Vagistan 10 Aug - SATURDAY 8:30-10am Graduate Student Navigating the Academic and Non- Professionalization Panel UH 101 Academic Job Search Melissa Melpignano Transitioning Commonses: Beyond Dance Center Ballroom VK Preston and the Institutional Between [gathering] Studio Deanne Kearney York University Mary Woehrel Joshua Swamy York University Mila Volpe York University Elif Işıközlü University of Toronto Reappropriating the Flames: Challenging State Necro-strategies and Proposing Reactivating the Common(s): Decolonial Mobilities in Guatemala City’s The Ohio State Performance and Protest UH 121 Central Plaza Kristen Kolenz University Rebecca Chaleff Dandelion Revolutions: Immersive Performance as Transformational The Ohio State Infrastructure Lyndsey Vader University Daak: Joining the Struggles for the University of North Common(s) Kaustavi Sarkar Carolina at Charlotte Sharing Rhythmic (Im)Pulses, Honoring Cultural Specificity: Percussive Dance as Commons, Tapping Common Ground: Fact and Panel 1 UH 102 Fiction in Percussive Dance Fusions Kat Richter Stockton University Janet Schroeder Hey, We’re Dancing Here!: Percussive Dance as a Site of Identity and Protest Ryan Rockmore UCLA Updated 6/17/2019

Loose Taps: Finding A Queer Potentiality Independent in Tap Dance Performance John (J.P.) Viernes Researcher

On Stage, At Court, and On the A Common Dance Repertoire in the Road: Revisiting the Common Second Half of the 18th Century: Country University of Vienna, Repertoire and Dance Conventions Dancing in the Central German Provincial Austria - University of Early Modern Europe KRS 2329 Court of the Schönburg-Waldenburg Gerrit Berenike Heiter of Leipzig, Germany Meira Goldberg Chatham ‘Can virtue hide itself?’: Renaissance University/Shakespe Masking Conventions and Much Ado are and Dance About Nothing Emily Winerock Project 18th century itinerant dance practices and performance repertoire Anne Fiskvik NTNU "Techniques of Imprecision:" Folk Dance Techniques of the Un/Common and Dissenting Women's Grassroots Across Contexts KRS 2415 Activism in Contemporary Turkey Sevi Bayraktar UCLA J. Dellecave Kurdish Group Dance as Resistance in Turkey Benjamin Bilgen York University Ceremonial Sambas and Macho Femininities of Bahian Candomblé Mika Lior UCLA Choreographing a progressive politics in Contemporary India: The Re-Circulation University of of Chandralekha’s Resistive Body in California, Los Dance Arushi Singh Angeles Chicago Black Social Culture Map: Chicago Black Social Culture Map: Notes Notes on a Collaborative Cultural on a Collaborative Cultural Heritage Honey Pot Heritage Project KRS 2380 Project Meida McNeal Performance Ashoka University, Workshop in Abhyas Somatics WIRTZ 101 (blackbox) Workshop in Abhyas Somatics Navtej Johar INDIA Diasporic Belonging through Intercollegiate dance competitions in University of Movement KRS 2410 North America Deepa Mahadevan California, Davis Evadne Kelly

“The Biggest, Largest, and Greatest Competition in the Midwest:” Performing South Asian Identity within Intercollegiate The Ohio State Fusion Dance Competitions Rohini Acharya University Chinese Diaspora and Their Transplanted Multicultural Sense in Contemporary Dance of Malaysia Sang Woo Ha University of Malaya Choreo-graphos: writing the body, dance, The Politics of Feminist Articulation KRS 2339 feminism and philosophy Tawny Andersen SSHRC Alana Gerecke Choreo-graphos: writing the body, feminism, dance & philosophy Tina Chanter Kingston University What was the commonality between the Royal Central writing in New Dance Magazine and School of Speech & Spare Rib in the 1980's Josephine Leask Drama researcher Pleasure Snare: Being-in-common in the Wayne State Work of Luciana Achugar Biba Bell University Robert Farris Thompson’s African Dance Canons: Reflections on Commonalities as University of North Hip Hop (and) Common Aesthetics KRS 2435 Epistemology Ana Paula Höfling Carolina, Greensboro Margit Edwards The Natural Commons of Rennie Harris' University of Choreography Halifu Osumare California, Davis Failure to Catch the Vibe: Missed Connections and the (Un)Common in the University of (Non)Communal Lindsay Rapport California, Riverside Transactional Bodies: Politics, Investigating Communities Across Pedagogies, and Performance Practices University of Time and Space UH 112 of the San Francisco Bay Area Mair Culbreth Wisconsin Milwaukee Fenella Kennedy A Community in Transition: Downtown Dance in the 1990s Buck Wanner Columbia University Working the Land, Moving the Body: Dance Halls and Migrant Labor Communities in 1930s California Doria Charlson Brown University Ambivalence in Common: Interpreting Liminal Identities UH 218 Folkloric Dance Corinna Campbell Williams College Michael Morris University of Questioning the Common: Theorizing the California, Los Concept of "Mixed-Race" in Dance Miya Shaffer Angeles Uncommonly queer? As it seems to dissolve into the mainstream, who needs The Queer Tango queer tango? Ray Batchelor Project 10:30-12 EXPLODE! queer dance festival: Ramon Rivera- Midwest - Artist Panel T. Ayo Alston Servera Nic Gareiss Lee NaMoo Anna Martine Whitehead California State Life on the Motherside: the commons Dance Center Ballroom University Channel of motherhood in dance academia Studio Heather Castillo Islands Shamell Bell UC San Diego/San Grace Jun Diego City College Margaret Paek Lawrence University UCLA & CSU MiRi Park Channel Islands Jade Power Sotomayor UC San Diego Tria Blu Wakpa UCLA Mixed Bill: A Showing of Practice Research WIRTZ 101 (blackbox) exisiting Alexandra Stilianos Independent Scholar Reagan Truax Mason Gross School Through Listening: Improvisation as a of the Arts, Rutgers Form of Commemoration Ani Javian University Not So Long Ago...Not So Far Away Rainy Demerson UC Riverside Responding to a Knowledge Economy for the Common Good: Blind Spots, Roadblocks, and Critical Opportunities in Transdisciplinary Becoming visible: Dance as a site of Collaboration KRS 2380 resistance in digital commons Laura Karreman Utrecht University Brandon Shaw Updated 6/17/2019

Graduate Student & Master Lecturer, School of Dance, Playing with Virtual Realities: Redefining The University of the Experiencing in Common (co-author) Nitsan Margaliot Arts Einav Katan-Schmid Independent Knowledge (Mis)Interpretations: Dance in Arizona State Computational Research Jessica Rajko University Commoning the Uncommon The Dancer and the Marionette: Between Modernist Body UH 102 Autonomy and the Common Nell Andrew University of Georgia Debanjali Biswas “To be picked up and revolved between gingerly fingers”: Rodin’s Nijinsky Juliet Bellow American University "Flexible Forms, Flexible Figures: Spanish Dance and the Commonplace" Michelle Clayton Brown University The Archive: Common Ground from Franklin & Marshall Past-to-Present and There-to-Here UH 121 Lynn Brooks College Ray Miller Chicago Dance Jenai Cutcher History Project Joel Hall Dancers & Jacqueline Sinclair Center Imogen Smith Dance/USA But Is it Good for the Jews?: In/Common Identities and Dancing Kinesthetic Peoplehood: Analyzing The Ohio State Jewish Difference KRS 2415 Dancing in the Jewish Diaspora Hannah Kosstrin University Rebekah Kowal Dance, Sexuality, and Ethnicity in the University of Israeli Army: Reassessing the Sabra California, Los Body in the 1970s Melissa Melpignano Angeles Holocaust on Ice and Acro-Anne Frank: Representing the Holocaust on University of Texas Competition Dance Shows Rebecca Rossen at Austin "Redressing Power through Hassidic Drag: Julie Weitz in My Golem as the Florida State Great Dominatrix" Hannah Schwadron University Permeable Practices: Improvisation Dance Center Cellar as Method for Researching Place Studio Zena Bibler UCLA Katie Schetlick University of Virginia Mundane Duets: Reclaiming Public Dancing Urban Space in East Asia KRS 2435 Space in Hong Kong Ellen Gerdes UCLA Lorenzo Perillo

Improvising a Commons in Urban China? Survival and Navigation in the Troubled Shanghai Theatre Realms of the “Private” and the “Public” Chiayi Seetoo Academy Anticipatory Traditionalism: Experiments in Traditional Dance for University of Renaissance Singapore Aparna Nambiar California, Berkeley Silent Fires Of Insurrection : Dancing the Unveiling of Misogynistic Practices in Problematizing Ritual KRS 2410 Widow Rituals Nitya Vedantam university at Buffalo Kate Mattingly Choreographing AIDS Marc Arthur New York University Finding a Shelter: Belonging Through Gaga’s Sensation-based Language Bhumi Patel West Valley College The Revolution is Feminized, Televised, From Praxis to Activist Theory in and Black: Africanist Aesthetics and Columbia College Nyama Mcarthy Action UH 218 Black Feminist Praxis in Popular Culture Raquel Monroe Chicago Brown Identity Reclamation in the Undercommons of Black, Queer Burlesque Alchemy Thomas N/A University of Proximity to the Past: Accessing History California, Santa and Memory in the Work of Ralph Lemon Marisa Plasencia Barbara The Graduate Canons and Commons KRS 2339 Dancing in Canon / Undoing the Canon Jaime Coan Center, CUNY Kin-Yan Szeto Theorizing “Common” versus “Canon” within the dance space of Ghana Sylvanus Kwashie Kuwor Kofi Anthonio Eric Baffour Awuah >Making the canon move< Historical praxeological research as a toll to re-write Folkwang University dance history canons Anja K. Arend of the Arts A Common Aesthetic: The Place of Spectacle in the Chinese Dance Drama Stefanie Popular Forms and Publics UH 112 Dragon Boat Racing Alissa Elegant Ohio State University Sachsenmaier Activating Archives: Dance Archives Revived, Reclaimed, and Reimagined Alex Springer Smith College “Sending and Receiving: Dance Improvisation with the AUMI” Michelle Hayes University of Kansas Sherrie Tucker University of Kansas

Positioning A Popular Commons UH 318 Positioning the Commons Betina Panagiotara Independent Scholar Angela Ahlgren Female Physicality and Ballet Symbolism Florida State in Hulu’s The Handmaid’s Tale Jen Atkins University Agonising Difference: Intercultural Dialogues in Kingston University ‘Bruk Out’ Dancehall Celena Monteiro Longon Reflections by Dance Film Artists UH 412 Reflections by Dance Film Artists Talia Koylass Amy Wilkinson Brendan Fernandes Ginger Krebs Unofficial Use: Common Narratives, Where the disappeared are forced to Histories of Violence, and the Moving roam: Forensic Performances and Ramon Rivera- Archive UH 122 Common Lies Juan Manuel Aldape Muñoz UC Berkeley Servera On the Common Narrative of Argentine Universidad de Dance History and the Possibility of Buenos Aires - Epistemic Disobedience Eugenia Cadús CONICET Dance, Political Violence, and Ethnography in the Archive Victoria Fortuna Reed College 12:30-2pm Membership and Awards Luncheon, Orrington Hotel Grand Ballroom 2:30-4pm Updated 6/17/2019

EXPLODE! queer dance festival: Orrington Hotel, 2nd Midwest floor landing FLY | DROWN Jennifer Harge Decolonizing Dance Discourses: University of Gathering 2 [gathering] KRS 2415 Clare Croft Michigan Royona Mitra Brunel University Royona Mitra London Janet O'Shea UCLA Munjulika Tarah Williams College Imani Kai Johnson UC Riverside Anthea Kraut UC Riverside

Shanti Pillai Williams College Commons and Canons: Revising Adapting Balanchine’s Ballets for Network Ballet from 1850-1960 UH 102 Television Megan Race Harvard University Alison Bory Re-envisioning the Corps de Ballet: the Paris Opéra 1856-62 Olivia Sabee Swarthmore College Mobilizing the Masses: Enlightening University of Soviet Audiences at the Bolshoi Theater Lee GK Singh California, Riverside Simple Gifts, March Kings and Dancing Soldiers: Rethinking From "March King" to the "Two-Step Common Knowledge about Dance Queen": The Feminization of John Philip University of and its Music UH 121 Sousa Susan C. Cook Wisconsin-Madison Kathleen Boche The “Simple Gifts” of Making Appalachian Spring Un-Common Marta Robertson Gettysburg College Dancing in Uniform?: Policing the Military University of Body in London's World War I Nightclubs Rachel Cowgill Huddersfield Wandering: Choreographic Experimentation and Expressions of Post- War American Jewish Identity in works by Expanding Choreographic Contexts UH 122 Meredith Monk Gillian Lipton Independent Scholar Eike Wittrock Interpreting Nigerian Dance Within the Context of Socio-Political and Economic Obafemi Awolowo Changes Tijime Awawuer University, Ile-Ife Shanghai Theatre Academy/Chinese What Exactly Is Our Common Body In National Academy of Dance? Qingyi Liu Arts Affective Ecologies of Practices: Time and the Corporeal Commons KRS 2380 Schizosomatics DIEGO Gil Concordia University Petra Kuppers Université de Montreal, Quebec and University of Dance Anarchives Catherine Lavoie-Marcus Amsterdam Tisch School of the Anachoreographies Noémie Solomon Arts/ Wesleyen From Labour to Life Alanna Thain McGill The City of New Travels of the Common French Dance Center Ballroom Travels of the Common French York Department of Contradance Studio Contradance Marcea Daiter Education Sarah Edgar independent scholar Jane Peck The New York Baroque Dance Catherine Turocy Company The Practice of Listening: Postmodern University of Improvisation, 1970s and Beyond UH 101 Dance Improvisation Heidi McFall Maryland Ira Murfin The Promise of Common Creation in Yale School of Contact Improv and Improv Comedy Katherine Profeta Drama SoHo: Fertile Ground for Grand Union Wendy Perron New York University From Slavic Mythology to American Translating 20th Century Embodied Identity: The Transformative Power of Contexts UH 218 Firebird Tara Wheelwright Brown University Meg Booker From Loie Fuller and Harald Kreutzberg to Martha Graham: The Un/Common State University of Making of the Romanian Modern Dance Camelia Lenart New York at Albany Frederick Ashton’s and Benjamin Britten’s The College of New “Rimbauderies” Wayne Heisler Jersey The Ohio State Decaying Dances: Revitalization through University and Anamaria Repetition, Memory, Decay UH 318 Ownership Ambre Emory-Maier BalletMet Tamayo Duque Decaying Dances: Revitalization through The Ohio State Ownership Valarie Williams University Graduate Institute of Gadamer’s Transformation into Common Dance, Taipei Structure and the Re-creation of Chinese National University Court Dance Chih-Ai Yu of the Arts The Aging Commons: Reclaiming the Embodied Histories of Robert Helpmann’s Legatees. Michael Byrne Cornell Tech

Activating the Commons: The Rise of Rural Festivals and Site-Specific Projects National Bodies KRS 2339 in Greece during the Financial Crisis Natalie Zervou UW Madison Aoife McGrath Twenty-five years post-Riverdance: new commons for contemporary Irish dance Darrah Carr Purchase College Uncommon Dances: Representation, Disidentification and Deconstruction in the Choreography of Melati Suryodarmo Triwi Harjito UCLA I'm Woke You're Not: A Masterclass in Rosemary Addressing Racism and Sexism KRS 2435 White Fragility Rebecca Pappas Trinity College Candelario Arches, not Rainbows: Fighting Back in a Post-Apartheid Romeo and Juliet Brandon Shaw Independent Uncommon Practices: One Woman’s Ways of Creating and Establishing a Dance Chronicle Choreographic Legacy despite a Sexist and Temple Milieu Joellen Meglin University Updated 6/17/2019

Trinity Laban Vital entanglements: An exploration of Conservatoire of The Studio as Transformative collective effort in the dance technique Music and Dance, Commons KRS 2329 class Jamieson Dryburgh London Crystal Davis Dance, Memory and Aging: Towards a New Methodological Approach to the Study of Participatory Dance among Michigan State Seniors Joanna Bosse University Seeking the Universal: The Creation of UMass Amherst and Katherine Dunham Technique Molly Christie Gonzalez Five College Dance Puerto Rican Dance Commons: Northwestern Formal and Social Experimentations KRS 2410 Ramon Rivera-Servera University University of Puerto Susan Homar Rico University of Puerto Rico/Museum of Contemporary Art – Lydia Platón Puerto Rico Universidad del Sagrado Corazón/La Espectacular Artist Nibia Pastrana Santiago Residency Northwestern José Alvarez-Colón University 4:30-6pm Private Ownership, Dance Patronage, Dance, Money, and Race: Critical and the Enclosure of the Commons: A Approaches to US Dance Funding in Study of Glorya Kaufman’s Philanthropy California College of the Twenty-First Century UH 122 in Los Angeles Olive Mckeon the Arts Sarah Wilbur Commission, Commemoration, and Racial Capitalism: Patterns of Arts Patronage University at Buffalo - and National Belonging Ariel Nereson SUNY

Dancing for God and Country: The For- Profit Theatre Industry and the Utopian Washington Performative in “A Perfect American Town” Joanna Das University in St. Louis Collaborative Experiments in the Un- “Common”: Making Room for Multiplicity while Composing Dance Center Ballroom [gathering] Studio Gretchen Alterowitz UNC Charlotte Cara Hagen University of New Amanda Hamp Mexico Alison Bory Davidson College The De-colonial, the Unthought, and Little in Common: Sello Pesa, Robyn the Uncommon: Black Dance and Orlin, and Embodied “Negotiations” of University of Harshita African Movements UH 102 Contemporary South Africa Catherine Cole Washington Mruthinti Kamath Georgetown Afriqueering the Commons April Sizemore-Barber University

“Crisis in the Commons”: The Dissolution Northwestern of “Relation” in contemporary Black dance Mlondolozi Zondi University Funding a Dance Commons: Institutional Intentions and A Fierce Kind of Love: A Crip/Queer University of Performative Misfires KRS 2380 Choreographic Commons Amanda DiLodovico Pennsylvania Johanna Kirk The Comprehensive Employment Training Act (CETA): Choreographic Excess and the Dance Commons Colleen Hooper Point Park University The Dancemobile: A Diasporic Sense of Living in Common Charmian Wells Temple University On the expertise of setting agency on Improvisation and Transdisciplinary hold - a phenomenological and enactive University of Approaches UH 121 analysis of improvisational practices Susanne Ravn Southern Denmark Tommy DeFrantz Improvisation: an ethical way of going about things Vida Midgelow Middlesex University of Southern The political force of Australian Denmark/La Trobe indigenous performance philipa rothfield University Dance Studies in the Commons: UNC Chapel Hill, Public Dance Scholarship outside Carolina Performing the Academy KRS 2415 Amanda Graham Arts Arabella Stanger Jennie Scholick San Francisco Ballet San Francisco Conservatory of James Steichen Music Museum of Contemporary Art Tara Willis Chicago

EMPAC / Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Ashley Ferro-Murray Polytechnic Institute Immersive Sites of Momentary Threat, Defense, and Absence: Ali Commons: Dancing Borders, Race, Moini’s "My Paradoxical Knives" and the Rastovac University of and Sexuality KRS 2435 U.S. Muslim Travel Ban Heather Akbarzadeh California, Davis Anusha Kedhar Choreographing Architectures of Public Intimacy in the Hindi Film Cabaret Usha Iyer Stanford University Immersive Dance as Momentary Commons: Lenora Lee Dance on Angel Island SanSan Kwan UC Berkeley

“‘Our Giselle is Muscular!’: Femininity, Soft Power, and Cultural Diplomacy in Franco- University of Renate Ballet, Representation, and Power RSG 2410 Soviet Dance Exchanges, 1954-1972” Kayci Harris Wisconsin-Madison Brauninger Updated 6/17/2019

Ballet Choreography and the Great War: University of Can we get beyond ‘the beautiful death’? Larraine Nicholas Roehampton

Referencing America: The Common Tópos of Rodeo in and between Aaron University of San Copland, Agnes de Mille, and Justin Peck Michelle LaVigne Francisco From “Afro-Peruvian” to “Cosmic”: Victoria Santa Cruz’s Technique for the Discovery University of Techniques in Corporeal Translation KRS 2329 of Internal Rhythm Heidi Feldman California, San Diego Megan Nicely The Bassanda Project: Reclaiming the Texas State Commons, One Dance at a Time Nicole Wesley University Texas Tech Christopher Smith University An anthropology of kinesthetic diversity: The Hebrew Dancing in common across ability- University of disability lines Gili Hammer Jerusalem Dancing for Justice: Unlocking the Stories University of Mobilizing for Justice UH 112 of Incarcerated Girls Emma Davis Michigan, Flint Pallabi Sriram California State University, “Come.Unity: Activism in the Virtual Realm” Bernard Brown Sacramento Indigenous Corporeal Presence: Bulareyaung Dance Company and Indigenous Land Rights in the Age of the Taipei National Anthropocene Yatin Lin University of the Arts UNIVERSITY OF Performing a New Cultural Commons: K- NEBRASKA- Global Pop Moves KRS 2339 Pop Dance, Gender, and Sexuality HYE-WON HWANG LINCOLN Alexandra Harlig The Uncommons Fall Out: J-Pop, J-Folk, University of and Mayan-Mythic Unity Undone Katherine Mezur California Berkeley

Independent Dancing Reggaeton: Expressing, Scholar/ University Challenging and Reinforcing Cultural of Roehampton Post- Identities Alexandra Quinn Graduate Alumna Meet in Dance Lobby to Choreographic Constructions in The go Outdoors (rain or Commons [gathering] shine) Lisa Sandlos York University Szu Ching Chang California Polytechnic Rennie Tang University Pomona Dance Across Africa: Through the University Library, Collections of the Herskovits Library Africana 5th floor Amy Swanson Colgate University Northwestern Esmerlda Kale University Northwestern Gene Kannenberg, Jr. University Professor Emerita Dance St. UCR/ Neoliberalisms, Coloniality, and Neoliberal Tangos, Dancely Commons World Arts & Dance's Economies UH 101 And Divides Marta Savigliano Cultures UCLA Diyah Larasati Moving Beyond the Neoliberal Critique in Dance Scholarship: Modern Economics University of for The Common Good Juliet McMains Washington Stanford University/Red Peak Economics Cristian Santesteban Consulting On the uncanny feeling that something else is there in the undercommons; so we better hurry up and dance it out, together, till our shared labour produces University of love Cristina Fernandes Rosa Roehampton London Razor Burn: Women’s Dance Majors' Pedagogy and Possibility in the Acquisition of Political Identity through Loyola University Sarah Fried- Undergraduate Classroom UH 218 Creative Processes Amy Wilkinson Chicago Gintis The Frontera Pedagogy: a radical, asset- based pedagogical approach as a University of Texas responsible act of care Cristina Goletti at El Paso

Teaching and Learning in Dance Appalachian State History(s) as Community Property Practice Ray Miller University 7-10pm EXPLODE! queer dance festival: Midwest

Links Hall, 3111 Western Avenue, Chicago Ticketed Event. Buses leave from Hotel Orrington at 7pm. Buses return after show, around 10:30pm.

Ayodele Dance & Drum J’Sun Howard Murda Mommy Jennifer Monson & Nibia Pastrana Santiago Le Na Moo Darling Shear Joel Valentin-Martinez LaWhore Vagistan 11 Aug - SUNDAY 8:30-10am When did Jews become White? My Dancing Jewishness, Race, and Family’s Embodiment of Reform Judaism Indiana University Interculturalisms UH 122 in the U.S. through Modern Dance Selene Carter Bloomington Naomi Jackson Improvising Coalitions: Jewishness and UNC Asheville, Africanness in Motion Celia Weiss Bambara CCBdance Project Naomi Jackson Dancing Common Ground between Dance Center Ballroom University of Havana and Chicago [gahering] Studio Elizabeth Schwall California, Berkeley Updated 6/17/2019 Building Dance Archives as Commons: Resources, Collaboration, and Outreach The Dance Library: Access, about the Chinese Dance Collection at University of Pedagogy, Resources KRS 2435 the University of Michigan Liangyu Fu Michigan Mao Cui Scholarly Sight Lines: Toward Unobstructed Access to Dance City University of Scholarship Jill Cirasella New York City University of Megan Wacha New York Hip-Hop, I Am Not: Street Credibility as a Prerequisite for Offering Formal Arizona State Jade Power Locating the Popular in the Academy WIRTZ 101 (blackbox) Credentials in Hip-Hop My-Linh Le University Sotomayor Social-vernacular dance pedagogy: Is it Slippery Rock ours to teach? [gathering] Lindsay Viatori University Western Michigan Jeremy Blair University "Sampling and Remixing 'Sinnerman': In Common/ Out of Common: Expanding Definitions of Blackness Identity, Access, and Control in Through Rhythm Tap Dance The University of Ana Paula Popular Culture UH 102 Performance" Michael Love Texas at Austin Höfling Re-scripting Indian Dance: Dance University of Texas, Criticism as the Common Archive Priya Raman Austin Keyword White: Racial Markers in Online The University of Search Results Molly Roy Texas at Austin Sharing Rhythmic (Im)Pulses, Honoring Cultural Specificity: Choreographing Ireland: Revising Percussive Dance as Commons, Narratives as Established by the Gaelic Panel 2 KRS 2415 League Danielle Enblom Independent Scholar Nic Gareiss The potentiality (and potential pitfalls) of University of North a percussive dance commons Janet Schroeder Carolina at Charlotte Five Points of Articulation: How 2/4 Plus 6/8 came to be 4/4, or Common Time Brynn Shiovitz Chapman University Possibilities for Bodies in Common: Dance Pedagogy as Normalizing Discourse and Transformative Dance as an Academic Discipline, Practice UH 101 (un)common ground Melonie Murray University of Utah Mair Culbreth Settling Ourselves: Ecokinetic Boston Approaches to Teaching Dance through Conservatory at Racialized Bodies (co-author) Mila Thigpen Berklee

Emily Wright Independent Scholar Transforming Pedagogies: Immersive and Interdisciplinary Methods in the Texas Tech Postsecondary Choreography Classroom Ali Duffy University Racialized Identities and Movement Dance Center Cellar University of South Celebration in the South Studio Thaddeus Davis Carolina Dahlia Nayar Independent University of South Tanya Wideman-Davis Carolina University of Lodz, Political and artistic re-emergence of Instiute of folklore in current practice and cultural Contemporary Amanda Contemporary Folk KRS 2329 policy in Eastern Europe Joanna Szymajda Culture DiLudovico What Do These People Have in Bulgarian Cultural Common? Verea-Chicago Bulgarian Fest and Heritage Center and its 500 Attendees Daniela Ivanova-Nyberg of Seattle Oulu University of Folk Dancing Communities Petri Hoppu Applied Sciences Dance as Peace Solution:Embodied Queen's University Vulnerability and Transformation KRS 2339 Peace Experience Wanting Wu Belfast Victoria Fortuna The Ancestral Dance: Blurring the Historic Northwestern in Poor People’s TV Room Danielle Ross University Nothing in common: Vulnerability, discomfort and dispossession in Project Kingston University O’s choreographic practice Daniela Perazzo Domm London Choreographing the Irish Borderlands: Claiming Public Space in Northern Ireland Choreographing Ambiguous Borders UH 121 from the Troubles to Brexit Kathryn Holt Ohio State University Bhumi Patel Against a Wall: Artistic Citizenship and Dance Production in Israel/Palestine Meghan Quinlan Independent Scholar Dancing for a Dream: Florencia de la V and the Struggle for Trans Rights in Argentina Jeffrey Tobin Occidental College Reading Situation (1990): Identical Muhlenberg College/ Hannah Ways of Seeing KRS 2410 Approach, Different Lenses Fangfei Miao UCLA Schwadron

Punching Soil and Planting Seeds: Finding Common Ground through Ecologies of Kinesthetic Empathy in Three Adaptations of "The Rite of Spring" Anna Paliy University of Toronto

From Spectacle to Intimacy: Fracturing Moore College of Art the Binary of Ethical/Unethical Witnessing Kristen Shahverdian & Design University of Little in Common? The Struggles of Michigan, Penny W. Tricky Politics in the Mid-Twentieth Interdisciplinary Engagement in Art and Stamps School of Century KRS 2380 Dance during the Third Reich Susan Funkenstein Art & Design Lucia Ruprecht “The Comfort Dance Troupe” for Japanese Common People during World War II Yukiyo Hoshino Nagoya University

A Family Affair? Choreographies of Black Community in Larry Steele’s Smart Affairs Barry Brannum UCLA 10:30-12pm Non-human Interlocutors: Water and Dance Center Cellar Collaborative Performance: Increasing Grand Valley State VR Studio Water Awareness [gathering] Hannah Seidel University Charli Brissey 22nd Century Riversides: Choreographing in Virtual Reality [gathering] Elizabeth Alexander Cornell University Updated 6/17/2019

University of Michelle Pen Northern Colorado Un/Common-ing Pedagogies: Teaching Critical Dance and Movement Studies in Divergent Dance Center Ballroom Times [gathering] Studio Dasha Chapman Five College Dance Laiyle Weidman J. Dellecave Independent Adanna Jones Bowdoin College Harvard University Sharon Kivenko and Tufts University New College of Queen Zabriskie Florida University of Illinois Mario LaMothe at Chicago Mobilizing (Un)Common Identity: Choreographing Common Values: The University of Dance and Poetry UH 101 Medieval French Carole Kathryn Dickason Southern California Jennie Scholick Allusion and Embodiment in Ancient Greek Choral Lyric Sarah Olsen Williams College Not a Woman Dancing? Felicia McCarren Tulane University

Early Choreographic Commons: Dance Steps of the Commons: Un-familiar Race and the Longue Durée UH 102 Movement in the 17th C Great Lakes VK Preston University of Toronto Ann Fisvik Science Fiction Choreography as a Barnard College of Proleptic Technology Seth Williams Columbia University Race, Indigeneity, and the Spaces of University of Morris Dance Seeta Chaganti California, Davis Publication Panel: What Does DSA Publish? KRS 2415 Publication Panel Jens Richard Giersdorf DSA Board Helen Thomas DRJ, Editor Eugenia Cadus DRJ, Author Studies in Dance Clare Croft History seres, Editor Studies in Dance Evadne Kelly History seres, Author Conversations Across the Field, Rosemary Candelario Editor “One Singular Sensation?” Unison as “One Singular Sensation?” Unison as Commons in Commercial Commons in Commercial Screendance University of Pamela Screendance practices KRS 2380 practices Elena Benthaus Melbourne Krayenbuhl Elizabeth June Bergman Temple University The Ohio State Alexandra Harlig University Dara Milovanovic University of Nicosia University of East Laura Robinson London The (Un)tethered Body: Communal The (Un)tethered Body: Communal Memory and Making as Practices of Memory and Making as Practices of The Ohio State Resistance WIRTZ 101 (blackbox) Resistance Crystal Perkins Unviersity Sybil Shearer: Canonical Value and Dance Studies Chicago's Dance Archives UH 121 Valuation Lizzie Leopold Association Jenai Cutcher Critique and the Archive in “the Dance Hub of America”: Ann Barzel and Dance Sam Houston State in Chicago Jessica Herzogenrath University A Chicago Ballet Alliance: John Alden Carpenter and Adolph Bolm Carolyn Watts Princeton University University of Rethinking the Boundaries of Religion KRS 2435 Dance as Invented Religion Jennifer Fisher California Irvine Hannah Kosstrin Dancing the Postsecular: Transforming the Public Sphere Through Embodied Acts of Alliance Building Carolyn Pautz Temple University Venkata Sundara Sani and Her Rasika Jana Manollasini: Establishing a Common Jawaharlal Nehru Dance Identity Gayathri Iyer University The Pedagogy of the Observed: The Panoptic Mechanism of Digital Video Social Media and Surveillance in Surveillance in Commercial Dance Studio 21st Century Dance KRS 2410 Education Revisited Tanya Berg University of Toronto Lindsey Drury Dance is for Everyone: Consumption in a Post-Information Age Britt Fishel Bryn Mawr College Moving memorials: performing homage in the age of social media Archer Porter UCLA Disenclosing Dance: Choreographic Space, Place, and the Cultural Thinking as a Knowledge Commons in Headlong Dance Commons KRS 2329 The Quiet Circus David Brick Theater Raquel Monroe

Laura Vriend Independent Scholar Toward a Cultural Commons Julie Potter ODC Theater Visible Dancing: Dance Studio Architecture as a Beacon for Dance in University of Communities Jen Peters MIchigan Uncommon Nonsense: Dance and Dancing Stars on Stage and Screen KRS 2399 Gender in Mary Poppins Kathaleen Boche Independent Scholar Anthea Kraut

Posturing the “Performative Commons”: Stadium Screens, Back-Up Dancers and Posturing in Taylor Swift’s Reputation Tour Mary Fogarty Woehrel York University Long Island Jane Avril and the bal des folles: "Alas! I University Post was cured! Cara Gargano Campus Seeking for Commonality: The Common Forms in Transition UH 112 Transatlantic Transfer of Gruppe Motion Timmy De Laet University of Antwerp Kat Profeta University of Removing Dance from the Commons: Colorado, Colorado Laura Dean's Legacy of Impermanence Elliot Gordon Mercer Springs Toward a Personal Postmodernism: Unfixing Meaning in the Solos of Donna The Ohio State Uchizono and Stephen Petronio Emily Kaniuka University 12:30-2pm Updated 6/17/2019 Plenary III, The State of the Field Hilton Orrington Grand Ballroom

Anamaria, Tmayo Duque Ya-ping Chen, Taipei National Univesrity of the Arts Karen Schupp, Arizona State Univesrity Meiver De la Cuz, Scripps College Vida Midgelow, Middlesex University 2:30-3:30pm EXPLODE! queer dance festival: Orrington Hotel, 2nd Midwest floor landing FLY | DROWN Jennifer Harge