Yoga in the Library - a Research Guide
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An Introduction to Yoga for Whole Health
WHOLE HEALTH: INFORMATION FOR VETERANS An Introduction to Yoga for Whole Health Whole Health is an approach to health care that empowers and enables YOU to take charge of your health and well-being and live your life to the fullest. It starts with YOU. It is fueled by the power of knowing yourself and what will really work for you in your life. Once you have some ideas about this, your team can help you with the skills, support, and follow up you need to reach your goals. All resources provided in these handouts are reviewed by VHA clinicians and Veterans. No endorsement of any specific products is intended. Best wishes! https://www.va.gov/wholehealth/ An Introduction to Yoga for Whole Health An Introduction to Yoga for Whole Health SUMMARY 1. One of the main goals of yoga is to help people find a more balanced and peaceful state of mind and body. 2. The goal of yoga therapy (also called therapeutic yoga) is to adapt yoga for people who may have a variety of health conditions or needs. 3. Yoga can help improve flexibility, strength, and balance. Research shows it may help with the following: o Decrease pain in osteoarthritis o Improve balance in the elderly o Control blood sugar in type 2 diabetes o Improve risk factors for heart disease, including blood pressure o Decrease fatigue in patients with cancer and cancer survivors o Decrease menopausal hot flashes o Lose weight (See the complete handout for references.) 4. Yoga is a mind-body activity that may help people to feel more calm and relaxed. -
Tantra and Hatha Yoga
1 Tantra and Hatha Yoga. A little history and some introductory thoughts: These areas of practice in yoga are really all part of the same, with Tantra being the historical development in practice that later spawned hatha yoga. Practices originating in these traditions form much of what we practice in the modern day yoga. Many terms, ideas and theories that we use come from this body of knowledge though we may not always fully realise it or understand or appreciate their original context and intent. There are a huge number of practices described that may or may not seem relevant to our current practice and interests. These practices are ultimately designed for complete transformation and liberation, but along the way there are many practices designed to be of therapeutic value to humans on many levels and without which the potential for transformation cannot happen. Historically, Tantra started to emerge around the 6th to 8th Centuries A.D. partly as a response to unrealistic austerities in yoga practice that some practitioners were espousing in relation to lifestyle, food, sex and normal householder life in general. Tantra is essentially a re-embracing of all aspects of life as being part of a yogic path; the argument being that if indeed all of life manifests from an underlying source and is therefore all interconnected then all of life is inherently spiritual or worthy of our attention. And indeed, if we do not attend to all aspects of life in our practice this can lead to problems and imbalances. This embracing of all of life includes looking at our shadows and dark sides and integrating or transforming them, ideas which also seem to be embraced in modern psychology. -
Notes and Topics: Three Divine Bodies: Tri-Kaya
TIlREE DIVINE BODIES: TRI-KAYA -Prof. P.G.yogi. The universal essence manifests itself in three aspects or modes as symbolized by the three Divine Bodies (Sanskrit-Trikaya). The first aspect, the Dharmakaya or the Essential (or True) Body is the primordial, unmodified, formless, eternally self existing and essentially of Bodhi or divine beingness. The second aspect is the Sambhogakaya or the Reflected Body wherein dweU the Buddhas of meditation (Skt. Dhyana-Buddhas) and other enlightened beings of super human form The third aspect is the Nirmanakaya or the Body of Incarnation or the human form in which state Buddha was born on earth. In the chinese interpretation of the Tri-kaya, the Dharmakaya is the immutable Buddha essence and noumenal source of the cosmic whole. The Sambhogakaya is the phe nomenal appearances and the first reflex of the Dharmakaya on the heavenly planes. In the Nirmanakaya, the Buddha essence is associated with activity on the Earth plane and it incarnates among men as suggested by the Gnostic poem in the Gospel of St.John which refers to the cOming of the word and the mind through human body. See herein book II, p. 217). In its totality, the universal essence is the one mind, manjfested through the myriads of minds in all the states of Sangsaric existence. It is called 'the essence of the Buddha', 'the great symbol', 'the sole seed' 'the potentiality of truth', and 'the all-foundation' as the text states that it is the source of all the bliss of Nirvana and all the sorrow of Sangsara. -
Karma Yoga, Its Origins, Fundamentals and Seven Life Constructs
International Journal of Hinduism & Philosophy (IJHP) November 2019 Karma yoga, its origins, fundamentals and seven life constructs Dr. Palto Datta Centre for Business & Economic Research (CBER), UK Mark T Jones Centre for Innovative Leadership Navigation (CILN), UK Karma yoga is both simple and complex at the same time and as such requires a measured and reflective response. This paper in exploring the origins and fundamentals of karma yoga has sought to present interpretations in a clear and sattvic manner, synthesising key elements into seven life constructs. Karma yoga is revealed to have an eternal relevance, one that benefits from intimate knowledge of the Bhagavad Gita. By drawing on respected texts and commentaries it has striven to elucidate certain sacred teachings and give them meaning so that they become a guide for daily living. Keywords Purpose The purpose of this study is to gain an understanding of the concept of Karma yoga and its Altruism, place in the Bhagavad Gita and how this philosophical thought can influence people’s Bhagavad Gita, conduct and mindset. The study focuses on identifying the various dimensions of karma Karma yoga, yoga, with special reference to Niskarma yoga and the life constructs drawn from it. Karma yogi, Design/methodology Niskama Karma The study has employed a qualitative research methodology. To achieve the study objectives, yoga, and identify the various constructs of the Niskama Karma yoga, the study used content Service analysis of three main texts authored by Swami Vivekananda, Mohandas Karamchand conscious ness Gandhi, Swami Chinmayananda as a source of reference and extensive literature review on various scholarly journal articles and relevant books that discussed extensively the concept of Karma Yoga, Niskarma Yoga and relevant key areas of the study. -
Jain Philosophy and Practice I 1
PANCHA PARAMESTHI Chapter 01 - Pancha Paramesthi Namo Arihantänam: I bow down to Arihanta, Namo Siddhänam: I bow down to Siddha, Namo Äyariyänam: I bow down to Ächärya, Namo Uvajjhäyänam: I bow down to Upädhyäy, Namo Loe Savva-Sähunam: I bow down to Sädhu and Sädhvi. Eso Pancha Namokkäro: These five fold reverence (bowings downs), Savva-Pävappanäsano: Destroy all the sins, Manglänancha Savvesim: Amongst all that is auspicious, Padhamam Havai Mangalam: This Navakär Mantra is the foremost. The Navakär Mantra is the most important mantra in Jainism and can be recited at any time. While reciting the Navakär Mantra, we bow down to Arihanta (souls who have reached the state of non-attachment towards worldly matters), Siddhas (liberated souls), Ächäryas (heads of Sädhus and Sädhvis), Upädhyäys (those who teach scriptures and Jain principles to the followers), and all (Sädhus and Sädhvis (monks and nuns, who have voluntarily given up social, economical and family relationships). Together, they are called Pancha Paramesthi (The five supreme spiritual people). In this Mantra we worship their virtues rather than worshipping any one particular entity; therefore, the Mantra is not named after Lord Mahävir, Lord Pärshva- Näth or Ädi-Näth, etc. When we recite Navakär Mantra, it also reminds us that, we need to be like them. This mantra is also called Namaskär or Namokär Mantra because in this Mantra we offer Namaskär (bowing down) to these five supreme group beings. Recitation of the Navakär Mantra creates positive vibrations around us, and repels negative ones. The Navakär Mantra contains the foremost message of Jainism. The message is very clear. -
Dhyana in Hinduism
Dhyana in Hinduism Dhyana (IAST: Dhyāna) in Hinduism means contemplation and meditation.[1] Dhyana is taken up in Yoga exercises, and is a means to samadhi and self- knowledge.[2] The various concepts of dhyana and its practice originated in the Vedic era of Hinduism, and the practice has been influential within the diverse traditions of Hinduism.[3][4] It is, in Hinduism, a part of a self-directed awareness and unifying Yoga process by which the yogi realizes Self (Atman, soul), one's relationship with other living beings, and Ultimate Reality.[3][5][6] Dhyana is also found in other Indian religions such as Buddhism and Jainism. These developed along with dhyana in Hinduism, partly independently, partly influencing each other.[1] The term Dhyana appears in Aranyaka and Brahmana layers of the Vedas but with unclear meaning, while in the early Upanishads it appears in the sense of "contemplation, meditation" and an important part of self-knowledge process.[3][7] It is described in numerous Upanishads of Hinduism,[8] and in Patanjali's Yogasutras - a key text of the Yoga school of Hindu philosophy.[9][10] A statue of a meditating man (Jammu and Kashmir, India). Contents Etymology and meaning Origins Discussion in Hindu texts Vedas and Upanishads Brahma Sutras Dharma Sutras Bhagavad Gita The Yoga Sutras of Patanjali Dharana Dhyana Samadhi Samyama Samapattih Comparison of Dhyana in Hinduism, Buddhism and Jainism Related concept: Upasana See also Notes References Sources Published sources Web-sources Further reading External links Etymology -
Samkhya Philosophy
Samkhya Philosophy Yoga Veda Institute Samkhya Philosophy Introduction to Samkhya Äyurveda is literally translated as ‘Knowledge of Life’. So, even though this knowledge may be scientific, it is also very much a philosophical view of life. There are six major philosophical views, or perspectives in India. Think of it as an object, which can be viewed six dierent ways- you can have a frontal view, back view, birds eye view, a long distant view, an extreme close up, and so on. Similarly, Knowledge and Life can also be seen with dierent perspectives. In India, it’s reered to as the Shad Darshan {the six philosophies of life}. These six perspectives or philosophies, whereby, we view or experience ‘life’ are: • Samkhya {Theory of creation, Duality and Enumeration} Seer Kapila Muni • Nyaya {Logic and Reasoning} Seer Gautama Rishi • Vaisheshika {Unique Aspect} Seer Kanada • Mimasa {Ritual} Seer Jaimani • Yoga {Union – practical application of Sankhya} Seer Patanjali • Vedanta {Study of Veda Sutras} Seer Veda Vyasa In this program we are focusing on Samkhya, and Vedanta. Among these six perspectives and philosophies Äyurveda has been inuenced most by Samkhya. There have been inuences from other philosophies like Mimamsa, Yoga and Vedanta as well. Samkhya Philosophy Definition of Samkhya Samkhya Philosophy translates as “Theory of Numbers or Enumeration” and subtle principle of energies that govern the universe, and all the living entities. It is impossible to understand Äyurveda without understanding Samkhya Philosophy. Mentions of Samkhya are found in various ancient texts, however, we will focus on ‘Bhagavata Purana’ and teachings of Kapila, and Caraka Samhita. Samkhya is one of the six perspectives or philosophies that inuenced Äyurveda. -
Insights from the Theory of Pancha Kosha (Five Sheaths of Consciousness)
THE LEVELS OF HUMAN CONSCIOUSNESS AND CREATIVE FUNCTIONING: INSIGHTS FROM THE THEORY OF PANCHA KOSHA (FIVE SHEATHS OF CONSCIOUSNESS) Maharaj K. Raina, Ph.D. Woodland, CA ABSTRACT: Various cosmological positions have shaped beliefs about the character of creativity. From the Indian tradition, have emerged multi-level cosmological models that provide structural frameworks to understand the relationship between consciousness and creativity. Among them is pancha kosha (from Sanskrit –pancha means five, kosha sheath) encompassing five bodies (koshas) of consciousness: Annamaya (food body/physical body), Pranamaya (vital sheath/prana/ life force), Manomaya (the emotional body/mind), Vijnanamaya (cognition/ intellect/wisdom), and Anandamaya (bliss), considered the ‘‘most useful springboard for a modern scientific understanding of cosmology and evolution’’ (Goswami, 2000, p. 114). This article explains the theory and the attributes of various sheaths; draws implications related to human creativity’s nature and emergence; examines the role of ‘‘phenomenal awareness’’ (Rao & Paranjpe, 2016, p. 113), blissfulness (ananda), ‘‘extension of borders’’ and the ‘‘extension of persona’’ (Mahapatra, 2009, p. 72) in the manifestation of creativity; documents the role of such a state of consciousness in some exceptionally creative individuals’ lives, and discusses implications for broader understanding of experiential sources of creativity and consciousness. KEYWORDS: Cosmology, pancha kosha theory, levels of consciousness, transpersonal creativity, bliss (ananda), illumined perception, transcendence, concentration and commitment Every traditional human society known to anthropology has a cosmology (Abrams & Primack, 2001), and some cosmologies conceived the human being as a part of a ‘‘great chain’’ or a ‘‘great nest of being’’ of interpenetrating layers—material, mental and spiritual in nature, and as the nexus or crossing point between the world of matter and the world of Spirit, being comprised of both (Smith, 1958, 1992). -
Dog-Yoga-Ebook
Yoga GO TOGETHER The Doga Way An introduction to Dog Yoga with twelve starter poses Yoga Instruction by Holly LaRiviere Photography by Nicci Vivier Brought to you by Kurgo Table of Contents Why Dog Yoga Disclaimer Meet the Instructor Child’s Pose (Beginner) Half Spinal Twist Pose (Beginner) Supported Sitting Paws Pose (Beginner) Downward Dog Pose (Beginner) Crescent Lunge Pose (Beginner) Standing Half Bend Pose (Beginner) Shoulder Stand Pose (Intermediate) Boat Pose (Intermediate) Legs Up Wall Pose (Intermediate) Camel Pose (Advanced) Bow Pose (Advanced) Wheel Pose (Advanced) End Why Dog Yoga? Here at Kurgo we believe in trying to involve your dogs in all your activities. We are avid hikers, runners, bikers, surfers and climbers, and we’ve found yoga is the perfect way to unwind after those more strenuous activities. Dogs have a natural inclination to take part in yoga. As soon as you lay down on the ground, your dog will be curious and come over to your mat. In this book you’ll see a variety of poses. Some are mostly for you, with your dog acting as your physical and emotional anchor. Others require your dog to be involved and will require a bit of training. The trick is to pick and choose the poses that work for you both and create your own routine. Disclaimer Always consult your health care provider (and Vet!) and obtain full medical clearance before practicing yoga or any other exercise program. Yoga must always be practiced under the direct supervision of a qualified instructor. Practicing under the direct supervision and guidance of a qualified instructor may reduce the risk of injuries. -
Communication As Yoga Kristen Caroline Blinne University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-20-2014 Communication as Yoga Kristen Caroline Blinne University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Communication Commons, Other Education Commons, and the Other Religion Commons Scholar Commons Citation Blinne, Kristen Caroline, "Communication as Yoga" (2014). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/4986 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Communication as Yoga by Kristen C. Blinne A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Mariaelena Bartesaghi, Ph.D. Elizabeth Bell, Ph.D. Michael LeVan, Ph.D. Gurleen Grewal, Ph.D. Date of Approval: March 20, 2014 Keywords: Mindfulness, Relationships, Diversity, Spirituality, Contemplative Pedagogy Copyright © 2014, Kristen C. Blinne DEDICATION With the deepest gratitude and love, I take no ownership for what is contained herein as every word, gesture, act, moment, interaction, and experience has shaped all that I am and all that I know. I am compelled to see this work as the expression of and honor to life as it pulses through me, but also to every teacher, family member, friend, partner, stranger, and being who has walked before me, with me, towards me, away from me, or near me, even if only briefly, as well as all that will walk after me towards futures unknown. -
Translating, Practicing and Commodifying Yoga in the Us
TRANSLATING, PRACTICING AND COMMODIFYING YOGA IN THE U.S. By SHREENA NIKETA DIVYAKANT GANDHI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Shreena Niketa Divyakant Gandhi 2 To My Dad and Mom 3 ACKNOWLEDGMENTS First and foremost, I am thankful for all the teachers that I have had over the years. Each member of my dissertation committee has been instrumental in how I have come to think about history and religion. Dr. Jon Sensbach (through Rebecca) has helped me think about the characters that create the history; that they are not merely pawns but agents that are emblematic of their times and contexts, which helped me realize that the various yogi characters in my dissertation are not only products but also producers of history. Dr. Manuel Vasquez introduced me to Maurice Merleau-Ponty and the fallacy of a Cartesian outlook especially when examining a bodily practice. Far beyond yoga, Dr. Vasudha Narayanan opened my eyes to the richness and variety of my own history, heritage and faith; her words have brought meaning and hope in times of extreme light and darkness over these past six years. Dr. David Hackett has patiently and meticulously worked with me on a variety of subjects; because of his dedicated teaching I have been able to think through and about the commodity and fetish, its place in culture, capitalism and American religious history. Without the guidance and teaching of Dr. Narayanan and Dr. -
Yoga Question Bank 1. the Primary Function of “ Prana” Is A) Respiration
Yoga Question bank 1. The primary function of “Prana” is a) Respiration b) Digestion c) Elimination d) Circulation "ꮿரானாힿன் " 믁தன்மை செயல்பா翁 என்ன? அ) 毁வாசம் ஆ) செரிைானை் இ) நீக்埁தல் ஈ) 毁ழற்殿 2. The word “pranayama” refers to a) meditation b) relaxation c) breathing control d) none "ꮿராணயாைா" என்ற வார்த்மத எமத 埁잿க்垿ற鏁? அ) 鎿யானை் ஆ) தளர்ퟁ இ) 毁வாச கட்翁ப்பா翁 ஈ) எ鏁ퟁை் இல்மல 3. The word ‘’yuj’’ means a) to yoke b) to join c) to unite d) all of these '뿂ஜ்' என்பதன் சபா쏁ள் அ) ꏁகர்ퟁ ஆ) செர இ) ஐக்垿யப்பட சவண்翁ை் ஈ) இவவ அவைத்鏁ம் 4. Which of the following is one of the Five Principles of Yoga by Sivanandi? a) savasana b) bhakti c) jnana d) tantra 殿வநந்鎿 சயாகாힿன் ஐந்鏁 சகாட்பா翁களில் ஒன்றான ꮿன்வ쏁ை் எ鏁? அ) ெவாெனா ஆ) பக்鎿 இ) ஞான ஈ) தந்鎿ரை் 5. stabilize and focus the mind on one object, image, sound is a) Dharana b) Dhyana c) Samadhi d) Pratyahara ஒ쏁 சபா쏁ள் , படை் , ஒ쮿 இவற்잿ல் ைனமத ஒ쏁நிமலப翁த்鏁வ鏁 --------- அ) தாரண ஆ) 鎿யானா இ) ெை鎿 ஈ) ꮿரத்鎿யகரா 6. Yoga Consist of _______ Components a) Six b) Four c) Eight d) nine சயாகாힿல் எத்தமன 埂쟁கள் உள்ளன? அ) ஆ쟁 ஆ) நான்埁 இ) எட்翁 ஈ) ஒன்ப鏁 7. Blood in our body is a a)Connective tissue b) Fluid connective tissue c) Epithelial tissue d) Muscular tissue நை鏁 உட쮿ல் உள்ள இரத்தை் என்ப鏁 ஒ쏁 _______ அ) இமணப்ꯁ 鎿毁 ஆ) 鎿ரவ இமணப்ꯁ 鎿毁 இ) எꮿ鏀쮿யல் 鎿毁 ஈ) தமெ 鎿毁 8.