Read Book Jazz Dance a History of the Roots and Branches 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Jazz Dance a History of the Roots and Branches 1St Edition JAZZ DANCE A HISTORY OF THE ROOTS AND BRANCHES 1ST EDITION PDF, EPUB, EBOOK Lindsay Guarino | 9780813061290 | | | | | Jazz Dance A History of the Roots and Branches 1st edition PDF Book Sabrina Harris marked it as to-read Nov 09, Kate marked it as to-read Jun 13, Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since Institutional Login. Book Depository hard to find London, United Kingdom. Book Description University Press of Florida. Error rating book. Book Description University Press of Florida. This website uses cookies to ensure you get the best experience on our website. From the vernacular have grown many and varied branches, including tap, Broadway, funk, hip-hop, Afro- Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and more. Tap dance and such social dances as the cakewalk and shuffle became popular vaudeville acts and appeared in Broadway revues and musical comedies as these replaced vaudeville early in the 20th century. Dustin rated it really liked it Apr 02, About the Author : Lindsay Guarino , an active dancer and choreographer, is assistant professor of dance at Salve Regina University and serves as the artistic director of Extensions Dance Company. Published by University Press of Florida. Facebook Twitter. Seller Image. Seller Inventory TNP Jessica marked it as to-read Dec 30, New Quantity Available: 1. Published by University Press of Florida The history of jazz dance is best understood by thinking of it as a tree. About Lindsay Guarino. Paperback or Softback. Table of Contents. Seller Inventory AAC Lindsay Guarino , an active dancer and choreographer, is assistant professor of dance at Salve Regina University and serves as the artistic director of Extensions Dance Company. Condition: new. Goodreads helps you keep track of books you want to read. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree Want to Read Currently Reading Read. Lifting the Curtain on Composers: Fact or Fiction? Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since It invites the reader to develop a more complicated definition of jazz dance for the twenty-first century. Index pp. Jazz Dance Guarino, Lindsay. It was developed partially from ragtime and blues and is often characterized by syncopated rhythms, polyphonic ensemble playing, varying degrees of improvisation, often deliberate deviations of pitch, and the use of…. Enlarge cover. LOG IN. The roots of jazz dance are African. Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since New Hardcover Quantity Available: 1. Title Page, Copyright Page pp. Jazz Dance as a Continuum Patricia Cohen pp. History at your fingertips. Lastly, the sixth section looks at current topics in the jazz dance world including race, jazz dance in France, England, and Japan, and jazz dance aesthetics. Jazz Dance A History of the Roots and Branches 1st edition Writer More information about this seller Contact this seller. Editors Lindsay Guarino and Wendy Oliver have assembled an array of se. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Aug 29, Andrew Lind rated it really liked it. Forgot your password? Lifting the Curtain on Composers: Fact or Fiction? Jake marked it as to-read Nov 29, Encyclopedia of Chicago - Jazz Dance. New Quantity Available: 1. Jazz Dance: A History of the Roots and Branches Lindsay Guarino and Wendy Oliver Abstract This multi-author textbook provides an in-depth look at the rich and varied history of jazz dance, from its African roots in early American society until today. Give Feedback External Websites. View all copies of this ISBN edition:. The art form's roots are African. Escape the Present with These 24 Historical Romances. Seller Inventory IG Get exclusive access to content from our First Edition with your subscription. Brand new Book. Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabulary differs from ballet, this complex and compelling history captures the very essence of jazz dance. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. Tap dance and such social dances as the cakewalk and shuffle became popular vaudeville acts and appeared in Broadway revues and musical comedies as these replaced vaudeville early in the 20th century. The second section focuses on jazz dance history, giving an expansive overview beginning with African dance, through the jazz era of the ss, the immense diversificat Stock Image. Blackface minstrelsy , indigenous American theatrical form that constituted a subgenre of the minstrel show. Add to Basket. New Quantity Available: 5. Index pp. Kerry Nistico rated it it was amazing Jul 20, Published by University Press of Florida , Gainesville Built on the Johns Hopkins University Campus. Lee, Northwestern University. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the many histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, gender, aesthetics, the international appeal of jazz dance, and its relationship to tap, rock, indie, black concert dance, and Latin dance. Book Description Condition: new. Seller Inventory You know the saying: There's no time like the present External Websites. Established seller since Book Description Condition: New. This specific ISBN edition is currently not available. Other editions. Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabularly differs from ballet, this complex and compelling history captures the very essence of jazz dance. Advanced Search. Email address. Part I What is Jazz Dance? Sign up here to see what happened On This Day , every day in your inbox! Dana marked it as to-read Jul 14, Jazz Dance A History of the Roots and Branches 1st edition Reviews Book Description University Press of Florida, Publisher: University Press of Florida , This website uses cookies to ensure you get the best experience on our website. Juliana Lira marked it as to-read Mar 08, Details if other :. Get exclusive access to content from our First Edition with your subscription. Hardback or Cased Book. There are more copies of this book View all search results for this book. Unique in its focus on history rather than technique, Jazz Dance offers the only overview of trends and developments since LOG IN. From the vernacular have grown many and varied branches, including tap, Broadway, funk, hip-hop, Afro-Caribbean, Latin, pop, club jazz, popping, B-boying, party dances, and more. New Book. Table of Contents. It invites the reader to develop a more complicated definition of jazz dance for the twenty-first century. Condition: New. Password Please enter your Password. Learn More in these related Britannica articles:. Give Feedback External Websites. Its trunk is vernacular, shaped by European influence, and exemplified by the Charleston and the Lindy Hop. Dustin rated it really liked it Apr 02, Sign up here to see what happened On This Day , every day in your inbox! Seller Image. The third part looks at master teachers and choreographers who shaped the way jazz dance was codified and performed from Ergodebooks Richmond, TX, U. Friend Reviews. Cecil Slaughter marked it as to-read Aug 16, Lee, Northwestern University. Condition: new. Seller Inventory AAS Swing , in music, both the rhythmic impetus of jazz music and a specific jazz idiom prominent between about and the mids—years sometimes called the swing era. Published by University Press of Florida. Editors Lindsay Guarino and Wendy Oliver have assembled an array of seasoned practitioners and scholars who trace the numerous histories of jazz dance and examine various aspects of the field, including trends, influences, training, race, aesthetics, international appeal, and its relationship to tap, rock, indie, black concert dance, and Latin dance. Jeroen marked it as to-read Mar 12, New Hardcover Quantity Available: 1. Jazz dance developed from both 19th- and 20th-century stage dance and traditional Black social dances and their white ballroom offshoots. Books sent via US Postal. The roots of jazz dance are African. Linh An marked it as to-read Dec 16, The history of jazz dance is best understood by comparing it to a tree. Get A Copy. Forgot your password? Kerry Nistico rated it it was amazing Jul 20, Featuring discussions of such dancers and choreographers as Bob Fosse and Katherine Dunham, as well as analyses of how the form's vocabularly differs from ballet, this complex and compelling history captures the very essence of jazz dance. Jazz Dance A History of the Roots and Branches 1st edition Read Online Condition: New. Book Description Condition: new. Condition: new. Megan Martinko rated it really liked it Sep 01, Learn More in these related Britannica articles:. Print Save Cite Share This. There are more copies of this book View all search results for this book. This item is printed on demand. Book Description Condition: New. Users without a subscription are not able to see the full content. Jane rated it it was amazing Jan 15, As new clean tight and bright Please email for photos. List of Figures pp. Encyclopedia of Chicago - Jazz Dance. Publications Pages Publications Pages. New Paperback or Softback Quantity Available: 5. These short essays by various authors all roped together in this one book really do give the reader a glance at the large history that jazz dance is.
Recommended publications
  • How Breakdancing Taught Me to Be a Technical Artist
    How breakdancing taught me to be a technical artist Robbert-Jan Brems Technical Artist Codemasters Hello ladies and gentlemen, my name is Robbert-Jan Brems. I'm currently technical artist at Codemasters and here to present you my talk : “How breakdancing taught me to be a technical artist” I only have been working as a professional technical artist in the video game industry for just over a year, but I have been breakdancing for almost nine years, and dancing for almost seventeen. The reason I am telling you this will become more apparent later on. Just out of curiosity, are there any breakdancers in this room? Well, the good news is that you do not need any breakdance related experiences to understand this talk. The main reason why I wanted to do this talk was because I have the feeling that as a person it is really easy to be looking through the same window as everybody else. What I mean with that is when we follow the same route to find knowledge as everybody else, we end up knowing the same things while missing out on other potentially important knowledge. By telling you my life story as a breakdancer and a game developer I want to illustrate how I reflect the knowledge that I obtained through breakdancing to my profession as a technical artist. So, the goal of my talk is to hopefully inspire people to start looking for knowledge by looking at learning from a different perspective. Once upon a time ... I started dancing when I was around 7 years old.
    [Show full text]
  • Urban Street Dance Department
    Urban Street Dance Department Divisions and Competition Rules Break Dance Division Urban Street Dance Division Implemented by the WADF Managing Committee January 2020 Artistic Dance Departments, Divisions and Competition Rules WADF Managing Committee Nils-Håkan Carlzon President Irina Shmalko Stuart Saunders Guido de Smet Senior Vice President Executive Secretary Vice President Marian Šulc Gordana Orescanin Roman Filus Vice President Vice President Vice President Page 2 Index Artistic Dance Departments, Divisions and Competition Rules Urban Street Dance Department Section G-2 Urban Street Dance Division Urban Street Dance Competitions Urban Street Urban Street Dance is a broad category that includes a variety of urban styles. The older dance styles that were created in the 1970s include up-rock, breaking, and the funk styles. At the same time breaking was developing in New York, other styles were being created in California. Several street dance styles created in California in the 1970s such as roboting, bopping, hitting, locking, bustin', popping, electric boogaloo, strutting, sac-ing, and dime-stopping. It is historically inaccurate to say that the funk styles were always considered hip-hop. "Hip-Hop Dance" became an umbrella term encompassing all of these styles. Tempo of the Music: Tempo: 27 - 28 bars per minute (108 - 112 beats per minute) Characteristics and Movement: Different new dance styles, such as Quick Popping Crew, Asian style, African style, Hype Dance, New-Jack-Swing, Popping & Locking, Jamming, etc., adding creative elements such as stops, jokes, flashes, swift movements, etc. Some Electric and Break movements can be performed but should not dominate. Floor figures are very popular but should not dominate the performance.
    [Show full text]
  • Hip Hop Dance: Performance, Style, and Competition
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HIP HOP DANCE: PERFORMANCE, STYLE, AND COMPETITION by CHRISTOPHER COLE GORNEY A THESIS Presented to the Department ofDance and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofFine Arts June 2009 -------------_._.. _--------_...._- 11 "Hip Hop Dance: Performance, Style, and Competition," a thesis prepared by Christopher Cole Gorney in partial fulfillment ofthe requirements for the Master ofFine Arts degree in the Department ofDance. This thesis has been approved and accepted by: Jenife .ning Committee Date Committee in Charge: Jenifer Craig Ph.D., Chair Steven Chatfield Ph.D. Christian Cherry MM Accepted by: Dean ofthe Graduate School 111 An Abstract ofthe Thesis of Christopher Cole Gorney for the degree of Master ofFine Arts in the Department ofDance to be taken June 2009 Title: HIP HOP DANCE: PERFORMANCE, STYLE, AND COMPETITION Approved: ----- r_---- The purpose ofthis study was to identify and define the essential characteristics ofhip hop dance. Hip hop dance has taken many forms throughout its four decades ofexistence. This research shows that regardless ofthe form there are three prominent characteristics: performance, personal style, and competition. Although it is possible to isolate the study ofeach ofthese characteristics, they are inseparable when defining hip hop dance. There are several genre-specific performance formats in which hip hop dance is experienced. Personal style includes the individuality and creativity that is celebrated in the hip hop dancer. Competition is the inherent driving force that pushes hip hop dancers to extend the form's physical limitations.
    [Show full text]
  • Regulating the Rave Scene: Exploring the Policy Alternatives of Government
    October 10, 2003 15:40 LSC TJ819-02 Leisure Sciences, 25:307–325, 2003 Copyright C 2003 Taylor & Francis 0149-0400/03 $12.00 + .00 DOI: 10.1080/01490400390240446 Regulating the Rave Scene: Exploring the Policy Alternatives of Government TROY D. GLOVER Department of Recreation and Leisure Studies University of Waterloo Waterloo, Ontario, Canada Given the recent interest in raves by municipal officials across North America, the intent behind this manuscript is to explore the various policy alternatives that government might consider in response to rave culture and the “threat” of Ecstasy on youth. In particular, the paper focuses on three policy options: tolerance, prohibition, and harm reduction. A discussion of the alternatives and suggestions about the suitability of each one is outlined. Before doing so, however, a detailed discussion about rave culture, its dimensions, and its association with deviance is provided. Given the relative absence of analyses in the leisure literature of rave culture and the regulation of leisure behavior, it is hoped that the following manuscript will serve as a point of departure for further study on “deviant” leisure and the appropriateness of government intervention. Keywords rave culture, deviant leisure, youth, resistance, government regulation, lib- erty, policy alternatives Are the benefits of leisure truly endless? Most leisure researchers seemingly think so, pre- sumably because they trust that leisure has the potential to contribute positively to the quality of individuals’ lives. Not surprisingly, such sentiments have led many academicians to join forces with the National Recreation and Park Association (NRPA) in its campaign to pro- mote the benefits of leisure (NRPA, 2001).
    [Show full text]
  • TAF GERMANY Ev
    TAF GERMANY e.V. REGLEMENT VERSION2020 Vereinssitz und Rechnungsanschrift: TAF Germany e.V. | Eschhöfer Weg 9 | 65549 Limburg | Office und Verwaltung: TAF Germany e.V. | Lürmannstraße 41 | 49076 Osnabrück | Tel. (+49)541-68555411 | E-Mail: [email protected] TAF Germany e.V. Reglement PRÄAMBEL ............................................................................................................... 6 A) TANZ-DEPARTMENTS ..................................................................................... 7 A.1 PERFORMING ARTS ........................................................................................... 7 A.2 STREET DANCES ................................................................................................ 7 A.3 PAARTÄNZE ........................................................................................................ 7 A.4 DISZIPLINÜBERGREIFENDE KATEGORIEN ...................................................... 7 B) ALLGEMEINE REGELUNGEN ......................................................................... 8 B.1 KATEGORIEN ...................................................................................................... 8 B.2 STARTKLASSEN .................................................................................................. 8 B.3 ALTERSKLASSEN ............................................................................................... 8 B.4 TURNIERFORMEN .............................................................................................10 B.5 SAISON ...............................................................................................................10
    [Show full text]
  • Streetdance and Hip Hop - Let's Get It Right!
    STREETDANCE AND HIP HOP - LET'S GET IT RIGHT! Article by David Croft, Freelance Dance Artist OK - so I decided to write this article after many years studying various styles of Street dance and Hip Hop, also teaching these styles in Schools, Dance schools and in the community. Throughout my years of training and teaching, I have found a lack of understanding, knowledge and, in some cases, will, to really search out the skills, foundation and blueprint of these dances. The words "Street Dance" and "Hip Hop" are widely and loosely used without a real understanding of what they mean. Street Dance is an umbrella term for various styles including Bboying or breakin (breakin is an original Hip Hop dance along with Rockin and Party dance – the word break dance did not exist in the beginning, this was a term used by the media, originally it was Bboying. (Bboy, standing for Break boy, Beat boy or Bronx boy)…….for more click here Conquestcrew Popping/Boogaloo Style was created by Sam Soloman and Popping technique involves contracting your muscles to the music using your legs, arms, chest and neck. Boogaloo has a very funky groove constantly using head and shoulders. It also involves rolling the hips and knees. Locking was created by Don Campbell. This involves movements like wrist twirls, points, giving himself “5”, locks (which are sharp stops), knee drops and half splits. (Popping/Boogaloo and Locking are part of the West Coast Funk movement ). House Dance and Hip Hop. With Hip Hop coming out of the East Coast (New York) and West Coast Funk from the west (California) there was a great collaboration in cultures bringing the two coasts together.
    [Show full text]
  • Hip Hop Terms
    1 Topic Page Number General Hip Hop Definitions ………………………………………………. 3 Definitions Related to Specific Dance Styles: ♦ Breaking ………………………………………………………………………. 4 ♦ House ………………………………………………………..………………… 6 ♦ Popping / Locking …………………………………………….….……… 7 2 GENERAL • Battle A competition in which dancers, usually in an open circle surrounded by their competitors, dance their routines, whether improvised (freestyle) or planned. Participants vary in numbers, ranging from one on one to battles of opposing breaking crews, or teams. Winners are determined by outside judges, often with prize money. • • Cypher Open forum, mock exhibitions. Similar to battles, but less emphasis on competition. • Freestyle Improvised Old School routine. • Hip Hop A lifestyle that is comprised of 4 elements: Breaking, MCing, DJing, and Graffiti. Footwear and clothing are part of the hip hop style. Much of it is influenced by the original breaking crews in the 1980’s from the Bronx. Sneakers are usually flat soled and may range from Nike, Adidas, Puma, or Converse. Generally caps are worn for spins, often with padding to protect the head. To optimize the fast footwork and floor moves, the baggy pants favored by hip hop rappers are not seen. o Breaking Breakdancing. o MCing Rapping. MC uses rhyming verses, pre‐written or freestyled, to introduce and praise the DJ or excite the crowd. o DJing Art of the disk jockey. o Graffiti Name for images or lettering scratched, scrawled, painted usually on buildings, trains etc. • Hip Hop dance There are two main categories of hip hop dance: Old School and New School. • New School hip hop dance Newer forms of hip hop music or dance (house, krumping, voguing, street jazz) that emerged in the 1990s • Old School hip hop dance Original forms of hip hop music or dance (breaking, popping, and locking) that evolved in the 1970s and 80s.
    [Show full text]
  • B-Girl Like a B-Boy Marginalization of Women in Hip-Hop Dance a Thesis Submitted to the Graduate Division of the University of H
    B-GIRL LIKE A B-BOY MARGINALIZATION OF WOMEN IN HIP-HOP DANCE A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN DANCE DECEMBER 2014 By Jenny Sky Fung Thesis Committee: Kara Miller, Chairperson Gregg Lizenbery Judy Van Zile ACKNOWLEDGEMENTS I would like to give a big thanks to Jacquelyn Chappel, Desiree Seguritan, and Jill Dahlman for contributing their time and energy in helping me to edit my thesis. I’d also like to give a big mahalo to my thesis committee: Gregg Lizenbery, Judy Van Zile, and Kara Miller for all their help, support, and patience in pushing me to complete this thesis. TABLE OF CONTENTS Abstract…………………………………………………………………………… 1. Introduction………………………………………………………………………. 1 2. Literature Review………………………………………………………………… 6 3. Methodology……………………………………………………………………… 20 4. 4.1. Background History…………………………………………………………. 24 4.2. Tracing Female Dancers in Literature and Film……………………………... 37 4.3. Some History and Her-story About Hip-Hop Dance “Back in the Day”......... 42 4.4. Tracing Females Dancers in New York City………………………………... 49 4.5. B-Girl Like a B-Boy: What Makes Breaking Masculine and Male Dominant?....................................................................................................... 53 4.6. Generation 2000: The B-Boys, B-Girls, and Urban Street Dancers of Today………………...……………………………………………………… 59 5. Issues Women Experience…………………………………………………….… 66 5.1 The Physical Aspect of Breaking………………………………………….… 66 5.2. Women and the Cipher……………………………………………………… 73 5.3. The Token B-Girl…………………………………………………………… 80 6.1. Tackling Marginalization………………………………………………………… 86 6.2. Acknowledging Discrimination…………………………………………….. 86 6.3. Speaking Out and Establishing Presence…………………………………… 90 6.4. Working Around a Man’s World…………………………………………… 93 6.5.
    [Show full text]
  • Beijing's South China Sea Lawfare Strategy
    Today’s News 15 May 2021 (Saturday) A. NAVY NEWS/COVID NEWS/PHOTOS Title Writer Newspaper Page 1 Missile boats boosting Navy capability D Tribune A3 2 Navy adapts, survives via virtual technology D Tribune B11 3 DOH rejects proposals to issue vaccine pass S Crisostomo P Star 6 B. NATIONAL HEADLINES Title Writer Newspaper Page 4 Phl to sign deal for 40M Pfizer doses J Clapano P Star 1 PNP Raps vs Red- N Semilla PDI A1 5 tagged ‘Lumad’ helpers junked C. NATIONAL SECURITY Title Writer Newspaper Page 6 Duterte won’t pul ul out PH vessels in K Calayag M Times A2 disputed sea 7 Chinese envoys says Phl, China ‘properly H Flores P Star 2 handled’ sea dispute 8 Signature drive asks Rody retract statement H Flores P Star 2 9 Only China to blame for PH loss of Panatag, C Avendano PDI A9 says ex-DFA chief 10 DU30: Opposition hot sea row but not L Salaverria PDI A2 helping vs virus 11 Duterte invites Enrile to shed light WPS M Bulletin 1 issue 12 Rody vows no Phl ship to leave WPS D Tribune 1 13 Pangilinan: WPS issue is no joking matter J Esmael M Times 1 14 Duterte won’t pull out PH vessels in disputed K Calayag M Times A1 sea 15 Ex-envoy: Stop ‘blame game’ start enforcing R Requejo M Standard A1 Hague ruling 16 Rody puts China on notice V Barcelo M Standard A1 17 ‘Roque’s WPS remarks don’t reflect PH M Standard A4 policy 18 Why Philippines is important to China E Banawis M Standard B1 19 Duterte ‘di paatrasin ang 2 barko kahit M Escudero Ngayon 2 patayin ng China 20 PDU30 sa Tsina: Barko ng Pinas ‘di ko M Escudero PM 2 iaatras, patayin mo man ako 21 Presidenteng ‘nakakapuwing’ at may pusong J Umali PM 3 David 22 WPS patrols P Tonight 4 23 Arbitral award, just a piece of paper? C Sorita P Tonight 4 24 Use of diplomacy on WPS issue urged P Tonight 10 25 ‘I won’t allow PH to join any war with US’: P Tonight 6 Duterte D.
    [Show full text]
  • Social Media Analytics for Youtube Comments: Potential and Limitations1 Mike Thelwall
    Social Media Analytics for YouTube Comments: Potential and Limitations1 Mike Thelwall School of Mathematics and Computing, University of Wolverhampton, UK The need to elicit public opinion about predefined topics is widespread in the social sciences, government and business. Traditional survey-based methods are being partly replaced by social media data mining but their potential and limitations are poorly understood. This article investigates this issue by introducing and critically evaluating a systematic social media analytics strategy to gain insights about a topic from YouTube. The results of an investigation into sets of dance style videos show that it is possible to identify plausible patterns of subtopic difference, gender and sentiment. The analysis also points to the generic limitations of social media analytics that derive from their fundamentally exploratory multi-method nature. Keywords: social media analytics; YouTube comments; opinion mining; gender; sentiment; issues Introduction Questionnaires, interviews and focus groups are standard social science and market research methods for eliciting opinions from the public, service users or other specific groups. In industry, mining social media for opinions expressed in public seems to be standard practice with commercial social media analytics software suites that include an eclectic mix of data mining tools (e.g., Fan & Gordon, 2014). Within academia, there is also a drive to generate effective methods to mine the social web (Stieglitz, Dang-Xuan, Bruns, & Neuberger, 2014). From a research methods perspective, there is a need to investigate the generic limitations of new methodological approaches. Many existing social research techniques have been adapted for the web, such as content analysis (Henrich & Holmes, 2011), ethnography (Hine, 2000), surveys (Crick, 2012; Harrison, Wilding, Bowman, Fuller, Nicholls, et al.
    [Show full text]
  • Mechanical Ball Set to Chamber Music
    Mechanical ball set to chamber music Production 2014 | 60 min Show suitable for all audiences, 6 years old and above © Thomas© Bohl A word from the choreographer .................................................................................................... 2 Choreographer: Anne Nguyen ...................................................................................................... 4 Cast ............................................................................................................................................ 5 Press extracts.............................................................................................................................. 8 Looping pop ball with audience participation ............................................................................... 10 Workshops and shared events based on bal.exe ........................................................................... 10 Partners.................................................................................................................................... 11 Booking information .................................................................................................................. 11 par Terre / Anne Nguyen Dance Company Correspondence adress: 113 rue Saint-Maur – 75011 PARIS Registered office: Bat. D – 74 Avenue Laferrière - 94000 CRETEIL SIRET: 484 553 391 00042- APE: 9001Z - Licence entrepreneur de spectacles: 2-1066967 Tel. + 33 (0)6 15 59 82 28 – [email protected] - www.compagnieparterre.com bal.exe
    [Show full text]
  • Bandquest®, an Exciting Series of New Music and Accompanying Curricula for Band, Is a Program Published by the American Composers Forum
    BandQuest®, an exciting series of new music and accompanying curricula for band, is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new, fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have cre- ated challenging pieces that are a true departure from standard middle school repertoire. Every BandQuest project includes a residency component in which the composer works collaboratively with a middle school as they create their new piece. Many BandQuest pieces are accompanied by an interdisciplinary curriculum designed to assist students as they learn the music and to integrate each piece with non-music studies. Through the curriculum, students gain a richer and deeper understanding of the music they rehearse and perform. Additionally, the curriculum gives students tools with which to create music, and encourages them to explore and to appreciate historical and cultural contexts of each piece. Visit www.bandquest.org to learn more about this innovative series, and email [email protected] to request a free downloadable audio catalog. Grade: 2.5 Grade: 2.5 Michael Gandolfi Alvin Singleton Steps Ahead Ridgeview Centrum Instrumentation: Concert Band Instrumentation: Concert Band Length: 4:00 Length: 2:48 Score/Parts: HL04005383 $60.00 Score/Parts: HL04002020 $50.00 Score: HL04005384 $10.00 Score: HL04002021 $10.00 This new piece takes young players on a journey! Along This fanfare was written in the composer’s style of the way, student performers will learn about fundamental subtle spontaneity which is experienced through a compositional techniques.
    [Show full text]