2006 TRASH Regionals Round 03 Tossups
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“THE MOVEMENT of COERCION” Justice David J. Brewer
“THE MOVEMENT OF COERCION” BY Justice David J. Brewer _______ FOREWORD BY DOUGLAS A. HEDIN Editor, MLHP David Josiah Brewer served on the Supreme Court from December 18, 1889 to March 27, 1910. Off the court, he continued to express his views on a wide range of subjects, legal and otherwise, through articles in journals, books and numerous public addresses, including the following to the New York State Bar Association in January 1893. 1 His topic was “The Movement of Coercion” which, he explained, referred to the demands of the “multitudes” to share the wealth earned and accumulated by a few: I wish rather to notice that movement which may be denominated the movement of "coercion," and which by the mere force of numbers seeks to diminish protection to private property. It is a movement which in spirit, if not in letter, violates both the Eighth and Tenth Command- ments; a moment, which, seeing that which a man has, attempts to wrest it from him and transfer it to those who have not. It is the unvarying law, that the wealth of a community will not be in the hands of a few, and the greater the general wealth, the greater the individual accumulations. 1 In his biography of the justice, Michael J. Brodhead devotes an entire chapter to his “off-the- bench activities.” David J. Brewer: The Life of a Supreme Court Justice, 1837-1919 116-138 (Southern Illinois Univ. Press, 1994)(“In fact, he was the most visible and widely known member of the Fuller Court.”). 1 He argued that the “coercion movement” against private property expressed itself through, first, unions and, second, excessive regulation, though neither was evil per se : First, in the improper use of labor organizations to destroy the freedom of the laborer, and control the uses of capital. -
Robert Wise's the Day the Earth Stood Still Part I
Robert Wise’s The Day the Earth Stood Still Part I: A Religious Film? By Anton Karl Kozlovic Fall 2013 Issue of KINEMA ROBERT WISE’S THE DAY THE EARTH STOOD STILL Part I: A RELIGIOUS FILM? Abstract Science fiction (SF) films have frequently been the home for subtextual biblical characters, particularly Christ-figures. Crafting these sacred subtexts can make the difference between an ordinary filmandan exceptional one. This investigation intends to explore the religious and other dimensions of the 1951 SF cult classic The Day the Earth Stood Still directed by Robert Wise. In Part 1 of this analytical triptych, the film’s reception as a UFO film with political, artificial intelligence (AI), police and philosophical dimensions was canvassed. It was argued that Wise’s film contains all of the above genre dimensions; however, it can bemore fully appreciated as a profoundly religious film wrapped in contemporary scientific garb. The forthcoming parts will explore the factual elements of this proposition in far greater analytical detail. Introduction: SF and Sacred Storytelling Historically speaking, science fiction (SF) films(1) have harboured numerous hidden biblical characters in typically covert forms. For example, Barry McMillan described many an SF alien as ”a ’transcendent’ being - a benign entity who brings wisdom and knowledge, the imparting of which brings resolution, insight and the beginnings of personal or political harmony” (360). Whilst Bonnie Brain argued that: ”The ascendancy of the aliens derives strongly from their aura of religious authority. Teachers, mystics, priests, or prophets, capable of ”miracles” and, in some cases, ”resurrection,” these aliens flirt with divinity” (226). -
Sample Chapter
PART I Dream “His adventure began with a dream . Robert Goddard had a waking dream about flying farther than anyone ever had, to other worlds in the sky.” David A. Clary Rocket Man R1 3 LLTS01.inddTS01.indd 3 66/30/2006/30/2006 33:59:18:59:18 PPMM R1 LLTS01.inddTS01.indd 4 66/30/2006/30/2006 33:59:19:59:19 PPMM 1 Imagine It If you could not fail, what would you attempt? Forget about your fears, the facts, looking silly or stupid—and test your ability to dream. Albert Einstein said that imagination is more important than knowledge. Why would he say something so contrary to his pursuit of scientifi c truth? To free his imagination. To suspend his fear of being wrong—for a while—and to dream how the universe might be. What would you dream? Rocket scientists have their answer. Rocket scientists love science fi ction novels and movies: stories about traveling to Mars, Jupiter, Alpha Centauri, the Andromeda Galaxy; about contact with alien beings, many-tentacled monsters, conscious robots, and giant ants (or spiders or locusts or gorillas). Their favorite books are not literature. Their favorite fi lms are the exemplars of B-grade movies. So what does this demonstrate about rocket scientists? They aren’t afraid of looking silly. How can a rocket scientist who has remotely piloted a deep space probe to the outer fringes of the solar system enjoy the 1950 fi lm Destination Moon, which tenders a juvenile plot, serves up wooden dialogue, and features cheesy special effects? Let’s take a closer look at a group of such rocket scientists who worked for a prestigious government laboratory. -
The Day the Earth Stood Stupid | Huffpost
The Day the Earth Stood Stupid | HuffPost US EDITION THE BLOG 05/13/2013 12:54 pm ET | Updated Jul 13, 2013 The Day the Earth Stood Stupid By Marty Kaplan Say goodnight, Earthlings. That message — plus the slimmest of shots at an eleventh-hour reprieve — was announced to the people of the world last week. When this happens in science fiction — 1951’s The Day the Earth Stood Still is the classic — the planet pays attention. The flying saucer lands; an alien, in this case played by Michael Rennie, emerges; a final warning is issued: Stop it. If you don’t, you’re doomed. Back then, the “it” was violence — the Cold War, and the threat of nuclear midnight. Last week, it was climate change — greenhouse gases, and the promise of ecological extinction. “Heat-Trapping Gas Passes Milestone, Raising Fears,” ran the headline on the front page lead story in Saturday’s New York Times, with this sub-head: “CO2 at Level Not Seen in Millions of Years, Portending Major Climate Changes.” A headline like that — millions of years? really? — normally turns up in comic books and superhero movies, not in the paper of record. In fiction, what usually comes next is a montage. At breakfast tables and on street corners, in souks and igloos, in the Oval Office and at the U.N., the shocking news galvanizes humanity into action. In the real world, it was pretty much a one-day story. What does it take to grab us by the eyeballs? Chris Christie’s waistline is guaranteed wall-to-wall coverage. -
Central Florida Future, Vol. 27 No. 69, July 26, 1995
University of Central Florida STARS Central Florida Future University Archives 7-26-1995 Central Florida Future, Vol. 27 No. 69, July 26, 1995 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 27 No. 69, July 26, 1995" (1995). Central Florida Future. 1310. https://stars.library.ucf.edu/centralfloridafuture/1310 UCF Baseball Coach Jay Bergman named Regional coach of the year-p.B The • Flori Future Sigma Chi's Sweetheart • goes far in Competition D Melinda Miller, a in Albuquerque, New Mexico, dis playing her beauty as well as her recent UCF graduate talents on the piano. and Kappa Delta, "It was just a fabulous, week, and I was very lucky to go," placed in the top Miller said. "With over 200 chap three at the Sigma ters of Sigma Chi, it was great to Chi's International have UCF represented there." For her efforts, Melinda re Sweetheart ceived a Sigma Chi pin; she said Competition this was unusual because normally the only way to obtain one of them by JEFF HUNT is to be accepted as a pledge. News editor "That was really special," said Miller. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
The Wizards of Ozymandias.Pdf
The Wizards of Ozymandias The Wizards of Ozymandias Refl ections on the Decline and Fall B UTLER SHAFFER MISES INSTITUTE AUBURN, ALABAMA Copyright © 2012 Butler Shaff er. Permission to reprint in whole or in part is gladly granted, provided full credit is given. Published by the Ludwig von Mises Institute 518 West Magnolia Avenue Auburn, Alabama 36832 mises.org ISBN: 978-1-610160-252-4 Dedication To the memory and spirit of Sophie and Hans Scholl and the White Rose, who reminded us what it means to be civilized. Table of Contents Preface. ix Ozymandias . xiii Introduction. .xv 1. On the Decline and Fall. 1 2. Th e Life and Death of Civilizations . .11 3. Consuming Our Capital . .23 4. A World Too Complex to be Managed . .33 5. Th e Common Good = Collectivism . .37 6. Th e Dysfunctional Society . .43 7. Th e Silence of Institutions. .49 8. Law as “Reason” or as “Violence”? . .53 9. Lest We Forget . .59 10. We’re Going Away!. .63 11. Fighting for Freedom. .69 12. Orwell Lives!. .73 13. Th e Siege of San Francisco . .75 14. Suicide and the Insanity of War . .79 15. Vonnegut on War . .83 16. How We Lost Our Souls . .85 17. Th e Wee Ones Revisited . .89 18. Resisting the Deadly Virus . .91 19. Structuring the Instruments of Expansion. .97 vii viii · Th e Wizards of Ozymandias 20. Why TSA, Wars, State Defi ned Diets, Seat-Belt Laws, the War on Drugs, Police Brutality, and Eff orts to Control the Internet, are Essential to the State . -
Mitchell's Musings Daniel J.B. Mitchell April-June 2017 for Employment
Mitchell’s Musings Daniel J.B. Mitchell April-June 2017 For Employment Policy Research Network (EPRN) Employmentpolicy.org Note: There is no Mitchell’s Musings for January-March 2017 due to teaching obligations. 0 Mitchell’s Musings 4-3-2017: Making Borderline Policy Daniel J.B. Mitchell Note: We resume our weekly musings with this edition. Our practice is to omit the winter quarter due to teaching obligations. Much has happened since our last musing in late December. Some would say too much has happened. However, of particular note recently was the failure of Congressional Republicans to pass a “repeal and replace” bill for the Affordable Care Act. As numerous commentators have observed, the failure was due to an inability among House GOP members to decide on what should be the. That inability, combined with a seeming presidential indifference to the details of what the bill contained, doomed the effort. We can come back to the whys of that failure in a future musing. But, supposedly, the next big agenda item in Congress is to be tax “reform.” And, as in the case of health care, there seems to be no consensus among the Republic majority on what such reform should entail. One version of reform, sometimes said to be under consideration and sometimes said to be off the table, is a so-called border adjustment tax. So let’s look at what such a tax might entail. “Might” is the right word, since there is no explicit proposal. The idea seems to be that a tax (tariff) would be imposed on imports of, say, 20%, and a symmetrical subsidy would be given to exports at the same 20% rate. -
The Day the Earth Stood Still 1951 (U.S.)
THE DAY THE EARTH STOOD STILL 1951 (U.S.) Director Robert Wise Producer Julian Blaustein Screenplay Edmund H. North, based on a story by Harry Bates Photography Leo Tover Music Bernhard Herrmann Cast Michael Rennie, Patricia Neal, Sam Jaffe, Hugh Marlowe, Billy Gray, Frances Bavier, Lock Martin, Holly Bane, Marshall Bradford, John Brown, John Burton Science fiction’s power to generate and inject iconic images of great lasting power has never been more convincingly demonstrated than by Robert Wise’s The Day the Earth Stood Still. Not only have the words “Klaatu barada nikto” entered the vast murky pool of 20th-century pop trivia (whatever they may actually mean), but the combined images of the silvery flying saucer having landed in the heart of Washington D.C., with the stolidly erect shape of the robot Gort rising up from its sensuous swell, have remained immediately recognizable, long past the film’s moment of historical urgency. For those familiar only with these pieces of trivia, the film itself might come as a surprise, least of all for its barely concealed Christian allegory: Klaatu (Michael Rennie), the alien emissary who is promptly shot after emerging from his ship, decides to forego his celebrity status and adopts the name It is ironic that “Carpenter” to walk unrecognized among humanity in order to the poster art is so violent, given learn more about us. A young woman Helen Benson (Neal) and that the film’s most her boy (Gray) learn to have faith in him. But even though, in an enduring message awesome show of force, he performs the miracle of cutting off is one of peace. -
"Jtoldmf 4Ad Mte Mutyd Wtod . . ." "Jlolduu,. Puu Mxe Wand ^ Mje."
"Jtoldmf 4ad Mte MUtyd Wtod . ." "Jlolduu,. pUU Mxe Wand ^ Mje." AUGUST, 1966 NEWBOOKS ON EVOLUTION ,""""""1 """ "" """"" unmMimiimnimwniiiimiiiiiiiiiiMiHiimiiiinmnm iiihi mi i mm iiiiihiimiiiui milium WHY SCIENTISTS ACCEPT EVOLUTION -by Roberi I. Clark and James I). Bales The authors, both professors at Harding College—have produced a scholarly (hut easily read) expose o£ the real reason why Darwin. Huxley, I.yall and others chose to believe the theory of evolution. The origin of the theory is traced through the writings of the evo lutionists themselves. Every biology teacher (or student), evo lutionist or not. should certainly have this vital information, Place copies in your school and public libraries. Paperback, §1.50; Cloth, .S2.50. sir dies is THE BIBLE AND SCIENCE -by Henrj M. Morris Has the Bible really been discredited by the discoveries of modern science? Can evolution be reconciled with the Bible record? Is the Biblical revelation of God's purposes for the world true? The author, a qualified member of the scientific community, speaks as a scientist who has complete confidence in the reliability of the Bible record—even when it speaks of the world of physical phenomena. He five's particular attention to the philosophy of evolutionary de velopment and the underlying principle of uniformity. Fascinating reading! Cloth. $3.50. A Related Stui>y THE GENESIS FLOOD -by [ohn C. Whitcomb, [i„ and Henry H. Morris. "This book warrants the careful consideration ol all those con cerned with the relation between Christianity and science. The treatment ol the presuppositions of much current scientific thinking is excellent and the proposed Scripture framework for historical geology should encourage scholarly contributions based on Christian presuppositions." —Gordon Van Wylcn, Chairman, Dept. -
Ritual Howls Their Body
Ritual Howls Their Body Side B (45 RPM) Side A (45 RPM) 01. Their Body 01. This Is Transcendence 02. Perfume 02. A Manifestation Of Time 03. Blood Red Moon RELEASE BIO Ritual Howls are a unique brand of industrial rock with death jangle-like guitars. Collaboratively, Ritual Howls create a surreal, introspective gloom that could fuel a disco in hell, a soundtrack to your favorite nightmares and most grisly fantasies. The trio consists of Detroit's Paul Bancell (vocals/guitars), Ben Saginaw (bass) and Chris Samuels (Synths, Samples, Drum Machines). They collect samples of the physical world and feed them with guitar, vox, bass, synth and drum machines to create an aura of darkness over a pop sensibility. Paul Bancell RELEASE INFO provides lyrics that Poe or Lovecraft would approve of while Label: felte Chris Samuels and Ben Saginaw provide sounds that bring his Catalogue Number: FLT046 macabre tales lurching into the world of the living. Format: 12” Release Date(s): September 22, 2017 The band’s Their Body EP follows up their third album, Into The UPC-LP: 616892502647 Water, released a little over a year ago on felte. Ritual Howls’ Genre: Post-Punk, Deathrock, Industrial, EBM production sees the band dipping their toes into cleaner sonic FIYL: Peter Murphy vocals, Nick Cave, Ennio Morricone, territory than previously heard. Lead single “This Is Bauhaus, a darker Calexico Transcendence,” may be their most “pop” song to date. And Territory Restrictions: None lyrically, it’s lyrics are as straightforward as we’ve heard from Box Lot: LP = 50 / CD = 30 Paul Bancell too.i “Perfume” could have the most terrifying Vinyl is Non-Returnable opening synth line that will sear your ears instantly. -
CHAPLIN, PIEZA DE MUSEO Darkness
[email protected] @Funcion_Exc EXCELSIOR LUNES 18 DE ABRIL DE 2016 NATALIE PORTMAN SE SINCERA La actriz Natalie Portman confesó que, al principio, se sintió Foto: Archivo “incómoda” con su trabajo como directora en A Tale of Love and CHAPLIN, PIEZA DE MUSEO Darkness. “Me di cuenta de que, al Ayer fue la apertura pública de Chaplin’s World (Mundo de Chaplin), ser mujer, no estaba acostumbrada en la villa suiza de Corsier-sur-Vevey, que abrió sus puertas como a expresar mis deseos de manera museo en memoria del cineasta Charles Chaplin. El sábado, cuando se tan clara tantas veces al día. cumplieron 127 años del nacimiento del comediante, sus hijos Michael Como director, tienes que ser muy y Eugene inauguraron el lugar con la presencia de invitados especiales. específico: ‘quiero esto’, ‘quiero lo “Se ha conseguido algo sólido, real, impresionante, casi desmesurado, otro’. Me sentí incómoda al principio, como la herencia aún viva de nuestro padre”, señaló Michael Chaplin >2 pero luego ¡fue muy fácil!” >4 Foto: AP Foto: PETER MURPHY DA UN GIRO A SUS ElCLÁSICOS cantante británico, quien presentará en México Stripped, explica que en este trabajo no descubrió nada nuevo de sus canciones, pero sí fue una forma diferente de acercarse a ellas >6 Es por esto que llamé a este trabajo Stripped porque de eso se trata, de desnudar las canciones hasta su punto más acústico aunque existan otros elementos.” PETER MURPHY CANTANTE Foto: Cortesía Euritmia Live SE LLAMARÁ LUNA SIMONE AGRADECE EN LAS REDES NUEVA YORK.— John Legend y Chrissy Teigen tuvieron una bebé a la que Poco después de haber ofrecido su último concierto en el Estadio bautizaron Luna Simone Stephens.