DOCSLIB.ORG

MFA, Sculpture, Yale University School of Art, New Haven, CT BFA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MFA, Sculpture, Yale University School of Art, New Haven, CT BFA BRADLEY MCCALLUM + JACQUELINE TARRY EDUCATION BRADLEY MCCALLUM 1992 MFA, Sculpture, Yale University School of Art, New Haven, CT 1989 BFA, Sculpture, Virginia Commonwealth University, Richmond, VA JACQUELINE TARRY 2003 Whitney Independent Study Program, New York, NY 1986 Philosophy, State University College at Buffalo, Buffalo, NY SOLO EXHIBITIONS & PUBLIC INSTALLATIONS MCCALLUM + TARRY September 2009 Nichido Contemporary Art, Tokyo, Japan May 2009 Galerie Nordine Zidoun, Luxembourg October 2008 Within Our Gates, Irwin Street Water Tower, Atlanta, Georgia September 2008 The Dark Is Light Enough, Galerie Nordine Zidoun, Paris, France Feb.–June 2008 Another Country, Kiang Gallery, Atlanta, GA October 2007 Now, Tomorrow & Forever, Kinkead Contemporary, Los Angeles, CA May 2007 Bloodlines, Caren Golden Fine Art, New York, NY March 2007 Whitewash & Cut, Lisa Dent Gallery, San Francisco, CA Nov.–Jan. 2006-07 Whitewash, Light Factory, Charlotte, NC November 2006 Bearing, F.U.E.L., Philadelphia, PA June 2006 Cut, Conner Contemporary Art, Washington, DC April 2006 Whitewash, F-2 Gallery, Beijing, China July 2005 McCallum & Tarry-Endurance, Nichido Contemporary Art, Tokyo, Japan July- August 2005 Endurance, Tokyo Wonder Site, Tokyo, Japan June-Sept. 2005 Endurance, Aljira, Center for Contemporary Art, Newark, NJ Oct.–Nov. 2004 Endurance, Marvelli Gallery, New York, NY Oct.–Nov. 2004 Otis, Conner Contemporary Art, Washington, DC Feb.–April 2004 Endurance, City Space Gallery, Seattle, WA Oct.–Nov. 2003 Civic Endurance, Conner Contemporary Art, Washington, DC Apr.–May 2002 Silence: New Haven, Rush Arts Gallery, New York, NY Oct.–Nov. 2001 Silence: New Haven, Artspace at Center Church on the Green, New Haven, CT Oct. 2000 Witness: Perspectives on Police Violence, The Bronx Museum of the Arts, Bronx, NY and citywide installation, New York, NY May–Jul. 2000 In the Public Realm, Elvehjem Museum of Art, University of Wisconsin-Madison, Madison, WI Nov.–Dec. 1999 Witness: Perspectives on Police Violence, Cathedral Church of St. John the Divine, New York, NY Jul. 1999 Witness: Perspectives on Police Violence, Institute on Arts and Civic Dialogue, Kings Chapel, Boston, MA MCCALLUM Oct. 2001–03 Madison Project: Path of Voices, Five permanent installations, Madison Public High Schools, Madison, WI Oct.–Nov. 1998 Permanence of Memory: Maine Veterans and Civilians Remember WWII, Institute of Contemporary Art at Maine College of Art, Portland, ME May 1998 History Table: Gorhams Corner, Percent-for-Art commission, Portland, ME Oct. 1996–Mar. 1997 The Manhole Cover Project: A Gun Legacy, Wadsworth Atheneum, Hartford, CT April–Aug. 1996 Transcending Silence: The Tubs Project, Albion College, Victory Park, Albion, MI Aug. 1996 Surviving Memories, Work-in-progress, Swords Into Plowshares Peace Center and Gallery, Detroit, MI July 1995–Sept. 1996 The Permanence of Memory: Maine Veterans and Civilians Remember WWII, Site specific installation, Battery 201, Two Lights State Park, Cape Elizabeth, ME Nov. 1994 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Coalition to Stop Gun Violence Conference, Washington, DC Apr. 1994 Testimonies, Screening, Boston Film and Video Foundation, Boston, MA Nov. 1993 Aiding Awareness: Women’s Stories, in collaboration with Class Action: The Art Collective For Community Action, Artspace, New Haven, CT Sept. 1993 Multi Media Installation, Virginia Polytechnic Institute and University, Blacksburg, VA Mar.–Nov. 1992 Shroud: Mother’s Voices, A Memorial for Victims of Gun Violence in New Haven, CT, Site specific installation, Yale Art & Architecture Gallery, New Haven, CT; City Hall, New Haven, CT; Connecticut College Chapel, New London, CT; Maloney Correctional Institute, Cheshire, CT Mar. 1990 Awnings: Shelter, Site specific installation, Yale University, New Haven, CT Sept. 1989 Park Bench Shelter, Site specific installation, New Haven, CT Sept. 1988-May 1989 Homeless Carts, Public art project, Richmond, VA GROUP EXHIBITIONS MCCALLUM + TARRY April 2009 Tokyo Wonder Site Shibuya, Tokyo, Japan February 2009 Post Memory, EFA Gallery, New York, NY November 2008 Prospect 1 Biennial, New Orleans LA November 2008 Sound Off, BRIC Rotunda Gallery, Brooklyn, New York October 2008 No Mas Heros, La Coleccion Vlll, Artium, Centro Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain Sept. 2008 The Other Mainstream II, Arizona State University Art Museum, Tempe, AZ May 2008 Group Show, Galerie Nordine Zidoun, Paris, France May 2008 Identity, Nichido Contemporary Art, Tokyo, Japan May 2008 Subversive Complicity, The LAB, San Francisco, CA Feb. 2008-March 2008 Performed Identity, Kathleen Cullen Fine Arts, New York, NY Feb- March 2008 I-Dentity: Los Angeles Video Art, University of Missouri – Kansas City Gallery of Art, Kansas City, MO Feb – April 2008 Taking Shelter, Canazi Gallery, Columbus College of Art & Design, Columbus, OH Jan – March 2008 Collectors Select, Arlington Arts Center, Arlington VA Sept-Oct. 2007 Group show, Kiang Gallery, Atlanta, GA Oct. – Dec. 2007 Finding Form, Atlanta Contemporary Art Center, Atlanta, GA Sept. – Dec. 2007 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College Museum of Fine Art, Atlanta, GA Sept. – Nov. 2007 A Spectral Image of Self, Newcomb Art Gallery, Tulane University, New Orleans, LA Sept. – Oct. 2007 The New Media Festival ‘07, Hardcore Art Contemporary Space, Miami, FL August – Oct. 2007 Taking Possession, University of Arkansas at Little Rock Art Gallery, Little Rock, AK June- July 2007 Some Kind of Portrait, Marc Selwyn Fine Art, Los Angeles, CA July- Sept. 2007 50,000 Beds, Real Art Ways, Hartford, CT June – Aug 2007 Transformer, VCUarts Anderson Gallery, Richmond, VA May- Nov 2007 Bearing, The African American Museum in Philadelphia, Philadelphia, PA Jan.–March 2007 John Q. Public & Citizen Jane: Private Americans in the Political Domain, University Art Gallery, San Diego State University, San Diego, CA Jan.- Feb 2007 Critical Translations, Katherine E. Nash Gallery, University of Minnesota, Minneapolis, MN Nov.- Dec. 2006 Civic Performance, Stony Brook University Art Gallery, Stony Brook, NY Sept. – Oct. 2006 Nothing Good House, Kunsthaus Graz, Landesmuseum Joanneum, Austria June- Jan. 2006 Legacies: Contemporary Artists Reflect on Slavery, New York Historical Society, New York, NY May 2006 25 Bold Moves, Curator Simon Watson, House of Campari, New York, NY April 2005 A Knock at the Door, Lower Manhattan Cultural Council, New York, NY April 2005 Crossing Waters and Boarders Down Memory Lane, Cork, Ireland Sept.–Oct. 2005 Convergence, International Contemporary Art Exhibition, Beijing, China Sept.-Oct. 2005 Noorderlicht Photofestival, Groningen, Netherlands Dec. 2004–Jan. 2005 The Staged Body, Curator: Andrea Pollan, Curator’s Office, Washington, DC Mar.–June 2004 Ralph Bunche: An American Legend, Curator: Franklin Sermons, Queens Museum of Art, New York, NY Mar.-Apr. 2004 It’s About Memory, Curator: Simon Watson, Rhona Hoffman Gallery, Chicago, IL Dec. 2003 The Outlaw Series, Curator: Lisa Kirk, New York, NY Oct.–Dec. 2003 Confrontation or Commentary: The Role of Political Art in Society, Curator: Danny Simons, Nathan Cummings Foundation, New York, NY June 2003 2003 Biennial Exhibition of Public Art, Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY Nov. 2002 MediaCity, Curator: Wang Nan-Ming, Artists Commune Gallery, Hong Kong, China Sept.–Nov. 2002 Strike, Curator: Gavin Wade, Wolverhampton Art Gallery, Wolverhampton, England June 2002 Art & Outrage, Curator: Simon Watson, Robert Miller Gallery, New York, NY Aug.–Sept. 2001 In Cold Blood, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY June–Sept. 2001 Art at the Edge of the Law, Aldrich Museum of Contemporary Art, Ridgefield, CT Feb.–Apr. 2001 Collaborative Art Projects 2000: Artists-in-Community Residence, Bronx Museum of the Arts, Bronx, NY Oct.–Dec. 2000 Black and Blue, Zilkha Gallery, Wesleyan University, Wesleyan, CT Sept. 1999 Mumia 911, Refuse and Resist, New York, NY MCCALLUM Oct 2005 Disputed Territories, City Without Walls, Newark, NJ Feb. 2002– April 2003 The Culture of Violence, Curators: Donna Harkavy & Helaine Posner, University Gallery at the University of Massachusetts, Amherst, MA; Bowdoin College Museum of Art, Brunswick, ME; Samuel P. Harn Museum of Art, Gainesville, FL Sept.–Oct. 2000 Concerted Compassionism, White Columns, New York, NY Jun.–Dec. 2000 Once Removed, Socrates Sculpture Park, Long Island City, NY Jun.–Sept. 1998 Inspired Fear, Erector Square Gallery, New Haven, CT Sept.–Dec. 1997 Memory and Mourning: Shared Cultural Experience, University at Albany Art Museum, Albany, NY Aug.–Dec. 1997 Surviving Memories, Site specific installation, Heidelberg Project, Detroit, MI Dec. 1996 Incestuous, Thread Waxing Space, New York, NY Mar.–Jun. 1996 In Our Sights: Artist Look at Guns, UCR/California Museum of Photography, Riverside, CA Nov. 1995 Crime and Punishment, Philadelphia Art Alliance, Philadelphia, PA July–Oct. 1995 Arresting Images, Gallery 400 at the University of Illinois at Chicago, IL Jan. 1995 Reinventing the Emblem, Yale Art Gallery, New Haven, CT Apr.–Oct. 1995 Strokes of Genius: Mini Golf by Artists, Collaboration with Dawoud Bey, DeCordova Museum, Lincoln, MA Dec. 1994 Multiple Choice, Gates of Heck Editions, New York, NY Oct. 1994 Percent for Art Finalist Exhibition, Baxter Gallery, Maine College of Art, Portland, ME Dec. 1993 Small Works, Artspace,
Load more

Recommended publications
  • The Commercial Gallery
    THE COMMERCIAL TIM SCHULTZ b. 1960, Sydney lives Sydney WEBSITE www.timschultz.com.au EDUCATION 2012 Doctor of Philosophy, Sydney College of the Arts, The University of Sydney, Sydney 1985 Graduate Diploma, City Art Institute, Sydney 1983 Bachelor of Arts, City Art Institute, Sydney 1980 Bachelor of Arts (fine arts), University of Sydney, Sydney SOLO EXHIBITIONS 2014 Ornamental Perversion, The Commercial Gallery, Sydney 2012 Blood Red Make-Up Under the Armpits, The Commercial Gallery, Sydney Blood Red Make-Up Under the Armpits, Phd Graduation exhibition, SCA Galleries, Sydney College of the Arts, The University of Sydney, Sydney 2011 Schultztown the Rococo, Barry Stern Gallery, Sydney Schultztown, MOP Projects, Sydney 2010 The Cyclopean Orb is a Phantom, Peloton, Sydney 2005 Tim Schultz, Kaliman Gallery, Sydney 2000 Tim Schultz, Barry Stern Gallery, Sydney 1998 Tim Schultz, Barry Stern Gallery, Sydney 1997 Catafalque Pompadour, Barry Stern Gallery, Sydney 1996 Circus, (with Hany Armanious) CBD Gallery, Sydney Cheri de Tous, Barry Stern Gallery, Sydney 1994 Tim Schultz, Barry Stern Gallery, Sydney 1990 Tim Schultz, Rex Irwin Gallery, Sydney 1987 Cave of Plato, Rex Irwin Gallery, Sydney SELECTED GROUP EXHIBITIONS 2012 TWO/THREE - Hossein Ghaemi, Natalya Hughes, Emily Hunt, Stephen Ralph, Tim Schultz, curated by Amanda Rowell, The Commercial Gallery, Sydney 2008 Rimbaud/Rambo, curated by Geoff Newton, Neon Parc, Melbourne OBLIVION PAVILION, curated by Amanda Rowell, Roslyn Oxley9 Gallery, Sydney OBLIVION PAVILION, curated by Amanda Rowell,
    [Show full text]
  • Leading Cultural Figures Attend Asia Society Art Gala, Launching Art Basel in Hong Kong
    FOR IMMEDIATE RELEASE LEADING CULTURAL FIGURES ATTEND ASIA SOCIETY ART GALA, LAUNCHING ART BASEL IN HONG KONG GUESTS INCLUDED ROBERT AND CHANTAL MILLER, JULIA AND VICTOR FUNG & BASSAM SALEM THIS YEAR’S HONOUREES FEATURED BHARTI KHER, LIU GUOSONG, TAKASHI MURAKAMI & ZHANG XIAOGANG (Hong Kong, 15 May 2014) More than four hundred of the world’s most distinguished collectors, curators, gallerists and dignitaries gathered this evening to honor four exceptional contemporary artists at the Asia Society’s second annual Art Gala, hosted by Ms. S. Alice Mong and Dr. Melissa Chiu at their spectacular Hong Kong Center. Kicking off Art Basel in Hong Kong, the evening celebrated world-renowned artists Bharti Kher, Liu Guosong, Takashi Murakami and Zhang Xiaogang for their extraordinary contributions to contemporary art in Asia. Guests were also treated to a private viewing of the first major solo exhibition of Xu Bing’s work in Hong Kong, currently on display through 31 August 2014. Notable guests included artists Li Songsong, Mariko Mori, Michael Joo and Song Dong. International collectors attended, including Deddy Kusama, Basma Al Sulaiman, Maggie Tsai, Alexandra Prasetio, and Bharat and Swati Bhise. Gallerists present included Nick Simunovic of Gasgosian Gallery, one of the evening’s hosts, Rachel Lehmann, Emmanuel Perrotin, Arne Glimcher, Marcia Levine, and Jane Lombard and Lisa Carlson. Supporters of Asia Society included Robert and Chantal Miller, Hal and Ruth Newman, Mitch and Joleen Julis. Other guests included actress Lynn Hsieh, Nam June Paik’s Nephew, Ken Hakuta, Director of Art Basel, Marc Spiegler, Managing Director of Christie’s Asia, Rebecca Wei, and Curator of UBS Art Collection, Stephen McCoubrey.
    [Show full text]
  • Download CV As
    CHRIS BORS www.chrisbors.com [email protected] Instagram @chris_bors Born in Ithaca, New York. Lives and works in New York City. EDUCATION M.F.A., School of Visual Arts, New York Rhode Island School of Design, Providence, Rhode Island BA, University at Albany, Albany, New York SOLO EXHIBITIONS 2021 Brian Leo Projects, Ackchyually, New York 2018 ADO Projects, American Jesus, Brooklyn, New York 2016 Guttenberg Arts, Kill Your Idols, Guttenberg, New Jersey 2013 Randall Scott Projects, The Youth are Getting Restless, Washington, DC 2009 Envoy Gallery, Forward and Backward Pam and Tommy, New York 2008 Go North, i against i, Beacon, New York 2005 Argo Gallery, America is a mistake, a giant mistake., Nicosia, Cyprus Haven Arts, Virtual Dumpster Diving, Bronx, New York 2002 Here Art, Quest for Herb, New York TWO PERSON EXHIBITONS 2021 Chris Bors and Joe Waks, curated by Brian Leo, IFAC Arts, The Yard Lower East Side, New York 2001 Meredith Allen and Chris Bors, P.S. 122 Gallery, New York SELECTED GROUP EXHIBITIONS 2020 The Confidence Game, curated by Joe Nanashe and Savannah Spirit, www.theconfidencegame.website Electoral Electric, curated by Michelle Vitale, Hudson County Community College, Jersey City, NJ General Store, SPRING/BREAK Art Show, New York The Mind Is a Terrible Thing to Taste, SPRING/BREAK Art Show, Los Angeles, California A Horse Walks Into a Bar, curated by D. Dominick Lombardi, Hampden Gallery, UMass Amherst, Amherst, Massachusetts 2019 Foodie Fever, curated by D. Dominick Lombardi and Thalia Vrachopoulos, Anya and Andrew Shiva Gallery, John Jay College, New York (catalog) Malled & Walled: American Style, curated by Fred Fleisher, Turbine Space, Glarus, Switzerland 2018 The Southwest Brooklyn Biennial, Kustera Projects, Brooklyn, New York Summer of Love, curated by Nick Lawrence, Freight+Volume, New York (catalogue) Shadowman Meets the Kids, curated by Noah Becker, Contra Studios, New York 2018 Collect Hudson, curated by Fred Fleisher and Michelle Vitale, The Benjamin J.
    [Show full text]
  • Art in the Asia-Pacific
    Art in the Asia-Pacifi c As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacifi c region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally. Larissa Hjorth is Professor in the Games Programs, School of Media & Communication, RMIT University, Australia. Natalie King is Director of Utopia at Asialink, The University of Melbourne, Australia. Mami Kataoka is Chief Curator at the Mori Art Museum in Tokyo, Japan. Routledge Advances in Art and Visual Studies 1 Ethics and Images of Pain 5 Manga’s Cultural Crossroads Edited by Asbjørn Grønstad & Edited by Jaqueline Berndt Henrik Gustafsson and Bettina Kümmerling- Meibauer 2 Meanings of Abstract Art Between Nature and Theory 6 Mobility and Fantasy in Visual Edited by Paul Crowther and Isabel Culture Wünsche Edited by Lewis Johnson 3 Genealogy and Ontology of the 7 Spiritual Art and Art Western Image and its Digital Education Future Janis Lander John Lechte 8 Art in the Asia-Pacifi c 4 Representations of Pain in Art Intimate Publics and Visual Culture Edited by Larissa Hjorth, Edited by Maria Pia Di Bella and Natalie King, and Mami James Elkins Kataoka
    [Show full text]
  • Artnet Launches the World's First Dedicated 24/7 Art Market Newswire
    PRESS RELEASE For Immediate Release artnet Launches the World’s First Dedicated 24/7 Art Market Newswire The Site Will Provide Non-Stop Art World and Market News New York, February 25, 2014—artnet has announced the newest addition to its lineup of products and services: artnet News. artnet News will be a one-stop platform providing readers with constant access to the events, trends, developments, and people that shape the art market and global art industry. artnet has long been known as the leading place to buy, sell, and research art online, and this renewed focus on news will allow the company to become a fully integrated source for information about artworks and the global art industry. This new platform will combine the best writing with the latest in content-sharing technology. artnet News consists of three broad sections—market, art world, and people—allowing users to browse news about the art world, the art market, and the art world social scene. The daily “in brief” section will provide a 24-hour chronicle of art world news. Content will be hosted on a dynamic new platform with an easy-to-navigate interface. artnet is committed to providing cutting-edge market services to collectors, art businesses, and art enthusiasts. According to artnet CEO Jacob Pabst, “Innovation has always been a driving force for artnet. We are constantly seeking ways to better connect with our audience, and meet the rapidly changing demands of the international art community. We are already the standard for market data, and now, artnet News will provide visitors with greater context to fully understand what is happening in the market.” About the Editor in Chief: Benjamin Genocchio will be leading the artnet News team, and comes to artnet with two decades of experience in both the print and online art news business.
    [Show full text]
  • Resume Wizard
    Indigenous Australian Art: An Analytical Survey Class code ANTH-UA 9038 or SCA-UA 9836 Instructor Details Professor Sabra Thorner [email protected] 02 8016 8214 (office) 0415 850 392 (mobile) Office Hour: Wednesdays 5-6pm Class Details Indigenous Art: An Analytical Survey Wednesdays, 2pm-5pm Room 304 NYU Sydney Academic Centre Science House, 157 Gloucester St, The Rocks Prerequisites None Class Description This course is a survey of the principal themes and issues in the development of Indigenous art in Australia. It focuses on some of the regional and historical variations of Aboriginal art in the context of the history of a settler nation, while considering the issues of its circulation and evaluation within contemporary discourses of value. Topics include the cosmological dimensions of the art, its political implications, its relationship to cultural identity, and its aesthetic frameworks. Students will visit some of the major national collections of Indigenous Australian art as well as exhibitions of contemporary works. There will also be guest presentations from Indigenous artists and Indigenous art curators. Desired As a result of successfully completing this course, students will be able to: Outcomes • Demonstrate knowledge of the diversity of Indigenous arts in Australia—ranging from acrylic paintings of the Western Desert to bark designs of Arnhem land to urban, politically motivated works in various media (including photography, sculpture, print-making, etc) • Think about these works both as objectifications of cultural expression
    [Show full text]
  • TERENCE EDWIN SMITH, FAHA, CIHA CURRICULUM VITAE Andrew W Mellon
    TERENCE EDWIN SMITH, FAHA, CIHA CURRICULUM VITAE www.terryesmith.net/web http://www.douban.com/group/419509/ Andrew W Mellon Professor of Contemporary Art History and Theory Henry Clay Frick Department of the History of Art and Architecture 104 FFA, University of Pittsburgh, Pittsburgh PA 15260 USA Tel 412 648 2404 fax 412 648 2792 Messages (Linda Hicks) 412 648 2421 [email protected] 3955 Bigelow Boulevard, #911, Pittsburgh, PA 15213 Tel. 412 682 0395 cell 919 683 8352 33 Elliott St., Balmain, NSW 2041 Australia, tel. 61 -2- 9810 7464 (June-August each year) 1. ACADEMIC RECORD 2. APPOINTMENTS 3. RESEARCH GRANTS, HONOURS AND AWARDS 4. PUBLICATIONS, INTERVIEWS, EXHIBITIONS 5. TEACHING AND ADMINISTRATION 6. HONORARY PROFESSIONAL POSITIONS 7. COMMUNITY SERVICE 8. GUEST LECTURES AND CONFERENCE PAPERS 9. RELATED ACTIVITIES 10. PROFILES 11. RECENT REVIEWS 1 1. ACADEMIC RECORD 1986 Doctor of Philosophy, University of Sydney (dissertation topic: “The Visual Imagery of Modernity: USA 1908-1939”) 1976 Master of Arts, University of Sydney, first class honours and University Medal (thesis topic: “American Abstract Expressionism: ethical attitudes and moral function”) 1973-74 Doctoral studies, Institute of Fine Arts, New York University (Professors Goldwater, Rosenblum, Rubin); additional courses at Columbia University, New York (Professor Schapiro), Whitney Museum of American Art, New York 1966 Bachelor of Arts, University of Melbourne 2. APPOINTMENTS 2011-2015 Distinguished Visiting Professor, National Institute for Experimental Arts, College of Fine
    [Show full text]
  • Carla Gannis “The Garden of Emoji Delights” October 26 – November 8, 2015
    E B K Gallery [small works] 218 Pearl St. Hartford, CT Carla Gannis “The Garden of Emoji Delights” October 26 – November 8, 2015 Gallery and Pricing sheet For purchase arrangements please contact us at ph 860.523.9384 Email: [email protected] Artist: Carla Gannis Title: “The Garden of Emoji Delights” Date: 2013 Size: 13’ x 7’ Medium: digital C-Print Price: on request 10/21/2015 CARLA GANNIS Carla Gannis, originally from Oxford, North Carolina, today lives and works in Brooklyn, New York. She received a BFA in painting from The University of North Carolina at Greensboro and an MFA in painting from Boston University. In the late 1990s she began to incorporate digital technologies into her work, and in 2005 she was awarded a New York Foundation for the Arts (NYFA) Grant in Computer Arts. Currently she is a professor and assistant chairperson of The Department of Digital Arts at Pratt Institute. Since 2003 Gannis’s work has appeared in 20 solo exhibitions and numerous group exhibitions both nationally and internationally. Her most recent solo exhibitions include “The Garden of Earthly Delights” at The Hudson River Museum, Yonkers, NY (currently on view) and at Kasia Kay Art Projects in Chicago, IL, 2014. In 2013 she collaborated with poet Justin Petropoulos on a transmedia book, installation and net art project entitled <legend> </legend> published by Jaded Ibis Press, Seattle, WA and exhibited at Transfer Gallery, Brooklyn, NY. Her forthcoming shows include the group exhibition “Porn to Pizza – Domestic Clichés” at DAM Gallery, in Berlin Germany and solo exhibitions at EBK Gallery in Hartford, CT and Transfer Gallery in Brooklyn, NY.
    [Show full text]
  • Marc Lambrechts
    Deborah Brown Marc Lambrechts 411 Brannan Street San Francisco, CA 94107 (415) 977-0223 www.arthaus-sf.com Deborah Brown B.A. Yale University, summa cum laude, Phi Beta Kappa S E L E C T E D B I B L I O G R A P H Y M.F.A. Indiana University, Bloomington 2018 Andrea K. Scott, “Goings On,” The New Yorker, review of S E L E C T E D S O L O E X H I B I T I O N S “Still Lives” at Underdonk, Brooklyn, September 3 2017 Darren Jones, “Deborah Brown, GEARY Contemporary,” 2019 Union Hall, Denver, Colorado Critics’ Pick, New York, Artforum, September 15. 2018 Spoonbill Studio, Brooklyn, NY 2017 Sarah Cascone, “16 Things to See in New York This Week” 2017 Geary Contemporary, New York, NY Artnet, September 25 2017 Alex Travers, “The Can't-Miss Galleries Downtown and the 2016 Art3, Brooklyn, NY Top 8 Exhibitions To See This Fall,” Quest Magazine, Oct. 6 2014 Flecker Gallery, Suffolk Community College, Selden, NY 2016 Eileen Kinsella, “9 Must-See Summer Group Gallery Shows” 2014 Lesley Heller Workspace, New York Artnet, June 30. 2016 Peter Malone, “Paintings Playfully Distilled from 18th-Century 2012 The Active Space, Bushwick, NY European Portraiture,” Hyperallergic, April 26 2011 Lesley Heller Workspace, New York 2016 Claudia Bodin, “Brooklyn,” Das Kuntsmagazin, April, pp. 23-33 2008 Lesley Heller, New York 2015 The New York Times, “Things To Do in the Hudson Valley” Arts Calendar, 12/6, p. 12 2008 Hebrew Home at Riverdale, New York 2015 Sharine Saad, “Brooklyn Bouillon de Culture” 2006 Lesley Heller, New York Madame Figaro, October 24, pp.
    [Show full text]
  • Rashid Johnson
    RASHID JOHNSON born 1977, Chicago IL lives and works in New York, NY EDUCATION 2004 MFA, School of the Art Institute of Chicago, Chicago, IL 2000 BA, Columbia College, Chicago, IL SELECTED SOLO / TWO PERSON EXHIBITIONS (* indicates a publication) 2021 Black and Blue, David Kordansky Gallery, Los Angeles, CA The Crisis, Storm King Art Center, New Windsor, NY Summer Projects: Rashid Johnson, Creative Time, New York, NY The Bruising: For Jules, The Bird, Jack and Leni, Crystal Bridges Museum of American Art, Bentonville, AR Capsule, National Gallery of Canada, Ottawa, Canada 2020 Waves, Hauser & Wirth, London, England Stage, PS1 COURTYARD: an experiment in creative ecologies, MoMA PS1, Long Island City, NY 2019 The Hikers, Museo Tamayo, Mexico City, Mexico The Hikers, Aspen Art Museum, Aspen, CO It Never Entered My Mind, Hauser & Wirth, St. Moritz, Switzerland Anxious Audience, Fleck Clerestory Commissioning Project, curated by Lauren Barnes, The Power Plant, Toronto, Canada The Hikers, Hauser & Wirth, New York, NY 2018 *No More Water, Lismore Castle Arts, Lismore, Ireland *The Rainbow Sign, David Kordansky Gallery, Los Angeles, CA Provocations: Rashid Johnson, Institute for Contemporary Art, Virginia Commonwealth University, Richmond, VA 2017 Anxious Audience, organized by Annin Arts, Billboard 8171, London Bridge, England [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 Stranger, Hauser & Wirth Somerset, Bruton, England Rashid Johnson: The New Black Yoga and Samuel in Space, McNay Art Museum,
    [Show full text]
  • Elizabeth Gilfilen
    ELIZABETH GILFILEN Born in 1974, Cincinnati, Ohio. Lives and works in Brooklyn, NY. SOLO EXHIBITIONS 2020 TWFineart, Brisbane, Australia (forthcoming) 2018 Reynolds Gallery, Shorthand, Richmond, VA 2014 Fred Giampietro Gallery, Laid Ledge, New Haven, CT 2012 The Hunterdon Art Museum, Clinton, NJ 2011 Gallery Aferro, Two Moons, Newark, NJ 2010 John Davis Gallery, Bruiser, Hudson, NY SELECTED GROUP EXHIBITIONS 2018 Equity Gallery, Cadences, New York, NY Kathryn Markel Fine Arts, Four Abstract Artists, New York, NY (catalogue) TWFineart, Distilled de Stijl, Brisbane, Australia 2017 Durden & Ray, Antipodal, Los Angeles, CA The Painting Center, Fight or Flight, New York, NY Reynolds Gallery, Summer Steals, Richmond, VA 2016 Tiger Strikes Asteroid, Flat File Launch, Brooklyn, NY Flecker Gallery, SUNY-Suffolk, Faculty Exhibition, Selden, NY 2015 Kathryn Markel Fine Arts, Humble Iterations, New York, NY Trestle Gallery, Breathing Room, Brooklyn, NY (catalogue) Anna Kunz Studio, (I'd Like to Suggest) Linger on, Chicago, IL 2014 Morgan Lehman Gallery, Conversations, curated by Sharon Louden, New York, NY Reynolds Gallery, Taking Off, Richmond, VA Lehman College, Soccer Mom, curated by Dannielle Tedeger, New York, NY Fred Giampietro Gallery, Paintings and Prints, New Haven, CT Industry City, Improvised Showboat #4, curated by Zach Keeting, Brooklyn, NY The Bruce High Quality Foundation, The Last Brucennial, New York, NY Blackburn 20/20, Elizabeth Foundation for the Arts, SIP Exhibition, New York, NY The Ink Shop Printmaking Center, Downstate/Upstate,
    [Show full text]
  • Boston University Sydney Internship Program
    BOSTON UNIVERSITY SYDNEY INTERNSHIP PROGRAM AH374: Australian Art and Architecture COURSE COORDINATOR: Dr Adam Geczy General The course offers a selective account of the major trends and achievements in Australian Art and Architecture from colonisation in 1788 to the present. An emphasis of the course will be on actual sites, buildings and works of art. It will begin at the site of the first Government House (now the Museum of Sydney) and what was called Farm Cove (now the Botanical Gardens), and will end at some of the major Contemporary Galleries in Sydney. You will experience as many forms of artistic endeavour as possible: etching and drawing, painting, sculpture, landscape and architecture, as well as recent practices in photomedia and installation which form part of an international artistic discourse. As well as offering the rudiments of Australian Art, you will be introduced to the main themes and debates relating to Aboriginal Art. Some of the main ideas in this area of study are: the difference between traditional and contemporary Aboriginal Art; the variety of approaches from individual to group; the problem of national inheritance and identity; and whether at all traditional Aboriginal Art can indeed be called art. There is a strong bias towards basic skills in engaging with, assessing and writing about art. The course will touch on the various attitudes and theories about art history, and, at the relevant juncture, you will brought to notice the differing methodologies that are brought to bear on certain eras and types of art. Needless to say, you will touch on key moments in national history to which art serves as an invaluable document, such as Settlement, the Gold Rush, Federation and the early Modernisation.
    [Show full text]