PDF Download the Professor Ebook
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Global Money Heist Live Online Launch Session and Material Distribution
NOVEMBER 7TH // 28TH 2020 Students participating in the Money Heist Social Movement Challenge will learn from two top IE University professors: one from the world of storytelling, and the other from the world of data and analytics. We are living in the age of attention. Every organization, company, brand and even social movement is actively competing across the landscape of online content for our awareness, attention and purchasing power. Attention is everything. It’s what drives consumer behavior. It has the ability to launch a brand into the stratosphere of the global economy. But when done poorly, it can destroy a reputation overnight. What drives our 3 attention and our interest? Independently, storytelling and data and analytics have limited reach in today’s world of intense competition for our attention. If executed well, storytelling can be incredibly effective and engaging—but if the message doesn’t reach the right audience at the right time through the right chan- nel, it can go unnoticed. Data analytics has the power to reach the target audience at the intended moment, but if the message is not engaging, people won’t notice or pay attention to it. When combined effectively, CHALLENGE THE MONEY HEIST both mediums are incredibly effective in reaching the masses and in- fluencing social change and consumer behavior. Money Heist (La Casa de Papel) became a global phenomenon when it was launched to Netflix’s audience of over 130 million subscribers in over 190 countries. Netflix combined its powerful data-marketing techniques with the gripping plot, intriguing characters and radical use of symbolism in the series. -
La Casa De Papel Tokyo De Professor
OOK VERKRIJGBAAR: ACHTER JE MASKER MAG JE BLUFFEN WAT JE WILT! 19799 Distributed by Koninklijke Jumbo B.V. Westzijde 184, 1506 EK Zaandam, The Netherlands. © 2020 Jumbodiset Group. All rights reserved. © Larousse 2020 jumbo.eu MISSIEHANDLEIDING MISSIEHANDLEIDING Nicolas Trenti Zo wordt het spel gespeeld Voor 1 tot 8 spelers (het is makkelijker en leuker om met een groep te spelen dan in je eentje). Speeltijd: 60 minuten (ervaren bankrovers) tot 120 minuten (nieuwe bankrovers). Let op! Lees eerst de volledige spelregels door voordat jullie aan dit avontuur beginnen. Inhoud 9 personagekaarten: 1 professorkaart en 8 bankroverskaarten met de schuilnamen van de overvallers LA CASA DE PAPEL TOKYO DE PROFESSOR 1 Kantine Directiekamer 15 grote Stookruimte stappenkaarten, Inleiding Hal genummerd van Deze Escape Game neemt jullie mee naar de wereld van de populaire serie 1 t/m 15 La Casa de Papel. Controlekamer Ik heb jullie uitgekozen om deel te nemen aan de overval van de eeuw, waarbij Hoofdingang Drukkerij we 2,4 miljard euro zullen drukken. Maar de tijd begint te dringen... Koninklijke Munt van Spanje Plattegrond van de_ _ Lukt het ons met de buit te ontsnappen voordat de politie het gebouw binnendringt? Madrid 1 plattegrond van de Koninklijke Munt van Spanje 30 hulpkaarten, genummerd van 1 t/m 30 2 3 Voorbereiding Zo wordt het spel gespeeld Jullie hebben een paar vellen papier, potloden en een Het spel bestaat uit 15 opeenvolgende stappen, die op de 15 stappenkaarten schaar nodig. DE PROFESSOR zijn weergegeven. Elke stap is een fase van het plan dat de Professor voor ons heeft bedacht, of een onvoorziene gebeurtenis. -
Release of the Fourth Season of Money Heist: Analysis of Its Social Audience on Twitter Durin Lockdown in Spain
information Article Release of the Fourth Season of Money Heist: Analysis of Its Social Audience on Twitter durin Lockdown in Spain Carmen Cristófol Rodríguez 1 , Paula Meliveo Nogués 2 and Francisco Javier Cristòfol 3,* 1 Faculty of Business and Communication, International University of La Rioja, 26006 Logroño, Spain; [email protected] 2 Department of Audiovisual Communication and Advertising, University Malaga, 29013 Malaga, Spain; [email protected] 3 Department of Market Research and Quantitative Methods, ESIC, Business and Marketing School, 28223 Pozuelo de Alarcón (Madrid), Spain * Correspondence: [email protected]; Tel.: +34-606-83-77-78 Received: 8 November 2020; Accepted: 8 December 2020; Published: 11 December 2020 Abstract: Nowadays we are witnessing a significant change in content consumption. This, together with the global health situation, has caused some behaviors to accelerate. This research focuses on the specific case of the lockdown in Spain and the coincidence with the launch of the fourth season of Money Heist compared to the launch of season three. Starting with a review of the theoretical framework, in which the related concepts of coronavirus, television, and Video on Demand (VOD) platforms are presented, the importance of transmedia communication is also introduced. The methodological aspect is developed through content analysis and in-depth interviews. The tool used on the first methodology has been Twlets. With regard to the sources, the specific bibliography of the audiovisual sector, the official profile of the series on Twitter and personal interviews with professionals from the communication department of the production company, Vancouver Media, and from the series directing were taken into account. -
Identification with the Characters of La Casa De Papel Spanish Series
IAFOR Journal of Arts & Humanities Volume 8 – Issue 1 – 2021 Netflix and Crime: Identification with the Characters of La Casa de Papel Spanish Series Afnan Qutub King Abdulaziz University Saudi Arabia Dina Marie King Abdulaziz University Saudi Arabia Samar Meer King Abdulaziz University Saudi Arabia Amira Alkurdi King Abdulaziz University Saudi Arabia 5 IAFOR Journal of Arts & Humanities Volume 8 – Issue 1 – 2021 Abstract This study examines the Netflix Spanish series La Casa de Papel as a pragmatic example of a series that addresses questions of criminal justification. In this qualitative study, in-depth interviews were conducted with 17 Saudi participants. The findings suggest that the Saudi viewers justified the characters’ crimes influenced by fundamental attribution error. Viewers’ identification with the characters could be seen in their empathy with the robbery team and their desire for threatening characters to die. Viewers also stated that they did not want the criminals to be caught. In fact, viewers felt sad and emotional when the characters were shot or caught. Participants ranked the Professor, Tokyo, Berlin, and Nairobi as the most liked characters. Conversely, the least liked characters were Arturo Román and Sierra because they threatened the success of the robbery. Finally, participants accepted the banker joining the team, while they opposed detective Lisbon joining it. Keywords: identification, La Casa de Papel, money heist, Netflix, Saudi Arabia, Spanish series 6 IAFOR Journal of Arts & Humanities Volume 8 – Issue 1 – 2021 La Casa de Papel is a Spanish series originally produced by Netflix. The police series, also known as The Professor and Money Heist, has been highly rated at 8.8 out of 10 by 34,438 viewers (González Rosero, 2019). -
Viewers' Attribution of Criminal Acts in La Casa De Papel Series
Viewers’ Attribution of Criminal Acts in La Casa De Papel Series Presented on Netflix Digital Entertainment Platform Afnan Qutub, King Abdulaziz University, Saudi Arabia The Asian Conference on Media, Communication & Film 2020 Official Conference Proceedings Abstract In the last two years, there has been a huge investment in entertainment by the Saudi Government. In 2018, Netflix was launched in Saudi Arabia and soon become popular. This study examines Saudi viewers’ perceptions of the Netflix Spanish series La Casa de Papel because this series went viral. The study focuses on Saudi viewers’ motivation for watching the series and their justification of criminal behaviors. A sample of 400 Saudi students from the age range 18–35 answered the survey. The results indicated a significant correlation between viewing time, empathy with characters, and external attribution of criminal behaviors. The Robin Hood pattern of robbery implied in the series was acceptable to 62% of the sample. The role of the Professor as the mastermind of the operation was attributed to the necessity of having an outsider to assist the gang members by 85% of the respondents. Keywords: Binge-Watching, La Casa De Papel, Saudi Arabia, Attribution, Netflix, Crime iafor The International Academic Forum www.iafor.org Introduction Netflix is an American entertainment company founded by Reed Hastings and Marc Randolph in 1997, originally specializing in the sale and rental of integrated DVDs (Jenner 2014). In 2013, the company became a producer of movies and TV programs, beginning with the first series of House of Cards. In 2014, Netflix offered a huge online library of films and TV shows, including original content produced by Netflix, in many countries including the United Kingdom, Denmark, Finland, North and South America, the Netherlands, and the Caribbean (Jenner, 2014). -
La Casa De Papel Défi 1
La casa de papel Défi 1 Berlin ne supporte pas qu’on défie son autorité. Hélas, un des otages a volé un GSM. Il doit réussir à l’éteindre, pour ne pas se faire repérer. Pour cela, il doit retrouver le code du GSM… Aidez-le!!! Les informations : - le code est composé de 4 chiffres ; - la somme de ses 4 chiffres est 13 ; - le chiffre des milliers est 2 fois plus grand que celui des unités ; - le chiffre des centaines est 3 fois plus grand que celui des dizaines. Transmettez le code à « El Profesor », si celui-ci est correct, il vous remettra une carte postale. La casa de papel Défi 2 Nairobi est une professionnelle dans le domaine des billets. Elle sait que le numéro d’un billet en euro se présente sous la forme d’une lettre suivie de onze chiffres. Remplaçons d’abord la lettre par son rang dans l’alphabet (Y = 25e lettre de l’alphabet). Nous obtenons un nombre de douze ou treize chiffres. Et là, magie : si le billet est vrai, le reste de ce nombre dans la division par 9 vaut 8. Rappelons que pour qu’un nombre soit divisible par 9, il suffit que la somme de ses chiffres soit divisible par 9. Dans l’image au dessus le numéro Y00309901015 devient 2500309901015. Ce billet est-il vrai ? Donnez votre réponse avec l’explication à « El Professor », si c’est correct, il vous remettra une carte postale. La casa de papel Défi 3 Tokyo et Rio doivent se rendre au musée pour y récupérer des informations pour leur prochain cambriolage. -
The Heist Free
FREE THE HEIST PDF Daniel Silva | 480 pages | 03 Feb 2015 | HarperCollins Publishers | 9780007552290 | English | London, United Kingdom The Heist: Monaco Choices | Choices: Stories You Play Wiki | Fandom The album was independently self-produced, self-recorded and self-released by the duo, The Heist no mainstream promotion or support. After the album's release, the duo hired Warner Music The Heist 's radio promotion department to help the push with their singles for a The Heist percentage of the sales. The album was recorded in Seattle, Washington between and Within each series of singles were released, before the album release from and onwards; the fourth single " Thrift Shop ", which was the The Heist commercially successful — peaking at number one on the Billboard Hotnumber one in 17 other countries, including number one positions The Heist New Zealand and Australiaas well as a successful run on the charts in many other countries. The album's third single " Can't Hold Us " was also largely commercially successful, peaking at number one in the United States, The Heist, and Sweden. In JulyMacklemore and Ryan Lewis announced that their full-length debut album will be titled The Heistand it would be released on October 9,as well as a subsequent world tour to promote the release. The song titled "Jimmy Iovine" featuring Ab-Soul was also confirmed. The official debut singleThe Heist Wings " was released on January 21, It was produced by Ryan Lewis. The track eventually caught the attention of Sean Lynch, a writer from The Source ; who initiated an interview to land Macklemore in the magazine's "Unsigned Hype" column in It debuted on the Billboard Hot at number 97 for the week ending on February 16,and peaked at number one on the week of May 18,and remained there for 5 consecutive weeks, becoming the longest running consecutive number-one oftied with Harlem Shake by Baauer although both were later bested by Robin Thicke 's " Blurred Lines ", which remained atop the chart for 12 consecutive weeks.