The Trades Club May / June / July 2017
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3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat. -
Theatre, Film, Cabaret and Jazz
FORA BALANCED ,_'f.riiUniversity of Edinburgh, Old College South Bridge, Edinburgh EHB 9YL VIEW Tel : 031-6671011 ext4308 1 April-13 May GET "NULLIS IN VERBUS" EDUARDO PAOLOZZI ~AIIOCilliaowillllhoflillu;lftstivlloiSciencel Todlnology . Wllhlho ~ ollhoHorryMoootfooa!Dn Tues-Fri 10 am-5 pm Admission Free Subsidised by the Scottish Arts Council 20p Thursday 27th April 1989 DAILY KIRSTY A PASSAGE WARK: THROUGH Tomorrow's INDIA Robin Day? e oca OUDCI by Ewan Ferguson nor "humiliated" because of the asking "how on earth did (they strength and "pride of the mass allow themselves) to get pushed EDINBURGH University movements" against the tax, Mr 'into playing a role in the enforce: politics lecturer, John Hallo Holloway asked the council to ment of this tax?" way, "warned" Lothian Reg "back down" from enforcing his ional Council on Tuesday not fine. Another twist to the story is to enforce his £50 fine for He said that the threats of that it is believed that Mr Hallo refusing to register for the poinding (pricing) his personal way will seek AUT support, and Poll Tax, or Community goods and warrant sales had been that of other unions at Edinburgh Charge. chosen as the "first line of action": University, to prevent the local no attempt was made to collect authorities in arresting his wages. Although only one of many ·the debt in any other way. individuals who atte.Wed the EUCAPT representative, This development has occurred · ~ meeting in the Council's Cham Dave Donahue, told Student that after the Acting Director of ~bers in Parliament Square, Mr of 1700 poindings in Lothian Reg- · Finance of Lothian Regional Holloway constantly reiterated ion in 1988, only 13 went to war during his seven-minute speech Council, David Semple, told the rant sale, because of administra national press that Mr Holloway that the Poll Tax will "not work" tive costs. -
Lush's Final Show @ Manchester Academy
LUSH’S FINAL SHOW @ MANCHESTER ACADEMY larecord.com /photos/2016/11/26/lushs-final-show-manchester-academy November 26th, 2016 | Photos Photos by Todd Nakamine 2016 brought a very successful return for Lush with sold out shows, festival appearances and a new EP Blind Spot. But 2016 also brought the final show the band would play at the Manchester Academy to a somewhat somber crowd. We were soaking in every last note all knowing this was the last show ever (sometimes knowing is worse). Kicking off their high energy set with “De-luxe” and plowing through classic after classic covering their entire career including “Kiss Chase,” “Thoughtforms,” “Etheriel,” “Light From A Dead Star,” “Hypocrite,” “Undertow” plus the new already classic Lush track “Out of Control.” While nothing can replace the late Chris Acland’s subtleties that helped define Lush’s sound, drummer Justin Welsh’s hard and fast style of playing added an extra kick apparent in songs like “Ladykiller,” or as Miki Berenyi said should be renamed “Pussygrabber” in light of U.S.A.’s new president elect, as well as “Sweetness and Light.” Acland’s close friend Michael Conroy of Modern English filled in on bass as Phil King left the band in October. Finishing with the final song of the night “Monochrome,” Emma Anderson, Berenyi and Welsh gave their last waves, left the stage for the final time and the crowd quietly shuffled out having been treated with a very special goodbye. Kicking off the night was Brix & The Extricated featuring post punk legends Brix Smith, Steve Hanley and Paul Hanley (The Fall). -
Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
ARTIST TITLE FORMAT Marie-Mai Elle Et
ARTIST TITLE FORMAT Marie-Mai Elle et Moi 12" vinyl Brandi Carlile A Rooster Says 12" The Trews No Time For Later (Limited Edition) 2XLP Charli XCX Vroom Vroom EP 12" EP Ron Sexsmith Hermitage (RSD20EX) 12" vinyl Grouplove Broken Angel 12" My Chemical Romance Life On The Murder Scene (RSD20 EX) LP Black Keys Let's Rock (45 RPM Edition)(RSD20 EX) 2-LP k.d. lang & the Reclines Angel With A Lariat (RSD20 EX) LP k.d. lang Drag (RSD20 EX) 2-LP Phenomenon (Music From The Motion Picture) Music From The Motion Picture (RSD20 EX) 2-LP Music From the X-Files: The Truth and the Light Mark Snow (RSD20 EX) LP Batman & Robin (Music From and Inspired By Music From And Inspired By The Motion Picture) (RSD20 EX) 2-LP Avalon (Original Motion Picture Score) (RSD20 Randy Newman EX) LP Lethal Weapon (Original Motion Picture Soundtrack Soundtrack) (RSD20 EX) LP Metroland (Music and Songs From The Film Mark Knopfler (RSD20 EX) LP Austin Powers: The Spy Who Shagged Me Music From The Motion Picture Soundtrack (RSD20 EX) LP Music From The Motion Picture: Austin Powers In Soundtrack Goldmember (RSD20 EX) LP Randy Newman The Natural (RSD20 EX) LP Tonight In The Dark We're Seeing Colors (RSD20 Tegan and Sara EX) LP Gary Clark Jr. Pearl Cadillac (feat. Andra Day) (RSD20 EX) 10" EP Gorillaz G-Sides (RSD20 EX) LP Gorillaz D-Sides (RSD20 EX) 3-LP Neil Young Homegrown (RSD20 EX) LP Biffy Clyro Moderns (RSD20 EX) 7" Wale Wow…That's Crazy (RSD20 EX) LP Skid Row Slave To The Grind (Expanded) 2LP Live from the Apollo Theatre Glasgow Feb Alice Cooper 19.1982 2LP - 140gram black vinyl Fleetwood Mac The Alternate Rumours 1LP, 180gram, black vinyl 5-LP, 180-gram vinyl, with Grateful Dead Buffalo 5/9/77 10th-side etching. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Post-Rock, Chicago School, Jim O'rourke. Über Materialbehandlung in Der Avantgarde Der Populären Musik
Post-Rock, Chicago School, Jim O'Rourke. Über Materialbehandlung in der Avantgarde der populären Musik Magisterarbeit Universität Lüneburg, Juni 2006 Fakultät I – Bildungs-, Kultur- und Sozialwissenschaften (ehem. Fachbereich III – Angewandte Kulturwissenschaften) vorgelegt von: Tobias Ruderer (Matrikelnummer: 111517) Fasanenweg 5 21337 Lüneburg Tel. 04131-767561 [email protected] Erstgutachter: Dr. Rolf Großmann, Universität Lüneburg Zweitgutachter: Dr. Christian Bielefeldt, Universität Lüneburg Inhaltsverzeichnis Einleitung......................................................................................................................4 1. Theorie des musikalischen Materials.......................................................................8 1.1 Phänomenologische Besonderheiten der Vorstellung eines künstlerischen Materials.....8 1.2 Grundzüge von Adornos Materialtheorie.......................................................................11 1.2.a Materialveränderung als musikimmanenter Prozess...............................................11 1.2.b Der Zwang des Materials........................................................................................13 1.2.c Material und Gesellschaft.......................................................................................15 1.3 Kritik und Probleme des Materialbegriffs......................................................................18 1.4 Stil, Konstruktion, Technik.............................................................................................21 2. Material -
OBSERVER Vol
OBSERVER Vol. 8 No. 5 November 17, 1997 Page 1 SUNY President Bowen Facing Possible Firing Controversial women’s conference raises the hackles of conservatives; trustees will decide issue tomorrow Nate Schwartz A Dangerous Across Intersection scene of three collisions Abigail Rosenberg Page 3 Ottaway: Powerful Words Can Shake Up the World Article 19 of Human Rights Declaration focus of walk Nate Schwartz Failings of Kline Food Redressed by Reps Menu plans and quality control need work, Food Committee says Andy Varyu Page 4 Behold Y’alls: Variety of Lectures, Films, Theatre Await the Savvy Student Calendar of Events summarizes the good, the bad, and the ugly with astounding perspicuity and wit “Best Kept Secret” “Outed” by Expert on Contraception Report from Planned Parenthood Kyra Carr Page 5 “Total Theatre” at Bard: Pelleas and Melisanda an Integrated Arts Triumph Modern melding of drama, dance, and music renders tragedy fluid, hypnotic Eric Fraser The Zine Scene More Noted from the “Underground” Elissa Nelson and Lauren Martin Page 7 Album Review The Usual Atmospheric Stuff? Electronica Joel Hunt Page 8 Movie Review: Boogie Nights: Thirteen Inches of Family Values Abigail Rosenberg Cartoon Page 9 Jesus Christ Superstar: Do You Think You’re What They Say You Are? First Bard Musical in 20+ years plays to capacity audiences and standing ovations Caitlin Jaynes Page 10 Horoscope The Effects of the Moon Nicole DiSalvo Restaurant Review The Stabl-izing Force of Foster’s Stephanie Schneider Page 11 Education in South Africa Stifled by Agenda -
16-18 Sept We Have a Kids Art Project on the Green Where All Are Welcome to Join in Making a Giant Priston Festival Is a Registered Charity
free Chill stage a big thank you to our sponsors In the order of performance on Saturday & Sunday, see main timetable enclosed. Botanical Software Carter ELS priston Saturday Cathy Judge & Johnny Francis Cathy will be performing a mix of her own cleverly crafted songs and favourite covers. She has a rich, velvety voice and sings sensitive ballads as well as belting out the blues. Accompanied by long-time musical partner Johnny Francis on second guitar. Hannah McPhillimy Described by the Irish Times as 'a bit of a wonder' Hannah McPhillimy's debut E.P 'Seeing Things' was launched in 2013 to a string of sold out shows across N. Ireland. festival Hannah’s latest release showcases her unique brand of soul-searching, jazz-inflected indie-pop. Rob Lear Rob's music bridges Americana, Folk, Country and even good old pop. The songs take their inspiration from Rob’s experience growing up in a homestead dominated by motorcycles and motorcyclists and the unique characters and stories that flowed from them. Barry Lane & The Fridge Mechanics showcase Barry's lyrical folk rock songs. The band live programme 2016 and perform in Bristol and the South West, most recently supporting the late Ian McClaghan from the Small Faces at the Thunderbolt in Bristol. They have been part of the Party in the City for the Bristol Oil Fired Up International Music Festival. flamenco/folk/pop Saskia & the June Apples perform heartfelt atmospheric folk/pop, sung over classical and acoustic instruments. Engaging songs, captivating instrumentation and crystal clear vocals. classical/funk-rock Thirsty Jenny are a Somerset folk collective originating from Wells Blue School who thoughtfully Jon Fowle bluegrass/americana arrange both traditional and modern tunes and songs. -
Slap Magazine: Issue 67 (March 2017)
Issue 67 Mar2017 FREE Lamb & Flag The Tything, Worcester, WR1 1JL Fantastic Food, Superior Craft Ales Cocktails & Exceptional Guinness... Folk Music, Poetry Conkers! Local Cider, Backgammon, Tradition We Have It All!! Fresh, Homemade, Authentic Italian Cuisine Thurs - Sun Cocktail Master Class! Open 7 Days - Parties & Functions Catered For [email protected] Tel: 01905 729415 www.twocraftybrewers.co.uk Well February shot by in the blink of an eye and here we are again! Welcome to the March edition of Slap. I was hoping to say ‘Spring is in the air’ but I’ve just seen the weather forecast and it’s far from Spring-like. It really feels like it’s been a long winter of discontent with news of more venue closures almost weekly. The latest to go at the end of February was the Pig and Drum in Worcester which has been prominent on the local music seen for a few years now. Thanks to the efforts of landlady Rachel Cale bands from out of town loved playing there. We don’t yet know the long term fate of the Boar’s Mar 2017 Head in Kidderminster since Sid & Sandra announced they’re moving on in the summer, But I don’t think it’ll be the last to go. With business rates rises due very soon and so many people feeling the pinch, these places are really suffering. There are SLAP MAGAZINE rumours of other venues around the counties who may also be Unit 3a, Lowesmoor Wharf, shutting their doors soon. And It’s not just the music scene that Worcester WR1 2RS suffers either, many of these spaces are now multi functional art Telephone: 01905 26660 spaces as well as platforms for comedy, spoken word and poetry. -
Nine Constructions of the Crossover Between Western Art and Popular Musics (1995-2005)
Subject to Change: Nine constructions of the crossover between Western art and popular musics (1995-2005) Aliese Millington Thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy ~ Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2007 Contents List of Tables…..…………………………………………………………....iii List of Plates…………………………………………………………….......iv Abstract……………………………………………………………………...v Declaration………………………………………………………………….vi Acknowledgements………………………………………………………...vii Chapter One Introduction…………………………………..…..1 Chapter Two Crossover as a marketing strategy…………....…43 Chapter Three Crossover: constructing individuality?.................69 Chapter Four Shortcuts and signposts: crossover and media themes..…………………...90 Chapter Five Evoking associations: crossover, prestige and credibility………….….110 Chapter Six Attracting audiences: alternate constructions of crossover……..……..135 Chapter Seven Death and homogenization: crossover and two musical debates……..……...160 Chapter Eight Conclusions…………………..………………...180 Appendices Appendix A The historical context of crossover ….………...186 Appendix B Biographies of the four primary artists..…….....198 References …...……...………………………………………………...…..223 ii List of Tables Table 1 Nine constructions of crossover…………………………...16-17 iii List of Plates 1 Promotional photograph of bond reproduced from (Shine 2002)……………………………………….19 2 Promotional photograph of FourPlay String Quartet reproduced from (FourPlay 2007g)………………………………….20 3 Promotional