New - Live Screenings

Total Page:16

File Type:pdf, Size:1020Kb

New - Live Screenings February - July 2013 Box Office Book Live Show or Live Screening Tickets: Call 01432 383666 / 07967517125 Book Film Tickets: Call 01531 631338 / 07967517125 Box Oce: The Master’s House, St Katherine’s Car Park No booking fee online - www.themarkettheatre.com NEW - LIVE SCREENINGS www.themarkettheatre.com An Evening With WELCOME TO OUR NEW LOOK SPRING BROCHURE! The Fabulous Boogie Boys Sunny Ormonde featuring Sarah Warren Aka Lilian (Archer) Bellamy 2nd February 9th February We have a fantastic programme for you this And don’t forget Ledbury Amateur Dramatic Saturday 8pm // £12.00 (£8 students) Saturday 8pm // £12.00 (£8 students) Spring, from brilliant mask theatre with Vamos Society (LADS), our resident amateur theatre Theatre Company’s Finding Joy to the company! As well as running the Theatre they From great rock and roll favourites to New York Sunny has been playing the “outrageous and brilliant rendition of Animal Farm by Guy aim put on three or four productions each year. basement style blues, this evening will go with a raunchy Lilian Bellamy” in Radio 4’s The Archers Masterson (a nephew of the late Richard These include a pantomime, which has become bang! for the past 12 years. Her antics have kept the Burton); and from the highly talented Kosh quite a local institution; and recently a musical in nation entertained, whether it be riding round Theatre Company’s Café Chaos to an evening the autumn, plus both serious and comic drama. With their bright red zoot suits and period Ambridge on a Harley Davidson, drinking The with Sunny Ormonde (Lilian Bellamy in The New Members are always welcome: there are instruments, this seven piece outfit really looks Bull and The Cider Shed dry with Eddie Grundy Archers). We have twenty films too with plenty of opportunities to be involved on stage, the part and has received rave reviews wherever or absconding to Costa Rica with her beloved modern takes on classics such as Great back stage, front of house, lighting, sound, or they appear. and very wicked tiger!!!!! Expectations and Les Miserables and a more behind the bar. It’s a great way to meet people unusual programme from our own Ledbury and contribute to our community. A thumping back beat drum behind a bull fiddle Sunny will fill you in on all the behind the scenes Film Club and The Borderlines Film Festival. bass, sabre toothed guitar washed over stories about the World’s longest running soap Or if you don’t want to get quite so involved but enveloping stride piano, honkin’ tenor sax, opera – an evening of anecdotes, banter, and But perhaps the highlight of the season is our would just like to support The Market Theatre, swashbucklin’ with salt and pepper vocals - what favourite pieces from Sunny’s long and new live satellite transmissions from The Royal become a Friend of the Theatre and receive more could you need? Well how about a dash of distinguished acting career- humorous and Opera House, Covent Garden and from Berlin Newsletters and have the opportunity to help panache, glamour and spice, all in killer heels? touching in turn. Sunny dances in and out of including the Royal Ballet’s fabulous, Alice’s front of house occasionally. Sarah Warren is fast becoming a legend in the Lilians character with ease, but also with Adventures in Wonderland, two operas from UK, with her powerhouse vocals and bluesy Drama....Shirley Valentine….Under Milk Wood.... the Royal Opera, and what will be a stunning Details of how to join LADS or become a Friend style, she compliments the band perfectly. stories and anecdotes galore….an evening to concert from the Berliner Philharmoniker of the Theatre are on the inside of the back remember! conducted by Claudio Abbado. cover. Mumbo Jumbo Worcester Gilbert & Sullivan Society presents Finding Joy In Concert The Elephant Bridesmaid London Omnibus The Courtyard Theatre presents 1st March 10th March 22nd /23rd March 30th March Friday 8pm // £8 Sunday 2.30pm // £8 (child £7) Family (2+2) £28 Friday / Saturday 7.30pm // £8 Saturday 8pm // £12.00 (£6 students) A close-harmony, eclectic, semi-acoustic Written especially for parents to enjoy with their A London based evening of music and laughter A comic, moving, and heroic tale of unravelling piano-led wonder, Mumbo-Jumbo plays rootsy children, The Elephant Bridesmaid is a magical starting with ‘The Zoo’, an hilarious Victorian realities. Following their Ledbury triumphs with original and rarely heard stuff in their own musical about weddings and wombats and the musical melodrama by Arthur Sullivan and Nursing Lives and Much Ado About Wenlock, inimitable style - with no acoustic guitar in sight!! loveliest elephant the world has ever known. Bolton Rowe which tells the story of a lowly Vamos presents its new full mask touring Nominated for Best Original Song in the British Based on a story from the best-selling book, How apothecary who, marriage plans frustrated, production: a funny, touching, vital, and heroic Blues Awards 2012 Mumbo-Jumbo brings The Koala Learnt To Hug and Other Australian decides to visit the London Zoological Gardens tale of adventure...and dementia. Joy is creative, together three top Midlands acoustic Fairytales, this delightful show has just the right where he intends to hang himself on the veranda funny, loves to dance, and is losing her memory. musicians/vocalists Oliver Carpenter, Abby Brant balance of games, songs and heart warming of the Refreshment Stall. Her grandson Danny is rebellious, fearless, and Chris Lomas to produce an ‘Eclectic elephant antics to make any day feel like your bright, and always getting into trouble. When, out Acoustic’ sound that is all their own, playing special day. The lovers have been forced to communicate of the blue, Danny decides to become Joy’s festivals, blues, acoustic and folk clubs, theatres, through prescriptions, including a dose of carer, where will their unexpected and playful weekenders and pubs across the country. So join Nessie the Elephant and her fantastic peppermint, and the young lady’s father’s bond lead them? Finding Joy is based on life Mumbo-Jumbo’s 2013 Festivals schedule animal friends and help them as they go in medication for a blister on his back – not to be events and true stories. It is accessible, already includes the Great British R&B Festival, search of an outfit fancy enough (and large taken internally – but, apparently, the labels got engaging, funny and fearless theatre from one of Hebden Bridge Blues, Blues at The Fold, Taurus, enough) to make her the Australian jungle’s most mixed up. Get the drift?! The second half of the the UK’s foremost full mask theatre companies. Jinney Ring Blues and WarksFest. beautiful Elephant Bridesmaid! For ages 4 – evening wends its way through London with a The Guardian said of Vamos ... an affecting, 104. fully costumed and choreographed journey with heartfelt production that is funny and touching in The whole set glittered with excellent singing and songs from some of your favourite musicals turn. The magic of Rachael Savage's production playing … with well crafted harmony vocals and A trunkload of fun that will leave you and your such as My Fair Lady, Oliver, Me & My Girl, Half is that it creates such a vivid world without voice peerless musicianship. Blues in Britain children feeling warm and snuggly all over. The a Sixpence and many more. and words. Suitable for 12+. magazine - www.mumbo-jumbo.biz Guide. Guy Masterson & TTI Present LADS presents The Kosh Theatre Company presents Monty’s Travellin’ Animal Farm Ding Dong Café Chaos Music Show 6th April 18th-20th April 27th April 17th May Saturday 8pm // £12.00 (£8 students) Thurs - Sat 8pm // £10.00 (£4 students) Saturday 8pm // £12 (students £6) Friday // 8pm £10 (students £5) People still talk of Guy’s brilliant rendition of A modern French farce set in contemporary New to Ledbury, but a big favourite of Arts Alive Monty’s (John Montague) Band makes a Under Milk Wood at The Market Theatre a few Paris. Written by Marc Camoletti, who is probably The Kosh – an absolutely tip-top company – mix welcome return to The Market Theatre years ago. Now, using nothing but a bale of hay, best known for the long running West End physical comedy, theatre, dance and music with some amazing sound effects and brilliant success Boeing Boeing, and adapted for the a great story. Comic confusion spills from the John takes vocals and guitars, Neil Mercer physical and vocal dexterity, Masterson ignites English stage by Tudor Gates, Ding Dong is true kitchen. Waiters and diners collide, lovers meet, vocals, guitar and mandolin, Tim Smith vocals this famous yarn bringing a modern sinister to the comical tradition established by Feydau. identities are traded, secrets uncovered, denial and bass and from France Mr Thierry Guillemot relevance to Orwell's masterwork. and betrayal tear friendships apart. sings and plays everything LOL!! This is not a When businessman Bernard discovers his wife Soundalike or Lookalike tribute show, but a Hilariously comic and terribly poignant in turn, Jacqueline is having an affair with Robert there is Dangerous comedy and a tragic night out are concert of non pretentious musicians paying Masterson's breathtaking physical storytelling only one thing to do to ensure his honour is just some of the specials on the menu at Café respect and presenting their own acoustic creates the entire farmyard around you in two satisfied – give Robert a choice – his wife or his Chaos. This show will appeal to all ages and is arrangements of Neil Young Songs. hours of utterly compelling theatre. A brilliant life. Robert naturally agrees to let Bernard have a classic Kosh production – funny, superbly adaptation that delights with its physical grace his way with his wife Juliette…or does he? What skilful, gloriously theatrical and guaranteed to It was a great evening last year so why not join and artistry.
Recommended publications
  • UCC Library and UCC Researchers Have Made This Item Openly Available
    UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title Laurent Cantet, by Martin O’Shaughnessy Author(s) Lee, Ally Editor(s) Hurley, Marian Publication date 2016 Original citation Lee, A. (2016) Laurent Cantet, by Martin O’Shaughnessy. Alphaville: Journal of Film and Screen Media, 11, pp. 127–131. doi: 10.33178/alpha.11.11 Type of publication Review Link to publisher's http://www.alphavillejournal.com/Issue11/ReviewLee.pdf version http://dx.doi.org/10.33178/alpha.11.11 Access to the full text of the published version may require a subscription. Rights © 2016, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6006 from Downloaded on 2021-10-01T23:10:34Z Laurent Cantet. Martin O’Shaughnessy. Manchester: Manchester University Press, 2015 (194 pages). ISBN: 9780719091506. A Review by Ally Lee, University of Warwick Martin O’Shaughnessy’s Laurent Cantet is the latest edition of—and the author’s second contribution to—the Manchester University Press French Film Directors series after the publication in 2000 of his study on the films of Jean Renoir. The series currently features an impressive forty volumes and this assessment of one of France’s most important active filmmakers is a welcome addition. Despite Cantet’s prominence, he has so far been the subject of relatively little scholarly investigation. Previously, only one monograph-length exploration of the director’s oeuvre, Yannick Lebtahi and Isabelle Rousel-Gillet’s stimulating and insightful Pour une méthode d’investigation du cinéma de Laurent Cantet, had been published.
    [Show full text]
  • Elefante Blanco
    MORENA FILMS, MATANZA CINE & PATAGONIK present In co-production with FULL HOUSE (ELEFANTE BLANCO) DIRECTED BY PABLO TRAPERO MORENA FILMS, MATANZA CINE & PATAGONIK present in co-production with FULL HOUSE (ELEFANTE BLANCO) DIRECTED BY PABLO TRAPERO STARRING RICCARDO DARRIN JÉRÉMIE RENIER MArtinA GUSMAN 2012 / SPAIN, ARGENTINA, FRANCE / SPANISH / 1H50 / COLOR DOWNLOAD PRESS KIT AND PHOTOS FROM WWW.WILDBUNCH.BIZ/FILMS/WHITE_ELEPHANT INTERNATIONAL SALES INTERNATIONAL PR PR CONTACT Carole BARATON - [email protected] CANNES OFFICE: Gary FARKAS - [email protected] All Suites Garden Studio, Vincent MARAVAL - [email protected] Park & Suites Prestige Cannes Croisette Gaël NOUAILLE - [email protected] 12, rue Latour Maubourg - 06400 Cannes Silvia SIMONUTTI - [email protected] (Between Miramar and Martinez Hotel) Phil SYMES - Cell: + 33 (0) 6 29 87 62 96 Ronaldo MOURAO - Cell: + 33 (0) 6 29 84 74 07 Email: [email protected] SYNOPSIS The “Villa Virgin”, a shantytown in the slums of Buenos Aires. Julian and Nicolas, two priests and long-standing friends, work tirelessly to help the local people. Julian uses his political connections to oversee the construction of a hospital. Nicolas joins him following the failure of a project he was leading in the jungle, after paramilitary forces assassinated members of the community. Deeply troubled, he finds a little comfort with Luciana, a young, attractive, atheist social worker. As Nicolas’ faith weakens, tension and violence between the slum’s drug-dealing cartels grow. And when work on the hospital is halted by ministerial decree, the fuse is lit... DIRECTOR - interview collective of priests known as the “Priests of the Third World”, who also suffered mysterious deaths and disappearances.
    [Show full text]
  • W Talking Pictures
    Wednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version.
    [Show full text]
  • Elia Suliman, the TIME THAT REMAINS (2009, 109 Min)
    November 17, 2015 (XXXI:12) Elia Suliman, THE TIME THAT REMAINS (2009, 109 min) (The version of this handout on the website has color images and hot urls.) Asia Pacific Screen Awards in 2009, Elia Suleiman won Jury Grand Prize for The Time that Remains (2009) and the film was also nominated for Best Film that same year. Cannes Film Festival 2009 Nominated for a Palme d'Or to Elia Suleiman Directed and written by Elia Suleiman Produced by Michael Gentile and Elia Suleiman Cinematography by Marc-André Batigne Film Editing by Véronique Lange Cast Ali Suliman…Eliza's Boyfriend Saleh Bakri…Fuad Doraid Liddawi…Ramalla IDF officer Elia Suleiman…ES Menashe Noy…Taxi Driver Ehab Assal…Man With Cell Phone / Tank Tarik Kopty…Neighbor Ziyad Bakri…Jamal Cannes Film Festival for The Time that Remains (2009). At the Maisa Abd Elhadi…Woman in West Bank taxi Cannes Film Festival in 2002, Suleiman won the Jury Prize and the Avi Kleinberger…Government Official Prize Competition for Divine Intervention (2002). He was also Baher Agbariya…Iraqi soldier nominated that same year for the Palme d'Or for Divine Yaniv Biton…Haganah Soldier Intervention (2002). At the 1996 Venice Film Festival he won the Nati Ravitz…IDF Commander Luigi De Laurentiis Award for Chronicle of a Disappearance Zuhair Abu Hanna…ES Child (1996). Suleiman wrote, directed, acted and produced in The Time George Khleifi…Mayor that Remains (2009) and Divine Intervention (2002); additionally, Lutuf Nouasser…Abu Elias (as Lotuf Neusser) he wrote, directed and produced Chronicle of a Disappearance Yasmine Haj…Nadia (1996), in addition to writing directing 7 Days in Havana (2012, Alon Leshem…IDF Officer segment "Diary of a Beginner") and Cyber Palestine (1999).
    [Show full text]
  • H-France Review Volume 17 (2017) Page 1
    H-France Review Volume 17 (2017) Page 1 H-France Review Vol. 17 (March 2017), No. 58 Martin O’Shaughnessy, Laurent Cantet. Manchester: Manchester University Press, 2015. 208 pp. Notes, bibliography, and index. £65.00. (hb). ISBN: 978-0-7190-9150-6. Review by Jessica Livingston, Rose-Hulman Institute of Technology. Laurent Cantet’s films have attracted attention for their timely political relevance, most notably when Entre Les Murs (The Class) won the Palme d’or at Cannes in 2008 and was nominated for Best Foreign Language Film Oscar. Entre Les Murs opened up debates regarding the role of the Republican school in France, and his earlier film Ressources humaines (Human Resources; 1999) resonated with the public debates on the thirty-five-hour workweek. Many of Cantet’s films address the globalized world and its inequities whether situated in the workplace, classroom, or tourist destination, and portray individuals at the margins and the center. While his films have received critical and popular attention in France and globally, little critical scholarship in English exists on his films, so he is a particularly apt choice of director for the fortieth volume in the French Film Director Series from Manchester University Press. Martin O’Shaughnessy, who has written on both French cinema and political cinema in earlier studies, provides an insightful synthesis of Cantet’s films in an accessible study as is a trademark of the French Film Directors series. He balances the task of synthesizing Cantet’s varied films into cogent themes while analyzing the films in their specificities. The first chapter, “A Director and His Methods,” which O’Shaugnessy calls “a vital prelude" to the other chapters is certainly the heart of the book (p.
    [Show full text]
  • Adaptations, Heritage Film & Costume Dramas
    source guides adaptations, heritage film & costume dramas National Library adaptations, heritage film and costume drama 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv Introduction...........................................................................................................................................................1 E.M. FORSTER: MERCHANT IVORY ADAPTATIONS.........................................................................................2 A Room With a View.............................................................................................................................................3 Maurice...................................................................................................................................................................5 Howards End..........................................................................................................................................................8 JANE AUSTEN Pride and Prejudice.............................................................................................................................................12 Sense and Sensibility .........................................................................................................................................13 Emma....................................................................................................................................................................14
    [Show full text]
  • A Film Bylaurent Cantet
    FULL HOUSE In coproduction with ORANGE STUDIO, HAUT & COURT DISTRIBUTION, FUNNY BALLOONS, PANACHE PRODUCTIONS & LA COMPAGNIE CINEMATOGRAPHIQUE in association with BACKUP MEDIA PRESENT RETURN TO ITHACA A FILM BY LAURENT CANTET FULL HOUSE In coproduction with ORANGE STUDIO, HAUT & COURT DISTRIBUTION, FUNNY BALLOONS, PANACHE PRODUCTIONS & LA COMPAGNIE CINEMATOGRAPHIQUE in association with BACKUP MEDIA PRESENT SYNOPSIS A terrace overlooking Havana, the sunset. Five friends gather to celebrate the return of Amadeo after 16 years of exile. RETURN TO ITHACA From dusk to dawn, they reminisce about their youth, the group they used to form, A FILM BY LAURENT CANTET the faith they had in the future... but also their disillusionment. The drama brought about by exile and its personal and collective consequences, by INTRODUTION BY LEONARDO PADURA the struggle for economic survival, by camouflage as a way of life, by ethical loss or clinging to national and cultural loyalties, the spiritual defeat and struggle against all fears… these are a few of the ingredients which flavor the recent bends in the road for this generation, one that dreamed of a better future for all and sacrificed itself for A GENERATION IN THE that dream. Through Amadeo, Rafa, Tania, Aldo an Eddy’s experiences, through the circumstances which went into forming their friendship from a tender age and the ways HURRICANE OF HISTORY they preserved it over the years, the film attempts to find the blood, sweat and tears of a collective experience through those of a few individuals who are unique to their time As a single night unfolds on a Havana rooftop terrace, Amadeo, Aldo, Tania, Rafa and and place.
    [Show full text]
  • Manifest Density: Decentering the Global Western Film
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • Borderlines Film Festival 2013
    Friday 1 to Sunday 17 March BORDERLINES FILM FESTIVAL 2013 borderlinesfilmfestival.org @borderlines #borderlines2013 2 / 3 A – Z Film Index Central Box Office 01432 340555 / #borderlines2013 / www.borderlinesfilmfestival.org film ProGrammer david sin PuTs a dozen films in The sPoTliGhT BeasTs of The souThern Wild (12a) p.15 Blackmail (PG) p.16 The conformisT (15) p.19 hiTchcock (12a) p.21 Showy, bold and richly imaginative, this debut Hitchcock’s final silent film with haunting Simply one of the most influential films Anthony Hopkins and Helen Mirren feature, set in a semi-mythical Deep South, London locations and live accompaniment of the 20th century and one of Festival in a wonderful behind-the-scenes drama is hard to resist from the accomplished Stephen Horne Patron Chris Menges’ favourites about the making of Psycho in The house (15) p.24 i Wish (PG) p.25 a laTe QuarTeT (15) p.27 mccullin (15) p.31 Kristin Scott Thomas in sparkling comedic From the director of Still Walking, a marvellous A nuanced affirmation of the power of music If you grew up in the ‘60s or ‘70s this form features in this sly, teasing conundrum evocation of childhood against the growing as inner and outer tensions threaten the honest and riveting documentary will stir of a movie with a strong backbite cloud of volcanic ash dynamics of a New York chamber quartet up strong memories no (15) p.34 rusT & Bone (15) p.39 sTarBuck (15) p.46 Wadjda (12a) p.50 Chilean director Larraín and lead Gael García Muscular and tender, this unlikely love story Warm, witty comedy
    [Show full text]
  • BFI Film Quiz – July 2015
    BFI Film Quiz – July 2015 General Knowledge 1 Which actress links the films The Bad Sister, Jezebel and All about Eve? 2 Name the 1966 British biographical drama film, directed by Fred Zinneman, which won the Academy Award for Best Picture. 3 In the 1988 film Mississippi Burning, Gene Hackman portrayed the FBI agent Rupert Anderson; but who played his partner, Alan Ward? 4 Which 1940 Disney feature film consists of eight animated segments, set to pieces of classical music conducted by Leopold Stokowski? 5 Which British film critic, born in Liverpool, received a prestigious BFI Fellowship in 2013, coinciding with both his retirement and his 80th birthday? Orson Welles 1 Until his 1970 Honorary Award, Orson Welles had only won one Oscar in his lifetime, that being the Best Writing (Original Screenplay) Award for which 1941 film? 2 Welles played the character Harry Lime in the 1949 film The Third Man, based on the book by which British novelist? 3 In which 1942 feature, adapted from the Pulitzer Prize-winning novel by Booth Tarkington and directed by Welles, does he act as the film’s narrator? 4 Famously, Welles conceived a film which would be a portrait of a carnival, a tale of a boy and his bull and a sequence about four resilient fishermen, set in Brazil. The project was aborted, but name the documentary film which follows Welles’ ambitions. 5 Name the actor who appeared in numerous Welles productions, including co-writing and taking the lead role in 1943’s Journey into Fear. Documentaries 1 Name the 1922 documentary, directed by Robert Flaherty, which aimed to record everyday Inuit life in the inhospitable surrounds of the Arctic.
    [Show full text]
  • John Cassavetes
    Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on
    [Show full text]