A Wizard of Earthsea by Ursula K
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From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu
From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu Len Hatfield Children's Literature, Volume 21, 1993 , pp. 43-65 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/chl.0.0516 For additional information about this article http://muse.jhu.edu/journals/chl/summary/v021/21.hatfield.html Access provided by Virginia Polytechnic Inst. __ACCESS_STATEMENT__ St.University __ACCESS_STATEMENT__ (Viva) (7 Feb 2014 09:28 GMT) From Master to Brother: Shifting the Balance of Authority in Ursula K. Le Guin's Farthest Shore and Tehanu Len Hatfield In literature as in "real life," women, children, and animals are the obscure matter upon which Civilization erects itself, phallologically. That they are Other is (vide Lacan et al.) the foundation of language, the Father Tongue. By climbing up into his head and shutting out every voice but his own, "Civilized Man" has gone deaf. He can't hear the wolf calling him brother—not Master, but brother. He can't hear the earth calling him child—not Father, but son. He hears only his own words making up the world. He can't hear the animals, they have nothing to say. Children babble, and have to be taught how to climb up into their heads and shut the doors of perception. No use teaching woman at all, they talk all the time, of course, but never say anything. This is the myth of Civilization, embodied in monotheisms which assign soul to Man alone. [Le Guin, Buffalo Gab 9-10] In recent years Ursula K. -
Gender Politics in Earthsea
Edith Cowan University Research Online Theses : Honours Theses 2004 Visions must be re-visioned : Gender politics in Earthsea Audrey Barton Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Fiction Commons, and the Gender, Race, Sexuality, and Ethnicity in Communication Commons Recommended Citation Barton, A. (2004). Visions must be re-visioned : Gender politics in Earthsea. https://ro.ecu.edu.au/ theses_hons/1001 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1001 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
Ursula K. Le Guin: a Critical Companion
Ursula K. Le Guin: A Critical Companion Susan M. Bernardo Graham J. Murphy Greenwood Press URSULA K. LE GUIN Ursula K. Le Guin. Photograph by Marian Wood Kolisch. URSULA K. LE GUIN A Critical Companion Susan M. Bernardo and Graham J. Murphy CRITICAL COMPANIONS TO POPULAR CONTEMPORARY WRITERS Kathleen Gregory Klein, Series Editor GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Bernardo, Susan M. Ursula K. Le Guin : a critical companion / Susan M. Bernardo and Graham J. Murphy. p. cm. — (Critical companions to popular contemporary writers, ISSN 1082–4979) Includes bibliographical references and index. ISBN 0–313–33225–8 (alk. paper) 1. Le Guin, Ursula K., 1929—Criticism and interpretation. 2. Science fiction, American—History and criticism. 3. Fantasy fiction, American—History and criti- cism. I. Murphy, Graham J., 1970– II. Title. III. Series. PS3562.E42Z54 2006 813'.54—dc22 2006017937 British Library Cataloguing in Publication Data is available. Copyright © 2006 by Susan M. Bernardo and Graham J. Murphy All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2006017937 ISBN: 0–313–33225–8 ISSN: 1082–4979 First published in 2006 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 To Mark Wagner, an ever-patient, astute reader and feline loyalist. -
Full Screen View
THE QUEST FOR SELFHOOD IN URSULA LE GUIN'S WIZARD OF EARTHSEA AND THE FARTHEST SHORE by Jerry K. Durbeej A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements of the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida December 2000 THE QUEST FOR SELFHOOD IN URSULA LE GUIN'S THE WIZARD OF EARTHSEA AND THE FARTHEST SHORE By Jerry K. Durbeej This thesis was prepared under the direction of the candidate's thesis advisor, Dr. Robert Collins, Department ofEnglish. It was submitted to the faculty of The Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree ofMaster of Arts. SUPERVISORY COMMJTTEE: ~£i c.r02~ Chairman, Thesis Advisor /ff/IUZ~ Chairperson, Department ofEnglish Vice Provost Date ii ABSTRACT Author: Jerry K. Durbeej Title: The Quest for Selfhood in Ursula Le Guin's The Wizard ofEarthsea and The Farthest Shore Institution: Florida Atlantic University Thesis Advisor: Dr. Robert Collins Degree: Master of Arts Year: 2000 In A Wizard ofEarthsea and The Farthest Shore, Ursula K. Le Guin presents the theme of selfhood, of maturity, and of identity through the character heroes of Ged and Arren. Ofthese two, Ged experiences the quest for selfhood on two levels: first, from boy to manhood, and then from manhood to the awareness of death. Both novels deal with the struggle to create, which is primarily a struggle with self, with one's own powers, and with the need to control these powers and their consequences. -
The Search for Self in Ursula K. Le Guin's Wizard of Earthsea
===================================================================== Language in India www.languageinindia.com ISSN 1930-2940 Vol. 19:5 May 2019 India’s Higher Education Authority UGC Approved List of Journals Serial Number 49042 ==================================================================== The Search for Self in Ursula K. Le Guin's Wizard of Earthsea P. Rini Melina Dr. C. Shanmugasundaram Ph. D Research Scholar Research supervisor Department of English Assistant Professor Annamalai University Department of English Annamalai Nagar 608 002 Annamalai University [email protected] Annamalai Nagar 608 002 [email protected] Abstract Ursula K. Le Guin was an American author. she was best known for her works of speculative fiction, including the science fiction works sets in the Hainish Universe and the fantasy series of Earth Sea. She began writing full time in the 1950s and achieved major critical and commercial success with A Wizard of Earth Sea (1968). For the latter volume Le Guin won both the Hugo and Nebula awards for best novel, becoming the first woman to do so. This research paper deals with the self-identity in the maturation of fantasy super-hero Ged, or sparrow hawk, the title character. Over the course of the novel, he learns the true meaning of Wizardry its limits as well as its capabilities. One of the main attractions of the novel, in addition to Ged himself, the fantasy and the adventure, is Le Guin’s skill at showing the friendships that make Ged’s success and mistakes seem so important. Keywords: Ursula K. Le Guin, Wizard of Earthsea, Self-Identity, Imaginative, Trickster, Wizard, Magic, Witch In the Wizard of Earthsea, Ged's voyage to selfhood is chiefly a battle to find and name the strange shade which persistently pursues him. -
New Cultural Models in Women-S Fantasy Literature Sarah Jane Gamble Submitted for the Degree of Doctor of Philosophy University
NEW CULTURAL MODELS IN WOMEN-S FANTASY LITERATURE SARAH JANE GAMBLE SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SHEFFIELD, DEPARTMENT OF ENGLISH LITERATURE OCTOBER 1991 NEW CULTURAL MODELS IN WOMEN'S FANTASY LITERATURE Sarah Jane Gamble This thesis examines the way in which modern women writers use non realistic literary forms in order to create new role models of and for women. The work of six authors are analysed in detail - Angela Carter, Doris Lessing, Margaret Atwood, Ursula Le Guin, Joanna Russ and Kate Wilhelm. I argue that they share a discontent with the conventions of classic realism, which they all regard as perpetuating ideologically-generated stereotypes of women. Accordingly, they move away from mimetic modes in order to formulate a discourse which will challenge conventional representations of the 'feminine', arriving at a new conception of the female subject. I argue that although these writers represent a range of feminist responses to the dominant order, they all arrive at a s1mil~r conviction that such an order is male-dominated. All exhibit an awareness of the work of feminist critics, creating texts which consciously interact with feminist theory. I then discuss how these authors use their art to examine the their own situation as women who write. All draw the attention to the existence of a tradition of female censorship, whereby the creative woman has experienced, in an intensified form, the repreSSion experienced by all women in a culture which privileges the male over the female. All these writers exhibit a desire to escape such a tradition, progressing towards the formulation of a utopian female subject who is free to be fully creative a project they represent metaphorically in the form of a quest. -
A Taoist Study of Magic in the Earthsea Cycle
religions Article A Taoist Study of Magic in The Earthsea Cycle Yini Huang and Hongbin Dai * College of Foreign Languages and Cultures, Xiamen University, Xiamen 361005, China; [email protected] * Correspondence: [email protected] Abstract: The Earthsea Cycle by Ursula. K. Le Guin is a fantasy work in Western literature that shines with ostentatiously idiosyncratic sparks of Taoist philosophies. Resorting to Taoism (also translated as Daoism) and its representative work Tao Te Ching, this article aims at exploring the Earthsea magic, a ubiquitous motif in fantasy, with Taoist thoughts and theories including the law of relativity, harmonious dialectics, and equilibrium. This article reconstructs the magical Earthsea world within a Taoist framework and reveals the Taoist connotations of magic. Finally, this article concludes that, radically distinct from its traditional image, magic in Earthsea serves to heal the physical, mental, and spiritual wound of separation; set up harmony of the opposites in binaries; and preserve the delicate equilibrium insusceptible to the ravages of time. Magic in The Earthsea Cycle works miracles in a Taoist manner. Keywords: The Earthsea Cycle; Taoism; Ursula K. Le Guin; magic; harmonious dialectics 1. Introduction Deriving “from the Greek term magoi” but remaining as a fluid construct (Gilbert et al. 2016), magic and magical practices, which permeated the worldly life of men dating back Citation: Huang, Yini, and Hongbin to ancient Greece and Rome, readily accessible to be “employed for the most mundane Dai. 2021. A Taoist Study of Magic in ends” (Bailey 2007, p. 10), have seemingly been the subjects of the perpetual infatuation of The Earthsea Cycle. -
A Wizard of Earthsea Study Questions
A Wizard of Earthsea Study Questions The page numbers referred to in some questions are for an old edition and may differ from those in the edition you’re reading. I have highlighted the questions I think are most important. Chapter 1 1. Describe Ged’s personality based on his actions and the descriptions of him in this chapter. 2. Describe the style in which the story is written. Find five instances of foreshadowing in Chapter 1. What effect(s) does Le Guin’s use of foreshadowing have? 3. What do you think Ogion means when he says, “To keep dark the mind of the mageborn, that is a dangerous thing”? 4. Describe the setting of the story (not just Gont, but Earthsea) as you understand it thus far. What kind of world is it? 5. What predictions can you make about how the story will develop in the rest of the book? Chapter 2 1. What is the first lesson that Ogion seeks to teach Ged, and why do you think he does this? 2. What does Ged’s question about the use of fourfoil (page 17) show about his personality, and what point does Ogion try to make by asking him, “What, after all, is the use of you? or of myself? Is Gont Mountain useful, or the Open Sea?” (This is an example of a rhetorical question—a question asked not to gain information, but to make a point and to make the audience reflect on that point.) 3. Describe Ogion. What surprises Ged about him? What is his philosophy about magic? 4. -
Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
A Wizard of Earthsea by Ursula K Le Guin
A Wizard of Earthsea by Ursula K Le Guin Calendar of Events September & October 2016 Help us launch this year’s Big Read with a Fantastic Kickoff! NEA Big Read Kickoff with Big Brothers & Big Sisters Thursday, September 1 from 5:30-7:30 PM Lobby and Large Meeting Room, Lewis & Clark Library Helena Branch Join the Library and Big Brothers Big Sisters in launching NEA Big Read this year! With a light dinner, make-a-map, and games we’ll celebrate the theme of awesome mentors both in A Wizard of Earthsea and in real life. Donations of board games are encouraged. 1 All of September and October: Big Read Bingo with great prizes, make n’ take crafts, make BIG READ posters, bookmark making & exhibit PLUS: Helena Knitting Group Wednesdays from 1-3 PM September 7-October 26 Small Meeting Room, Lewis & Clark Library Helena Branch Join in for conversation and weave your own fiber arts spells! Patterns for crochet and knit fantasy-based ideas will be available. Bring your own supplies and experience is needed. Bonus Round at Tuesday Trivia at Miller’s Crossing Every Tuesday in October from 7:30-9:30 PM Miller’s Crossing Bar & Grill Test your knowledge about "A Wizard of Earthsea" at Trivia at Miller's. Books provided in September, the rounds start in October at Miller’s. Game Night Tuesdays (except September 13) from 6-8 PM Large Meeting Room, Lewis & Clark Library Helena Branch Play fantasy card games, learn about Dungeons & Dragons, enjoy classic board and card games with friends and family. -
The Interview
The Interview Ursula K. Le Guin is a titan among science fiction and fantasy writers, and one of the few to be equally comfortable with, and adept at, both genres – as evinced by her Earthsea (fantasy) and Hainish (SF) series. Her books are, without exception, evocative, powerful studies of the human condition, every word displaying her deep understanding of what makes mankind tick. She’s one of our favourites, okay? By Guy Haley URSULA K. LE GUIN here are authors who entertain without enlightening, there are authors who enlighten without entertaining, and there T are authors who do both. Twisting these two goals of literature into perfect lines of prose is not easy, but then most of us are not Ursula K. Le Guin. Her remarkable attention to detail makes the places described in her books live and breathe in a way that few other authors can manage. Furthermore, her characters are amongst the most believable in the genre. She has a URSULA fundamental understanding of the human soul that allows K. LE GUIN her creations to almost walk from the page. Her portrayal FACT FILE of the differences between men and women is unsurpassed, Born: 1929, Berkeley, California to the extent that A Wizard of Earthsea is one of the best Where is she to be found? coming-of-age tales for men ever written. Her writing is She has lived in rainy old Portland, Oregon for almost 50 years. often placed in the box marked ‘feminist’, but her works are What does she write? Her work tends towards examinations of the human egalitarian, not angry polemics, and tend to see the good condition, through the redemption and bad in both sexes. -
The Use of Arthurian Quest Motifs in the Science Fiction and Fantasy of Ursula K
THE USE OF ARTHURIAN QUEST MOTIFS IN THE SCIENCE FICTION AND FANTASY OF URSULA K. LE GUIN: A STUDY OF THE LEFT HAND OF DARKNESS AND A WIZARD OF EARTHSEA Timothy Newman B.A., Simon Fraser University, 1979 A THESIS SUBMITTED IN PARTIAL EiULFILI,MENTOF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English @ Timothy Newman 1985 SIMON FRASER UNIVERSITY July 1985 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL NAME : Tim Newman DEGREE: M. A. (English) TITLE OF THESIS: The Use of Arthurian Quest Motifs in the Science Fiction and Fantasy of Ursula K. Le Guin: A Study of The Left Hand of Darkness and A Wizard of- Earthsea. EXAMINING COMMITTEE: Chairperson: Michael Steig, -Professor of English Professor Mason Harris Senior Supervisor Associate Professor of English, SFU 7 ~rh~essorJohn Mi11 s Professor of English, SFU .- Professor Lee Whitehead External Exami ner Associate Professor of Engl ish, UBC July Date Approved: - 10, 1985 (ii) PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, proJect or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies.