Stonehenge for the Ancestors. Part 1: Landscape and Monuments
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Concrete Prehistories: the Making of Megalithic Modernism 1901-1939
Concrete Prehistories: The Making of Megalithic Modernism Abstract After water, concrete is the most consumed substance on earth. Every year enough cement is produced to manufacture around six billion cubic metres of concrete1. This paper investigates how concrete has been built into the construction of modern prehistories. We present an archaeology of concrete in the prehistoric landscapes of Stonehenge and Avebury, where concrete is a major component of megalithic sites restored between 1901 and 1964. We explore how concreting changed between 1901 and the Second World War, and the implications of this for constructions of prehistory. We discuss the role of concrete in debates surrounding restoration, analyze the semiotics of concrete equivalents for the megaliths, and investigate the significance of concreting to interpretations of prehistoric building. A technology that mixes ancient and modern, concrete helped build the modern archaeological imagination. Concrete is the substance of the modern –”Talking about concrete means talking about modernity” (Forty 2012:14). It is the material most closely associated with the origins and development of modern architecture, but in the modern era, concrete has also been widely deployed in the preservation and display of heritage. In fact its ubiquity means that concrete can justifiably claim to be the single most dominant substance of heritage conservation practice between 1900 and 1945. This paper investigates how concrete has been built into the construction of modern pasts, and in particular, modern prehistories. As the pre-eminent marker of modernity, concrete was used to separate ancient from modern, but efforts to preserve and display prehistoric megaliths saw concrete and megaliths become entangled. -
Stonehenge Bibliography
Bibliography Abbot, M. and Anderson-Whymark, H., 2012. Anon., 2011a, Discoveries provide evidence of Stonehenge Laser Scan: archaeological celestial procession at Stonehenge. On-line analysis report. English Heritage project source available at: 6457. English Heritage Research Report http://www.birmingham.ac.uk/news/latest/ Series no. 32-2012, available at: 2011/11/25Nov-Discoveries-provide- http://services.english- evidence-of-a-celestial-procession-at- herita ge.org.uk/Resea rch Repo rtsPdf s/032_ Stonehenge.aspx (accessed 2 April 2012). 2012WEB.pdf Anon., 2011b, Stonehenge’s sister? Current Alexander, C., 2009, If the stones could speak: Archaeology, 260, 6–7. Searching for the meaning of Stonehenge. Anon., 2011c, Home is where the heath is. National Geographic, 213.6 (June 2008), Late Neolithic house, Durrington Walls. 34–59. Current Archaeology, 256, 42–3. Allen, S., 2008, The quest for the earliest Anon., 2011d, Stonehenge rocks. Current published image of Stonehinge (sic). Archaeology, 254, 6–7. Wiltshire Archaeological and Natural Anon., 2012a, Origin of some of the Bluestone History Magazine, 101, 257–9. debris at Stonehenge. British Archaeology, Anon., 2006, Excavation and Fieldwork in 123, 9. Wiltshire 2004. Wiltshire Archaeological Anon., 2012b, Stonehenge: sourcing the and Natural History Magazine, 99, 264–70. Bluestones. Current Archaeology, 263, 6– Anon., 2007a, Excavation and Fieldwork in 7. Wiltshire 2005. Wiltshire Archaeological Aronson, M., 2010, If stones could speak. and Natural History Magazine, 100, 232– Unlocking the secrets of Stonehenge. 39. Washington DC: National Geographic. Anon., 2007b, Before Stonehenge: village of Avebury Archaeological and Historical wild parties. Current Archaeology, 208, Research Group (AAHRG) 2001 17–21. -
Stonehenge OCR Spec B: History Around Us
OCR HISTORY AROUND US Site Proposal Form Example from English Heritage The Criteria The study of the selected site must focus on the relationship between the site, other historical sources and the aspects listed in a) to n) below. It is therefore essential that centres choose a site that allows learners to use its physical features, together with other historical sources as appropriate, to understand all of the following: a) The reasons for the location of the site within its surroundings b) When and why people first created the site c) The ways in which the site has changed over time d) How the site has been used throughout its history e) The diversity of activities and people associated with the site f) The reasons for changes to the site and to the way it was used g) Significant times in the site’s past: peak activity, major developments, turning points h) The significance of specific features in the physical remains at the site i) The importance of the whole site either locally or nationally, as appropriate j) The typicality of the site based on a comparison with other similar sites k) What the site reveals about everyday life, attitudes and values in particular periods of history l) How the physical remains may prompt questions about the past and how historians frame these as valid historical enquiries m) How the physical remains can inform artistic reconstructions and other interpretations of the site n) The challenges and benefits of studying the historic environment 1 Copyright © OCR 2018 Site name: STONEHENGE Created by: ENGLISH HERITAGE LEARNING TEAM Please provide an explanation of how your site meets each of the following points and include the most appropriate visual images of your site. -
Archaeology's Place in Modernity
THOMAS / archaeology’s place in modernity 17 Archaeology’s Place in Modernity Julian Thomas Introduction Archaeology, as an academic discipline and as a means of MODERNISM / modernity addressing the past, is a phenomenon that emerged in the mod- VOLUME ELEVEN, NUMBER ern era. For many commentators this is because some specific ONE, PP 17–34. © 2004 THE JOHNS aspect of the modern experience has facilitated or promoted HOPKINS UNIVERSITY PRESS the study of the material traces of the past. These might include the rise of an educated and affluent middle class; improvements in transport, which rendered the antiquities of the countryside accessible; or the construction of canals and railways, and the consequent exposure of buried deposits. However, in this con- tribution I will argue that the link between archaeology and modernity is more than circumstantial. Indeed, I will suggest that modern philosophy, modern forms of political organization, and modern social practices represent the ground of the possi- bility of “doing archaeology.” I will hope to demonstrate that in some senses archaeology distills a modern sensibility, embody- Julian Thomas is ing conceptions of time, humanity, nature, and science that have Chair of Archaeology at the University of been widely adopted over the past half-millennium. It is dis- Manchester, and is a tinctive of the modern world that philosophy and science, while Vice-President of the representing the discourses of specialized professionals, have Royal Anthropological contributed much to the everyday rationality routinely employed Institute. His publica- by lay people. This is in part because philosophy and science tions include Time, partake of a “ground plan” or set of fundamental assumptions Culture and Identity that is hard to fully articulate, and is therefore metaphysical.1 (Routledge, 1996), Understanding the Archaeology, perhaps as much as any other discipline, is steeped Neolithic (Routledge, in the implicit and explicit presuppositions of modern thought. -
Researching Stonehenge: Theories Past and Present
Parker Pearson, M 2013 Researching Stonehenge: Theories Past and Present. Archaeology International, No. 16 (2012-2013): 72-83, DOI: http://dx.doi.org/10.5334/ai.1601 ARTICLE Researching Stonehenge: Theories Past and Present Mike Parker Pearson* Over the years archaeologists connected with the Institute of Archaeology and UCL have made substantial contributions to the study of Stonehenge, the most enigmatic of all the prehistoric stone circles in Britain. Two of the early researchers were Petrie and Childe. More recently, colleagues in UCL’s Anthropology department – Barbara Bender and Chris Tilley – have also studied and written about the monument in its landscape. Mike Parker Pearson, who joined the Institute in 2012, has been leading a 10-year-long research programme on Stonehenge and, in this paper, he outlines the history and cur- rent state of research. Petrie and Childe on Stonehenge William Flinders Petrie (Fig. 1) worked on Stonehenge between 1874 and 1880, publishing the first accurate plan of the famous stones as a young man yet to start his career in Egypt. His numbering system of the monument’s many sarsens and blue- stones is still used to this day, and his slim book, Stonehenge: Plans, Descriptions, and Theories, sets out theories and observations that were innovative and insightful. Denied the opportunity of excavating Stonehenge, Petrie had relatively little to go on in terms of excavated evidence – the previous dig- gings had yielded few prehistoric finds other than antler picks – but he suggested that four theories could be considered indi- vidually or in combination for explaining Stonehenge’s purpose: sepulchral, religious, astronomical and monumental. -
A303 Amesbury to Berwick Down
A303 Amesbury to Berwick Down TR010025 6.3 Environmental Statement Appendices Volume 1 6 Appendix 6.1 Annex 8 Influences of the monuments and landscape of the Stonehenge part of the World Heritage Site on literature and popular culture APFP Regulation 5(2)(a) Planning Act 2008 Infrastructure Planning (Applications: Prescribed Forms and Procedure) Regulations 2009 October 2018 HIA Annex 8 – Influences of the monuments and landscape of the Stonehenge part of the WHS on literature and popular culture Introduction Stonehenge, Avebury and Associated Sites was inscribed on the UNESCO World Heritage Site List in 1986, one of the original list of seven sites in the UK to be put forward for inscription. The Statement of Outstanding Universal Value (OUV) was adopted in 2013. The Statement of OUV notes that ‘the monuments and landscape have had an unwavering influence on architects, artists, historians and archaeologists’ (UNESCO 2013). The 2015 Management Plan (Simmonds & Thomas 2015) identifies seven Attributes of OUV for the entirety of the WHS, of which the seventh is: ‘The influence of the remains of the Neolithic and Bronze Age funerary and ceremonial monuments and their landscape setting on architects, artists, historians, archaeologists and others.’ The landscape around Stonehenge, comprising natural and cultural elements, is not just a physical environment, but an abstraction that is perceived by the human observer. Such observers have included literary writers, poets and travel writers, who have used their sense of the place as they experienced it to inspire their creative writing. The unique strength of Stonehenge is that the monument is an instantly recognisable structure which resembles no other and onto which a range of fantasies can be projected (Hutton 2009, 45). -
Ever Increasing Circles: the Sacred Geographies of Stonehenge and Its Landscape
Proceedings of the British Academy, 92, 167-202 Ever Increasing Circles: The Sacred Geographies of Stonehenge and its Landscape TIMOTHY DARVILL Introduction THE GREAT STONE CIRCLE standing on the rolling chalk downland of Salisbury Plain that we know today as Stonehenge, has, in the twentieth century AD, become a potent icon for the ancient world, and the focus of power struggles and contested authority in our own. Its reputation and stature as an archaeological monument are enormous, and sometimes almost threaten to overshadow both its physical proportions and our accumu- lated collective understanding of its construction and use. While considerable attention has recently been directed to the relevance, meaning and use of the site in the twentieth century AD (Chippindale 1983; 1986a; Chippindale et al. 1990; Bender 1992), the matter of its purpose, significance, and operation during Neolithic and Bronze Age times remains obscure. The late Professor Richard Atkinson was characteristically straightforward when he said that for questions about Stonehenge which begin with the word ‘why’: ‘there is one short, simple and perfectly correct answer: We do not know’ (1979, 168). Two of the most widely recognised and enduring interpretations of Stonehenge are, first, that it was a temple of some kind; and, second, that its orientation on the midsummer sunrise gave it some sort of astronomical role in the lives of its builders. Both interpre- tations, which are not mutually exclusive, have of course been taken to absurd lengths on occasion. During the eighteenth century, for example, William Stukeley became obses- sive about the role of the Druids at Stonehenge (Stukeley 1740). -
BENEATH HAY BLUFF, UNITED KINGDOM Course ID: ARCH 365BG June 23Rd – August 1St, 2021
BENEATH HAY BLUFF, UNITED KINGDOM Course ID: ARCH 365BG June 23rd – August 1st, 2021 FIELD SCHOOL DIRECTOR(S): Prof. Julian Thomas, Department of Classics, Ancient History & Archaeology, University of Manchester ([email protected]) Prof. Keith Ray, Department of Archaeology, University of Cardiff ([email protected]) Dr. Nick Overton, Department of Classics, Ancient History & Archaeology, University of Manchester ([email protected]) Tim Hoverd, Herefordshire County Council ([email protected]) INTRODUCTION Since 2010, the Beneath Hay Bluff Project has been investigating the character of prehistoric, and specifically Neolithic activity in southwest Herefordshire, or the border between modern England and Wales. This region has been somewhat neglected by prehistoric archaeology, in part owing to a lack of antiquarian investigations, but it is increasingly clear that it is distinguished by a rich and under- exploited prehistoric record. In seeking to address questions of monumentality, memory, place and material traditions, we have excavated at a number of sites, including the funerary round cairn at 1 | P a g e Olchon Court and the long mounds, buildings and causewayed enclosure of Dorstone Hill. The region is a rural one, with picturesque villages, castles, abbeys, rolling hills and lush river valleys: it is at once typically ‘English’ and bordering on rugged Welsh uplands. The field school provides a unique learning experience by drawing on the resources of both the University of Manchester and Herefordshire Archaeology, who contribute facilities, equipment and staff. Many of our supervisory staff are professionals from the world of commercial archaeology, who bring a wealth of experience and know- how. -
Durrington Walls
Durrington Walls Stonehenge builders' houses found A huge ancient settlement used by the people who built Stonehenge has been found, archaeologists have said. Excavations at Durrington Walls, near the legendary Salisbury Plain monument, uncovered remains of ancient houses. People seem to have occupied the sites seasonally, using them for ritual feasting and funeral ceremonies. In ancient times, this settlement would have housed hundreds of people, making it the largest Neolithic village ever found in Britain. The dwellings date back to 2,600-2,500 BC - according to the researchers, the same period that Stonehenge was built. But some archaeologists point out that there are problems dating Stonehenge itself because the stone circle has been rebuilt many times. The village would have housed hundreds of people (Image: National Geographic) Consequently, archaeological material has been dug up and reburied on numerous occasions, making it difficult to assign a date to the original construction. But Mike Parker Pearson and his colleagues are confident of a link. "In what were houses, we have excavated the outlines on the floors of box beds and wooden dressers or cupboards," he explained. The Sheffield University researcher said this was based on the fact that these abodes had exactly the same layout as Neolithic houses at Skara Brae, Orkney, which have survived intact because - unlike these dwellings - they were made of stone. The researchers have excavated eight houses in total at Durrington. But they have identified many other probable dwellings using geophysical surveying equipment. In fact, they think there could have been at least one hundred houses. Each one measured about 5m (16ft) square, was made of timber, with a clay floor and central hearth. -
PDF Download Stonehenge: Making Sense of a Prehistoric Mystery Kindle
STONEHENGE: MAKING SENSE OF A PREHISTORIC MYSTERY PDF, EPUB, EBOOK Mike Parker Pearson,Joshua Pollard,Colin Richards,Julian Thomas,Kate Welham | 120 pages | 29 Feb 2016 | Council for British Archaeology | 9781909990029 | English | York, United Kingdom Stonehenge: Making Sense of a Prehistoric Mystery PDF Book We aim to show you accurate product information. Want to Read Currently Reading Read. Accept Cookies Customise Cookies. Record type: Book. Excellent coverage of latest fingings and theory on the monument. See All Buying Options. Verified Purchase. Cancel Post. A distinguished prehistorian he has been involved with many major projects, including leading the recent Stonehenge Riverside Project. Mauchline was the administrative centre of the regality of Kylesmuir, granted in the twelfth century to Melrose Abbey. Author: Colin Richards. Jo marked it as to-read Apr 17, Located on the south side of the River Tees, in north-east England, the Roman villa at Ingleby Barwick is one of the most northerly in the Roman Empire. Sarah marked it as to-read Apr 20, We use cookies to ensure that we give you the best experience on our website. Showing 0 comments. Pickup not available. Audible Download Audiobooks. Joshua Pollard ,. Create a commenting name to join the debate Submit. We use cookies to ensure that we give you the best experience on our website. Arrived quickly. Add to registry. Download statistics Downloads from ePrints over the past year. Overview Stonehenge is an iconic monument for people all around the world. Last modified: 14 Jul Stonehenge: Making Sense of a Prehistoric Mystery Writer Mike Parker Pearson. Try again. -
Architecture and Meaning in the Structure of Stonehenge, Wiltshire, UK Timothy Darvill
Houses of the Holy: architecture and meaning in the structure of Stonehenge, Wiltshire, UK Timothy Darvill Timothy Darvill is Professor of Archaeology in the Department of Archaeology, Anthropology and Forensic Science, Bournemouth University, UK. His research interests lie in the Neolithic of Northwest Europe and in archaeological resource management, and he has carried out fieldwork in Germany, Russia, Malta, England, Wales, and the Isle of Man. In 2008, together with Geoff Wainwright, he undertook excavations inside the stone circles at Stonehenge as part of ongoing research into the links between Stonehenge and the sources of the Bluestones in the Preseli Hills of southwest Wales. He is a member of the Editorial Advisory Board of Time & Mind. [email protected]. Abstract Stonehenge in central southern England is internationally known. Recent re-evaluations of its date and construction sequence provides an opportunity to review the meaning and purpose of key structural components. Here it is argued that the central stone structures did not have a single purpose but rather embody a series of symbolic representations. During the early third millennium this included a square-in- circle motif representing a sacred house or ‘big house’ edged by the five Sarsen Trilithons. During the late third millennium BC, as house styles changed, some of the stones were re-arranged to form a central oval setting that perpetuated the idea of the a sacred dwelling. The Sarsen Circle may have embodied a time- reckoning system based on the lunar month. From about 2500 BC more than 80 bluestones were brought to the site from sources in the Preseli Hills of west Wales about 220km distant. -
Afterword and Acknowledgements
AFTERWORD AND ACKNOWLEDGEMENTS A short genealogy: At the first conference on 'Devising and Documentation', organised by the Centre for Performance Research in Cardiff in February 1993, a number of performance practitioners and companies were invited to give precise ten-minute reflections on particular aspects of their work. The chosen forms included lecture, demonstration, exposition, short performance. Several used video, slide and overhead projection. They were, by turn, polemical, anecdotal, autobiographical, descriptive, scripted, improvised. In each presentation, the remains of the past were used to create something in the present. And all these ways of remembering represented forms of documentation. This was a revelation for those delegates who had regarded the single viewpoint, real-time video-recording as the authentic record of performance. Julian Thomas also spoke on the nature of the archaeo- logical record, the vagaries of survival and how we make use of the traces of the past in the present. He suggested that we can neither create an authoritative record nor try to predetermine and control its interpretation. Perhaps the best we can ever do is to put exciting material into the world and then let it alight where it will, envisaging creative acts of interpretation at other times and in other places. An initial series of provocations towards a theatre archaeology were presented at the conference. Julian Thomas's responses to them completed a seminal piece published in The Drama Review (Pearson 1994a; Thomas 1994). In the dialogue of a set of evolving relationships, articulated in a series of papers, presentations and practical projects manifest almost entirely within the discourse of archaeology, the deeper affinities of the two practices were further revealed.