BRADLEY MCCALLUM + JACQUELINE TARRY

EDUCATION BRADLEY MCCALLUM 1992 MFA, Sculpture, Yale University School of Art, New Haven, CT 1989 BFA, Sculpture, Virginia Commonwealth University, Richmond, VA JACQUELINE TARRY 2003 Whitney Independent Study Program, , NY 1986 Philosophy, State University College at Buffalo, Buffalo, NY

SOLO EXHIBITIONS & PUBLIC INSTALLATIONS MCCALLUM + TARRY

September 2009 Nichido Contemporary Art, Tokyo, Japan May 2009 Galerie Nordine Zidoun, Luxembourg October 2008 Within Our Gates, Irwin Street Water Tower, Atlanta, Georgia September 2008 The Dark Is Light Enough, Galerie Nordine Zidoun, Paris, France Feb.–June 2008 Another Country, Kiang Gallery, Atlanta, GA October 2007 Now, Tomorrow & Forever, Kinkead Contemporary, , CA May 2007 Bloodlines, Caren Golden Fine Art, New York, NY March 2007 Whitewash & Cut, Lisa Dent Gallery, San Francisco, CA Nov.–Jan. 2006-07 Whitewash, Light Factory, Charlotte, NC November 2006 Bearing, F.U.E.L., Philadelphia, PA June 2006 Cut, Conner Contemporary Art, Washington, DC April 2006 Whitewash, F-2 Gallery, Beijing, China July 2005 McCallum & Tarry-Endurance, Nichido Contemporary Art, Tokyo, Japan July- August 2005 Endurance, Tokyo Wonder Site, Tokyo, Japan June-Sept. 2005 Endurance, Aljira, Center for Contemporary Art, Newark, NJ Oct.–Nov. 2004 Endurance, Marvelli Gallery, New York, NY Oct.–Nov. 2004 Otis, Conner Contemporary Art, Washington, DC Feb.–April 2004 Endurance, City Space Gallery, Seattle, WA Oct.–Nov. 2003 Civic Endurance, Conner Contemporary Art, Washington, DC Apr.–May 2002 Silence: New Haven, Rush Arts Gallery, New York, NY

Oct.–Nov. 2001 Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT Oct. 2000 Witness: Perspectives on Police Violence, The Bronx Museum of the Arts, Bronx, NY and citywide installation, New York, NY May–Jul. 2000 In the Public Realm, Elvehjem Museum of Art, University of Wisconsin-Madison, Madison, WI Nov.–Dec. 1999 Witness: Perspectives on Police Violence, Cathedral Church of St. John the Divine, New York, NY Jul. 1999 Witness: Perspectives on Police Violence, Institute on Arts and Civic Dialogue, Kings Chapel, Boston, MA MCCALLUM Oct. 2001–03 Madison Project: Path of Voices, Five permanent installations, Madison Public High Schools, Madison, WI Oct.–Nov. 1998 Permanence of Memory: Maine Veterans and Civilians Remember WWII, Institute of Contemporary Art at Maine College of Art, Portland, ME May 1998 History Table: Gorhams Corner, Percent-for-Art commission, Portland, ME Oct. 1996–Mar. 1997 The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford, CT April–Aug. 1996 Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion, MI Aug. 1996 Surviving Memories, Work-in-progress, Swords Into Plowshares Peace Center and Gallery, Detroit, MI July 1995–Sept. 1996 The Permanence of Memory: Maine Veterans and Civilians Remember WWII, Site specific installation, Battery 201, Two Lights State Park, Cape Elizabeth, ME Nov. 1994 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Coalition to Stop Gun Violence Conference, Washington, DC Apr. 1994 Testimonies, Screening, Boston Film and Video Foundation, Boston, MA Nov. 1993 Aiding Awareness: Women’s Stories, in collaboration with Class Action: The Art Collective For Community Action, Artspace, New Haven, CT Sept. 1993 Multi Media Installation, Virginia Polytechnic Institute and University, Blacksburg, VA Mar.–Nov. 1992 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Site specific installation, Yale Art & Architecture Gallery, New Haven, CT; City Hall, New Haven, CT; Connecticut College Chapel, New London, CT; Maloney Correctional Institute, Cheshire, CT Mar. 1990 Awnings: Shelter, Site specific installation, Yale University, New Haven, CT Sept. 1989 Park Bench Shelter, Site specific installation, New Haven, CT Sept. 1988-May 1989 Homeless Carts, Public art project, Richmond, VA

GROUP EXHIBITIONS MCCALLUM + TARRY April 2009 Tokyo Wonder Site Shibuya, Tokyo, Japan February 2009 Post Memory, EFA Gallery, New York, NY November 2008 Prospect 1 Biennial, New Orleans LA November 2008 Sound Off, BRIC Rotunda Gallery, Brooklyn, New York October 2008 No Mas Heros, La Coleccion Vlll, Artium, Centro Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain Sept. 2008 The Other Mainstream II, Arizona State University Art Museum, Tempe, AZ May 2008 Group Show, Galerie Nordine Zidoun, Paris, France May 2008 Identity, Nichido Contemporary Art, Tokyo, Japan May 2008 Subversive Complicity, The LAB, San Francisco, CA Feb. 2008-March 2008 Performed Identity, Kathleen Cullen Fine Arts, New York, NY Feb- March 2008 I-Dentity: Los Angeles Video Art, University of Missouri – Kansas City Gallery of Art, Kansas City, MO Feb – April 2008 Taking Shelter, Canazi Gallery, Columbus College of Art & Design, Columbus, OH Jan – March 2008 Collectors Select, Arlington Arts Center, Arlington VA Sept-Oct. 2007 Group show, Kiang Gallery, Atlanta, GA Oct. – Dec. 2007 Finding Form, Atlanta Contemporary Art Center, Atlanta, GA Sept. – Dec. 2007 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College Museum of Fine Art, Atlanta, GA Sept. – Nov. 2007 A Spectral Image of Self, Newcomb Art Gallery, Tulane University, New Orleans, LA Sept. – Oct. 2007 The New Media Festival ‘07, Hardcore Art Contemporary Space, Miami, FL August – Oct. 2007 Taking Possession, University of Arkansas at Little Rock Art Gallery, Little Rock, AK June- July 2007 Some Kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA July- Sept. 2007 50,000 Beds, Real Art Ways, Hartford, CT June – Aug 2007 Transformer, VCUarts Anderson Gallery, Richmond, VA May- Nov 2007 Bearing, The African American Museum in Philadelphia, Philadelphia, PA Jan.–March 2007 John Q. Public & Citizen Jane: Private Americans in the Political Domain, University Art Gallery, San Diego State University, San Diego, CA Jan.- Feb 2007 Critical Translations, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Nov.- Dec. 2006 Civic Performance, Stony Brook University Art Gallery, Stony Brook, NY Sept. – Oct. 2006 Nothing Good House, Kunsthaus Graz, Landesmuseum Joanneum, Austria June- Jan. 2006 Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, New York, NY May 2006 25 Bold Moves, Curator Simon Watson, House of Campari, New York, NY April 2005 A Knock at the Door, Lower Manhattan Cultural Council, New York, NY April 2005 Crossing Waters and Boarders Down Memory Lane, Cork, Ireland Sept.–Oct. 2005 Convergence, International Contemporary Art Exhibition, Beijing, China Sept.-Oct. 2005 Noorderlicht Photofestival, Groningen, Netherlands Dec. 2004–Jan. 2005 The Staged Body, Curator: Andrea Pollan, Curator’s Office, Washington, DC Mar.–June 2004 Ralph Bunche: An American Legend, Curator: Franklin Sermons, Queens Museum of Art, New York, NY Mar.-Apr. 2004 It’s About Memory, Curator: Simon Watson, Rhona Hoffman Gallery, Chicago, IL Dec. 2003 The Outlaw Series, Curator: Lisa Kirk, New York, NY Oct.–Dec. 2003 Confrontation or Commentary: The Role of Political Art in Society, Curator: Danny Simons, Nathan Cummings Foundation, New York, NY June 2003 2003 Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY Nov. 2002 MediaCity, Curator: Wang Nan-Ming, Artists Commune Gallery, Hong Kong, China Sept.–Nov. 2002 Strike, Curator: Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England June 2002 Art & Outrage, Curator: Simon Watson, Robert Miller Gallery, New York, NY Aug.–Sept. 2001 In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY June–Sept. 2001 Art at the Edge of the Law, Aldrich Museum of Contemporary Art, Ridgefield, CT Feb.–Apr. 2001 Collaborative Art Projects 2000: Artists-in-Community Residence, Bronx Museum of the Arts, Bronx, NY Oct.–Dec. 2000 Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan, CT Sept. 1999 Mumia 911, Refuse and Resist, New York, NY

MCCALLUM Oct 2005 Disputed Territories, City Without Walls, Newark, NJ Feb. 2002– April 2003 The Culture of Violence, Curators: Donna Harkavy & Helaine Posner, University Gallery at the University of Massachusetts, Amherst, MA; Bowdoin College Museum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL Sept.–Oct. 2000 Concerted Compassionism, White Columns, New York, NY Jun.–Dec. 2000 Once Removed, Socrates Sculpture Park, Long Island City, NY Jun.–Sept. 1998 Inspired Fear, Erector Square Gallery, New Haven, CT Sept.–Dec. 1997 Memory and Mourning: Shared Cultural Experience, University at Albany Art Museum, Albany, NY Aug.–Dec. 1997 Surviving Memories, Site specific installation, Heidelberg Project, Detroit, MI Dec. 1996 Incestuous, Thread Waxing Space, New York, NY Mar.–Jun. 1996 In Our Sights: Artist Look at Guns, UCR/California Museum of Photography, Riverside, CA Nov. 1995 Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA July–Oct. 1995 Arresting Images, Gallery 400 at the University of Illinois at Chicago, IL Jan. 1995 Reinventing the Emblem, Yale Art Gallery, New Haven, CT Apr.–Oct. 1995 Strokes of Genius: Mini Golf by Artists, Collaboration with Dawoud Bey, DeCordova Museum, Lincoln, MA Dec. 1994 Multiple Choice, Gates of Heck Editions, New York, NY Oct. 1994 Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland, ME Dec. 1993 Small Works, Artspace, New Haven, CT Nov. 1993 Art and Ethics, Sawtooth Center for Art, Winston Salem, NC Sept. 1993 Re-enchanting Art, Multimedia installation, Cardinal Gallery, Annapolis, MD Dec. 1991 Toys Are U.S., Key Gallery, Richmond, VA 1989 Coastal Exchange II, Anderson Gallery, Richmond, VA; Maryland Art Place, Baltimore, MD; Nexus Art Center, Atlanta, GA TARRY May 2004 Independent Study Program Studio Program Exhibition, Whitney Museum of American Art, New York, NY

AWARDS MCCALLUM + TARRY 2008 Video Fellowship, New York Foundation for the Arts 2004 -06 Lambent Fellowship in the Arts, Tides Foundation, New York, NY 2003 Rema Hort Mann Fellowship in the Arts, New York, NY

ARTIST RESIDENCIES MCCALLUM + TARRY 2008 Tokyo Wonder Site Aoyama, Tokyo, Japan 2007 National Portrait Gallery / Provisions Library, Washington D.C. 2006 McColl Center, Charlotte, NC 2006 North 55 & The Playhouse, Derry/Londonderry, Northern Ireland 2005 Headlands Center For the Arts, Bridge Residency 2003 Arts Up Program, Seattle Office of Arts and Cultural Affairs, Seattle, WA 2002 Red Gate Gallery, Beijing, China, Ford Foundation International Fellowship 1999 Institute on Arts and Civic Dialogue, Harvard University, Boston, MA MCCALLUM 1999–00 Madison Metropolitan School District, Madison, WI 1998–99 New York Civil Liberties Union, New York, NY 1996 Albion College, Albion, MI 1995 John Michael Kohler Arts Center Residency, Sheboygan, WI 1993 Vermont Studio Center Residency, Johnson, VT

PUBLIC PROJECTS: PARTNERS & FUNDING MCCALLUM + TARRY Water Tower, Atlanta GA (2008) Commissioned by Atlanta Celebrates Photography

Endurance, Seattle, WA (2003-05) In partnership with Peace on the Streets by Kids from the Streets, Seattle, WA and commissioned by the Seattle Office of Arts and Cultural Affairs, Arts Up Program. Additional funding by the National Endowment for the Arts, Seattle Department of Neighborhoods, and the Fales Foundation. Silence: New Haven, New Haven, CT (2001-02) Presented by Artspace and Center Church on the Green, New Haven, CT. Produced by ConjunctionArts. Funded by the Lustman Memorial Fund, The Gunk Foundation, Trumball College Fine Art Program and the Connecticut Humanities Council. Presented in by the Rush Arts Gallery, a program of Rush Philanthropic Arts Foundation. Funded by the New York State Council on the Arts and the Greenwall Foundation. Witness: Perspectives on Police Violence, New York, NY (1999–00) Presented by the Bronx Museum of the Arts and the Cathedral of St. John the Divine. Produced by ConjunctionArts in partnership with Center for Constitutional Rights, 100 Blacks in Law Enforcement Who Care, Parents Against Police Brutality, National Action Network, National Congress for Puerto Rican Rights and New York Civil Liberties Union. Funded by the New York State Council on the Arts, Institute on Arts and Civic Dialogue, Jerome Foundation, The Gunk Foundation, Lower Manhattan Cultural Council and the Andy Warhol Foundation for the Visual Arts. MCCALLUM The Madison Project: Path of Voices, Madison, WI (2001–03) Commissioned by the Madison Metropolitan School District, YWCA of Madison and Parents of Murdered Children. Funded by the National Endowment for the Arts, Pleasant Company Fund for Children, Madison CityARTS Commision, Evjue Foundation, Wisconsin Arts Board and individual donors. The Manhole Cover Project: A Gun Legacy, Hartford, CT (1996–97) Presented by the Wadsworth Atheneum in partnership with the Connecticut Childhood Injury Prevention Center with support from the City of Hartford, Mayor’s Office and ConjunctionArts. Funded by the Connecticut Commission on the Arts-New Arts Partnerships, Greater Hartford Arts Council, New England Foundation for the Arts, Hartford Hospital, Colt Foundation and Kaiser Permanente. Surviving Memories: Dedicated to Homicide Victims, Detroit, MI (1994–98) Commissioned by Save Our Sons and Daughters (SOSAD) and the City of Detroit. Funded by the Michigan Council for Art and Cultural Affairs, Detroit Arts Council, Detroit Arts Foundation and the John Michael Kohler Arts Center. Permanence of Memory: Maine Veterans and Civilians Remember WWII, Cape Elizabeth, ME (1995–98) Presented by ConjunctionArts in partnership with Two Lights State Park and the American Legion. Funded by the National Endowment for the Arts, Maine Humanities Council, Maine Arts Commission, Maine Community Foundation, Davis Family Foundation and the Shipman Foundation. Shroud: Mother’s Voices: A Memorial for Victims of Gun Violence in New Haven, CT (1992–93) Produced by ConjunctionArts. Presented by the Yale Art & Architecture Gallery, New Haven, CT, New Haven City Hall, New Haven, CT, Connecticut College Chapel, New London, CT and the Maloney Correctional Institute, Cheshire, CT. Funded by the Seymour L. Lustman Memorial Fund and the Dwight Hall Center for Public Service and Social Justice.

PUBLICATIONS MCCALLUM + TARRY “Whitewash”, published by Timezone 8 “Full of Grace: A Journey Through the History of Childhood,” by Ray Merritt, Jan 2007 “Civic Endurance,” Issue Magazine, Fall 2003, no. 7: 14-29, cover photo. “Silence,” Art Journal, Vol. 62, no. 1: 82-95. “The Spirit of Endurance,” by Franklin Sirmans, Civic Endurance, 2003 exhibition catalogue, Conner Contemporary Art, Washington, DC, 2003 “Bearing Witness” in Zero Tolerance: Quality of Life and the New York Police Brutality in New York City, Andrea McArdle and Tanya Erzen, eds, New York: NYU P., 2001: 271-281.

BIBLIOGRAPHY MCCALLUM + TARRY Jonathan T.D. Neal, “Prospect .1New Orleans,” Art Review, Jan/Feb 2009, Review

Lilly Wei, “Deliverance: the Biennial,” Art In America, February 2009, New Orleans Report

Roberta Smith, “Kaleidoscopic Biennial for a Scarred City,” , November 4, 2008: C1 Christina S.N. Lewis, “ The Big Easy’s Art Gumbo,” The Wall Street Journal, October 31, 2008: W2. Jeremy Abernathy, “McCallum and Tarry: Within Our Gates,” Art Voices, November 2008, Review Catherine Fox, “Tower Setting Powerful for ‘60’s Video Montage,” The Atlanta-Journal Constitution, Oct. 19, 2008 Drew Jubera, “Old Tower a Pointer to Past,” The Atlanta Journal-Constitution, September 28, 2008 Mariuccia Casadio, “Colorful,” Italia Vogue, August 2008 Susan Richmond, “Bradley McCallum +Jacqueline Tarry,” Art Papers, July/August 2008, Review Catherine Fox, “Visions of Race Vex,” Atlanta Journal-Constitution, April 6, 2008, Review Caroline Figwer, “En Ligne.” Cimaise, December 2007 – February 2008 Micheal Amy, “Bradley McCallum and Jacqueline Tarry at Caren Golden,” Art in America, December 2007 Benjamin Genocchio, “Hotel Rooms Set the Scene, and 45 Artists Star,” The New York Times, Aug.5, 2007, Review Linda Yablonsky, “Hotel Rooms Become Overnight Stars,”, The New York Times, July 8, 2007, Arts Nord Wennerstrom, “Bradley McCallum and Jacqueline Tarry: Conner Contemporary Art,” ArtForum, Oct. 2006 Holland Cotter, “Emancipation Remains a Work in Process,” The New York Times, 20 June 2006, Arts Joseph R. Wolin, “Legacies: Contemporary Artists Look at Slavery,” Time Out New York, 6-12 July 2006 R.C. Baker, “Southern Gothic,” The Village Voice, 28 June – 4 July 2006 Feliciar Lee, “The Influence of Slavery, Through Contemporary Art,” The New York Times, June 13, 2006, Arts Galan, Fernando, “Work and Word”, art.es, May- June 2006 Holland Cotter, “Posing, Speaking, Revealing,” The New York Times, 24 August 2005: Front Page, Arts Benjamin Genocchio, “Trapped in Nether-Nether Land,” New York Times, NJ- Arts, 7 August 2005 Dan Bischoff, “Street Scenes,” The Star-Ledger, 8 July 2005: Front Page Tina Potterf, “Strife, Addiction, Hope, ‘Endurance,’” The Seattle Times, 17 February 2004: E1-2. Erin Barnett, “New Museum Curator’s Picks,” newmuseum.org, December 2003. Louis Jacobson, “Civic Endurance,” Washington City Paper, 7-13 November 2003. Jessica Dawson, “Still Life With Street Corner and Homeless Kids,” Washington Post, 6 November 2003: C5. Michael O’Sullivan, “McCallum, Tarry Take a Stand,” Washington Post, 24 October 2003: WE50. Blake Gopnik, “Here and Now,” Washington Post, 19 Oct. 2003: N3. Glenn Dixon, “Children of No Standing,” Washington Post Express, 16 October 2003: N3. Keisha Lewis, “ Silent Witnessing: Questioning Sacred Spaces,” NKA: Journal of Contemporary African Art, Spring/Summer 2003, no. 18: 96-97. Ana Finel Honigman, “Public and Private Investigation: A Conversation with Bradley McCallum and Jacqueline Tarry,” Sculpture, Vol. 21, no. 7: 64-69. Franklin Sirmans, “Bradley McCallum and Jacqueline Tarry, ‘Silence’” Time Out New York, 2-9 May 2002, no. 344. Courtney J. Martin, “Civil Servants,” One World, Vol. 7, no. 3: 110-112. Stacy Stowe, “Congregation Thinks Twice about a Depiction of a Segregated Past,” New York Times, 3 Dec. 2001: F1. Randall Beach, “Sins of the Past,” New Haven Register, 9 Sept. 2001: B1. Christian Schaernack, “Guiliani Meint es Ernst,” Art Das Kunstmagazin, Nr. 6, 2001. Jose Martinez, “Art Labeled Anti-cop,” Daily News [New York, NY], 18 April 2001. Jenni Sorkin, “Bradley McCallum and Jacqueline Tarry,” Frieze, Jan.–Feb. 2001: 109-110. David Ebony, “Feds Spurn Police Brutality Art,” Art in America, Feb. 2001: Judy Birke, “Pain and Provocation in ‘Black and Blue’,” New Haven Register, 12 Nov. 2001: D1, D6. Shaila K. Dewan, “Police Brutality Revisited, But Not on Federal Ground,” New York Times, 3 Oct. 2000, late final ed.: B6. Roberta Smith, “Stretching Definitions of Outdoor Sculpture,” New York Times, 28 July 2000, late final ed.: E27-29. Patricia Phillips, “Bradley McCallum, Cathedral Church of St John the Divine,” Sculpture, June 2000: 71-72. Janet Koenig, “Evidence of Blue,” Afterimage, Mar./Apr. 2000: 12. MCCALLUM Amanda Henry, “Sounds Out of Stone,” Wisconsin State Journal [Madison, WI], 14 Oct. 2001: F1+ Mary Feingold, “Path of Voices winds through Madison High School,” Madison Magazine, Oct. 2001: 21. Joshua Tyree, “After the Violence, Art,” Isthmus [Madison, WI], 16 June 2000: 22. Dan Cameron, “The One Who Sees: In the Public Realm,” In the Public Realm: Installations by Bradley McCallum, exh. cat., Elvehjem Museum of Art, Madison, WI, 2000. Kevin Lynch, “Melted Guns, Ghostly Silk Yield Wrenching Art,” Capital Times [Madison, WI], 24 May 2000: C1. John Aehl, “Out of Violence, Art,” Wisconsin State Journal [Madison, WI], 30 April 2000: F1-5. David Ebony, “NYCLU Hires Artist-in-Residence,” Art in America, April 1999: Front page. R. Gardner, “NYCLU Arts Initiative to Address Police Brutality,” New York Observer, 22 Feb. 1999: Paul Brickman, “Envisioning a World Without Brutality,” Wisconsin State Journal [Madison, WI], 19 Jan. 1999: A1. Chris Murphy, “Guns Into Art,” Capital Times [Madison, WI], 18 Jan. 1999: Front Page. Lucy Lippard, “The Consequences of Memory,” In Permanence of Memory: Maine Veterans and Civilians Remember World War II, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME, 1998. Kent Bloomer, “The Making of Memorials,” In Permanence of Memory: Maine Veterans and Civilians Remember World War II, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME, 1998. Mark H. C. Bessire, “Museum as Site,” In Permanence of Memory: Maine Veterans and Civilians Remember World War II, exh. cat., Maine College of Art, Institute of Contemporary Art, Portland, ME, 1998. Hank Hoffman, “Inspired Fear,” New Haven Advocate, 17 Sept. 1998: Judy Birke, “Fears exposed, examined in ‘inspired’ exhibit,” New Haven Register, 13 Sept. 1998: G2. David Firestone, “Artist Gives Form to Free Speech,” New York Times, 17 Nov. 1998: Public Lives-Metro Section Lucy Lippard, The Lure of the Local: Senses of Place in a Multicentered Society (New York: New Press, 1997), 282. Patricia Phillips, “Bradley McCallum,” Sculpture, May–June 1997: 62-64. David Ebony, “Swords Into Plowshares,” Art in America, January 1997: Front Page. Alberta Eiseman, “Sam, Elizabeth and the Victims of Guns,” New York Times, 12 Jan. 1997: CN23. Tom Condon, “Guns-to-Covers, A Great Idea,” Hartford Courant, 1 Sept. 1996: B1. Hanley, Christine, “Guns to Manhole Covers,” Associated Press, 18 Oct. 1996. Jane Keedle, “A Legacy of Violence,” Hartford Advocate, 17 Oct. 1996: 17. James Rondeau, catalogue essay, The Manhole Cover Project: A Gun Legacy, exh. cat., Wadsworth Atheneum, Hartford, Conn., 1996. Joanne M. Pelton, “Artwork Revisits Yale Tragedy,” New Haven Register, 22 Jan. 1995: A3. “Environments Best of Category,” I.D. Annual Design Review, June 1994: 109-112. “The Aesthetic of Collaboration,” New England Artist Trust (Vol. 4, 1994). Richard Hertz, Theories of Contemporary Art, Second Edition, (Englewood, NJ Prentice Hall, 1993). Suzi Gablik, The Re-Enchantment of Art, (New York: Thames and Hudson, 1991). Suzi Gablik, “Toward an Ecological Self,” New Art Examiner, Vol. 18, no. 5: William Zimmer, “Photographers Capture Reality,” New York Times, 8 Dec. 1991: 24CN.

GUEST LECTURES MCCALLUM + TARRY

2009 University of Utah, Salt Lake City, UT, Visiting Artists Xavier University of Louisiana, New Orleans, LA 2008 School of Visual Arts, New York, NY, Visiting Artists Massachusetts College of Art and Design, Boston, MA, Adderley Lecture Series 2007 The Spelman College Museum of Fine Art, Atlanta, GA, Visiting Artists Tisch School of the Arts, New York University, New York, NY, Visiting Artists Virginia Commonwealth University, Richmond, VA, Visiting Artists California College of the Arts, Oakland CA, Visiting Artists SF Camerawork, San Francisco, CA, Visiting Artists 2006 NYU Photography, New York, NY, Visiting Artists The Museum School, Boston, MA, Visiting Artists University of North Carolina at Charlotte, Charlotte, NC, Visiting Artists 2005 Princeton University, Princeton NJ, Visiting Artists London-Derry, North-Ireland, Visiting Artists Whitney Museum of Art, New York, NY, Initial Public Offering Mural Arts, Philadelphia, PA, Visiting Artists 2003 Pennsylvania State University, University Park, PA, Visiting Artists

2001 Occidental College, Los Angeles, CA, Testimony/Urban Ethnography Yale University, New Haven, CT, Silence: New Haven 1997 New England Artists Trust Congress, Newport, NH, For Who’s Community?

MCCALLUM 2002 Iowa Teacher Convention, Decora, IA, Keynote Lecture, The Madison Project: A Case Study Wisconsin Teachers Convention, Madison, WI, Keynote Lecture, The Madison Project: A Case Study 2000 Elvehjem Museum of Art, Madison, WI, In the Public Realm National Association of Artist Organizations Conference, Brooklyn, NY Public Art/Collaborative Partnerships 1997 University of Minnesota, Minneapolis, MN, The Manhole Cover Project: A Gun Legacy Augsburg College, Minneapolis, MN, Deadly Consequences: Stopping Youth Violence Southeastern College Art Conference, Richmond, VA, The Manhole Cover Project: A Gun Legacy Suffield Academy, Suffield, CT, The Manhole Cover Project: A Gun Legacy University of Connecticut, Storres, CT, Under the Manhole Covers Virginia Polytechnic Institute and University, Blacksburg, VA, Public Art 1996 Wadsworth Atheneum, Hartford, CT, The Manhole Cover Project: A Gun Legacy San Francisco Art Institute, San Francisco, CA, Visiting Artist Lecture 1995 Albion College, Albion, MI, Visiting Artist Lecture 1994 Maine College of Art, Portland, ME, Visiting Artist Lecture 1994 Sawtooth Center for Visual Art, Winston-Salem, NC, Visiting Artist Lecture 1993 Children’s Defense Fund, Anti-Violence Network, Washington, DC, Shroud: Mother’s Voices Virginia Polytechnic Institute and University, Blacksburg, VA, Collaboration 1992 Connecticut College, New London, CT, Shroud: Mother’s Voices 1990 Virginia Polytechnic Institute and University, Blacksburg, VA, Collaboration

SYMPOSIUM/CONFERENCES MCCALLUM + TARRY 2008 Rethinking Art as Social Practice, The University of California, Santa Cruz 2006 Endurance, National Youth Network, Washington, DC 2005 Workshop, Cork, Ireland 2003 College Art Association Conference, Seattle, WA, Panel Organizer Activating Critical Discourse: Models of Civic Engagement and Public Arts Practice 2002 Collaborative Art Practices International Women Artists’ Conference, W.E.R.I.S.E., Barnard College, New York, NY 2001 A Reflection on the Institute on Arts and Civic Dialogue: Artists Respond to 9/11, Tisch School of the Arts, New York University, New York, NY Collaborative Art Practice, Bronx Museum of the Arts, Bronx, NY MCCALLUM 2001 Arts Now Conference, State University of New York at New Paltz, New Paltz, NY, Panel Organizer Artists: Interventions and Collaborations on Sites of Violence, Keynote panel 1995 Portland Museum of Art, Portland, ME, Symposium Organizer, Public Art: Memory and Activism

TEACHING MCCALLUM + TARRY 2008 THE University of California, Santa Cruz, Santa Cruz, CA, Visiting Artists 2000–Present Adjunct Professor of Arts and Cultural Management, Pratt Institute, New York, NY Management of Arts Education, Introduction to Arts Management & Cultural Institutions MCCALLUM 1996 Visiting Assistant Professor of Art, San Francisco Art Institute, San Francisco, CA Public Art: Memory, Activism, and Action 1994 Adjunct Professor of Art, University of Southern Maine, Portland, ME Interdisciplinary Design, Introduction to Conceptual Art Maine College of Art, Portland Maine, Pre-College Faculty 1992–94 Adjunct Professor of Art, Southern Connecticut State University, New Haven CT Two and Three Dimensional Design, Computer Art 1992 Teaching Assistant, Yale School of Art, New Haven, CT Sculptural Figure Studies