BIOGRAPHY Walker Percy Was Born in Birmingham, Alabama, on 28

Total Page:16

File Type:pdf, Size:1020Kb

BIOGRAPHY Walker Percy Was Born in Birmingham, Alabama, on 28 BIOGRAPHY Walker Percy was born in Birmingham, Alabama, on 28 May 1916. When his father, lawyer Leroy Percy, committed suicide on 9 July 1929, the widow and her three sons moved to Greenville, Mississippi, where they lived with Leroy's bachelor cousin, William Alexander Percy. Then, William Alexander Percy adopted the boys in 1931, following their mother's death in an automobile accident. William Alexander Percy provided Walker with a means of ameliorating, the burden of his Southern past by introducing him to art. Besides, William Alexander Percy was known as the author of several works, including an autobiographical memoir of the South entitled Lanterns on the Levee (1941). In the early 1930's, Percy attended Greenville High School, where he wrote a gossip column and became the close friend of Shelby Foote, who was committed to a literary career. At the University of North Carolina, which was noted for its school of behaviorism, Percy majored in Chemistry and received a B.S. in 1937. He then enrolled in Columbia's college of Physicians and Surgeon (M.D., 1941), where in addition to his studies, Percy underwent psychoanalysis and became frequent moviegoer. The turning point in his life came in early 1942, when as a resident at Bellevue Hospital in New York, Percy was contracted tuberculosis. As a working pathologist in New York, Percy was called upon perform autopsies on indigent alcoholics, many of whom died of tuberculosis. Within a year Percy contracted the dreaded lung disease himself; he spent most of the following three years in a sanatorium. During his two-year convalescence at Saranac Lake, he began reading extensively in French and Russia literature, philosophy and psychology, such as Sartre, Albert Camus, Soren Kierkegaard, Gabriel Marcel, Fyodor Dostoevski, Nicolai Gogol, Leo Tostoy and Franz Kafka. In 1944, Percy had recovered sufficiently to return to Columbia to teach pathology, but he suffered relapse and decided to quit medicine. The illness was somewhat fortuitous, because Percy had become deeply interested in a whole realm of intellectual endeavor. Percy first published works were philosophical essays that appeared in scholarly journals; these essays dealt with self- estrangement in the twentieth century, its causes and ramification. Having married in 1946 and converted to Roman Catholicism in 1947, Percy and his wife moved to New Orleans and then to Covington, Lousiana, living on an inheritance from a relative. When one of his children was born deaf, a branch of philosophy that has consumed him ever since- semiotics, the study of symbols and how they are used in human communication fascinated Percy. Percy wrote two unpublished novels before beginning The Moviegoer. The Moviegoer was published in 1961 when Percy was forty five, and although the publisher, Albert A. Knopf, did a little to promote the book, it was discovered and accorded the National Book Award in 1962 (National Book Award was established in 1950 by the Association of American Publishers <formerly the American Book Publishers' Council>, the American Booksellers Association, and the Book Manufactures Institute. The $1000 awards were established to give recognition to the most distinguished books of fiction, non-fiction, and poetry of the previous year.); his most recent novel, The Second Coming, won the first Los Angeles Times Book Award for fiction. Among his other literary honors are memberships in the National Institute of Arts, and Letters and the American Academy of Arts and Sciences. Walker Percy was died of cancer in May 1990, and left two children, Ann Boyd and Mary Pratt. SYNOPSIS Binx Boiling who is almost thirty years old, a Korean War veteran, lived in Gentilly, a middle class suburb of New Orleans. Binx Boiling is a successful stockbroker and handsome. He worked for his Uncle Jules Cutrer in the suburban office of the firm. But his family was somewhat disappointed in his choice of profession. His aunt, Emily raised Binx, after his father had committed suicide. His mother was remarried and lived on the Gulf Coast where her husband is a Western auto dealer. Binx had six half- brothers and sisters named Smith, and his favorite half- brother is a fourteen-year old, Lonnie Smith. Although financially secured, Binx felt uneasy, he had trouble living his own life from day to day, fearful that he may at any moment succumb to that worst of all plagues, the malaise, "the pain of loss", of "everydayness". To counter its effects, Binx became a moviegoer, partly because movies project a reality. Besides, Binx also pursues money and women, but the pursuit leads only to boredom and depression because the novelty of his possessions quickly wears off and everydayness inevitably returns to remind him of his inauthenticity. According to Binx money is a great joy. Binx mother's opinion often told Binx to be unselfish, but in Binx's mind, he had become suspicious of the advice; thus, Binx done it for his own selfish reason. Then, Binx tries to overcome his problems by using what he calls the repetition and the rotation ways through his mother, his cousin, Kate Cutrer and his half-brother, Lonnie Smith. Finally, Binx realizes the depth of his despair on his birthday. Then, he decides listen to what people say, see how they stick themselves into world, and help people for his own good. Then, a little year latter, Binx's attending medical school, and he has married Kate Cutrer and remained faithful in caring for Kate. He has continued on the path of helping others and himself. He lives in the small and everyday ways that make his life bearable. .
Recommended publications
  • Sewanee | the University of the South 3
    COLLEGE OF ARTS & SCIENCES SCHOOL OF LETTERS CATALOG AND POLICIES 2018 Information contained in this catalog is current as of the date of publication. Table of Contents School of Letters .................................................................................................................................................. 2 The University ..................................................................................................................................................... 3 Purpose ......................................................................................................................................................... 3 About the University ......................................................................................................................................... 3 Accreditations and Approvals .............................................................................................................................. 6 Administration (University) ................................................................................................................................ 6 About the School of Letters ..................................................................................................................................... 7 General Information ......................................................................................................................................... 7 Academic Calendar .....................................................................................................................................
    [Show full text]
  • Walker Percy's Cultural Critique in Love in the Ruins
    The University of Southern Mississippi The Aquila Digital Community Master's Theses Summer 8-2013 Solving the World's Problems: Walker Percy's Cultural Critique in Love in the Ruins Jeremy Ryan Gibbs University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/masters_theses Recommended Citation Gibbs, Jeremy Ryan, "Solving the World's Problems: Walker Percy's Cultural Critique in Love in the Ruins" (2013). Master's Theses. 483. https://aquila.usm.edu/masters_theses/483 This Masters Thesis is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Master's Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi SOLVING THE WORLD'S PROBLEMS: WALKER PERCY'S CULTURAL CRITIQUE IN LOVE IN THE RUINS by Jeremy Ryan Gibbs A Thesis Submitted to the Graduate School ofThe University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved: August 2013 ABSTRACT SOLVING THE WORLD'S PROBLEMS: WALKER PERCY'S CULTURAL CRITIQUE IN LOVE IN THE RUINS by Jeremy Ryan Gibbs August 2013 This thesis examines Walker Percy's manipulation of time in Love in the Ruins as a component of indirectly communicating his solution to problems in twentieth-century Western society: existential authenticity. By examining this often overlooked novel, I clarify the process by which Percy conveys his solution and the difficulties inherent in his attempts to do so. Research shows how Percy perceived such problems stemmed from the tendency of postmodern thought to place human subjective experience within an overarching, objective framework.
    [Show full text]
  • Stuart Wright Booklet
    Joyner Library Presents Stuart Wright: A Life In Collecting September 7, 2011 A Message from the Dean East Carolina University® Like Tom Douglass, I first met Stuart Wright when I stepped off the train with my wife Sue in Ludlow, England—the English country squire waiting for us soon proved to be a Southern Gentleman in exile. In fact, I think this was confirmed the night STUART WRIGHT: Sue prepared “southern fried chicken” and mashed potatoes. Stuart asked for the recipe after his first helping, feasted on the leftovers for several days, and said it The Badger of Old Street stirred memories in him from long ago. On our short visit to 28 Old Street, Stuart showed and told us as much as we could absorb about the extraordinary collection of southern American literature that he hoped would eventually come to East Carolina University and Joyner Library. I was delighted with what I saw and heard and carefully calculated how much space we would need to house the collection if we could agree on price and terms. Being only acquainted with the work of some of the authors like Robert Penn Warren, Randall Jarrell, and Eudora Welty, I could not truly appreciate the importance of the book collection or the exceptional quality of the many boxes of letters, journals, and manuscripts that comprised the collection. Fortunately, Tom Douglass could and he and Stuart spent many hours poring over the materials and discussing their significance while I could only listen in amazement. My amazement and delight have only increased markedly since the collection has come to Joyner Library.
    [Show full text]
  • "A Dark, Abiding, Signing Africanist Presence" in Walker Percy's Dr
    The Coastal Review: An Online Peer-reviewed Journal Volume 11 Issue 1 Fall 2019 - Spring 2020 Article 1 2019 "A Dark, Abiding, Signing Africanist Presence" in Walker Percy’s Dr. Tom More Novels David Withun Faulkner University, [email protected] Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/thecoastalreview Part of the African American Studies Commons, and the American Literature Commons Recommended Citation Withun, David (2019) ""A Dark, Abiding, Signing Africanist Presence" in Walker Percy’s Dr. Tom More Novels," The Coastal Review: An Online Peer-reviewed Journal: Vol. 11 : Iss. 1 , Article 1. DOI: 10.20429/cr.2019.110101 Available at: https://digitalcommons.georgiasouthern.edu/thecoastalreview/vol11/iss1/1 This research article is brought to you for free and open access by the Journals at Digital Commons@Georgia Southern. It has been accepted for inclusion in The Coastal Review: An Online Peer-reviewed Journal by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. "A Dark, Abiding, Signing Africanist Presence" in Walker Percy’s Dr. Tom More Novels Cover Page Footnote I am grateful to Dr. Benjamin Lockerd of Grand Valley State University for reading and providing very helpful feedback on an earlier draft of this paper. I also am thankful for the many thought-provoking questions and helpful comments I received when presenting an earlier version of this paper at the 2018 SECCLL and from the reviewers. This research article is available in The Coastal Review: An Online Peer-reviewed Journal: https://digitalcommons.georgiasouthern.edu/thecoastalreview/vol11/iss1/1 Withun: "A Dark, Abiding, Signing Africanist Presence" in Percy's Novels In American literature, as in American culture more generally, race has played a central role not only in the sense that a great deal of literature is directed at the problems of race, racism, and race relations, but in the means by which racial differences and similarities are used as signs.
    [Show full text]
  • Best Lists of Iicontemporary" Fiction
    BEST LISTS OF IICONTEMPORARY" FICTION In 1~83 the distinguished British novelist and provocateur, Al1thonyBurgcss, decided to issue a list of thp 99 Best Novels in English since WW H. Prc-sumablytht, hundredth slot was available for his readers to add one of his own. IA· :,i1e thisis all merely parlor games on a slightly higher level than "Trivial Ptlrsuit" or "Jcop~rdy", such '~oing~-on do providp somp provocative rcading lists for English Majors and/or people who love to read fiction. So herc arc BurgL'Ss' choices followed by the choices of the CSUS profossors teaching contemporary fiction on a regular basis since thpy were hired. ANTHONY BURGESS· 1939: Party Going by Henry Green. After Many a Summer Dies the Swan by Aldous Huxley. Finnegan's Wake by James Joyce. At Swim-Two-Birds byFlann O'Brien. 1940: The Power & The Glory byGraham Greene.'For Whcml The Bell Tollsby Ernest Hemingway. STRANGERS & BROTHERS(a series of novels to 1970) bye. P. Snow. 1941: The Aerodrome by Rex Wainer. 1944: The Horse's Mouth by Joyce Cary. The Razor's Edge by W. Somerset Maugham 1945.: Brideshead Revisited by Evelyn Waugh 1946: Titus Groan by Mervyn Peake 1947: The Victim by Saul Bellow. Under the \Iolcanoby MalcolmLowry 1948: The Heart of the Matter by Graham Greene. The Naked and the Dead by . Norman Mailer. No Highway by Nevil Shute . 1949:The Heat ofthe Day by Elizabeth Bowen, Ape and Essence by Aldous Huxley, 1984 by George OrwelL The Body by William Sansom' 1950: Scenes From Provincial q{e by William Cooper.
    [Show full text]
  • Finding Aid for the Small Manuscripts (MUM00400)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Small Manuscripts (MUM00400) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation (Item Name). Small Manuscripts (Box #), Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Small Manuscripts MUM00400 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Collection History Creator Arrangement University of Mississippi. Dept. of Archives and Special Administrative Information Collections Related Materials Title Collection Inventory Small Manuscripts Small Manuscripts 1976 ID MUM00400 Small Manuscripts 1977 Small Manuscripts 1978 Date [inclusive] circa 1750-2008 Small Manuscripts 1979 Small Manuscripts 1980 Extent 37.26 Linear feet 92 boxes + 18 boxes Small Manuscripts 1981 Abstract: Small Manuscripts 1982 Contains individual items and small collections. Small Small Manuscripts 1985 Manuscripts at the University of Mississippi Department of Archives and Special Collections was Small Manuscripts 1986 assembled through the collecting activities of the Department over the past thirty years. The collection Small Manuscripts 1987 documents unique and discrete individual moments of Small Manuscripts 1988 history associated with the State of Mississippi. A variety of material formats can be found in the Small Manuscripts 1989 collections including individual diaries, ledgers, Small Manuscripts 1990 corporate records, correspondence, and broadsides. Small Manuscripts 1995 Small Manuscripts 1991 Prefered Citation (Item Name).
    [Show full text]
  • Sartrean Reading of American Novelist Walker Percy's The
    Intercultural Communication Studies XXI: 2 (2012) Z. WANG Undefined Man: Sartrean Reading of American Novelist Walker Percy’s The Moviegoer Zhenping WANG Beijing Foreign Studies University, China Abstract: This paper is an exploration of the cross-cultural influence of Jean-Paul Sartre on Walker Percy, through a detailed analysis of the novel The Moviegoer. Jean-Paul Sartre was a twentieth century French existentialist philosopher whose theory of existential freedom is regarded as a positive thought that provides human beings infinite possibilities to hope and to create. It is specifically significant when the world is facing global crisis in economics, politics, and human behavior. The Moviegoer was the first novel by Walker Percy, one of the few philosophical novelists in America, who was very much influenced by Jean-Paul Sartre. Binx Bolling, the existentialist hero in the novel, must decide how to live his life in this world. He does not feel comfortable when Aunt Emily makes family stories to transfigure him, and when she preaches Stoicism as instructions in how to become a man. As an intentional consciousness, he feels he loses all the ability to think and to act. He starts a metaphysical search hinted by a new way of looking at the world around him to transcend “everydayness.” The paper is an attempt to apply Sartre’s theory of existential freedom as an approach to see how Binx resists, falls into, and resists again Aunt Emily’s tricks and traps of confinement and becomes a man undefined. Keywords: Being-in-itself, being-for-itself, being-for-others, existential freedom, undefined 1.
    [Show full text]
  • College of Arts and Sciences Sewanee School of Letters Catalog
    College of Arts and Sciences Sewanee School of Letters Catalog 2010 Table of Contents Introduction The University of the South ....................................................... Sewanee School of Letters.......................................................... Academic Information Course requirements ............................................................... Thesis ................................................................................... Policy on Transfer Credit .......................................................... Grading Policy ........................................................................ Academic Support Services ........................................................ Technology ............................................................................ duPont Library Collection ......................................................... expectations ........................................................................... Courses ...................................................................................... Administration, Faculty, School of Letters Committee, and Advisory Board ..................................................................... General Information Student identification Cards ...................................................... Banner number ...................................................................... housing ................................................................................ Meals ...................................................................................
    [Show full text]
  • ABSTRACT Art and Artistry in Katherine Anne Porter
    ABSTRACT Art and Artistry in Katherine Anne Porter: Iconographic Figures and Festive Patterns Karen Svendsen Werner Ph. D. Mentor: Joe B. Fulton, Ph.D., Chairperson Exploring how art influences the works of Katherine Anne Porter (1890-1980), this study examines the way Porter’s fictional narrative patterns adapt and arrange images from paintings, folk art, and prints. In her structural response to artistic issues prevalent during the Modernist Period, Porter runs her literary versions of iconographic figures through festive patterns to depict the changes individuals experience when significant cultural shifts envelop them. Besides employing grotesque images to portray suffering, Porter evokes the life-death-rebirth cycle of festive patterns, also called folk carnival humor by Mikhail Bakhtin, to convey hope for people and the continuation of their culture during times of turmoil. Medieval, renaissance, and modernist artwork provides Porter with images and structural approaches. Reflecting the traits of typology and the subjects of medieval iconography, Porter’s characters function by fulfilling past figures such as Eve and by anticipating literary figures in the future. As part of the development of her literary figures in Noon Wine, Porter blends influences from the Agrarians with her appreciation of renaissance artist Pieter Bruegel to emphasize the relationship between her characters and the landscape. Porter’s associations with modernist Mexican artists and her knowledge of the successors to Hans Holbein’s Dance of Death shape her interpretation of the arts and her portrayal of death in stories such as “María Concepción.” Through Mexican anthropologist Manuel Gamio, Porter develops an understanding of Franz Boas’s theories, which contribute to her sense of folk culture, foster within her a sense of the chronological connectedness of time, and lead her to treat artwork as archeological artifacts.
    [Show full text]
  • Katherine Anne Porter's Four “Failures”
    ISSN:1306-3111 e-Journal of New World Sciences Academy 2008, Volume: 3, Number: 2 Article Number: C0046 SOCIAL SCIENCES WESTERN LANGUAGES AND LITERATURES F.Gül Koçsoy Received: July 2007 University of Firat Accepted: February 2008 [email protected] © 2008 www.newwsa.com Elazig-Turkiye KATHERINE ANNE PORTER’S FOUR “FAILURES”: THEIR ILLUSIONS AND DEFECTS ABSTRACT After reviewing the American South in the first half of the twentieth century, we try to understand Katherine Anne Porter as a Southern woman writer. Carrying a Southern character, she produced short stories dealing with the negative side of life. She peoples her (four) stories with characters who are unaware of their illusions and defects and shows their results. On the other hand, it is easier to bar the negations than solve them, according to her. For this, she advises us to criticize ourselves. When we find a wrong, we should be courageous to eliminate it. Keywords: Katherine Anne Porter, The South, Short Story, Illusion, Defect KATHERİNE ANNE PORTER’IN DÖRT “BAŞARISIZ KARAKTERİ”: YANLIŞ GÖRÜŞLERİ, KUSUR VE EKSİKLİKLERİ ÖZET Yirminci yüzyılın ilk yarısında Amerikan Güney’ine kısaca göz attıktan sonra, Katherine Anne Porter’ı Güneyli kadın bir yazar olarak anlamaya çalıştık. Güneyli özelliklerini taşıdığı için yazar, yaşamın olumsuz tarafını irdeleyen öyküler üretmiştir. Öykülerinde kendi yanlış görüşleri, kusur ve eksikliklerinin farkında olmayan karakterler vardır ve yazar bunların sonuçlarını gösterir. Öte yandan, ona göre, olumsuzlukları önlemek onları çözmekten daha kolaydır. Bunun için, kendimizi eleştirmemizi, bir yanlış bulduğumuzda onu yok etme konusunda cesaretli olmamızı önerir. Anahtar Kelimeler: Katherine Anne Porter, Güney, Öykü, Yanlış Görüş, Kusur, Eksiklik e-Journal of New World Sciences Academy Social Sciences, 3, (2), C0046, 175-184.
    [Show full text]
  • Download the Moviegoer by Walker Percy
    The Moviegoer by Walker Percy Ebook The Moviegoer currently available for review only, if you need complete ebook The Moviegoer please fill out registration form to access in our databases Download here >> Paperback:::: 256 pages+++Publisher:::: Methuen Pub Ltd; New edition edition (January 31, 2004)+++Language:::: English+++ISBN-10:::: 0413773272+++ISBN-13:::: 978-0413773272+++Product Dimensions::::5.1 x 0.7 x 7.8 inches++++++ ISBN10 0413773272 ISBN13 978-0413773 Download here >> Description: Winner of the 1961 National Book AwardThe dazzling novel that established Walker Percy as one of the major voices in Southern literature is now available for the first time in Vintage paperback.The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the treasurable moments absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic. Preface: I am millennial and am not the best at appreciating or digesting literature, however, I am trying to read more and get better at it. For this reason, I think this was a great book. It was compelling to read for me because of the slight mystery of it all and the search.
    [Show full text]
  • Southern Sources
    Presented at Southern Sources: A Symposium Celebrating Seventy-Five Years of the Southern Historical Collection, 18-19 March 2005, Wilson Library, University of North Carolina at Chapel Hill. Who Owns the Dead? Biography, Archives, and Ethics Bertram Wyatt–Brown University of Florida 18 March 2005 The biographer and those who control the necessary sources live in different ethical worlds. The storyteller seeks to uncover the full personality and actions of the figure to be written about. The keepers of family memories, on the other hand, strive to have the public perceive their loved ones—and even their loved ones’ enemies—exactly as they do. Needless to say, revelations about the past can lead to violations of ethics and possibly law. Who should prevail in such circumstances, the guardians of family secrets or the literary exposer of them? The latter profession requires a thorough examination of leads wherever they may alight. The poet Allen Tate in “The Oath,” asks of his friend Andrew Lytle, “Who are the dead?”[1] The concern here, however, is to explore the question, who owns them? We live in a glaringly confessional age. Dissecting and destroying reputations of the celebrated have no limits. In America weak libel laws offer little protection for those who feel they have been victimized. Be that as it may, when poets or novelists use their own lives as the substance of their work, they surely can expect investigations into what is pure imagination and what is factual. According to Charles Molesworth, it appears that the tranquilizing and vacuous 1950s aroused poets of that era to turn inward and expose what they found there.
    [Show full text]