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Bulletin 145 Winter
b.145 BULLETIN OF THE CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU winter june – septemberaugust 06 06 Exhibitions Programme June, July, August JEFFREY HARRIS A unique journey through the extraordinary career of Touring Exhibition Galleries Jeffrey Harris. & Borg Henry Gallery • until 25 June • publication available WELTSPRACHE FUSSBALL / PLANET FOOTBALL The Gallery is New Zealand’s only venue for this international Balconies touring exhibition of football images from the world’s finest • 10 June – 16 July photography agency, Magnum. SOUTHERN LIGHTS A remarkable installation by leading photographer Anne Noble Tait Electronics Antarctica explores how the medium of photography shapes our impressions Gallery of Antarctica. • until 30 July CECIL BEATON The glamorous worlds of fashion, literature and film meet in this William A. Sutton major international exhibition of one of the most celebrated & Ravenscar Galleries British portrait photographers of the twentieth century. Toured by • until 10 September the National Portrait Gallery, London. • admission charges apply • publication available A LOOP AROUND A LOOP Sensual, complex, arresting, the work of Julia Morison is an Touring Exhibition Galleries intellectual order made physical. This major exhibition of more & Borg Henry Gallery than two decades of work by one of New Zealand’s most • 21 July – 23 October inventive artists has been developed by Christchurch Art Gallery • publication available and Dunedin Public Art Gallery. ROOM WITH A VIEW This interactive installation of jewellery object art by Kirsten Tait Electronics Antarctica Haydon was inspired by a visit to Antarctica, and looks at the way Gallery souvenirs are reminders of journeys and encounters. • 11 August – 3 December From the Gallery Collections THE COLLECTIONS Divided into Historical, Twentieth Century and Contemporary Collection Galleries Collections, this installation displays a rotating selection of • catalogue available treasures. -
Ryman Healthcare ANNUAL REPORT 2021 RYMAN HEALTHCARE
Ryman Healthcare ANNUAL REPORT 2021 RYMAN HEALTHCARE Cover image features Ryman residents Norris Aitken, Nola Cutting, Muriel Feasey, Eng Dick, Helen Aitken and Richard Fisher. ANNUAL REPORT 2021 Our mission remains the same as it has been for the past 37 years - the care we offer has to be “good enough for Mum or Dad”. RYMAN HEALTHCARE 2 ANNUAL REPORT 2021 4 Chair’s report 10 Stats and facts 12 Group chief executive’s report 20 Current villages under development 22 Future villages in our pipeline 26 Our directors 28 Our senior executives 31 Who we are and how we create value 39 What matters most to our stakeholders 43 Caring for our residents and our communities 55 Caring for our people 65 Caring for our environment 73 Providing a sustainable outcome for all stakeholders 77 Embracing innovation and technology 81 Our financials 139 Statement of corporate governance 156 Rymanians 162 Our village locations 164 Directory 3 RYMAN HEALTHCARE Chair’s report Ryman residents Norm Reid and Maggie Gubbins with chair, Dr David Kerr. 4 ANNUAL REPORT 2021 We bore the brunt of the COVID-19 pandemic during the 2021 financial year. I am pleased to report that we have come through well and are in good shape for future growth. DR DAVID KERR CHAIR, RYMAN HEALTHCARE 5 RYMAN HEALTHCARE “We are enormously grateful for the extra effort our team has put in to keep everyone safe.” The board of Ryman A good result in a difficult year Healthcare is proud of what The pandemic has been a once-in-a-generation challenge, but has been achieved in the most we kept everyone safe. -
Cora Wilding and the Sunlight League
BEAUTY OF HEALTH: Cora Wilding and the Sunlight League A thesis submitted in partial fulfilment· of the requirements for the Degree of Master of Arts in History in the University of Canterbury by Nadia Gush University of Canterbury 2003 Contents Contents Abstract...................................................................... 1 Acknowledgements...................................................... 2 Foreword.................................................................... 3 Introduction: Borders/Boundaries/Skins............................ 5 Chapter One: The Beauty of Health ................... ".............. 25 Chapter Two: A Sense of Form and Strength of Line (1907 -1927) ................................................................. 44 Chapter Three: Celestial Antiseptic: The Beginnings of the Sunlight League. .. 89 Chapter Four: The Beautiful People.................................. 106 Chapter Five: Studying the Figure for Introduction into Landscape (1928-1935) .............................................. 122 Chapter Six : The Art of Harmonious Living (1936-1951) ................................................................ 153 Conclusion: Intensity/purpose/harmony - Truth/goodness/beauty. 171 Appendix A............................................................... 176 Bibliography............................................................. 179 2 - JIJ L 2003 List ifFi8wes List of Figures Figure Page 1. Cora Hilda Blanche Wilding (1888-1982) ................................. 3 2. From Mt Egmont, c.1919/20 .............................................. -
B.150 Bulletin of Christchurch Art Gallery Te Puna O Waiwhetu
BULLETIN OF CHRISTCHURCH ART GALLERY TE PUNA O WAIWHETU spring september – november 2007 Exhibitions Programme b.150 September, October, November Bulletin Editor: Sarah Pepperle 2 Foreword Gallery Contributors A few words from the Director Director: Jenny Harper JULIAN DASHPER: TO THE UNKNOWN NEW ZEALANDER Curator: Peter Vangioni An exhibition by one of New Zealand’s leading Burdon Family Gallery, Balcony Assistant Curator: Ken Hall 3 My Favourite contemporary artists. & Collection Galleries Public Programmes Officer: Ann Betts Christopher Moore makes his choice • until 14 October Gallery Photographer: Brendan Lee • publication available PHIL DADSON: AERIAL FARM Friends of Christchurch Art Gallery: Cheryl Comfort, Paul Deans 4 Noteworthy Video and audio material recorded in the Dry Valleys of Tait Electronics Other Contributors News bites from around the Gallery Antarctica explore an environment through sound and image. Antarctica Gallery Andrew Clifford, Julian Dashper, Christopher Moore, Bruce Russell • until 14 October BILL HAMMOND: JINGLE JANGLE MORNING Tel (+64-3) 941 7300 Fax (+64-3) 941 7301 8 The Year in Review The long-awaited spectacular survey exhibition of more than Email [email protected] [email protected] Touring Exhibition Galleries Please see the back cover for more details. A summary of business, 1 July 2006 – 30 June 2007 two decades of work by one of New Zealand’s most sought-after & Borg Henry Gallery contemporary painters. • until 22 October We welcome your feedback and suggestions for future articles. Principal Exhibition Sponsor: Ernst & Young. The exhibition and accompanying • publication available 10 To the Unknown New Zealander publication are supported by the Friends of Christchurch Art Gallery, Creative New Peter Vangioni interviews Julian Dashper Zealand and Spectrum Print. -
An Annotated Bibliography of Published Sources on Christchurch
Local history resources An annotated bibliography of published sources on the history of Christchurch, Lyttelton, and Banks Peninsula. Map of Banks Peninsula showing principal surviving European and Maori place-names, 1927 From: Place-names of Banks Peninsula : a topographical history / by Johannes C. Andersen. Wellington [N.Z.] CCLMaps 536127 Introduction Local History Resources: an annotated bibliography of published sources on the history of Christchurch, Lyttelton and Banks Peninsula is based on material held in the Aotearoa New Zealand Centre (ANZC), Christchurch City Libraries. The classification numbers provided are those used in ANZC and may differ from those used elsewhere in the network. Unless otherwise stated, all the material listed is held in ANZC, but the pathfinder does include material held elsewhere in the network, including local history information files held in some community libraries. The material in the Aotearoa New Zealand Centre is for reference only. Additional copies of many of these works are available for borrowing through the network of libraries that comprise Christchurch City Libraries. Check the catalogue for the classification number used at your local library. Historical newspapers are held only in ANZC. To simplify the use of this pathfinder only author and title details and the publication date of the works have been given. Further bibliographic information can be obtained from the Library's catalogues. This document is accessible through the Christchurch City Libraries’ web site at https://my.christchurchcitylibraries.com/local-history-resources-bibliography/ -
Affordable & Applied
Affordable & Applied Art 22 JULY 2020 AFFORDABLE & APPLIED ART Wednesday 22 JULY 2020 11am start Lot 1 – 360 Viewing Schedule Sunday 19 July 12noon – 3pm Monday 20 July 10am – 4pm Tuesday 21 July 9am – 4pm Dunbar Sloane Ltd 7 Maginnity Street Wellington CBD www.dunbarsloane.com ENQUIRIES +64 4 472 1367 / [email protected] PO Box 224, Wellington 6140 LIVE BIDDING Please note we now offer our own live online bidding service. For instruction see our website: www.dunbarsloane.co.nz Online registrations and absentee bids must be made at least 2 hours before the auction commences, or 24 hours if you are an International client BUYERS PREMIUM Each lot is subject to 17% + GST buyers premium 1 9 16 Juliet Peter Albert L Wong Kate Coolahan Circle Theme 5th November Colonisation lithograph, ltd ed 4/20 lithograph, ltd ed 9/12 etching, ltd ed 1/25 signed & dated ‘69 (lower right) signed (lower left) signed (lower right) 40.5 x 48cm, mounted 28 x 38cm 71 x 52.5cm $150 - $300 together with similar lithograph ‘Garden together with other relief print ‘Estuary’ by Path’ by the same hand, both mounted (2) Elva Bett, both unframed (2) 2 $100 - $200 $80 - $160 Don Ramage Over the Violet Hills 10 17 lithograph, ltd ed 5/18 Brian Carmody Deva Prasadam signed & dated ‘69 (lower right) Estuary Freedom in Confinement 48 x 66cm, mounted lithograph, ltd ed 1/6 screenprint, ltd ed 9/35 $100 - $200 29 x 48cm signed & dated ‘83 (lower right) together with two Bruce McAllum ltd ed 45 x 64cm 3 linocuts ‘Man with Cello’ & ‘Rooster’, all together with three other -
August 2010 PROTECTION of AUTHOR ' S C O P Y R I G H T This Copy Has Been Supplied by the Library of the University of Otago O
THE UNIVERSITY LIBRARY PROTECTION OF AUTHOR ’S COPYRIGHT This copy has been supplied by the Library of the University of Otago on the understanding that the following conditions will be observed: 1. To comply with s56 of the Copyright Act 1994 [NZ], this thesis copy must only be used for the purposes of research or private study. 2. The author's permission must be obtained before any material in the thesis is reproduced, unless such reproduction falls within the fair dealing guidelines of the Copyright Act 1994. Due acknowledgement must be made to the author in any citation. 3. No further copies may be made without the permission of the Librarian of the University of Otago. August 2010 Bibliography Primary Sources The primary source for information on the Canterbury Society of Arts is the inventory CAG 1, held at the Christchurch Art Gallery. This is detailed below. 1. Inventory of Christchurch Society of Arts Archives. CAG 1, Christchurch Art Gallery Te Puna o Waiwhetu 1 Six minutes books covering the following years: 1880-1886 1886-1896 1896-1906 1907-1917 1917-1936 1936-1958 (Later minutes books are in box 63) 2 Annual Reports and balance sheets, 1880-1919 List of pictures acquired, 1881-1952 Cash book, 1896-1906 Thumb-indexed ledger with pasted in correspondence and society rules, 1896- 1906. Debentures (used to raise funds to purchase works from 1906 International Exhibition) 3 22 exhibition files, numbered A1 to A22, 1947-1965. 4 CSA Exhibition catalogues other than the annual autumn show, 1937-1967. 5 Complete set of Preview July 1987-June 1996 6 Correspondence, 1960 7 Folders of miscellaneous correspondence 8 Three books and two manilla folders of newspaper clippings, 1881-1955. -
Ryman Healthcare ANNUAL REPORT 2020 RYMAN HEALTHCARE
Ryman Healthcare ANNUAL REPORT 2020 RYMAN HEALTHCARE Cover image features Priscilla Lowry, a resident photographed during our Pioneers brand campaign. ANNUAL REPORT 2020 Our mission remains the same as it has been for the past 36 years - the care we offer has to be good enough for Mum or Dad. RYMAN HEALTHCARE 2 ANNUAL REPORT 2020 4 Chair’s report 12 Project Safe Haven in action 14 Chief executive’s report 22 Our directors 24 Our senior executives 27 Thinking of everything 31 Our business model 39 Our pipeline of villages 41 Health, safety and wellbeing 45 Our financials 99 Statement of corporate governance 120 Our village locations 122 Directory 3 RYMAN HEALTHCARE Chair’s report 4 ANNUAL REPORT 2020 The COVID-19 pandemic of 2020 has been a once- in-a-generation challenge. The clarity of purpose of this company was critical to the response and I am pleased to report we have managed the challenge to date and we remain in good shape. DR DAVID KERR RYMAN HEALTHCARE CHAIR 5 RYMAN HEALTHCARE “The care we took was indeed good enough for Mum or Dad.” Ryman Healthcare is a company A solid result in a challenging year with purpose. We build beautiful I’m pleased to report a solid year despite the challenges and vibrant communities where thrown at us in its final months. people can be reassured that Our audited underlying profit rose 6.6 percent to $242 million. they will be looked after and Our reported profit, which includes unrealised valuations, cared for in their retirement declined 19 percent to $265 million. -
Edith Collier: Her Life and Work (1885-1964)
Edith Collier: Her Life and Work (1885-1964) Joanne Drayton A thesis submitted to the University of Canterbury for the degree of Doctor of Philosophy in Art History University of Canterbury 1998 Volume I Suzanne Vincent Marshall ii ABSTRACT Edith Collier (1885-1964) is a Wanganui artists whose life and oeuvre is the subject of this biographical essay and catalogue raisonne. She was educated in Wanganui, and at the age of twenty-seven years travelled to Britain and remained there almost a decade from 1913-1921, studying and producing art. She enrolled at London's St. John's Wood Art School and toured extensively executing work in Scotland, Wales, Cornwall, Kent, Oxford, Bibury, and Bonmahon in Southern Ireland. Margaret Macpherson and Frances Hodgkins were her most significant teachers, and their ideas and the art that she was exposed to in Britain inspired the artist to work in an increasingly modern manner. Edith Collier returned to New Zealand in the early 1920s with work that reflected the more radical innovations of British modernism, and she was publicly criticised and personally vandalised because of it. Though she worked and exhibited with some determination after her return, from the early 1940s she ceased to paint. The neglect of Edith Collier's career has been canonised in the writings of subsequent art historians, whose theoretical perspective either did not allow an acknowledgment of her achievement, or whose perception of her as a tragic figure did not let them see it. Edith Collier's contribution to New Zealand art history demands re-evaluation because of her unique place as an early modernist, and in light of the impact of modernism in New Zealand in the 1920s, and particularly in provincial Wanganui.