DOCSLIB.ORG

DJ Krush Toshinori Kondo Ki Oku Album Download Ki-Oku

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DJ Krush Toshinori Kondo Ki Oku Album Download Ki-Oku DJ Krush Toshinori Kondo ki oku album download Ki-Oku. Anyone who remembers trumpeter Toshinori Kondo's work with such thorny avant-gardists as John Zorn, Derek Bailey, Fred Frith, and Peter Brotzmann's Die Like a Dog Quartet may be a bit taken aback by the extreme accessibility of his collaboration with pioneering turntablist DJ Krush. Much of the music on Ki-Oku flirts with smooth-groove jazz -- Kondo's muted trumpet line on "Mu-Getsu" sounds an awful lot like something Chris Botti would play, while the duo's instrumental take on the Bob Marley classic "Sun Is Shining" comes off just a little bit muzak-y. On the other hand, "Ki-Gen" and "Ko-Ku" both find Kondo using synthesized treatments in a way that evokes Jon Hassell's work with Brian Eno, while on the latter DJ Krush layers slightly menacing keyboard washes beneath Kondo's unassuming trumpet lines. This is one of those albums that reveals more with repeated listens; if it sounds too easy at first, listen again -- there's lots of interesting stuff going on beneath what sometimes sounds like a merely pleasant surface. DJ Krush Toshinori Kondo ki oku album download. "Pairing DJ Krush, known throughout the beat underground for his subdued, trippy soundscapes, with Japanese avant trumpeter Toshinori Kondo may seem an odd pairing. This record, however, is instantly knowable and intuitively easy to grasp. DJ Krush is not only able to drive the direction and tempo, but he's also quite adept at creating mood--often mixing up somber, downtempo collages that glide with an underwater grace. His uptempo work is direct, solidly propelled by someone who knows how to handle bass and breaks. Thankfully, the canvasses Krush mixes up are large enough to include Kondo's color work. The trumpeter (who's worked with the likes of Herbie Hancock and John Zorn) takes full advantage of the opportunity. Kondo is a breathy, richly toned player, and his meshings add to the dreamy, psychedelic feel of the recording. He's effective whether he's drifting beside Krush's swirling dub coiled in a haze of effects or punctuating beats with pure blasts of horn fire. A hip-bop classic." -- S. Duda. 4 comments: Oh man, I remember this album getting panned when it first came out - I'm excited to give it another listen and see how it holds up compared to Matthew Shipp's "GoodandEvil Sessions" which is the stanard by which I judge all these beats and jazz collabs now. Also, got a new mix up for Summer if you want to check it out! http://eronrauch.blogspot.com/2011/06/summer-siren-mix.html. thanks Eron. I'll have to check out that Matthew Shipp. I liked his collaboration with the Anti-pop Consortium. Oh and your link is broken on your summer mix post. DJ Krush Toshinori Kondo ki oku album download. Beginning as a bedroom DJ in the mid-'80s following the Japanese leg of the Wild Style tour, Krush moved into mobile DJ'ing, backing up rappers, and eventually solo production. Although his 1994 debut, Krush (initially released only in Japan), freely mixed elements of R&B and acid jazz with the beefy breakbeat backbone of midtempo hip-hop, Krush's work has since tended more toward the abstract, applying heavy effects and sample manipulation to thick, smart breaks, layered, almost ambient textures, and subtle, inventive scratching. Following Krush and Bad Brothers (a 1994 collaborative EP with acid jazz artist Ronny Jordan), Krush came to larger acclaim in the mid-'90s through his association with the London-based Mo'Wax label, which released his Strictly Turntablized in 1994 and Meiso in 1995, both reissued stateside by AM. While Turntablized is closer to a collection of DJ tools, Meiso is a return of sorts to his earlier work, including rappers such as Guru and CL Smooth on a few tracks and incorporating a wider variety of instrumental sounds and atmospheres. The album also included the jaw- dropping nine-minute epic "Duality," which helped bring greater recognition to its guest artist, a young Californian by the name of DJ Shadow. Krush's profile in the jazz world was increased with the 1996 album Ki-Oku, a collaboration with avant-garde trumpeter Toshinori Kondo. He also contributed a 60-minute mix of the Ninja Tune back catalog to Cold Krush Cuts, a 1996 release with Coldcut and DJ Food. A mix retrospective called Holonic: The Self-Megamix appeared in 1997. In addition to 1996's Milight, which included guest appearances by Mos Def and DJ Cam, Krush also featured on a number of various-artists collections, including Mo'Wax's celebrated Headz, as well as Altered Beats and Axiom Dub (both out on Bill Laswell's Axiom label). In 1998, Krush formed a trio called RYU with fellow Japanese hip-hop artists DJ Hide and DJ Sak, and the group released the album GA in 1999. Kakusei appeared on Mo'Wax/Columbia that year, followed by the mix album Code 4109 and single "Tragicomic" the next year. Zen from 2001 was filled with guest MCs and singers ranging from El-P and Mr. Len to Zap Mama and N'Dea Davenport, while The Message at the Depth from 2002 featured fewer vocalists (including Anti-Pop Consortium as well as the unrelated collective Anticon) and more instrumentals. Jaku (featuring guest MCs Mr. Lif and Aesop Rock) landed in 2004, and two years later the Stepping Stones collection featured Krush remixing highlights from his back catalog. The album was released as a double-CD collection with one disc focusing on "Lyricism" and the other on "Soundscapes," and both discs were released individually as well. A mix CD called OuMuPo 6 also appeared in 2006, and a triple-DVD Krush retrospective was released in Japan in 2007. DJ Krush & Toshinori Kondo Ki-Oku. Having released three albums of quality instrumental hip hop throughout 1994 and 1995, Japan's DJ Krush concocted what is quite possibly his masterwork with 1996's Ki-Oku . What really separates this album from the rest of Krush's discography is the brilliant work from accomplished jazz trumpeter Toshinori Kondo. Kondo's contributions throughout this album prove to be the perfect compliment to Krush's simple yet effective beats, which makes it unfortunate that the two of them never collaborated on another project. It's really quite impressive how Kondo's playing never feels shoehorned or out of place throughout Ki-Oku 's 57 minutes. Neither DJ Krush nor Kondo are interested in being flashier than the other. They are more concerned with making laid back soundscapes for listeners to zone out to, and they certainly accomplish this goal over the course of the album's thirteen tracks. The synergy between these two allows them to create a masterfully restrained atmosphere which is both melancholic and soothing. Whether Krush is going to town with frantic scratching like on "Bu-Seki" or throwing in glitchy electronic samples on "Ko-Ku", Kondo is there to cohesively add his own jazz-infused magic to each song. Kondo's trumpet playing and Krush's upright bass samples on "Ha-Doh" truly are nu jazz perfection. If there is one song on Ki-Oku that best exemplifies how powerful of a combination these two dudes are, it is without a doubt the third track "Mu-Getsu". Kondo's elegant playing over Krush's beats and gloomy sampling on this track is quite breathtaking. It's one of those songs that I wish would go on forever when I listen to it. Ki-Oku is a great example of two musicians from dissimilar genres coming together and creating fluid music. Each song on this album is an experience in and of itself thanks to Kondo's tasteful playing and the intricacies of DJ Krush's beats and samples. If you consider yourself a fan of instrumental hip hop or if you are someone who simply likes to throw on chill background music once in awhile, this album will be up your alley. DJ Krush Toshinori Kondo ki oku album download. Updates to the Toshinori Kondo website. May 10 2002: I received the 1984 Japanese version of Toshinori Kondo + IMA - Taihen. May 1 2002: Received and added: Various - Little Buddha Cafe Updated: Toshinori Kondo & Bill Laswell - Life Space Death (the Meta version contains a track of almost 14 minutes of music where the Spiritual Nature version contains an interview with his holiness The Dalai Lama) February 16 2002: Added: Die Like A Dog Quartet - Aoyama Crows. February 6 2002: I received: Toshinori Kondo and Bill Laswell - Life, Space, Death (the US version) January 31 2002: I received and updated: Various - 03:00am eternal. January 29 2002: I received and added the "Promotional CD" version of Various - The Shadow Masters. January 21 2002: I received the USA version of Toshinori Kondo, Bill Laswell, Eraldo Bernocchi - Charged. January 19 2002: I received and added: Various - Trax sampler 013 I received and updated: Bill Laswell - Points of Order Major update of the links page. 28 December: I added the tracks for "Various - Sumo Stomp (the ultimate In the '90s collection)" 14 December I received and updated: Various - The Salinas Sessions I added: Toshinori kondo + IMA - A Town in Your Heart / Tokyo Girl (promo) another version of Toshinori Kondo + IMA - Metal Position Various - Sumo Stomp (the ultimate In the '90s collection) I updated: Honsinger, Beresford, Kondo, Toop - Double Indemnity / Imitation of Life: 1980-1981 The LP version of Toshinori Kondo + DJ Krush - Ki- Oku. 22 November I received and added to the 1987 page: Toshinori Kondo & Tristan Honsinger - This, That and the Other.
Load more

Recommended publications
  • 112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12
    112. Na Na Na 112. Only You Remix 112. Come See Me Remix 12 Gauge Dunkie Butt 12 Gauge Dunkie Butt 2 Live Crew Sports Weekend 2nd II None If You Want It 2nd II None Classic 220 2Pac Changes 2Pac All Eyez On Me 2Pac All Eyez On Me 2Pac I Get Around / Keep Ya Head Up 50 Cent Candy Shop 702. Where My Girls At 7L & Esoteric The Soul Purpose A Taste Of Honey A Taste Of Honey A Tribe Called Quest Unreleased & Unleashed Above The Law Untouchable Abyssinians Best Of The Abyssinians Abyssinians Satta Adele 21. Adele 21. Admiral Bailey Punanny ADOR Let It All Hang Out African Brothers Hold Tight (colorido) Afrika Bambaataa Renegades Of Funk Afrika Bambaataa Planet Rock The Album Afrika Bambaataa Planet Rock The Album Agallah You Already Know Aggrolites Rugged Road (vinil colorido) Aggrolites Rugged Road (vinil colorido) Akon Konvicted Akrobatik The EP Akrobatik Absolute Value Al B. Sure Rescue Me Al Green Greatest Hits Al Johnson Back For More Alexander O´Neal Criticize Alicia Keys Fallin Remix Alicia Keys As I Am (vinil colorido) Alicia Keys A Woman´s Worth Alicia Myers You Get The Best From Me Aloe Blacc Good Things Aloe Blacc I Need A Dollar Alpha Blondy Cocody Rock Althea & Donna Uptown Top Ranking (vinil colorido) Alton Ellis Mad Mad Amy Winehouse Back To Black Amy Winehouse Back To Black Amy Winehouse Lioness : The Hidden Treasures Amy Winehouse Lioness : The Hidden Treasures Anita Baker Rapture Arthur Verocai Arthur Verocai Arthur Verocai Arthur Verocai Augustus Pablo King Tubby Meets Rockers Uptown Augustus Pablo In Fine Style Augustus Pablo This Is Augustus Pablo Augustus Pablo Dubbing With The Don Augustus Pablo Skanking Easy AZ Sugar Hill B.G.
    [Show full text]
  • 97-121297.Compressed.Pdf
    Ml.KINSaNU tGttNlC1S ••••• "ill, hm><1r1lXl;II; !I"Y~!l!!ht ,~WII>\1<l<\S;IQO', 1'Jw .I'l\tO~l ~ ~l!.~ ~~It'l>~h""I~', \"0011 ~~t ,,~~ fiQO" !I"Ys ,I> lac~I~S;) y~I c~"~ th~ "lei, who 4'~ rI!1.h'lilt y<l<I, h \ really <!'~. Att~nb~ a d4~ Qt ,\$A; e><OI'I>!1.Mal>-I€»-Man HY~<;onntt'- .~>S 10 get 10 kl>ow eoch other right aw'~y,O~t the phone, No OOttab- No loud mllsie. \,~,'~ at \~u'lI ralk with more gu),s on one call then you did all lasr month. l'It~ I~liSw 3014 THROCKMORTON, DALLAS, TEXAS (214) 559-0650 [email protected] l$ Q ; ----------~-,!!!!!!!J GOT TALENT? VOLUME 23, NUMBER 41 DECEMBER 12 - 18, 1997 16 LOOKING BACK Gay USA, 1952: Fairies at Neiman-Marcus? Part 2 by Phil Johnson 20 MOVIES Amistad Tells Compelling Tale of A Slave Rebellion Reviewed by Mark Deaton 29 BACKSTAGE The Women's Chorus of Dallas Kicks Off Its Ninth Season with "Visions of Sugarplums" 37 CURRENT EVENTS 41 STARSCOPE Mercury Retrogrades, Giving Us Free Rein for the Next Two Weeks 51 TEXAS SPORTS 52 TEXAS NEWS SHOW 56 ON OUR COVER Jason Virachack of Dallas photos by Jerry Stevens 58 FRESH BEATS DJ Krush, The Porn Kings and Jennifer Bolton by Jimmy Smith 60 TEXAS TEA 70 CLASSIFIEDS " 77 GUIDE 1WT (This Week In Texas) Is published by Texas Weekly Times Newspaper Co., at 3300 Reagan Street in Dallas, Texas 75219 and 811 Westhelmer In Houston, Texas 77r:JJ6.Opinions expressed by columnists are not necessarily those of TWTor of its staff.
    [Show full text]
  • Microsoft Outlook
    Dave M. Peck From: Squidco <[email protected]> Sent: Thursday, September 14, 2017 10:11 AM To: Dave M. Peck Subject: SQUIDCO Email Update September 14, 2017 UPDATE September 14, 2017 We wanted to make a new art— new expressions of art— in an art world that was, for us, traditional." —Herman Nitsch Essential Labels Alga Marghen KARLRECORDS Art Yard Matchless Clang Mikroton Recordings Confront Room40 Creative Sources Someone Good / Room40 Discus Taping Policies Evil Clown Trost Records Fragment Factory Wide Hive Holidays Records Creative Artists 1 • Abecassis, Eryck / Francisco Meirino • Derek Bailey / Mick Beck / Paul Hession • Borbetomagus • Tony Buck • Deep Tide Quartet (Archer / Macari / Cole / Shaw) • The Elks (Fagaschinski/Allbee/Roisz/Zapparoli) • Georg Graewe / Mark Sanders • Haco • Junk & The Beast (Petr Vrba / Veronika Mayer) • Alice Kemp • Leap of Faith • Kurt Liedwart • Roscoe Mitchell • Dafna Naphtali / Gordon Beeferman • Hermann Nitsch • Orfeo 5 (Blezard/Bourne/Jafrate w/ Prince/Oliver/Kane) • Charlemagne Palestine • Pat Patrick And The Baritone Saxophone Retinue • Massimo Pupillo / Alexandre Babel / Caspar Brotzmann • Ernesto Rodrigues / Ulrike Brand / Olaf Rupp • Sakata / Mota / Di Domenico / Calleja • Udo Schindler • String Theory [Boston, USA] • String Theory [PORTUGAL] • Eckard Vossas 4 (Vossas / Fields / Henkel / Nabatov) • Christian Wolfarth / Jason Kahn • Christian Wolff / Eddie Prevost • Nate Wooley / Daniele Martini / Joao Lobo • Zeitkratzer / Svetlana Spajic/Dragana Tomic/Obrad Milic • Zeitkratzer + Elliott Sharp Jazz & Improvisation Bailey, Derek / Mick Beck / Paul Hession: Meanwhile, Back In Sheffield... (Discus) Free improvising guitar legend Derek Bailey was invited to perform in his home town of Sheffield, England in 2004 with the trio of Mick Beck on tenor sax, bassoon, and whistles, and Paul Hession on drums, Bailey's first visit in many years, and a joyful occasion as the collective group explores a wide range of approaches to creating instant compositions.
    [Show full text]
  • Immersion Into Noise
    Immersion Into Noise Critical Climate Change Series Editors: Tom Cohen and Claire Colebrook The era of climate change involves the mutation of systems beyond 20th century anthropomorphic models and has stood, until recent- ly, outside representation or address. Understood in a broad and critical sense, climate change concerns material agencies that im- pact on biomass and energy, erased borders and microbial inven- tion, geological and nanographic time, and extinction events. The possibility of extinction has always been a latent figure in textual production and archives; but the current sense of depletion, decay, mutation and exhaustion calls for new modes of address, new styles of publishing and authoring, and new formats and speeds of distri- bution. As the pressures and re-alignments of this re-arrangement occur, so must the critical languages and conceptual templates, po- litical premises and definitions of ‘life.’ There is a particular need to publish in timely fashion experimental monographs that redefine the boundaries of disciplinary fields, rhetorical invasions, the in- terface of conceptual and scientific languages, and geomorphic and geopolitical interventions. Critical Climate Change is oriented, in this general manner, toward the epistemo-political mutations that correspond to the temporalities of terrestrial mutation. Immersion Into Noise Joseph Nechvatal OPEN HUMANITIES PRESS An imprint of MPublishing – University of Michigan Library, Ann Arbor, 2011 First edition published by Open Humanities Press 2011 Freely available online at http://hdl.handle.net/2027/spo.9618970.0001.001 Copyright © 2011 Joseph Nechvatal This is an open access book, licensed under the Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy this book so long as the authors and source are cited and resulting derivative works are licensed under the same or similar license.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Music and the Construction of Historical Narrative in 20Th and 21St Century African-American Literature
    1 Orientations in Time: Music and the Construction of Historical Narrative in 20th and 21st Century African-American Literature Leisl Sackschewsky A dissertation submitted in partial fulfillment of requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee: Sonnet Retman, Chair Habiba Ibrahim Alys Weinbaum Program Authorized to Offer Degree: English 2 © Copyright 2016 Leisl Sackschewsky 3 University of Washington Abstract Orientations in Time: Music and the Construction of Historical Narrative in 20th and 21st Century African-American Literature Chair of Supervisory Committee: Associate Professor Sonnet Retman American Ethnic Studies This dissertation argues that the intersections between African-American literature and music have been influential in both the development of hip-hop aesthetics and, specifically, their communication of historical narrative. Challenging hip-hop historiographers that narrate the movement as the materialization of a “phantom aesthetic”, or a sociological, cultural, technological, and musical innovation of the last forty years, this dissertation asserts that hip-hop artists deploy distinctly literary techniques in their attempts to animate, write, rewrite, rupture, or reclaim the past for the present. Through an analysis of 20th and 21st century African-American literary engagements with black music, musical figures, scenes of musical performance, and what I call ‘musical-oral’, I hope to demonstrate how prose representations of music disrupt the linear narratives of
    [Show full text]
  • DJ Krush Meiso
    Meiso DJ Krush Black Thought : Yin for yang I walk on a line Between ghetto slang and stimulation of the mind Life is a labyryth for dollars and cents As I quest for cream, through the steam so dense From the sensei me a puff, cause the tunnel is tough Some lick shots with sound, some'll bust from the cannon Experts o-rig-i-nal man'll examine I am in fact lacking con-fus-ion, as to what's real and what's illus-ion I come from Illadelph where ya health you never take for granted As hot as the equator in a cypher round the planet Or abnormal, niggas appearing out of portals and demanding your soul Who controls the eight immortals but the number seven In this continual maze, where night fight with days Within my mind marijuan blaze And some say I should change my ways But it's hard to hear the phrase through the havoc and haze Thought's style will never since or never cease to excella-rate It's the great lab dwella Tha mentals of The Roots are beyond any computer The judge prosecutor, or the drug distributor Respect to the ex-Lex Luger, my nigga Malik B the intruder Phila 5th Dynasty's the future And DJ Krush is the producer, ya healin with the ginseng Roots We get ya renascence loosa Remember me the Thought I represent essentially and mentally eventually, ya mention me as most high My decibels are most fly, I come to paint ya Thought's Black Yo Krush, where's it at?!!!??! Malik B : The Roots bring it from the Phila Fifth, spill the gift The melody of a felony is straight off a cliff Now can I get a witness to dismiss Christmas from the
    [Show full text]
  • Bill Laswell Kauai : the Arch of Heaven Mp3, Flac, Wma
    Bill Laswell Kauai : The Arch Of Heaven mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Folk, World, & Country Album: Kauai : The Arch Of Heaven Country: US Released: 2014 Style: Techno, Ambient, Pacific MP3 version RAR size: 1222 mb FLAC version RAR size: 1542 mb WMA version RAR size: 1667 mb Rating: 4.7 Votes: 103 Other Formats: MIDI VOC MPC AAC FLAC AHX APE Tracklist Hide Credits The Arch Of Heaven 1 7:15 Written-By – Bill Laswell, Camille Tapuarii Laughlin Ka Manu 2 Chanter – Devin Kamealoha Forrest, Kauanoe TaylorRecorded By – Kepa KruseWritten-By – 12:21 Bill Laswell Eo Hawai'i 3 5:50 Voice – Kepa KruseWritten-By – Bill Laswell, Kepa Kruse Mara'Ai Moana 4 13:31 Written-By – Bill Laswell, Heremoana Maamaatuaiahitapu Hanalei Haze 5 10:59 Chanter – Pearle Marie Puamohala KaholokulaWritten-By – Bill Laswell Companies, etc. Phonographic Copyright (p) – Metastation Copyright (c) – Metastation Recorded At – Orange Music Mixed At – Orange Music Mastered At – Turtle Tone Studios Recorded By – Prendragon Studio, Kauai Designed At – Randesign Credits Design – Yoko Yamabe Drums – Caridyn Kapiolani Kaona Colburn, Kiana Kimie Kealamaikalani Colburn Engineer – James Dellatacoma, Robert Musso Flute – Peter Apfelbaum Mastered By – Michael Fossenkemper Percussion – Adam Rudolph Producer, Arranged By, Bass, Guitar, Keyboards, Percussion – Bill Laswell Recorded By [Drums] – Ron Pendragon Barcode and Other Identifiers Barcode: 6 16892 24354 0 Related Music albums to Kauai : The Arch Of Heaven by Bill Laswell Bill Laswell - Cyclops Bill Laswell & Toshinori Kondo Featuring His Holiness The Dalai Lama - Life, Space, Death Bill Laswell, Raoul Björkenheim And Morgan Ågren - Blixt Akira Sakata - Kaigarabushi (Bill Laswell Remix) Bill Laswell - Outer Dark Roots Tonic Meets Bill Laswell - Roots Tonic Meets Bill Laswell Shin Terai - Unison Rasa - Serene Timeless Joy Bill Laswell & Terre Thaemlitz - Web Nine Doors Of Sight - Shiva's Shove - A Tribute To Bill Laswell.
    [Show full text]
  • Freier Download BA 58 Als
    BAD 58 ALCHEMY 1 STEINER: ... Die Musik besiegt den Tod, aber dann besiegt das Mysterium tremendum die Musik. Orpheus stirbt, von den Mänaden zerrissen. Dann kommt etwas, das für uns heute abend wichtig ist: Der Körper blutet aus, aber, das ist eine archaische Überlieferung, der Kopf singt weiter. Aus dem Mund des toten Orpheus strömt Musik. Das zweite Thema ist Marsyas, dieser grausame, furchtbare Mythos vom Kampf zwischen ihm und Apollon, in dem Marsyas geschändet wird. Auf Tizians berühmtem Gemälde finden wir alle Motive unseres heutigen Gesprächs. Es ist das größte seiner Bilder, und auch das grausamste. Worum ging es in dem Kampf? In dem Logos Apollons heißt es: Musik ist das Ornament der Sprache. Und Marsyas sagt: Der Wind ist Musik, der Vogel singt Musik, das Meeresrauschen ist Musik. Die Sprache ist ein später Gast und ein falscher. Dann das Sirenen-Motiv. Der Gesang tötet, er hält ganz mysteriös das Versprechen. Was sagen die Sirenen? Wir können dir sagen, was in der Welt war, was in der Welt ist und was in ihr sein wird. Die Verheißung des Alten Testa- ments. Die Verheißung des Baums im Paradies, des Baums der Wissenschaft, des Wissens. Hör unserem Gesang zu. Odysseus überlebt, er segelt weiter. Das war der letzte Moment, wo der Mensch in der Musik die Urkraft der Schöpfung hören konnte. Aber die Warnung war da: Musik ist übermenschlich, aber auch unmenschlich. Schopenhauer sagt: Auch wenn die Welt nicht wäre, könnte die Musik bestehen. Ich bin sicher, der Satz stimmt. Zuerst sind wir Gäste der Musik. Vielleicht kommt die Sprache erst viel später.
    [Show full text]
  • Suspension and Light: the Films of V~Ctor Erice
    SUSPENSION AND LIGHT: THE FILMS OF V~CTORERICE Dominique Russell A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Graduate Department of Spanish and Portuguese 0 Copyright by Dominique Russell 1998 The author has granted a non- L'auteur a sccorde me licence non exclusive licence dowing the exclusive permettant a la National Lrirary of Canada to Bibliothkque nationale du Canada de reproduce, loan, distribute or sell reproduke, preter' distniiuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fome de microfiche/£h, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur consewe la propriete du copyright in this thesis. Neither the clroit d'auteur qui protkge cette these. thesis nor substantial extracts fiom it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement repmduits sans son permission. autorisation. Thesis Abstract Suspension and Light: The Films of Victor Erie Ph-DI 1998 Dominique Russell Department of Spanish and Portuguese University of Toronto This thesis is a st~~dyof Victor Erice's cinematic style through a close analysis of his three feature films: El espiiinc de la cohena [lk Spmt ofthe Beehive] ( 1973),El SM South] ( 1982) and El sol dei membrillo [The Quince Tree Sun] ( 1992). It examines stylistic choices made in editing, sound, mise en dne,camera movement and structure, focusing on the elements which contribute to the ambiguous and meditative quality of Erice's films.
    [Show full text]
  • Can We Have Some Mo' Wax Please!
    Can We Have Some Mo’ Wax Please! Bittles‘ Magazine | Mo’Wax Records While browsing in my local book shop the other day I came across the recently published ›Mo’Wax Urban Archaeology: 21 Years of Mo’Wax Recordings‹. A mighty tome of a book, it chronicles the life and times of this beloved label, through meticulous design, a lot of love and some beautiful artwork. For former beatheads like myself it is a wonderful read, and quickly makes you nostalgic for the plethora of great songs they released over the years. By JOHN BITTLES So enamoured was I in fact that upon getting home I immediately spent a rather pleasant evening tracking down my old records, and then re-enveloping myself in the smoke filled world of ›Mo’ Wax‹ . The book chronicles a time in the middle of the 1990s when a strange, yet wonderful thing began to happen. The furious bleeps of rave, techno and drum & bass that had dominated the nation’s dancefloors began to give way to something a little more subtle and sedate. Labels like ›Ninja Tune, Pussyfoot and Mo’ Wax‹ began to release records of jazzy interludes and laid back beats. And these tunes weren’t for dancing! No, they were for nodding your head to, playing on headphones, or for lying down on the settee smoking a big, fat spliff. Mo’ Wax Please‹ , to give the label its full name, was founded in 1992 by James Lavelle and Tim Goldsworthy (who later went on to form ›DFA Records‹ with James Murphy, fact fans). Within two short years the label would become synonymous with the, hastily coined, trip hop sound that was taking over the nation’s hearts, clubs and bars.
    [Show full text]