Bobby Womack

Total Page:16

File Type:pdf, Size:1020Kb

Bobby Womack Bobby Womack Robert Dwayne “Bobby” Womack (/ˈwoʊmæk/; March touch his guitar while he was away. One night, eight-year- 4, 1944 – June 27, 2014) was an American singer- old Bobby, who was often playing it, broke a guitar string. songwriter and musician, and producer. Since the early After Friendly replaced the string with a shoelace,[8] he 1960s, when he started his career as the lead singer of his let Bobby play the guitar for him. According to Bobby, family musical group The Valentinos and as Sam Cooke's Friendly was stunned by his son’s talents as well as the tal- backing guitarist, Womack’s career spanned more than ents of his other sons. Soon afterwards, he bought Bobby 50 years, during which he played in the styles of R&B, his own guitar. soul, rock and roll, doo-wop, gospel, and country. Bobby’s career started before he was 10,[6] when he be- Womack wrote and originally recorded the Rolling gan touring with his four brothers, Curtis, Harry, Cecil Stones' first UK No. 1 hit, "It’s All Over Now" and New and Friendly, Jr., on the midwest gospel circuit in the Birth's "I Can Understand It" among other songs. As mid-1950s, initially as The Womack Brothers.[9] The a singer he is most notable for the hits "Lookin' For a gospel group toured along with their parents accompany- Love", "That’s The Way I Feel About Cha", "Woman’s ing them on organ and guitar. In 1954, under the moniker Gotta Have It", "Harry Hippie", "Across 110th Street", Curtis Womack and the Womack Brothers, the group and his 1980s hit "If You Think You're Lonely Now". issued the Pennant single, “Buffalo Bill”.[3] More records followed.[9] Sam Cooke, the lead singer of The Soul Stirrers, first saw 1 Biography the group performing in the mid-1950s. He became their mentor and helped them go on tour. They went on na- [4] 1.1 1944–1966: Early life and career: The tional tours with The Staple Singers. Even though Cur- tis Womack often sang lead, Bobby Womack was allowed Valentinos to sing alongside him showcasing his gruff baritone vocals in contrast to his older brother’s smoother tenor. During Main article: The Valentinos performances, Bobby would sometimes imitate the role of a preacher, which later became his nickname.[7] At just Born in Cleveland’s Fairfax neighborhood, near East 16, Bobby dropped out of high school.[9] 85th Street and Quincy Avenue, to Naomi Womack and At the beginning of the 1960s, Cooke formed SAR [3] Friendly Womack, Bobby was the third of five brothers. Records and signed the quintet to the label in 1961, Friendly Jr. and Curtis were the older brothers, Cecil and where they released a handful of gospel singles.[10] Then, Harry were his younger brothers. They all grew up in the Cooke changed their name to The Valentinos, relocated Cleveland slums, so poor that the family would fish pig them to Los Angeles and convinced them to transition snouts out of the local supermarket’s trash. He had to from gospel music to secular soul- and pop-influenced [4] share a bed with his brothers. His mother told him he sound.[4] Cooke produced and arranged the group’s first [5] could “sing his way out of the ghetto”. Bobby recalls: hit single, "Lookin' for a Love", which was a pop ver- sion of the gospel song, “Couldn't Hear Nobody Pray”, We came up very poor. My kids have had a they had recorded earlier. The song became an R&B much better life than I'd ever thought of livin'[6] hit and helped land the group an opening spot for James Brown's tour. The group’s next hit came in 1964 with the country-tinged "It’s All Over Now", co-composed by And: Bobby. Their version was rising on the charts when The Rolling Stones covered it. The neighborhood was so ghetto that we Womack was also a member of Cooke’s band, touring and didn't bother the rats and they didn't bother recording with him from 1961.[10] The Valentinos’ career us.[4] was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers Raised Baptist, their mother played the organ for the disbanded and SAR Records folded. Womack continued church choir, and their father was a steelworker,[7] part- to work as a session musician. Between 1965 and 1968 time minister, musician who played the guitar and also he toured and recorded with Ray Charles.[10] sang gospel. Their father would advise his sons to not 1 2 1 BIOGRAPHY 1.2 1967–1972: Early solo career during this period with a remake of his first hit single, "Lookin' for a Love". His solo version of the song be- Circa 1965, Womack relocated to Memphis where he came even more successful than the original with The worked at Chips Moman's American Studios. He played Valentinos’, becoming his second number one hit on the guitar on recordings by Joe Tex and the Box Tops. Wom- R&B chart and peaking at number ten on the Billboard ack played guitar on several of Aretha Franklin's albums, Hot 100, becoming his only hit to reach that high on including Lady Soul, but not on the hit song "Chain of the pop chart. The song was featured on the album Fools", as erroneously reported. His work as a songwriter Lookin' for a Love Again and featured the minor charted caught the eye of music executives after Wilson Pickett “You're Welcome, Stop on By”, later covered by Rufus took a liking to some of Womack’s songs and insisted on & Chaka Khan. Womack’s career began stalling after recording them. Among the songs were “I'm a Midnight Womack received the news of his brother Harry’s death. Mover” and "I'm in Love". Womack continued to record albums with United Artists In 1968, he signed with Minit Records and recorded his through 1975 and 1976 but with less success than previ- first solo album, Fly Me to the Moon, where he scored his ous albums. In 1975, Womack collaborated with Rolling first major hit with a cover of The Mamas & The Pa- Stones member Ronnie Wood, on Wood’s second solo al- pas'"California Dreamin'". In 1969, Womack forged a bum, Now Look. partnership with Gábor Szabó and with Szabó, penned Womack languished with his own recordings during the the instrumental "Breezin'", later a hit for George Ben- late 1970s but continued to be a frequent collaborator son. Womack also worked with rock musicians Sly and with other artists, most notably Wilton Felder of The the Family Stone and Janis Joplin, contributing vocals and Crusaders. In 1980, Wilton Felder released on MCA guitar work on The Family Stone’s accomplished album Records, the album Inherit The Wind, featuring Bobby There’s a Riot Goin' On, and penning the ballad “Trust Womack, that became a Jazz-Funk classic (notably in the Me”, for Joplin on her album Pearl. UK – Robbie Vincent at Radio London included the track After two more albums with Minit, Bobby switched as one of his all-time winners in October 1982). In 1981, labels, signing with United Artists where he changed Womack signed with Beverly Glen Records and had his his attire and his musical direction with the album first R&B top 10 single in five years - since the 1976 sin- Communication. The album bolstered his first top 40 hit, gle "Daylight" - with "If You Think You're Lonely Now" "That’s the Way I Feel About Cha", which peaked at num- that peaked at number three on the R&B singles chart. ber two R&B and number twenty-seven on the Billboard His accompanying album The Poet reached number one Hot 100 in the spring of 1972. on the R&B album charts and is now seen as the high point of his long career, bringing him wider acclaim not only in the U.S. but also in Europe. He had two more 1.3 1972–1985: Solo success R&B top 10 singles during the 1980s including the Patti LaBelle duet, "Love Has Finally Come at Last", and "I Following Communication, Womack’s profile was raised Wish He Didn't Trust Me So Much". He had a hit featur- with two more albums, released in 1972. The first was ing on the Wilton Felder single "(No Matter How High I Understanding, noted for the track "I Can Understand It", Get) I'll Still Be Looking Up to You”. later covered by the funk band New Birth and a three- Womack duets with Van Morrison on “Some Peace of sibling lineup of Bobby’s old group, The Valentinos, and Mind”, from Morrison’s 1991 album, “Hymns to the Si- two hit singles, "Woman’s Gotta Have It" and "Harry Hip- lence”, on Morrison’s album “Duets: Re-working the pie". The latter song was written for Womack by Jim Catalogue” released in 2015. Ford in a country version, which Womack re-arranged in an R&B version. “Harry Hippie” later became Womack’s [11] first single to be certified gold. Contrary to popular 1.4 1985–2014: Later career belief, the song was not about Womack’s brother Harry. “Woman’s Gotta Have It” became Womack’s first single Womack’s solo career started to slow down, however, af- to hit number one on the R&B charts.
Recommended publications
  • Crncentury2} PRODUCTIONS INC
    , ® OPERATIONS MANUAL - PART TWO Here is your OPUS 74 Top 100 Special! This Billboard Magazine "Documentary of the Year" award-winning program is the culmination o f twelve months of research and interviewing, and over 500 production hours. We feel this year's "OPUS" is more special than ever. On the pages which follow you will find the OPUS 74 Music List/Time & Cue Sheets . These sheets provide full information to ensure a smooth-running and trouble-free presentation. Sheets are divided to correspond with the 8 separate OPUS program disks, representing each of the OPUS broad­ cast hours. Commercial avails and cutaway times may be precisely determined by referring to the segment lengths shown. The sheets also indicate out cues, disk changes, music content, local ID's, and jingle placement . Please refer to Part One of the OPUS Operations Manual for other operational r e lated details . • Season's Greetings and our best wishes for a Great 1975! crncentury2} PRODUCTIONS INC. 7263 Envoy Court I Dallas, Texas 75247 / 214-638-3222 @ 1974 OPUS PRQJ"'' -lONS,_ IJ-',. p. 2 This year's OPUS program is respectfully dedicated to the memory of John Gilbert, first host of the OPUS series, who lost his life this year in the crash of a station airplane at Houston, Texas. At the time of the accident he was doing what he loved most--broadcasting . Dick Starr Roy Nilson p. 3 FINAL CHECKOUT: 1. TECHNICAL Prior to broadcast we suggest a dry run of a few of the OPUS program segments to check out the technical end of reproduction.
    [Show full text]
  • Zombies in Western Culture: a Twenty-First Century Crisis
    JOHN VERVAEKE, CHRISTOPHER MASTROPIETRO AND FILIP MISCEVIC Zombies in Western Culture A Twenty-First Century Crisis To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/602 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Zombies in Western Culture A Twenty-First Century Crisis John Vervaeke, Christopher Mastropietro, and Filip Miscevic https://www.openbookpublishers.com © 2017 John Vervaeke, Christopher Mastropietro and Filip Miscevic. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: John Vervaeke, Christopher Mastropietro and Filip Miscevic, Zombies in Western Culture: A Twenty-First Century Crisis. Cambridge, UK: Open Book Publishers, 2017, http://dx.doi. org/10.11647/OBP.0113 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/602#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • CD LIST Title Save 7/9/2015 9:22:00 PM Print 7/9/2015 9:22:00 PM OPEN This on Your Computer
    CD LIST Title SAve 7/9/2015 9:22:00 PM Print 7/9/2015 9:22:00 PM OPEN this on your computer. Place your cursor in the “X” Colum. Use the down arrow to move down the cell and place an “X” infront of the song you want played. Forward the file by attachment to [email protected] X TITLE ARTIST DISK TRACK Year BPM # 1 Nelly Oct01 16 #1 Nelly Top 40 #30 (Everything I Do) I Do It For You Bryan Adams MB02 17 91 066 (I Can’t Get No) Satisfaction Rolling Stones MB08 16 65 135 (I Wanna Take) Forever Tonight Cetera, Peter MB14 15 95 106 (I’ve Had) The Time Of My Life Bill Medley & Jennifer Warnes MB11 01 87 109 (There’s Gotta Be) More To Life Staci Orrico July03 07 (This Is) Song for The Lonely Cher Jan02 6 (We’re Gonna) Rock Around The Clock Bill Haley and His Comets MB07 21 55 ’03 Bonnie & Clyde Jay-ZBeyonce Nov02 21 …On The Radio (Remember The Days) Nelly Furtado Feb02 8 1 Thing Amerie f./Eve May05 15 100 1,2 Step Ciara Feat. Missy Elliott Nov04 6 1,2,3,4, (Sumpin’ New) Coolio MB16 05 96 114 10 Out Of 10 Louchie Lou & Michie One Jan01 15 100 Years Five For Fighting Jan04 18 100% Pure Love (Radio Mix) Crystal Waters MB02 10 94 120 19-2000 Gorillaz Dec01 11 1979 Smashing Pumpkins MB18 05 1985 Bowling For Soup July04 16 21 Questions 50 Cent Rap # 6 21 Questions 50 Cent Rap 6 04 24 Jem MAR05 13 40 Kinds Of Sadness Ryan Cabrera Apr05 10 93 7 Days Craig David Nov01 5 8:15 To Nowhere Vicious Pink Retro Progressive 8th World Wonder Kimberley Lacke Jan04 12 99 Problems Jay-Z June04 7 Page 1 of 87 2 X TITLE ARTIST DISK TRACK Year BPM A Broken Living McBride, Martina A Dream El Debarge R & B #5 A Fine Romance Sax Melodies A Lifetime Better Than Ezra MAR05 7 A Little Bit Jessica Simpson Sept01 2 A Little Less Conversation Elvis Vs.
    [Show full text]
  • Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
    Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism.
    [Show full text]
  • `Are You Ready to Go to War?' Division MAGTF Proves Matches Set Itself at PTA by Sgt
    Band takes show on the road Pule A 8 Tax help is just a phonecall away Page B 4 Marines stomp sailors in intramurals Page 13 I Published at MCAS Voh:19, No. $ Kaneohe Bay. Also serving 1st H.M. Smith and Marine Barracks, Hawaii. February 8, 1990 Pacific `Are you ready to go to war?' Division MAGTF proves Matches set itself at PTA By Sgt. B.S. Lillie Cara!) H.M. Smith-Many Story and photos of the best shooters in the by Cal Jason Erickson Pacific are poised and ready ISMAK111,0A TRAINING to go. Almost two weeks of AREA The Mari tie Corps safety classes, practice and Combat. Readineas Evalu traditional qualification firing ation System I MCCR ES, wraps up today in the Pacific tests the combat readiness of Division Matches at Puuloa units throughout the Corps, gal Rifle Range. and MSC, I was the most Competition gets underway recent unit to he scrutinized tomorrow with the first day within the I mt MElt. of preliminary rifle firing, While serving elements of while pistol preliminaries and the M1,11 (luring PTA 1-90, day two of rifle preliminaries Combat Service Support will Mow Monday. -38)- Detachment-38 ( CSSDet. Preliminaries will determine cool prised of some 23() the positioning of shooters and from Marines sailors as they enter match compe- BSSC1- was put to the teat tition. by a group of controllers selected from within the Actual match firing will Brigade. 'nu. 1.1 time they begin Tuesday for both rifle were tested was in 1988. and pistol, and will continue through next The broad question is 'Thursday.
    [Show full text]
  • Festival 30000 LP SERIES 1961-1989
    AUSTRALIAN RECORD LABELS FESTIVAL 30,000 LP SERIES 1961-1989 COMPILED BY MICHAEL DE LOOPER AUGUST 2020 Festival 30,000 LP series FESTIVAL LP LABEL ABBREVIATIONS, 1961 TO 1973 AML, SAML, SML, SAM A&M SINL INFINITY SODL A&M - ODE SITFL INTERFUSION SASL A&M - SUSSEX SIVL INVICTUS SARL AMARET SIL ISLAND ML, SML AMPAR, ABC PARAMOUNT, KL KOMMOTION GRAND AWARD LL LEEDON SAT, SATAL ATA SLHL LEE HAZLEWOOD INTERNATIONAL AL, SAL ATLANTIC LYL, SLYL, SLY LIBERTY SAVL AVCO EMBASSY DL LINDA LEE SBNL BANNER SML, SMML METROMEDIA BCL, SBCL BARCLAY PL, SPL MONUMENT BBC BBC MRL MUSHROOM SBTL BLUE THUMB SPGL PAGE ONE BL BRUNSWICK PML, SPML PARAMOUNT CBYL, SCBYL CARNABY SPFL PENNY FARTHING SCHL CHART PJL, SPJL PROJECT 3 SCYL CHRYSALIS RGL REG GRUNDY MCL CLARION RL REX NDL, SNDL, SNC COMMAND JL, SJL SCEPTER SCUL COMMONWEALTH UNITED SKL STAX CML, CML, CMC CONCERT-DISC SBL STEADY CL, SCL CORAL NL, SNL SUN DDL, SDDL DAFFODIL QL, SQL SUNSHINE SDJL DJM EL, SEL SPIN ZL, SZL DOT TRL, STRL TOP RANK DML, SDML DU MONDE TAL, STAL TRANSATLANTIC SDRL DURIUM TL, STL 20TH CENTURY-FOX EL EMBER UAL, SUAL, SUL UNITED ARTISTS EC, SEC, EL, SEL EVEREST SVHL VIOLETS HOLIDAY SFYL FANTASY VL VOCALION DL, SDL FESTIVAL SVL VOGUE FC FESTIVAL APL VOX FL, SFL FESTIVAL WA WALLIS GNPL, SGNPL GNP CRESCENDO APC, WC, SWC WESTMINSTER HVL, SHVL HISPAVOX SWWL WHITE WHALE SHWL HOT WAX IRL, SIRL IMPERIAL IL IMPULSE 2 Festival 30,000 LP series FL 30,001 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 1 TRAPP FAMILY SINGERS FL 30,002 THE BEST OF THE TRAPP FAMILY SINGERS, RECORD 2 TRAPP FAMILY SINGERS SFL 930,003 BRAZAN BRASS HENRY JEROME ORCHESTRA SEC 930,004 THE LITTLE TRAIN OF THE CAIPIRA LONDON SYMPHONY ORCHESTRA SFL 930,005 CONCERTO FLAMENCO VINCENTE GOMEZ SFL 930,006 IRISH SING-ALONG BILL SHEPHERD SINGERS FL 30,007 FACE TO FACE, RECORD 1 INTERVIEWS BY PETE MARTIN FL 30,008 FACE TO FACE, RECORD 2 INTERVIEWS BY PETE MARTIN SCL 930,009 LIBERACE AT THE PALLADIUM LIBERACE RL 30,010 RENDEZVOUS WITH NOELINE BATLEY AUS NOELEEN BATLEY 6.61 30,011 30,012 RL 30,013 MORIAH COLLEGE JUNIOR CHOIR AUS ARR.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • Helix: Algorithm/Architecture Co-Design for Accelerating Nanopore Genome Base-Calling
    Helix: Algorithm/Architecture Co-design for Accelerating Nanopore Genome Base-calling Qian Lou Sarath Janga Lei Jiang [email protected] [email protected] [email protected] Indiana University Bloomington Indiana University - Purdue Indiana University Bloomington University Indianapolis ABSTRACT KEYWORDS Nanopore genome sequencing is the key to enabling personalized nanopore sequencing; base-calling; processing-in-memory medicine, global food security, and virus surveillance. The state-of- ACM Reference Format: the-art base-callers adopt deep neural networks (DNNs) to trans- Qian Lou, Sarath Janga, and Lei Jiang. 2020. Helix: Algorithm/Architecture late electrical signals generated by nanopore sequencers to digital Co-design for Accelerating Nanopore Genome Base-calling. In Proceedings DNA symbols. A DNN-based base-caller consumes 44:5% of to- of the 2020 International Conference on Parallel Architectures and Compilation tal execution time of a nanopore sequencing pipeline. However, Techniques (PACT ’20), October 3–7, 2020, Virtual Event, GA, USA. ACM, New it is difficult to quantize a base-caller and build a power-efficient York, NY, USA, 12 pages. https://doi.org/10.1145/3410463.3414626 processing-in-memory (PIM) to run the quantized base-caller. Al- though conventional network quantization techniques reduce the 1 INTRODUCTION computing overhead of a base-caller by replacing floating-point Genome sequencing [8, 21, 34, 35, 37] is a cornerstone for enabling multiply-accumulations by cheaper fixed-point operations, it sig- personalized medicine, global food security, and virus surveillance. nificantly increases the number of systematic errors that cannot The emerging nanopore genome sequencing technology [15] is be corrected by read votes. The power density of prior nonvolatile revolutionizing the genome research, industry and market due to memory (NVM)-based PIMs has already exceeded memory thermal its ability to generate ultra-long DNA fragments, aka long reads, tolerance even with active heat sinks, because their power efficiency as well as provide portability.
    [Show full text]
  • Country Christmas ...2 Rhythm
    1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY
    [Show full text]
  • Download Calvin Richardson Album Free Download Calvin Richardson Album Free
    download calvin richardson album free Download calvin richardson album free. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e28f6b9d278498 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download Calvin Richardson - Can't Let Go (Official Lyric Video) Frees - Essays. Download song Download Calvin Richardson - Can't Let Go (Official Lyric Video) Frees - Essays van sy nuutste enkelsnitte gratis by Download Songs. Koop ook oorspronklike musiek op iTunes om sy werk te ondersteun of gebruik I-Ring / RBT Download Calvin Richardson - Can't Let Go (Official Lyric Video) Frees - Essays . Moenie vergeet om die liedjie te deel nie. Dankie! Top Downloads. Download the Latest Mp3 Songs 2021, the Best Warehouse for Free. Free Song Download Sites, Mp3 song repository, the best western songs. Calvin Richardson - Sampler download mp3 album. Discover all of this album's music connections, watch videos, listen to music, discuss and download. Album by Calvin Richardson. If You Don't Know Me by Now.
    [Show full text]
  • An Interview with the Authors, Joshua Berrett and Louis G. Bourgois III -- and the Eminent J.J
    An Interview With The Authors, Joshua Berrett And Louis G. Bourgois III -- And The Eminent J.J. Johnson November 1999 By Victor L. Schermer http://www.allaboutjazz.com/iviews/jjjohnson.htm AAJ: Congratulations to Josh and Louis on your new book- and to J.J. for now having a scholarly reference devoted to your outstanding contributions to music. Just for the fun of it, which three recordings and/or scores would you take to the proverbial desert island, if they were to be your only sources of music there? J.J. Johnson: Hindemith's Mathis der Maler, Ravel's Daphnis and Chloe. Any of the Miles Davis Quintet recordings that include Coltrane, Paul Chambers, Philly Joe, and Red Garland. In my opinion, contemporary jazz music does not get any better, or any more quintessential than that Quintet's live appearances or the recorded legacy that they left for us to enjoy. Louis Bourgois: The scores I'd take would be: Aaron Copland, Third Symphony (CD: St. Louis Symphony Orchestra, Leonard Slatkin conductor: Angel CDM7643042);. Leonard Bernstein, Chichester Psalms (CD: Atlanta Symphony Orchestra and Chorus, Robert Shaw, conductor; TelArc Digital CD80181). And a Compact Disc: Miles Davis Kind of Blue (Columbia CK40579). I would sneak a few more ;-), including Hindemith, Mathis der Maler, which J.J. mentioned. Joshua Berrett: My tastes here are very similar to J.J's: a mix of classical music and jazz. I would single out Brahms' Symphony No. 2, Stravinsky's Rite of Spring, and Miles Davis' sessions with Coltrane and company. THE BOOK AND ITS AUTHORS AAJ: Josh and Louis, tell us a bit about your musical background.
    [Show full text]