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The Development of Tropes in Arabic Wine Poetry up to the 12Th Century AD
The Development of Tropes in Arabic Wine Poetry up to the 12th Century AD The Development of Tropes in Arabic Wine Poetry up to the 12th Century AD By Nader Masarwah The Development of Tropes in Arabic Wine Poetry up to the 12th Century AD By Nader Masarwah This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Nader Masarwah All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-3521-5 ISBN (13): 978-1-5275-3521-3 TABLE OF CONTENTS Introduction ................................................................................................ 1 Chapter I ..................................................................................................... 3 Metaphorical Embellishments (“Rhetorical Expressions” or ma’ani) in the Poetry of Wine Chapter II .................................................................................................. 15 The Growth of Wine Poetry Chapter III ................................................................................................ 29 Mystical Wine Meanings from the Pre-Islamic Age to Abo Nuwwas: The Colors, the Cup Bearers and the Companions Chapter IV ............................................................................................... -
An Assessment on Some of the Opinions and Theological Convictions of Seyyid Burhaneddin (Rumi’S Master)
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 20, Issue 3, Ver. V1 (Mar. 2015), PP 79-86 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org An Assessment on Some of the Opinions and Theological Convictions of Seyyid Burhaneddin (Rumi’s Master) Osman Oral, PhD Assistant Professor of Kalam (Islamic Theology) Department of Basic Islamic Sciences Bozok University Faculty of TheologyYozgat, Turkey, 66000 Abstract: One of the main and the most important objectives of Kalam is to create a firm belief in people’s hearts, to keep this belief from the danger of doubts, and to effort for providing different methods and techniques in the light of the Qur'an and Sunnah in this way. The aim of Sufism is also to educate self-ego and to preserve the belief within this moral axis. Seyyid Burhaneddin Tirmidhi is an important Sufi who was born at the end of the XII century and lived in the first half of the XIII century. His significance comes from his being the first master of Rumi by teaching him theological and mystical aspect of Islam for a long time. This article examines theological opinions of Seyyid Burhaneddin who has a significant place in the Sufi circles and the Anatolian Islamic culture. Keywords: Seyyid Burhaneddin, Rumi, Sufism, Faith, Tirmidhi, Kayseri I. Introduction Science of Kalam, first of all explores the vahdâniyet among the God's essence and attributes.1 It also determines the principles of Islam about faith and actions through nass (the Qur‟an and the Sunnah) and builds them on the basis of rational method.2 Sufism brings the truths of Islamic Theology toward general issues into very simple level which let also everyone will be satisfied. -
An Analysis of Intellectual and Literary Evolution of Sami El-Baroudi in the Three Periods
WALIA journal 31(S3): 116-121, 2015 Available online at www.Waliaj.com ISSN 1026-3861 © 2015 WALIA An analysis of intellectual and literary evolution of sami el-baroudi in the three periods Seyyedeh Akram Rakhshandehnia *, Seyyed Esmaeil Hosseini Ajdad Niaki Assistant Professor, Department of Arabic Literature and Language, University of Guilan Abstract: The works of Sami el-Baroudi has outstanding literary features, compared with those of other contemporary Arab poets. His extensive and deep knowledge of literature of Golden Period, and the influence of this period on his poetic language and form, purification of poetry of extraneous figures of language and of all what is not poetry, honest expression of feelings, frankness, and relatively good knowledge of classic principles of poetry, especially those of Arab poetry, and knowledge of the thoughts of modern reformists were among the characteristics of Baroudi, which very much contributed to his intellectual and poetic evolution; he is considered as linking chain between modern and old Arab literature, and the pioneer of modern Arab poetry. Given the findings of this research, literary life of Baroudi can be divided into three periods: imitation, revolution, and consolidation. This paper studies the intellectual evolution of Baroudi, and factors affecting such evolution by analyzing the poems he wrote in each of these three periods. Key words: Sami el-Baroudi; Intellectual evolution; Poem; The three periods 1. Introduction Studies have been carried out about Mahmoud Sami el-Baroudi, including: "Exile and National *There have been many literary figures in the Poetry of Mahmoud Sami el-Baroudi" (al-Jami'ah al- Arab world, some of whom are very important in Iraniyah lil Luqah al-Arabiyah wa Adabiha Journal, terms of their influence on next generations, and 2011); "Comparative Reading of the Concept of their paving the way for others. -
Mewlana Jalaluddin Rumi - Poems
Classic Poetry Series Mewlana Jalaluddin Rumi - poems - Publication Date: 2004 Publisher: Poemhunter.com - The World's Poetry Archive Mewlana Jalaluddin Rumi(1207 - 1273) Jalal ad-Din Muhammad Balkhi (Persian: ?????????? ???? ?????), also known as Jalal ad-Din Muhammad Rumi (?????????? ???? ????), and more popularly in the English-speaking world simply as Rumi (30 September 1207 – 17 December 1273), was a 13th-century Persian[1][6] poet, jurist, theologian, and Sufi mystic.[7] Iranians, Turks, Afghans, Tajiks, and other Central Asian Muslims as well as the Muslims of South Asia have greatly appreciated his spiritual legacy in the past seven centuries.[8] Rumi's importance is considered to transcend national and ethnic borders. His poems have been widely translated into many of the world's languages and transposed into various formats. In 2007, he was described as the "most popular poet in America."[9] Rumi's works are written in Persian and his Mathnawi remains one of the purest literary glories of Persia,[10] and one of the crowning glories of the Persian language.[11] His original works are widely read today in their original language across the Persian-speaking world (Iran, Tajikistan, Afghanistan and parts of Persian speaking Central Asia).[12] Translations of his works are very popular in other countries. His poetry has influenced Persian literature as well as Urdu, Punjabi, Turkish and some other Iranian, Turkic and Indic languages written in Perso-Arabic script e.g. Pashto, Ottoman Turkish, Chagatai and Sindhi. Name Jalal ad-Din Mu?ammad Balkhi (Persian: ?????????? ???? ????? Persian pronunciation: [d?æl??læddi?n mohæmmæde bælxi?]) is also known as Jalal ad- Din Mu?ammad Rumi (?????????? ???? ???? Persian pronunciation: [d?æl??læddi?n mohæmmæde ?u?mi?]). -
An Investigation Into the Prevalence of the Hindu Yogas in Sufism
1 AN INVESTIGATION INTO THE PREVALENCE OF THE HINDU YOGAS IN SUFISM By Jalaledin Ebrahim M.A. Ph.D (c) http://jalaledin.blogspot.com Introduction With the recent proliferation of translations into English of the love poetry of Mevlana Jalaluddin Rumi and Hafez, Sufism, which is the esoteric or mystical dimension of Islam, has been widely considered, in the popular literature, a “ bhakti ” tradition, in which, “the aim of bhakti yoga is to direct toward God the love that lies at the base of every heart” (Smith, 1991, p. 32). On further investigation, a deeper appreciation of Sufism can be gained by comparing and contrasting the combinations (or lack thereof) of the Hindu yogas in the paths of several renowned Sufi Masters, such as Mansur Al- Hallaj (d. 992), Jalaluddin Rumi (d. 1273), Hafez (d. 1389), and Ibn al-Arabi (d.1240), who was known as the Shaykh al-Akbar, the greatest Sufi Master and the Seal of the Saints. 2 This paper seeks to explore the paths of these Sufi Masters within the framework of the four Hindu yogas and their relationship to the “stations of the heart” presented by a Sufi sheikh of the Jerrahi Order, Dr. Robert Frager, (1999) in “Heart, Self and Soul: The Sufi Psychology of Growth, Balance and Harmony.” Frager explains the contribution of Hakim al-Tirmidhi (d.ca. 932) to the theory of Sufism’s “four stations of the heart”: the breast, the heart, the inner heart and the innermost heart. Each of these stations houses a light. “The breast is the home of the Light of Practice of the outer forms of any religion. -
The Concept of Generosity in Rumi's Mathnawi: an Analysis
THE CONCEPT OF GENEROSITY IN RUMI’S MATHNAWI: AN ANALYSIS BY SUZANA SUHAILAWATY MD. SIDEK A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy (Islamic and Other Civilization) International Institute of Islamic Thought and Civilization International Islamic University Malaysia JULY 2015 ABSTRACT This work examines generosity in the Mathnawi of Maulana Rumi. The thesis identifies fifteen stories not related directly to generosity in the Mathnawi. These were categorized into three groups: acts which are devoid of any generosity, sincere generosity, insincere generosity. These are mainly stories involving companions, saints and sometimes fables. The stories pertaining to the Prophet were used differently by Rumi. In some instances, he changed the gender of the person from that in the hadith and embellishes the stories with his own story. There are instances in which he takes two separate hadiths and make them one. In all cases, Rumi changes the scenario to make his own. The extensive change to the original does not allow us to call them hadith anymore. This dissertation shows that Rumi has spared no opportunity to show that generosity is extremely important in all its form and without being generous, one cannot reach the highest station in life. This is because the thesis shows that in Islam it does not only involve giving, but giving the best we have. ii ملخص البحث يقدم هذا البحث دراسة ملوضوع الكرم يف مثنوي موﻻنا جﻻل الدين الرومي. البحث يتناول مخسة عشر قصة من املثنوي ﻻ ترتبط بالكرم بشكل مباشر. مت تقسيم هذه القصص يف ثﻻث جمموعات: اﻷفعال اليت ختلو من الكرم، والكرم بإخﻻص والكرم بغري إخﻻص. -
I) If\L /-,7\ .L Ii Lo N\ C, ' II Ii Abstract Approved: 1'
AN ABSTRACT OF THE THESIS OF Asaad AI-Saleh for the Master of Arts Degree In English presented on _------'I'--'I--'J:..=u:o...1VL.c2=0"--'0"-=S'------ _ Title: Mustafa Sadiq al-Rafii: A Non-recognized Voice in the Chorus ofthe Arabic Literary Revival i) If\l /-,7\ .L Ii lo n\ C, ' II Ii Abstract Approved: 1'. C". C ,\,,: 41-------<..<.LI-hY,-""lA""""","""I,--ft-'t _ '" I) Abstract Mustafa Sadiq al-Rafii, a modem Egyptian writer with classical style, is not studied by scholars of Arabic literature as are his contemporary liberals, such as Taha Hussein. This thesis provides a historical background and a brief literary survey that helps contextualize al-Rafii, the period, and the area he came from. AI-Rafii played an important role in the two literary and intellectual schools during the Arabic literary revival, which extended from the French expedition (1798-1801) to around the middle of the twentieth century. These two schools, known as the Old and the New, vied to shape the literature and thought of Egypt and other Arab countries. The former, led by al-Rafii, promoted a return to classical Arabic styles and tried to strengthen the Islamic identity of Egypt. The latter called for cutting off Egypt from its Arabic history and rejected the dominance and continuity of classical Arabic language. AI-Rafii contributed to the Revival by supporting a line ofthought that has not been favored by pro-Westernization governments, which made his legacy almost forgotten. Deriving his literature from the canon of Arabic language, culture, and history, al-Rafii produced a literature based on a revived version of classical Arabic literature, an accomplishment which makes him unique among modem Arab writers. -
Experiencing Rumi and Pico
EXPERIENCING RUMI AND PICO: CONVERGING THOUGHTS, DIVERGING KNOWLEDGE A Thesis submitted to the faculty of AS 36 San Francisco State University In partial fulfillment of the requirements for • SU the Degree Master of Arts In Humanities by Parisa Soultani Sausalito, California December 2017 Copyright by Parisa Soultani 2017 CERTIFICATION OF APPROVAL I certify that I have read Experiencing Rumi and Pico: Converging Thoughts, Diverging Knowledge by Parisa Soultani, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Humanities at San Francisco State University. Carel Bertram Ph.D. Professor of Humanities <x_ Sandra Luft Ph.D. Professor of Philosophy EXPERIENCING RUMI AND PICO: CONVERGING THOUGHTS, DIVERGING KNOWLEDGE Parisa Soultani Sausalito, California 2017 Giovanni Pico della Mirandola (1463-1494) and Jalal ad-Din Muhammad Rumi (1207- 1273) came to similar conclusions while looking for answers to deep questions about the place of human in nature and her relationship to God. Both Rumi and Pico sought to approach this quest with an open mind that uses reason and experience rather than relying solely on traditional knowledge and religious doctrines, and they came to similar conclusions that put human concerns first in divine creation. While Pico remains reliant on reason and speaks in terms of philosophy, Rumi sees and speaks from another dimension: the path of direct experience expressed through poetry and allegory. I certify that the Abstract is a correct representation of the content of this thesis. Chair, Thesis Committee Date TABLE OF CONTENTS 1. -
The Perception of Human in the Theology of Jalalu'd-Din Al-Rumi
The Perception of Human in the Theology of Jalalu’d-Din al-Rumi (1207-1273) Ramazan Altintas Faculty of Theology University of Seljuk Abstract Jalalu’din al-Rumi is a Turkish sufi and was born in Balkh. He is one of the greatest of Sufi poets. The principal work of Rumi is his massive Mathnawi. Rumi is also a philosopher. He taught the Sufi doctrine that the chief end of life is to liberate oneself from human thoughts and wishes, human needs, and the outward impressions of the senses, so that one may become a mere mirror for the God. So bowdlerized an essence does one's mind become that it is as nearly as possible nothing, yet while in this state it can, by a union with the Divine Essence, mysteriously become the All. The general theme of Rumi's thought is essentially that of the concept of Tawhid. Rumi believed passionately in the use of music, poetry, and dance as a path for reaching God. For Rumi, God is the ground as well as the goal of all existence. For Rumi, religion was mostly a personal experience and not limited to logical arguments or perceptions of the senses. Rumi, God and Human I searched for God among the Christians and on the Cross and therein I found Him not.I went into the ancient temples of idolatry; no trace of Him was there. I entered the mountain cave of Hira and then went as far as Qandhar but God I found not. With set purpose I fared to the summit of Mount Caucasus and found there only 'anqa's habitation.Then I directed my search to the Kaaba, the resort of old and young; God was not there even. -
The Camel-Section of the Panegyrical Ode Author(S): Renate Jacobi Source: Journal of Arabic Literature, Vol
The Camel-Section of the Panegyrical Ode Author(s): Renate Jacobi Source: Journal of Arabic Literature, Vol. 13 (1982), pp. 1-22 Published by: BRILL Stable URL: http://www.jstor.org/stable/4183059 . Accessed: 15/06/2014 23:43 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. BRILL is collaborating with JSTOR to digitize, preserve and extend access to Journal of Arabic Literature. http://www.jstor.org This content downloaded from 132.74.95.21 on Sun, 15 Jun 2014 23:43:38 PM All use subject to JSTOR Terms and Conditions Journal of Arabic Literature,XIII THE CAMEL-SECTION OF THE PANEGYRICAL ODE' When comparing Arabic odes from different periods, the reader is sure to notice a certain discrepancy with regard to the main parts of the qasida: erotic prologue (nasib), camel-theme (wasf al-jamal and/or rahil), panegyric (madih). I mean the fact that the first and last section remain almost unchanged as structural units of the ode, whereas the second part, the camel-theme, changes radically from Pre-Islamic to Abbasid times. That is to say, although nasTband madzhpresent many aspects of internal change and development, and even more so, I believe, than has been recognized up to now, they continue to form substantial elements of the genre. -
E X I L E and No St a L Gi a in Arabic and Hebrew Poetry in Al -Andal Us (Muslim Spain) Thesis Submitted F O R the Degree Of
Exile and Nostalgia in Arabic and Hebrew Poetry in al-Andalus (Muslim Spain) Thesis submitted for the Degree of Doctor of Philosophy at the University of London by Rafik M. Salem (B .A.; M.A., Cairo) School of Oriental and African Studies December, 1987 ProQuest Number: 10673008 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673008 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ( i ) ABSTRACT The purpose of this study is to examine the notions of "exile" (ghurba) and "nostalgia" (al-banTn i 1a-a 1-Wafan) in Arabic and Hebrew poetry in al-Andalus (Muslim Spain). Although this theme has been examined individually in both Arabic and Hebrew literatures, to the best of my knowledge no detailed comparative analysis has previously been undertaken. Therefore, this study sets out to compare and contrast the two literatures and cultures arising out of their co-existence in al-Andalus in the middle ages. The main characteristics of the Arabic poetry of this period are to a large extent the product of the political and social upheavals that took place in al-Andalus. -
ENVIRONMENT of CULTURE and ART in the OTTOMAN EMPIRE in 19Th CENTURY
The Online Journal of Science and Technology - April 2018 Volume 8, Issue 2 ENVIRONMENT OF CULTURE AND ART IN THE OTTOMAN th EMPIRE IN 19 CENTURY Nesli Tuğban YABAN Baskent University, Department of Public Relations and Publicity, Ankara-Turkey [email protected] Abstract: Westernisation and modernisation of the Ottoman Empire began to burgeon in the 17th century; it became evident in the 18th century and the 19th century witnessed the most intense interaction and the exact reconstruction process. New way of living which was originated in Europe and representatives thereof became influential as guides and determinants of reconstruction process in the Ottoman Empire. It is possible to point out that the Ottoman Empire which got closer to France for handling military problems, to England for industrialisation purposes and to Italy for architecture and arts had intense communication and the resulting interaction with European states in the course of reconstruction process. This study aims to give information about the social, cultural and artistic environment in the Ottoman Empire during the reign of Sultan Abdul Hamid II (1876-1909). Key Words: Culture, Art, Ottoman Empire, Sultan Abdul Hamid II. General View of the Environment of Culture and Art in 19th Century in the Ottoman Empire It is clear that sultans had a very important role in the ruling of the country as a part of state system of the Ottoman Empire thus, good or bad functioning of the state and events and actions which might affect the society from various aspects were closely connected to personality, behaviours and mentality of the sultan.