Not Bonny - but Plenty of Clyde | Film | the Observer

Total Page:16

File Type:pdf, Size:1020Kb

Not Bonny - but Plenty of Clyde | Film | the Observer Not bonny - but plenty of Clyde | Film | The Observer Edition: UK US AU Sign in Mobile About us Today's paper Subscribe News Sport Comment Culture Business Money Life & style Travel Environment Tech TV Video Dating Offers Jobs Culture Film Young Adam Not bonny - but plenty of Clyde Share 0 There are murky waters and misery for Ewan McGregor in this powerful Scottish thriller 0 Share 0 Philip French Email The Observer, Sunday 28 September 2003 02.34 BST Article history For a while, there was a feeling that comedy was becoming the dominant form of Scottish cinema - starting with the genial humour of Bill Forsyth in Film the early 1980s, continuing in the 1990s with the darker laughter of the Tilda Swinton team that made Shallow Grave and Trainspotting, and accompanied along the way by the cheerful Caledonian presence of Billy Connolly. Culture More reviews Young Adam Then came Lynne Ramsey with Ratcatcher and Morvern Callar, depicting the moral and Production year: 2003 Countries: France, UK physical squalor of Scottish working-class life. Related Cert (UK): 18 Now, following The Last Great Wilderness, the 23 Oct 2011 Runtime: 98 mins curious thriller with which he made his We Need to Talk About Directors: David directorial debut, David Mackenzie has adapted Kevin – review MacKenzie Young Adam, the bleak novel that Scottish beat Cast: Emily Mortimer, 2 Oct 2011 Ewan McGregor, Peter author Alexander Trocchi wrote in 1954. Lynne Ramsay: 'Just talk Mullan, Tilda Swinton to me straight' More on this film The film is a kind of psychological thriller set in and around Glasgow in the early 1950s, a time 4 May 2011 Edinburgh film festival of high employment and low wages. From the announces initial lineup opening shots that give the landscape a cold, blue-tinged look and the plaintive David Byrne music that accompanies them, Young Adam 11 Apr 2010 I Am Love catches the sad, desperate feeling of the times. It begins with the body of a young woman floating in the murky waters of the Clyde and fished out by two bargees, Les (Peter Mullan) and Joe (Ewan McGregor). Les is middle-aged, married to the resentful Ella and Today's best video living with their seven-year-old son on a barge she owns called Atlantic Eve. Joe - handsome, taciturn, in his late 20s - lives with them, assisting Les in loading and unloading the cargoes they carry along the canals. Theirs is an unromantic life of hard work and tedium, relieved by bouts of drinking. The dissatisfied Ella becomes Joe's passionate lover. In fact, without over-exerting himself, he also becomes the lover of another married woman and a widow, though he brings little in the way of affection or tenderness to his couplings. It almost seems that the women are punishing themselves for their carnality by having sex under the most miserable and dangerous conditions. The newspapers record the story of the drowned girl; she's identified as Notting Hill Carnival: East London dance group prepares for parade - video http://www.theguardian.com/film/2003/sep/28/philipfrench[25/08/2013 12:47:53] Not bonny - but plenty of Clyde | Film | The Observer Cathie (Emily Mortimer), a Glasgow office worker, and the police believe As Notting Hill Carnival approaches, the Heritage she is a murder victim. Headlines announce the arrest of her married social arts and dance group in Bethnal Green boyfriend, a matter that becomes an obsessive subject in the pubs and practices for their procession performance streets of Clydeside. Louisiana sinkhole Gradually, we learn by observing Joe's reactions and through a series of swallows up trees memories he has that Cathie was his lover and that he feels responsible Footage shows tall trees sinking into for her accidental death. His finding her was coincidence certainly, but underwater cavern at also destiny. Bayou Corne in Louisiana Trocchi's novel and this film have been compared with Camus' L'étranger and Joe has been seen as some existential antihero, an ambitious How bees make honey would-be writer drifting around, angry and ineffectual after pitching his – video Watch beekeeper typewriter into the Clyde in a moment of despair. Becky Chadd realease her bees in the New The proper comparisons, it seems to me, are with the novels of Emile Forest and explain the Zola, the French cinema of the 1930s and American movies of the many intricate talents of the much-loved honey bee postwar years. In Young Adam, we find Zola's sense of doom, the way his characters are trapped by fate, family and a malevolent society. The Military hovercraft ploughs into beach barge setting brings to mind the more lyrical L'Atalante of Jean Vigo and Kaliningrad sunbathers there are close resemblances to Renoir's 1938 version of Zola's La Bête witness Russian military humaine and Fritz Lang's Hollywood adaptation of the same novel, vessel land on a busy Human Desire. beach Young Adam is a cleverly constructed film that holds the attention throughout its economical 95 minutes. The naturalistic acting has considerable power, with Tilda Swinton giving a characteristically un-self- regarding performance and Ewan McGregor steering clear of easy charm. But it is a depressing film exuding hopelessness and inviting us to pity the characters rather than share in their tragic condition. Share Share Email More from the Guardian What's this? On Film Most viewed Latest Last 24 hours Peru: alarm over Marvel superheroes to tour Simon Pegg slates Star Jim Rash and Nat Faxon on appearance of isolated the US Trek Into Darkness The Way, Way Back: 'It's a 1. Farewell, Philip Mashco-Piro tribe 22 Aug 2013 detractors rebirth' French: the film critic's critic answers your 20 Aug 2013 23 Aug 2013 22 Aug 2013 questions More from around the web What's this? 2. The One Direction movie – or the Beatles? No wit, no zest, no contest 3. British film school voted world's best as it scoops student 'Oscars' 4. Fifty years of classic Philip French film reviews – interactive Deep Throat to be shown British Lion Owen Farrell The 10 most controversial 9 Foreign Films That’ll Give 5. The Guardian Film Show: Elysium, What on British television Goes for a Cobra Kick films of all time you Wanderlust Maisie Knew and Lovelace – video reviews (Daily Star) (Red Bull) (E-How) (The Daily Muse) More most viewed The Guardian's online dating site http://www.theguardian.com/film/2003/sep/28/philipfrench[25/08/2013 12:47:53] Not bonny - but plenty of Clyde | Film | The Observer mhar1, 25 Semaj_667, 47 I am a Man Seeking Women Ads by Google Aged 25 to 45 Netflix UK Official Site Search Watch Films & TV Series Instantly. 1 Month Free Trial. Fast Sign Up! Netflix.com/UK Dawar PCap Touch Screens Film and cinema search Multi-Touch Projected Capacitive Touch Screens *Made in the USA* www.dawar.com Find a film Film title: Download Android Apps Largest Collection of Android Apps. Save Data Cost. Try Mobogenie Now! MoboGenie.com/Download-Android-Apps Cinema listings UK place name or postcode: Related information Film 2 Oct 2011 The Chronicles of Latest reviews Tilda Swinton · Lynne Ramsay: 'Just talk Narnia: Prince Caspian 29 Jun 2008 to me straight' Philip French on The Philip French on Les Culture Philip French: It isn't as Silence 4 May 2011 Misérables good as the first film, but One of a selection of Edinburgh film festival children will enjoy it and standout reviews from Philip French on All We Need to Talk About announces initial lineup there's a profusion of the Observer's retiring About My Mother Kevin – review special effects film critic 23 Oct 2011 11 Apr 2010 Philip French on Tilda Swinton leads an I Am Love Apocalypse Now excellent cast in a thoughtful and deeply Philip French on 1900 disturbing adaptation of Lionel Shriver's novel, More film reviews writes Philip French Sponsored feature Win a Canon PowerShot camera In July, Duracell challenged James Cracknell to undertake six intense physical challenges while on the London Eye. Read about his adventures and enter a competition to win a Canon PowerShot camera Across the site Film reviews Film news Film trailers Film show Video interviews License/buy our content | Privacy policy | Terms & conditions | Advertising guide | Accessibility | A-Z index | Inside the Guardian blog | About us | Work for us | Join our dating site today © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. http://www.theguardian.com/film/2003/sep/28/philipfrench[25/08/2013 12:47:53].
Recommended publications
  • W Talking Pictures
    Wednesday 3 June at 20.30 (Part I) Wednesday 17 June at 20.30 Thursday 4 June at 20.30 (Part II) Francis Ford Coppola Ingmar Bergman Apocalypse Now (US) 1979 Fanny And Alexander (Sweden) 1982 “One of the great films of all time. It shames modern Hollywood’s “This exuberant, richly textured film, timidity. To watch it is to feel yourself lifted up to the heights where packed with life and incident, is the cinema can take you, but so rarely does.” (Roger Ebert, Chicago punctuated by a series of ritual family Sun-Times) “To look at APOCALYPSE NOW is to realize that most of us are gatherings for parties, funerals, weddings, fast forgetting what a movie looks like - a real movie, the last movie, and christenings. Ghosts are as corporeal an American masterpiece.” (Manohla Darghis, LA Weekly) “Remains a as living people. Seasons come and go; majestic explosion of pure cinema. It’s a hallucinatory poem of fear, tumultuous, traumatic events occur - projecting, in its scale and spirit, a messianic vision of human warfare Talking yet, as in a dream of childhood (the film’s stretched to the flashpoint of technological and moral breakdown.” perspective is that of Alexander), time is (Owen Gleiberman, Entertainment Weekly) “In spite of its limited oddly still.” (Philip French, The Observer) perspective on Vietnam, its churning, term-paperish exploration of “Emerges as a sumptuously produced Conrad and the near incoherence of its ending, it is a great movie. It Pictures period piece that is also a rich tapestry of grows richer and stranger with each viewing, and the restoration [in childhood memoirs and moods, fear and Redux] of scenes left in the cutting room two decades ago has only April - July 2009 fancy, employing all the manners and added to its sublimity.” (Dana Stevens, The New York Times) Audience means of the best of cinematic theatrical can choose the original version or the longer 2001 Redux version.
    [Show full text]
  • Ewan Mcgregor Tilda Swinton
    Presents Ewan McGregor Tilda Swinton YOUNG ADAM “…the best performance of Ewan McGregor's career” Peter Bradshaw, The Guardian WINNER of 4 SCOTTISH BAFTA AWARDS Best Actor (Ewan McGregor) | Best Actress (Tilda Swinton) Best Director (David Mackenzie) | Best Film Nationally in Select Cinemas April 7, 2005 Rating: MA High Level Sex Scenes, Nudity Running Time: 94 minutes www.madman.com.au/incinemas ALL IMAGES AVAILABLE AT: www.image.net Exhibitor contact (and VIC publicity): Publicity (all states excluding VIC) Anna McLeish Edweana Wenkart Theatrical Distribution Manager Director Madman Cinema Tsuki Publicity [email protected] | +61 3 9417 0977 [email protected] | +61 3 8354 1830 RECORDED PICTURE COMPANY, HANWAY, FILM COUNCIL, SCOTTISH SCREEN and SVENO MEDIA present a JEREMY THOMAS production a film by DAVID MACKENZIE EWAN MCGREGOR, TILDA SWINTON, PETER MULLAN, EMILY MORTIMER YOUNG ADAM Casting by DES HAMILTON Costume designer JACQUELINE DURRAN Production designer LAURENCE DORMAN Film editor COLIN MONIE Director of photography GILES NUTTGENS Music by DAVID BYRNE Associate producers PETER WATSON, STEPHAN MALLMANN, GILLIAN BERRIE Based on the novel by ALEXANDER TROCCHI Co-producers ALEXANDRA STONE, NICK O’HAGAN, JIM REEVE Produced by JEREMY THOMAS Written and directed by DAVID MACKENZIE YOUNG ADAM Written and directed by the award-winning short filmmaker David Mackenzie, Young Adam is a hauntingly faithful adaptation of the novel by the Scottish Beat writer Alexander Trocchi. Featuring a strong cast headed by Ewan McGregor, Tilda Swinton, Peter Mullan and Emily Mortimer, Young Adam is a moody, sensual thriller that takes place on the canals between Glasgow and Edinburgh during the 1950s.
    [Show full text]
  • Adaptations, Heritage Film & Costume Dramas
    source guides adaptations, heritage film & costume dramas National Library adaptations, heritage film and costume drama 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv Introduction...........................................................................................................................................................1 E.M. FORSTER: MERCHANT IVORY ADAPTATIONS.........................................................................................2 A Room With a View.............................................................................................................................................3 Maurice...................................................................................................................................................................5 Howards End..........................................................................................................................................................8 JANE AUSTEN Pride and Prejudice.............................................................................................................................................12 Sense and Sensibility .........................................................................................................................................13 Emma....................................................................................................................................................................14
    [Show full text]
  • STARRED up Directed by David Mackenzie Written by Jonathan Asser
    Tribeca Film presents a Film4 presentation in association with CREATIVE SCOTLAND QUICKFIRE FILMS NORTHERN IRELAND SCREEN AND LIPSYNC PRODUCTIONS a SIGMA FILMS Production a DAVID MACKENZIE film STARRED UP Directed by David Mackenzie Written by Jonathan Asser Theatrical release beginning August 29, VOD beginning August 26 Run Time: 106 minutes Rating: Not Rated Press Materials: http://tribecafilm.com/press-center/tribeca-film/films/5318ed3fa32a618693000001 Nominated for 6 British Independent Film Awards Winner: British Independent Film Award for Best Supporting Actor for Ben Mendelsohn TRIBECA FILM: ID PR Brandon Rohwer [email protected] [email protected] [email protected] Introduction Starred Up is the story of a young man prematurely transferred from a young offenders’ institution to adult jail for being too violent. The film is directed by award-winning UK filmmaker David Mackenzie (Young Adam, Hallam Foe, Perfect Sense) from a screenplay written by first-time scriptwriter Jonathan Asser, who has a background in the prison system working as an innovative therapist. The title comes from the process of prematurely upgrading a teenager from a Young Offenders’ Institution to Adult Prison. Starred Up stars Jack O’Connell (Unbroken, “Skins”, Eden Lake), Ben Mendelsohn (The Dark Knight Rises, Animal Kingdom, Killing Them Softly) and Rupert Friend (Pride and Prejudice, The Boy in The Striped Pajamas, “Homeland”). The crew includes director of photography Michael McDonough, ASC (Winter’s Bone, New York – I Love You, Albert Nobbs, 13), and production designer Tom McCullagh (Hunger, Wilderness, Killing Bono) and Producer Gillian Berrie (Red Road, Hallam Foe, Perfect Sense). Film4 financed the project in association with Creative Scotland, Quickfire Films, Lipsync productions and Northern Ireland Screen.
    [Show full text]
  • Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law
    Kahleen Crawford Casting: As casting directors (selected credits) True Things About Me (2020) Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law. Feature film. Cast inc: Ruth Wilson, Tom Brooke and Hayley Squires Vigil (2020) Directors: James Strong, Isabelle Sieb Producer: Angie Daniell, Simon Heath and Jake Lushington, World Productions. 6 part Television series. Cast inc: Suranne Jones, Rose Leslie, Shaun Evans, Paterson Joseph and Gary Lewis His Dark Materials S1 and S2 (2019-Present) Directors inc: Tom Hooper. Producers: Jane Tranter and Julie Gardner, Bad Wolf, Dan McCulloch and Laurie Borg. BBC TV series based upon the Philip Pullman books, adapted by Jack Thorne. Currently casting. Cast inc: Ruth Wilson, James McAvoy, Dafne Keen, Amir Wilson, Andrew Scott, Simone Kirby and Lin-Manuel Miranda The Nest (2020) Directors: Andy De Emmony, Simen Elsvick Producers: Clare Kerr, Susan Hogg, Simon Lewis, Studio Lambert Television series Cast inc: Martin Compston, Sophie Rundle and Mirren Mack The North Water (2020) Director: Andrew Haigh Producers: Iain Canning, Jamie Laurenson and Kate Ogborn, See-Saw. BBC Television. Cast inc: Colin Farrell, Jack O’Connell, Stephen Graham and Tom Courtenay I Hate Suzie (2020) Directors: Georgi Banks-Davies and Anthony Neilson Produces: Andrea Dewsbery and Julie Gardner. 8-part Television series for Sky Atlantic created by Billie Piper and Lucy Prebble, written by Lucy Prebble. Cast inc: Billie Piper, Laila Farzad, Dan Ings, and introducing Matthew
    [Show full text]
  • Rebel Or Outlaw? Shared Leadership in a Filmmaking Company Strandgaard, Jesper
    Rebel or Outlaw? Shared Leadership in a Filmmaking Company Strandgaard, Jesper Document Version Final published version Publication date: 2011 License CC BY-NC-ND Citation for published version (APA): Strandgaard, J. (2011). Rebel or Outlaw? Shared Leadership in a Filmmaking Company. imagine.. CBS. Link to publication in CBS Research Portal General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us ([email protected]) providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Rebel or Outlaw? Shared Leadership in a Filmmaking Company By Jesper Strandgaard December 2011 Page 1 of 47 Creative Encounters Working Paper # 68 Abstract How can organizations innovate and break with conventions without losing their legitimacy? Organizing for legitimacy (serving tradition and convention) often contrasts organizing for innovation and is often perceived a choice between two evils. This paper suggests that leaders can reconcile the legitimacy-innovation tension by combining and addressing them as two complimentary processes. An ethnographic case study depicts how shared leadership in a highly successful filmmaking company, confronts the legitimacy-innovation tension and, based on a combination of ‘out-of-fashion’ and contra-intuitive actions, their search for new solutions makes them balance between being a rebel or an outlaw. Keywords Filmmaking, Innovation-legitimation balance, Rebel identity Page 2 of 31 Creative Encounters Working Papers # 68 Rebel or Outlaw? Shared Leadership in a Filmmaking Company.
    [Show full text]
  • Manifest Density: Decentering the Global Western Film
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.
    [Show full text]
  • Index to Volume 29 January to December 2019 Compiled by Patricia Coward
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard
    [Show full text]
  • BFI Film Quiz – July 2015
    BFI Film Quiz – July 2015 General Knowledge 1 Which actress links the films The Bad Sister, Jezebel and All about Eve? 2 Name the 1966 British biographical drama film, directed by Fred Zinneman, which won the Academy Award for Best Picture. 3 In the 1988 film Mississippi Burning, Gene Hackman portrayed the FBI agent Rupert Anderson; but who played his partner, Alan Ward? 4 Which 1940 Disney feature film consists of eight animated segments, set to pieces of classical music conducted by Leopold Stokowski? 5 Which British film critic, born in Liverpool, received a prestigious BFI Fellowship in 2013, coinciding with both his retirement and his 80th birthday? Orson Welles 1 Until his 1970 Honorary Award, Orson Welles had only won one Oscar in his lifetime, that being the Best Writing (Original Screenplay) Award for which 1941 film? 2 Welles played the character Harry Lime in the 1949 film The Third Man, based on the book by which British novelist? 3 In which 1942 feature, adapted from the Pulitzer Prize-winning novel by Booth Tarkington and directed by Welles, does he act as the film’s narrator? 4 Famously, Welles conceived a film which would be a portrait of a carnival, a tale of a boy and his bull and a sequence about four resilient fishermen, set in Brazil. The project was aborted, but name the documentary film which follows Welles’ ambitions. 5 Name the actor who appeared in numerous Welles productions, including co-writing and taking the lead role in 1943’s Journey into Fear. Documentaries 1 Name the 1922 documentary, directed by Robert Flaherty, which aimed to record everyday Inuit life in the inhospitable surrounds of the Arctic.
    [Show full text]
  • John Cassavetes
    Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on
    [Show full text]
  • Film from Scotland
    FILM FROM SCOTLAND Films From Scotland This booklet provides details of films recently shot in Scotland and those that were originated by or involve Scottish-based talent. It also 2017 Calibre Wellington Films indicates projects that received funding from Feature Films Creative Scotland’s UK National Lottery Screen Hush Anna and the Apocalypse Sigma Films Funding and the Production Growth Fund. Blazing Griffin Whisky Galore Documentaries Whisky Galore Movie Ltd Leaning into the Wind The Wife – Andy Goldsworthy Tempo Productions/Meta Films Skyline Productions/Human Touch Limited/Filmpunkt GmbH The Etruscan Smile Po Valley Productions 2016 Bodkin Ras Feature Films Blue Iris/Revolver Amsterdam Seat in Shadow Documentaries La Belle Allee Accidental Anarchist Daphne Hopscotch Films The Bureau The Islands and the Whales Churchill Intrepid Cinema Salon Pictures/Tempo Productions Antonia Bird: From Eastenders T2 Trainspotting to Hollywood DNA Films Bofa Productions Ewan McGregor and Ewen Bremner in T2 Trainspotting Photo: © Tristar Productions Supported by the Scottish Government and the UK National Lottery through Creative Scotland 2016 continued Una The Fog of Srebrenica Scottish Mussel Jean Doumanian Productions/West Paradiso Films Documentaries Unstoppable Entertainment/Flexibon Seven Songs for a Long Life End Film Productions, in association Films/thefyzz Battle Mountain – Graeme Obree’s SDI Productions, Amy Hardie with Bron Creative Productions & Hardworking Movies Story Sunset Song Tommy’s Honour Journey Films Hurricane Films/Iris Productions/
    [Show full text]
  • Transnationalism and New Scottish Cinema Simon Brown, Kingston
    “Anywhere but Scotland?” Transnationalism and New Scottish Cinema1 Simon Brown, Kingston University Fifteen years on from the moment that Danny Boyle’s Trainspotting (1996) fulfilled the promise of his earlier Shallow Grave (1994) and helped to launch what has become known as New Scottish Cinema, the critical debates which have accompanied its development find themselves at a crossroads. Prompted in part by the New Scottish Cinema symposium, which took place in Ireland in 2005 and looked back over 20 years of Scottish film, key writers have begun to critically assess the arguments which have circulated and to refashion the debate for the future. Initial models focussing upon the influences of first American and then European cinema have proved themselves to be inflexible in locating New Scottish Cinema within a global cinema marketplace, and furthermore have privileged a certain type of film, influenced by European art cinema traditions, as being representative of Scottish cinema to the exclusion of other more commercial projects. Not only is this ironic considering the inherently commercial nature of both Trainspotting and Shallow Grave, but also it had led to a vision of Scottish film which is more European than Scottish; more international than national. Recent scholars have begun to address New Scottish Cinema through the concept of transnationalism and it is the aim of this article to consider transnationalism as a way forward for critical debates about New Scottish Cinema through a case study of two films, both shot in the same location, one of which has been widely discussed and fits the more traditional critical model, Ken Loach’s Sweet Sixteen (2002), and the other of which has been largely ignored and is much more mainstream in its ambitions and economic context, Dear Frankie (2005).
    [Show full text]