fall 2019 Volume 26, No. 2 NEWSLETTER Aging Bodies, Mature Careers: Dynamism, Resistance and Autonomy in the Art and Praxis of Danish Women

of the Breakthrough Generation By Alice M. Rudy Price

anish women artists who debuted in the 1880s pioneered who had in their very choice of career challenged social norms. My project, largely unprecedented professional paths. Contemporaries with encouragement from the Skovgaard Museum in Viborg, Denmark, Anna Brøndum Ancher (1859–1935), Agnes Rambusch Slott- analyzes the themes, styles, and practices of these women’s careers after age DMøller (1862–1937), Susette Skovgaard Holten (1862–1937) forty as distinct from their initial breakthrough pieces. Holten, in partic- and Anne Marie Carl-Nielsen (1863–1947) each pursued careers after they ular, can be seen at the nexus of early organizing efforts of women artists. married and had children; contributed significantly to household income Likewise, Ancher, Slott-Møller, and Carl-Nielsen necessarily strategized, through sales and commissions; gained critical recognition; and inter- networked, and marketed their modernism, renegotiating their tactics for sected with dialogues about modernism during the first decades of the financial and critical success throughout their lifetime under changing twentieth century. Although several authors (Lise Svanholm and Teresa personal, professional and cultural conditions. Nielsen, for example) and exhibitions (Anna Ancher and the Skagen Art Colo- Carl Nielsen, Slott-Møller, and Holten traveled outside of Denmark ny, 2013; Women Artists in Paris, 1850-1900, 2017), present the challenges these throughout their lifetimes, often alone. As peripatetic women, their artists faced as young women as they began to establish their practice, little experiences contrasted with the conventions of their class that a woman’s substantive attention differentiates their experience as mature individuals sphere was largely bound by the walls of her home. They traversed freely, ignoring the boundaries that privileged public spaces as male. Ancher’s interiors, for example, emphasize liminal features between the indoors IN THIS ISSUE: and outdoors, especially windows and doors. In the 1900s, Ancher makes p. 1 / Aging Bodies, Mature Careers: Dynamism, Resistance and Autonomy in more paintings based on studies done en plein-air. The moors that in the the Art and Praxis of Danish Women of the Breakthrough Generation by 1880s were the domain of the male Skagen colonists, now became her sub- Alice M. Rudy Price ject, but altered to remove figures or narratives, depicting her hometown p. 4 / Current Issue of Nineteenth-Century Art Worldwide of Skagen with depopulated streets. The woman/painter/viewer is the only p. 5 / Greetings from the President human presence. Voyages similarly captivated Slott-Møller; she described p. 5 / Note from the Editor giving Jomfru Blidelil [The Virgin Blidelil] (1899), “mighty Egret wings” that p. 6 / Symposia, To Apply & To Attend lifted her over the violet sea; thus, the cold waters and coral as the site of p. 9 / Grants, Fellowships, Prizes, & Awards travel dominate the depictions. The painter traveled widely – not only p. 16 / US Exhibitions solo vacations to Skagen, but also professional trips to France, Greece, p. 19 / International Exhibitions Italy, and England both with and without her family. Likewise, Holten’s p. 22 / New Books p. 24 / Membership Form oeuvre documents a lifetime of travel. She was intrepid, as can be seen in p. 25 / AHNCA Officers and Donors a youthful visit alone to Egypt to meet some friends (who never showed). While she visited Norway with some frequency, the fifteen landscapes that

FALL 2019 / AHNCA Newsletter 1 cover story

more, Holten’s image of a white-haired woman painting a canvas depicting a younger woman, painted at age 70, demonstrates her continued profes- sional complexity and accomplishment, but is also a self-reflection of an artists’ experience of aging and its depiction during the breakthrough of modernism. Depictions of women as active participants in agricultural work and portraits of her aging mother, such as Kunstnerens mor Ane Hedvig Brøndum i den røde stue [Portrait of the Artist’s Mother in the Red Room] (fig. 2), constitute significant and dynamic themes in Ancher’s work, which direct- ly challenge depictions of older women by her peers. Carl-Nielsen increas- ingly secured large-scale important public commissions or monuments into her seventies, depicting cultural icons of Denmark: the monarchy, a Skagen fisherman, a composer and a mermaid. These artists demonstrated a prioritization of collaboration and interconnection that differs from what is evident in the work of their male colleagues. For instance, Ancher, Holten, and Slott-Møller honour nee- dlework as a tradition of art making by women. Holten and Slott-Møller Figure 1 Agnes Slott-Møller, Den døende Fæstemand [The Dying Betrothed], oil collaborated with artisans to make tapestries, Holten regularly contribut- on canvas, 32 5/8 x 53 ½ in., 1906. Private collection. ed to women’s retail artisanal enterprises as an embroidery pattern maker. Needlework is a theme throughout Anch- er’s work, and she visualizes older women as artists, but also as transmitters of this important craft’s legacy. Slott-Møller’s images of looms and weaving reference traditional handiwork, but also, like Ancher and Holten, acknowledge female relationships through visual references. Physical proximity is also evident. Work- ing in the same historically significant location of Ribe in southern Denmark, in the bodies of depicted women, Slott- Møller’s Jomfru Blidelil [The Virgin Blidelil], Carl-Nielsen’s flying angel figurine for the bronze doors of Ribe Cathedral, and both of their images of Queen Dagmar, acknowledge or quote the visualizations by the other in execution. The four women are of a generation that redefined feminism and the role of the women’s movement. The 1880s saw its formal organization, an increase in educa- Figure 2 Anna Ancher, Kunstnerens mor Ane Hedvig Brøndum i den blå stue [Portrait of the Artist’s Mother in the Blue Room], oil on canvas, 15 ¼ x 22 4/8 in, 1909. Statens Museum for Kunst, https://www.smk.dk/ she exhibited at Den Frie in 1916 document for the public her observations of the Norwegian fields, glaciers and fjords along the coast all the way up to the Arctic circle. As mature women, professional practice, medium choices and subject matter were equally gendered and linked to age. These four artists exhib- ited with or worked alongside male contemporaries, many of whom repre- sented two extremes of women’s life cycles: either desirable young females or ancient witches, widows and hags. Art by these women, in contrast, hinges on bodies that defy convention: extraordinary travel itineraries inform the landscapes of Holten and the sculptures of Carl-Nielsen. At Figure 3 Susette C. Holten født Skovgaard (design), Emma Fischer (weaver), age 50, Holten exceeded “feminine” scale in her ceramic objects for Bing- Weaving for 1895 Women’s Exhibition hung as a backdrop for Holten’s Grøndahl. Slott-Møller at age 43 chose to depict a dying young man in Den displayed interior. Dandelion motif of the exhibition logo, 1895, Skovgaard døende Fæstemand [The Dying Betrothed] (1906) [fig. 1], reversing in this work Museum. Image provided courtesy of Skovgaard Museum; it belongs to the and others Symbolism’s trope of sick or incapacitated women. Further- Design Museum in Copenhagen.

2 FALL 2019 / AHNCA Newsletter cover story tion, and professional opportunities for women. In Denmark, Figure 4 Anne Marie Carl-Nielsen, Havfrue [Mermaid], bronze, women secured the vote in 1915, when the artists ranged in 30 × 17 × 33 in, 1922. Statens Museum for Kunst, age from 52 to 56. At the turn of the century, the leading https://www.smk.dk/ voices for women’s issues in Scandinavia included Georg Brandes, a key figure in Denmark’s Modern Breakthrough in the arts who also translated John Stuart Mill’s The Subjection of Women (1870), and Ellen Key, the Swedish feminist who advocated for certain rights, but disparaged mothers Anne-Marie’s admiration (like these women) from pursuing professional careers. for Isadora Duncan and These artists demonstrate a new trajectory in feminist the sculptor’s daily thought and organization catalysed through par- exercise regimen pop- ticipation in gathering examples to display at the ularized by J. P. Müller 1893 Chicago Women’s Building. That success in 1904. The artist also inspired a subsequent Women’s Exhibition entered sculptures in art in Copenhagen (1895), an unsuccessful and sport competitions, building campaign, and finally in the including the 300-meters start for establishment of the Women’s Art the 1936 Berlin Olympics. Her Society in 1916, an organization that female subjects, including Queen continues to promote education, Dagmar and Queen Margarete, the exhibition and collaboration. Mermaid (fig. 4) and the angel door Holten designed the brand for handles on Ribe Cathedral, display flu- the 1895 exhibition, including id, muscular physical power. Bringing printed matter, sets for the the study of these artists all the way exhibition, tapestries and to the 1930s also prevents over-simpli- the porcelain plate with fication and glossing over some of their the logo and trademark controversial positions. By the end of their dandelions (fig. 3). Her careers, one must grapple with the extreme green furniture set, purchased by nationalism and authoritarian vitalism associat- Ancher, featured prominently in print and photo news ed with Carl-Nielsen and Slott-Møller. coverage. Holten, Ancher, and Carl-Nielsen exhibited in 1895 and the latter The works of art are being connected in an interdisciplinary were among the founders of the Women’s Art Society in 1916. Slott-Møller’s exhibition concept and book proposal. Our plan is that the exhibition be participation in women’s movements was more political and extremely na- realized in 2023. It must include works from many different media, exe- tionalist as exemplified by The Ward of the Fatherland (1919) and her activities cuted for a variety of purposes, over a considerable range of time. Likewise as chair of the Danish Women’s Defence Fund. my research draws from diverse sources. I rely not only on formal and bi- This project also addresses the bodies of mature and/or aging women, ographical analyses, but also the fields of psychology, gerontology and am especially in Danish art. On the one hand, it considers the active bodies, informed by many disparate lines of art historical inquiry. A curator at the after age forty, of these artists. All four continued to be vital and dynam- National Museum of Women in the Arts asked me in 2013 why there were ic in their practices, styles and subjects. At the same time, each artist no works of art by Ancher from late in her career. The query is actually individually resisted the dominant, yet reductive binary where mod- incorrectly phrased. The question should be, why don’t we know of works ernists depicted females as young, sensual and vital or old, diseased and by Ancher—or many other artists of her generation—that demonstrate their associated with death. Ancher and Carl-Nielsen in the twentieth century trajectory as actualized, mature adults? must be considered within the context of Vitalism and hygienic reform. In part, Vitalism evolved out of the grip of Friedrich Nietzsche on the ALICE M. RUDY PRICE received a Ph.D. from Temple University, Tyler Danish avant-garde after Brandes first introduced the German’s ideas in School of Art specializing in European art and culture at the turn of the an article in Politiken in 1888. However, Vitalism also related to the rise of century. Her dissertation on the Danish artist, Anna Ancher (1859-1935), spas and medical culture. Skagen, where Ancher lived, Slott-Møller visited addressed the artist in relation to the intersecting cultural contexts of rural and Carl-Nielsen had a summer house, was an important site for Scandi- Denmark, the Skagen Art Colony, Copenhagen and Paris. She is working navian sea-bathing; its spas and beaches were advertised as curative and/ on a larger project considering modern discourse up through the 21st cen- or healthy tourist destinations. Additionally, Ancher’s interiors after 1910 tury representing female bodies that have experienced miscarriage, meno- correlate to hygienic ideas circulating among modernist architects. During pause and aging. Additionally, Price has recently presented on Skagen and this period, she had deep connections with the architect Ulrik Plesner and Secession, on depictions by Ancher of aging and of rural female labor as traveled to exhibitions where German reform designs were exhibited. Her connected to the artist’s own work of painting. ascetic yet vibrantly colored, sun-filled interiors in paintings such as Brøn- dum’s Annex (1918) contrast with the heavy, Baroque furnishings favored by her husband in Plesner’s 1913 addition to their house. Carl-Nielsen and her husband more directly advocated Vitalist ideas and incorporated its tenets in their work. Rhythmic Dance (1915) and Girl Ready to Jump (1910) support

FALL 2019 / AHNCA Newsletter 3 Table of Contents Nineteenth-Century Art Worldwide Volume 18, Issue 2 – Fall 2019

American Art History Digitally John Lockwood Kipling: Arts and Crafts in the Punjab and London Sponsored by the Terra Foundation for American Art by Julius Bryant, Susan Weber, et al. Reviewed by Kirstin Gotway Káma-Kapúska! Making Marks in Indian Country, 1833–34 by Kristine K. Ronan Illuminated Paris: Essays on Art and Lighting in the Belle Époque by Hollis Clayson Articles Reviewed by Margaret MacNamidhe Aging and Urban Refuse in Édouard Manet’s The Ragpicker by Shira Gottlieb Restoration: The Fall of Napoleon in the Course of European Art, 1812–1820 by Thomas Crow Chiffonniers in the Periphery: Émile Bernard’s Ragpickers of Clichy and Reviewed by Elizabeth Mansfield Nineteenth-Century Artificial Cranial Modification by Claire Heidenreich The Boyce Papers: The Letters and Diaries of Joanna Boyce, Henry Wells and George Price Boyce Strength and Fragility in Late Figure Drawings by Eugène Delacroix edited by Sue Bradbury by Joyce Bernstein Howell Reviewed by Christopher Newall

Music and the Convergence of the Arts in Symbolist Salons from the Salons Maternal Breast-Feeding and Its Substitutes in Nineteenth-Century French Art de la Rose†Croix to the Salons d’Art Idéaliste by Gal Ventura by Lucien Midavaine Reviewed by Jutta Sperling

New Discoveries Art and Commerce in Late Imperial Russia Ludwig Knaus, Peace, ca. 1878, and Gustav Richter, Victory, 1878 by Andrei Shabanov by Petra ten-Doesschate Chu Reviewed by S.T. Urchick

Book Reviews British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Exhibition Reviews Le Modèle noir de Géricault à Matisse Kingdom by Australian National Galleries Reviewed by Adrienne L. Childs by Matthew C. Potter Reviewed by Ralph Body Impressionism in the Age of Industry: Monet, Pissarro and More Reviewed by Andrew Eschelbacher New York: Art and Cultural Capital of the Gilded Age edited by Margaret R. Laster and Chelsea Bruner Parabola of Pre-Raphaelitism: Turner, Ruskin, Rossetti, Burne-Jones and Reviewed by M. Elizabeth Boone Morris Reviewed by Sarah Gould Elegy Landscapes: Constable and Turner and the Intimate Sublime by Stanley Plumly Gauguin: A Spiritual Journey Reviewed by Emma Clute Reviewed by Caty Telfair

Looking at Men: Art, Anatomy and the Modern Male Body Rudolf von Alt und seine Zeit: Aquarelle aus den Fürstlichen Sammlungen by Anthea Callen Liechtenstein (Rudolf von Alt and his Time: Watercolors from The Princely Reviewed by Roberto C. Ferrari Collections of Liechtenstein) Reviewed by Jane Van Nimmen Wilhelm Schadow: Werkverzeichnis der Gemälde mit einer Auswahl der dazugehörigen Zeichnungen und Druckgraphiken by Cordula Grewe, edited by Bettina Baumgärtel and Hans Paffrath Reviewed by Mitchell B. Frank

4 FALL 2019 / AHNCA Newsletter Greetings from the President Dear Fellow AHNCA Members, same room – on Thursday, February 13 from 12:30 to 1:30 pm. We are also busy planning an intriguing off-site visit for AHNCA members on another I hope this finds you well. Autumn is fully underway, and that means our day; the exact date/time of the latter event will be sent to all members in minds are turning toward the College Art Association conference to be November via email. held at the Hilton Chicago February 12–15, 2020. At the Annual Members Business Meeting, we will be voting for my successor as President. (I was elected to this post in 2013, so it’s definitely All members of the Board look forward to seeing you at the session time to hand over the reins!) Nominations and self-nominations should be that AHNCA has planned. It will occur on Thursday, February 13 from emailed to our Secretary, Franny Zawadzki ([email protected]), 2:00 to 3:30 pm in Salon C-5. To be chaired by our fellow AHNCA member by December 15 so that we can prepare a ballot that will be e-distributed to Nancy Locke (The Pennsylvania State University), it is titled “The Form of all members in January. Naturally, clear instructions on this process will be the Sketch/The Sketch in All Its Forms.” Many thanks again to Nancy for included in our future communications. her vision and energy. The speakers she has selected are: Finally, I want to thank several of our hard-working officers for their ongoing service: our Newsletter Editor Kimberly Datchuk, Secretary Fran- • Daniella Berman, Institute of Fine Arts, New York University: ny Zawadzki, Treasurer Andrew Eschelbacher, Membership Coordinator “Non-Finito? (or something like it): Sketching the French Revolution” Karen Pope, and Programs Chair Patricia Mainardi. AHNCA is stronger • Jennifer Olmsted, Wayne State University: “The Form of Memory: and smarter due to your collective efforts! Delacroix and the Sketchbook” I hope to see you this fall and/or winter, and many thanks as ever for • Elizabeth Browne, Massachusetts Institute of Technology: “Jules Dal- your membership in AHNCA. ou’s Terracotta Sculpture after the Commune” • Margaret MacNamidhe, School of the Art Institute of Chicago: “Fail- ure to Sketch: Alphonse Legros’s ‘Time Studies’ (1870–80)” Peter Trippi President And, of course, we are looking forward to AHNCA’s Annual Members [email protected] Business Meeting. This will occur just before our session – in the very

Note from the Editor About This Issue Dear Colleagues, The Newsletter of the Association of Historians of Nineteenth-Century Art The newsletter has experienced one departure and two new additions (AHNCA) is published in the Fall and Spring. The submission deadline for since the spring. Orin Zahra completed her tenure as the International the Spring issue is March 1. Submissions may be sent to Newsletter Editor Exhibitions Editor. Orin has been writing her dissertation, “Cultural Kimberly Musial Datchuk. Encounters in Impressionist Paris during the Third Republic.” In 2017, she was appointed Assistant Curator at the National Museum of Women NEWSLETTER EDITOR in the Arts in Washington, DC. Thank you for your service, Orin! Kimberly Musial Datchuk ([email protected]) Mia Laufer the new International Exhibitions Editor. She received her doctorate from Washington University in May with a dissertation DEPARTMENT EDITORS called “Jewish Taste: Modern Art Collecting, Identity, and Antisemitism Symposia (To Apply and To Attend): in Paris, 1870–1914.” She is a Curatorial Assistant at the Minnesota Muse- Christa DiMarco ([email protected]) um of American Art. Grants, Fellowships, Prizes & Awards: Olivia Dudnik has begun her term as the US Exhibitions Editor. Leanne Zalewski ([email protected]) She is an Assistant Registrar at the Art Gallery of Ontario and an inde- New Books: pendent writer and researcher based in Toronto. She has previously Corrinne Chong ([email protected]) held positions at the National Gallery of Canada and the Philadelphia US Exhibitions: Museum of Art. She received her MA in art history from the University Olivia Dudnik ([email protected]) of Pennsylvania, focusing on late nineteenth and early twentieth century International Exhibitions: European art. Mia Laufer ([email protected]) Please join me in welcoming Mia and Olivia!

ADVERTISING RATES Warmly, Full page: $300; half-page: $150 (horizontal); quarter page: $100 Kimberly Musial Datchuk Reduced rates are available for insertions in two issues: full page: $400; Newsletter Editor half-page: $225; and quarter page: $150 [email protected]

FALL 2019 / AHNCA Newsletter 5 Symposia, To Apply & To Attend

CALLS FOR PAPERS privileges innovation and bound to narrative structures geared against artistic tradition. This rejection of artistic tradition may be due to its use in fascist and Thinking in the Box: The Benefits of Artistic Tradition in the totalitarian ideologies, but is also the result of a structuralist approach Nineteenth Century, European Society for Nineteenth-Cen- within the discipline of art history that continuously opposes new and tury Art (ESNA) at The Hague, RKD – Netherlands Insti- old (with “old” always being the marked term). Ironically, this structural tute for Art History, May 14–15, 2020 divide is in part a product of the nineteenth century itself: it stems from Deadline: December 20 the rising historical (and art-historical) consciousness of the time and its Keynote: Liz Prettejohn (University of York) clash with a strong belief in change and progress. The question remains whether this rejection of artistic tradition does justice to what art really Tradition is art history’s eternal Other: it is that which must be is, or, better, what it was understood to be in the nineteenth century. overcome, resisted, thrown off or, if a compromise must be made, cre- This conference invites papers that consider artistic tradition not as the atively appropriated. The history of the art of the nineteenth century, nemesis of creation but in its own right. It aims to examine the potential that “great” age of innovation, progress and revolution, is more than any artistic, commercial and even political benefits of thinking in the box—of other rooted in anti-traditionalist sentiment, steeped in a rhetoric that continuing artistic tradition(s), working within them or reverting to them during the (long) nineteenth century. We invite papers that deal with the “problem” of tradition in nineteenth-century art, but which do AHNCA at CAA: Advancing Art & Design Annual not address the phenomenon itself as a problem. We especially welcome Conference, February 12–15, 2020 (Hilton Chicago) proposals that explore or develop new theoretical paradigms to study the relationship between nineteenth-century art and artistic tradition. AHNCA Business Meeting, Thursday, February 13, 12:30 Please send proposals (max. 300 words) for a 20-minute paper in – 1:30 pm, Salon C-5 English, French or German and a brief CV to [email protected]. Selected speakers will be contacted in January 2020. AHNCA’s official panel session for at CAA isThe Form Organizing committee: Jan Dirk Baetens (Radboud University Nijme- of the Sketch/The Sketch in All Its Forms, Thursday, gen), Mayken Jonkman (RKD – Netherlands Institute for Art History, The February 13, 2 – 3:30 pm, Salon C-5 Hague) and Myrthe Krom (Museum Gouda). Chair: Nancy Locke, The Pennsylvania State University Scientific committee: Maite van Dijk (Van Gogh Museum, Amster- dam), Rachel Esner (University of Amsterdam), Liz Prettejohn (University Daniella Berman, Institute of Fine Arts, New York University: “Non- of York), Jenny Reynaerts (Rijksmuseum, Amsterdam), Marjan Sterckx Finito? (or something like it): Sketching the French Revolution” (Ghent University), Chris Stolwijk (RKD – Netherlands Institute for Art Jennifer Olmsted, Wayne State University: “The Form of Memory: History, The Hague, and University of Utrecht). Delacroix and the Sketchbook”

Elizabeth Browne, Massachusetts Institute of Technology: “Jules UPCOMING CONFERENCES & SYMPOSIA Dalou’s Terracotta Sculpture after the Commune”

Margaret MacNamidhe, School of the Art Institute of Chicago: “Failure The Green Conference, Interdisciplinary Nineteenth-Cen- to Sketch: Alphonse Legros’s ‘Time Studies’ (1870–80)” tury Studies Conference at the University of Southern California (Los Angeles, California), March 5–8, 2020 OTHER SESSION RELATED TO THE 19TH-CENTURY The Green Conference will consider the intersection between indus- Nature in Art: Horticulture of Beauty, Love, and Poetry, Thursday, trialization, the Anthropocene, and the birth of environmental science. February 13, 10:30 am – 12:00 pm, Astoria Room How, for instance, does the past inform our understanding of the green world, the greenback, and the browning of our sky? Please note membership to CAA is required to attend the AHNCA The conference will feature two keynote speakers: Professor Pablo session in Chicago. If you are not yet a member, please consider joining. Mukherjee, University of Warwick, and the Hugo and Nebula Award CAA has membership tiers specifically for students and those without Winner Kim Stanley Robinson. full-time employment. The benefits include a discount on registration at the CAA annual conference, a subscription to The Art Bulletin (the preeminent journal for art historians) or Art Journal (the publication Study Day on Nineteenth-Century French Drawings at The of contemporary art and ideas), discounts with academic publishers, Cleveland Museum of Art (Cleveland, Ohio), March 13, 2020 and more. For a full list of membership levels and benefits, see the Drawings from nineteenth-century France have been a cornerstone of individual membership page. the Cleveland Museum of Art’s collection since the institution’s founding

6 FALL 2019 / AHNCA Newsletter symposia, lectures & conferences

in 1916. Over the course of more than a century, the museum has acquired Dissent, C19: The Society of Nineteenth Century American- exceptional works on paper in a range of media by artists from Jean-Au- ists at the University of Miami and Florida International guste-Dominique Ingres and Eugène Delacroix to Edgar Degas and Odilon University (Coral Gables, Florida), April 2–5, 2020 Redon. Following the launch of the museum’s Open Access initiative in The long nineteenth century was a time of political, social, and cultural January 2019, these holdings in their entirety are viewable online with volatility, marked by conflict, strife, discord, protest, and disagreement. high-resolution images. With this theme, C19 aims to inspire a broad consideration of varied forms In anticipation of a major exhibition and publication in spring 2022, of “dissent”: nonconformity to existing identities, institutions, policies, the CMA is convening a study day that will focus on new discoveries practices, and norms in the long nineteenth century. What constitutes relating to the materials, function, and collecting of drawings in nine- “dissent” in this period? How do we think through genealogies of dissent teenth-century France. Funded by the Getty Foundation’s Paper Project, – that is, the ways nineteenth-century dissent might or might not offer a the event will offer an opportunity for experts and emerging scholars to way to frame contemporary circumstances and formations? C19 also hopes engage with the CMA’s strong holdings in this area and to discuss current to engender discussions about dissent in scholarship and pedagogy. Lastly, issues in the field. how might we theorize divergences from dissent, such as accord, consen- The study day will feature two public thematic paper sessions and an ob- sus, convention, and acceptance, or reactionary forms of dissent, such as ject-based study session. In the latter, participants will have the opportunity nativism and revanchism? To what extent might dissent itself, so often to view and discuss the CMA’s nineteenth-century drawings collection with framed as a form of negation, risk closing off intellectual and political pos- presenters and other museum, conservation, and academic colleagues. sibilities in our work and in our classrooms? Are there limits to “critique”? The event is funded by the Getty Foundation’s Paper Project and orga- In what ways might we productively dissent from dissent? nized by Britany Salsbury, Associate Curator of Prints and Drawings. Confirmed participants include: Jay A. Clarke, Rothman Family Curator, Department of Prints and Drawings, Art Institute of Chicago; Michelle Foa, Associate Professor of Art History, Tulane University; and Harriet Stratis, Former Senior Research Conservator, Department of Prints and Drawings, Art Institute of Chicago.

Radicalism & Reform, The 41st Annual Conference of the Nineteenth Century Studies Association at The University of Rochester (Rochester, New York), March 18–22, 2020 Inspired by the history of radicalism and reform in Rochester, New York, the NCSA committee invites proposals exploring the radical pos- sibilities of the nineteenth-century world. From the aftershocks of the French and American revolutions to mutinies and rebellion in colonies across the globe, the nineteenth century was a period of both unrest and possibility. Abolition, suffrage, and reform movements reshaped prisons, education, and housing, marking this century as a period of institutional making and unmaking: a reckoning with ills of the past that was also profoundly optimistic about a more just and prosperous future.

Radicalism is also a generative term for considering transitional Photo by Kim Uglum Photo by Mary Ellen Rigby moments or social tensions: “radical” is often used interchangeably For over 45 years, the Victorian Society in America has been with “extreme,” but its earliest definitions describe not what is new offering unique opportunities to explore 19th and 20th- or unusual, but what is foundational or essential. “Radical” is used to century art, architecture and decorative arts in the company describe literal and figurative roots: the roots of plants, roots of musical of fellow students, academics, and enthusiasts. chords, and the roots of words. To be radical is to embody tensions be- tween origins and possibilities: to be anchored in what is foundational Enjoy lectures by leading scholars, private tours of historic while also holding the potential for paradigm-shifting change. Papers sites, and opportunities to go behind-the-scenes at museums will consider these tensions in nineteenth-century culture, as well as and galleries. possibilities for reforming nineteenth-century studies or academic life. Apply now for one of our three summer programs Manisha Sinha, Professor and the James L. and Shirley A. Draper in Newport, Chicago or London! Chair in American History at the University of Connecticut, will present Full and partial scholarships available! the keynote. Applica ons due by March 2, 2020. For more informa on visit victoriansociety.org/summer-schools or contact the Summer Schools Administrator at [email protected].

FALL 2019 / AHNCA Newsletter 7 symposia, lectures & conferences

Feminist Revolutions, The Second Annual Feminist inter/ acter is the result of the interaction of human and natural factors. All too Modernist Association Conference at Loyola University often, however, the Americas are characterized as “Edenic,” untouched Chicago (Chicago, Illinois), April 3–5, 2020 by the hand of man, the proverbial “Natural Paradise.” Taking the long The inter/Modernist period was a time of sweeping feminist revolu- nineteenth century as its focus, this conference seeks papers that exam- tion, from political revolutions such as suffrage to cultural, artistic, and ine landscape art of the Americas in which human intervention is evident. social revolutions in the US, UK and worldwide. The theme of “revolu- There is a history of this mode of landscape art that has yet to be fully tions” invokes revolutions variously and literally, but also addresses the explored. Not only Euro-Americans but also Indigenous peoples left their cycles and circles in feminist thought and practice. marks on the land that also deserve investigation. Evidence for this line Because the conference coincides with the centenary of the passage of of inquiry might be explored in oil paintings, photography, prints, maps, the 19th Amendment in the United States, it will feature a thematic track sketchbooks, books of picturesque travel, and three-dimensional arti- that critically examines a wide range of issues and concerns associated facts. In sum, we seek papers that serve to problematize prevailing inter- with the 19th Amendment and its legacy. Histories of suffrage have gen- pretations of the terrain of the Americas, bringing the natural landscape erally privileged white affluent women, but this conference takes as its into dialogue with the cultural landscape. Considering landscapes from starting point the knowledge that all classes, races, and genders labored across the western hemisphere allows us to identify parallels, confluences for the cause. In engaging with a fraught and long history of the fight for and divergences in subject and approach that provide further insights, suffrage not only in the United States, but worldwide, they hope to com- consistent with a Humboldtian worldview. plicate our understanding of the multiple narratives that are (or should It was, precisely, this Andean environment in which Bogotá is located be) attached to this revolutionary time and beyond. that stimulated travelers such as Humboldt, Baron Gros, Frederic Church The conference will feature two keynote talks: Susan Manning, and others to form new ideas about art and science. With fantastic nine- Northwestern University, and Miriam Thaggert, University of Iowa. teenth-century art collections at the National Museum, at the National Library and at the Bank of the Republic, all of them within walking dis- tance from the University, the Symposium will prove to be held in an ideal Landscape Art of the Americas: Sites of Human Intervention Across environment that will promote discussions on landscape as a central topic. the Nineteenth Century: An International Symposium at the Uni- The symposium will include two keynote speakers: Dr. Rachel Z. versidad de los Andes Bogotá (Colombia), May 21–23, 2020 DeLue, Princeton University, and Dr. Claudia Mattos Avolese, Universi- Landscape, for Alexander von Humboldt, was “the totality of all dade Estadual de Campinas. aspects of a region as perceived by men.” It references an area whose char-

8 FALL 2019 / AHNCA Newsletter Grants, Fellowships, Prizes & Awards Please check websites to verify deadlines and application procedures as the information may have changed.

FELLOWSHIPS & GRANTS FOR PRE- AND Fellowship (four months, $6,500 with free housing and office). It invites appli- POST-DOCTORAL CANDIDATES cations from PhD candidates whose research on important historical questions would benefit from use of Hagley’s research collections. Applications should Scholars who are no more than three years beyond receipt of the doctorate are demonstrate superior intellectual quality, present a persuasive methodology invited to apply for the Hench Post-Dissertation Fellowship, a year-long res- for the project, and show that there are significant research materials at Hagley idential fellowship at the American Antiquarian Society. The purpose of the pertinent to the dissertation. Use of Hagley’s collections may take place prior post-dissertation fellowship is to provide the recipient with time and resources to application for the dissertation fellowship. Potential applicants are strongly to extend research and/or to revise the dissertation for publication. Any topic encouraged to consult with Hagley staff prior to submitting their dossier. relevant to the Society’s library collections and programmatic scope, and com- Deadline: November 15 ing from any field or disciplinary background, is eligible. AAS collections focus Contact: Dr. Roger Horowitz, [email protected] on all aspects of American history, literature, and culture from contact through 1876, and they provide rich source material for projects across the spectrum of early American studies. The Society welcomes applications from those who The Columbia University Society of Fellows in the Humanities will appoint have advance book contracts, as well as those who have not yet contacted a a number of postdoctoral fellows in the humanities. The $63,500 stipend publisher. The twelve-month stipend for this fellowship is $35,000. is awarded half for independent research and half for teaching in the under- Deadline: October 15 graduate general education program. Fellows also receive a $7,000 stipend for Contact: Cheryl McRell, [email protected] research. To qualify, applicants must have received the PhD between January 1, 2018 and July 1, 2020. Deadline: October 2 The Amon Carter Museum seeks applications for the Davidson Family Contact: Kay Zhang, program manager, [email protected] Fellowship. Established in 1996, the fellowship provides support for scholars working toward the PhD or at the postdoctoral level to research topics in the history of American art and culture that relate to objects in the museum’s The Decorative Arts Trust Summer Research Grants of the Trust’s Emerging permanent collections. The museum collections cover the period between Scholars Program provides support for graduate students working on a mas- 1835 to 1950 in painting, sculpture, drawings and prints, photography from its ter’s thesis or PhD dissertation in a field related to the decorative arts. beginnings to the present, and rare books. Proposals from qualified individuals Deadline: April 30 in related disciplines are also welcome. The stipend rate is $3,000 per month. Contact: Christian Roden, [email protected] or (610) 627-4970 The fellowship may range from a minimum one-month to a maximum four-month period of full-time research at the museum. Housing and travel expenses are to be managed by the fellow, although the museum is available for The German Center for Art History in Paris offers approximately six fellow- assistance in locating accommodations. ships a year for students (any nationality) to pursue their research in the arts Deadline: May 31 and the humanities of Germany and France in the context of a pre-determined Contact: Samuel Duncan, [email protected] theme. Recipients are expected to be in residence for the duration of the fellow- ship and to participate in the activities of the Center. Deadlines: Jahresstipendiem – April 15; Forschungsstipendien – May 15, The Center for Advanced Study in the Visual Arts (CASVA) offers an ex- September 15, and January 15; Paris x Rome Fellowship – July 31 tensive program of fellowships at all levels and disciplines. Application for a Contact: Dr. Julia Drost, [email protected] or +33 (0) 1 42 60 67 97 predoctoral fellowship may be made only through nomination by the chair of a graduate department of art history or other appropriate department. To be eligible, the nominee must have completed all departmental requirements, The German Historical Institute awards short-term fellowships of one to six including course work, residency, and general and preliminary examinations, months to German and American doctoral students and postdoctoral scholars before November 15, 2019. Certification in two languages other than English in the fields of German history. These fellowships are also available to German is required. Candidates must be either United States citizens or enrolled in a doctoral students and postdoctoral scholars/Habilitanden in the field of Ameri- university in the United States. The stipend for all predoctoral fellowships is can history. For postdoctoral applications, the GHI will give priority to post-doc $30,000 per year projects that are designed for the “second book.” Research projects must draw Deadline: November 15 upon source materials located in the United States. The monthly stipend is Contact: [email protected] €2,000 for doctoral students and €3,400 for postdoctoral scholars. Deadlines: April 1 and October 1 Contact: Bryan Hart, [email protected] The Center for the History of Business, Technology, and Society at the Hagley Museum and Library offers the Henry Belin du Pont Dissertation

FALL 2019 / AHNCA Newsletter 9 grants, fellowships, prizes & awards

The Getty Grant Program offers residential grants to scholars at the pre-doc should have been awarded their doctorate no more than three years before the and post-doc levels through its theme-year scholar programs and library beginning of the proposed fellowship. The final examination or defense of the research grants. Graduate internships are also available. dissertation must have been successfully completed by the application deadline. Deadline: October 1 Deadline: October 15 Contact: [email protected] or (310) 440-7374 Contact: [email protected]

Henry Moore Foundation Post-Doctoral Research Fellowships will support The Kluge Center encourages humanistic and social science research that a small number of two-year post-doctoral researchers in the field of sculpture makes use of the library’s large and varied collections. Interdisciplinary and studies at a British university. Managed by the Henry Moore Institute, these cross-cultural research is particularly welcome in the Kluge Fellowship pro- fellowships assist scholars who have recently completed doctoral studies to pre- gram. Established in 2000 through an endowment of $60 million from John pare a substantial publication or similar research output. The foundation will W. Kluge, the Kluge Center is located in the splendid Jefferson Building of the award a grant of up to £21,000 per annum towards the fellowship. Applicants Library of Congress. The center furnishes attractive work and discussion space must have an affiliation with a university department who will act as the host for fellowship holders, Kluge Chairs, other distinguished visiting scholars, and to the fellow. Fellows will be expected to present the development of their work post-doctoral and doctoral fellows supported by other grants and foundation every six months to the Henry Moore Institute. gifts. Scholars who have received a terminal advanced degree within the past Deadline: April 29 seven years in the humanities, social sciences, or in a professional field such Contact: Kirstie Gregory, [email protected] as architecture or law are eligible. The fellowship is also open to researchers without the terminal degree in their field whose proposal meets the criteria for scholarly merit and relevance to the challenges facing democracies in the 21st The Leibniz Institute of European History (IEG) in Mainz offers IEG Fel- century. Fellowships are tenable for periods from four to eleven months at a lowships for Doctoral Students to doctoral researchers from Germany and stipend of $5,000 per month for residential research at the Library of Congress. abroad who have at least a master’s degree in history, theology, or another disci- The Kluge Center reserves the right to offer fewer months than originally pline that works historically. They must have been pursuing their doctorate for requested. Fellows may be given residence at any time during the 14-month no more than three years at the time of taking up the fellowship, though excep- window between May 1 of the year in which the fellowship is awarded and tions may be made in exceptional circumstances. As a research institution that August 1 of the following year. is not part of a university, the Institute does not hold any examinations and Deadline: July 15 does not award any academic qualifications. Dissertations are completed under Contact: [email protected] the supervision of the fellowship holder’s supervisor at their home university. Deadline: September 22 Contact: [email protected] Barra Postdoctoral Fellowship at the McNeil Center for Early American Studies will appoint a recent recipient of the PhD as a postdoctoral fellow for a two-year term. The fellow will receive a stipend; health insurance; private office The Leibniz Institute of European History (IEG) Post-Doc Fellowship in space in the Center’s building at the northeastern gateway to the University the Digital Humanities offers a 6- to 12-month fellowship for international of Pennsylvania’s historic campus; library, computer, and other privileges at postdocs in the field of Digital Humanities. During the fellowship, fellows the university; and access to the Philadelphia area’s magnificent manuscript, will develop their own research project using methods of the Digital Hu- rare book and museum collections. Modest funds for travel and research are manities. The project should contribute to the institute’s research program available. During the two-year term of appointment, the fellow will teach two on “Negotiating differences in Europe.” Fellows will collaborate closely with courses in an appropriate department at the University of Pennsylvania. All colleagues from the IEG in the upcoming Digital Humanities Lab. Working McNeil Center Fellows are expected to be in residence during the academic out a promising application for third- party funding that is embedded in the year and to participate in the Center’s program of seminars and other activities. Digital Humanities Lab, may extend the fellowship if the necessary funding The remainder of the fellow’s time will be devoted to research and writing. is available. The IEG Fellowship provides a unique opportunity to pursue the While this fellowship is particularly appropriate for projects designed to turn a fellow’s individual research project while living and working at the Institute in doctoral dissertation into a publishable monograph, any project dealing with Mainz. The monthly stipend is € 1,800. the histories and cultures of North America in the Atlantic world before 1850 Deadline: April 22 will be considered. Proposals dependent on the use of Philadelphia-area ar- Contact: [email protected] chives and libraries are particularly welcome. Applicants must have earned the PhD no earlier than 2015 in American History, American Literature, American Studies, or a closely allied field and must have completed all requirements for The Leibniz Institute of European History (IEG) in Mainz awards postdoc- the degree when the term of appointment commences. Candidates who have toral fellowships to young academics from Germany and abroad who have received McNeil Center funding for a related project at the pre-doctoral stage completed their doctoral dissertations and are pursuing a new research project. will not be considered. The Barra Postdoctoral Fellow will receive a starting This fellowship is intended to help you develop your own research project in stipend of $48,900, health insurance, and modest funds for travel and research. close collaboration with scholars working at the IEG. Your contribution consists Deadline: November 1 in bringing your own interests to bear on the work of the IEG and its research Contact: [email protected] or (215) 929-9251 program negotiating difference in Europe. This includes the possibility of developing a perspective for further cooperation with the IEG. Applicants

10 FALL 2019 / AHNCA Newsletter grants, fellowships, prizes & awards

The Terra Foundation Summer Residency brings together doctoral scholars The American Council of Learned Societies, together with the Social Science of American Art and emerging artists worldwide for a nine-week residential Research Council and the National Endowment for the Humanities, fund program in the historic village of Giverny, France. In addition to a stipend, approximately eight ACLS/SSRC/NEH International and Area Studies fellows receive on-site lodging, use of working facilities, and lunches for the Fellowships. Scholars who are at least two years beyond the PhD may apply for duration of the residency. six- to twelve-month fellowships to pursue research and writing on the societ- Deadline: January 15 ies and cultures of Asia, Africa, the Near and Middle East, Latin America, East Contact: [email protected] Europe and the former Soviet Union. The fellowship stipend is set at three lev- els based on assistant ($40,000), associate ($50,000), or full professor ($70,000) rank. Approximately 20 fellowships will be available at each level. The Terra Foundation Postdoctoral Fellowship at the Centre for Ameri- Deadline: September 27 can Art, The Courtauld Institute of Art, University of London is designed to Contact: Office of Fellowships and Grants, [email protected] facilitate original, rigorous, and exciting research that investigates art from the United States or its role in an international context from the colonial period up to 1980. It offers a postdoctoral scholar the opportunity to pursue his or her The American Philosophical Society offers the Franklin Research Grant own work while in residence for six months and to actively contribute to the to support research in all areas of scholarly knowledge except those in which academic programming of the Centre for American Art. government or corporate enterprise is more appropriate. The program does Deadline: TBA not accept proposals in the areas of journalistic or other writing for the general Contact: [email protected] readership; the preparation of textbooks, casebooks, anthologies or other teaching aids. Award is up to $6,000. Deadline: October 1 (for work in February – January), December 1 (for work in Trinity College invites applications for a one-year pre-doctoral or post-doctor- April – January) al Ann Plato Fellowship to promote diversity at their nationally recognized Contact: Linda Musumeci, [email protected] or (215) 440-3429 liberal arts college in Hartford, Connecticut. Fellows will join the faculty in one of the college’s 30 academic departments or interdisciplinary programs, inter- act regularly with colleagues and students on campus, and work on their own The Center for Advanced Study in the Visual Arts (CASVA) offers an exten- research. Pre-doctoral fellows will teach one course during the year; post-doc- sive program of fellowships at all levels and disciplines, including the Senior toral fellows will teach two courses. Fellowship Program; Visiting Senior Fellowship Program; and The J. Paul Deadline: November 14 Getty Trust Paired Research Fellowships in Conservation and the History of Art Contact: Sylvia DeMore, [email protected] or (860) 297-2152 and Archaeology. Deadline: October 15 Contact: [email protected] or (202) 842-6482 FELLOWSHIPS & GRANTS – ALL CAREER STAGES

The Alexander von Humboldt Foundation supports scholarly research and The Center for the History of Business, Technology, and Society at the study in Germany. It offers as many as 500 Humboldt Research Fellowships Hagley Museum and Library offers Exploratory Research Grants to assist annually to scholars who completed their doctorate less than twelve years ago. short-term visiting scholars with travel and living expenses while using the Fellowships last 6-18 months and are worth €3,150/month. Scholars may be in research collections. Scholars receive stipends, conduct research in the imprint, any academic field and come from any country except Germany. The selection manuscript, pictorial, and artifact collections, and participate in the programs committee meets three times a year to consider applications. and colloquia of the Center. Low-cost housing may be available on the museum Deadline: Open grounds. Stipends are for periods of two weeks to two months at no more than $1,600 per month and are available to scholars and professionals at all levels, in all fields. The Center also offers the Henry Belin du Pont Research Grants to The American Council of Learned Societies offers Burkhardt Residential enable scholars to pursue research for periods of two to six months and partic- Fellowships for Recently Tenured Scholars, which support long-term, unusu- ipate in the interchange of ideas among the Center’s scholars. Tenure must be ally ambitious projects in the humanities and related social sciences. Proposals continuous and last from two to six months. Stipends are no more than $1,600 in interdisciplinary and cross-disciplinary studies are welcome, as are proposals per month. Applications for all fellowships are reviewed three times per year. focused on any geographic region or on any cultural or linguistic group. The Deadlines: March 31, June 30, October 31 fellowship carries a stipend of $95,000 plus funds for research costs and related Contact: Roger Horowitz, [email protected] scholarly activities of up to $7,500 and for relocation up to $3,000. Burkhardt Website: hagley.org/library-grants Fellowships are intended to support one academic year of residence at any one of nine national residential research centers: The National Humanities Center; the Center for Advanced Study in the Behavioral Sciences; the Institute for The William L. Clements Library Research Fellowships exist to help scholars Advanced Study, Schools of Historical Studies and Social Science (Princeton); the gain access to the library’s rich array of primary sources on early American American Antiquarian Society, the Folger Shakespeare Library, the Newberry Li- history. On almost any aspect of the American experience from 1492 through brary, the Huntington Library; the American Academy in Rome, and Villa I Tatti. 1900, the Clements holdings – books, manuscripts, pamphlets, maps, prints Deadline: TBA and views, newspapers, photographs, ephemera – are among the best in the Contact: Office of Fellowships and Grants, [email protected] world. Located on the central campus of the University of Michigan, the Clem-

FALL 2019 / AHNCA Newsletter 11 grants, fellowships, prizes & awards ents offers several fellowships to graduate students, faculty, and independent The Gilder Lehrman Institute of American History annually provides ten researchers for amounts ranging from $1,000 to $10,000. Fellowships require short-term Gilder Lehrman Fellowships for $3,000 each to doctoral candi- a minimum residence of one week. Please note applicants must resides at least dates, college and university faculty at every rank, and independent scholars 200 miles from Ann Arbor. working in the field of American history. International scholars are eligible Deadline: January 15 to apply. The fellowships support work in one of the five archives in New Contact: [email protected] or (734) 764-2347 York City including the Gilder Lehrman Collection at the New York Histor- ical Society, the Columbia University Rare Book and Manuscript Collection, the Library of the New York Historical Society, New York Public Library, and The Dorothy and Lewis B. Cullman Center for Scholars and Writers at the the Schomburg Center. New York Public Library is an international fellowship program open to Deadline: May 13 people whose work will benefit from access to the collections at the Stephen Contact: [email protected] or (646) 366-9666 A. Schwarzman Building, including academics, independent scholars, and creative writers (novelists, playwrights, poets). Visual artists at work on a book project are also welcome to apply. The center appoints 15 fellows a year for a IFK Internationales Forschungszentrum Kulturwissenschaften offers nine-month term at the library, from September through May. In addition to Visiting Fellowships to internationally recognized scholars who would like working on their own projects, the fellows engage in an ongoing exchange of to pursue their own research and are interested to cooperate with Austrian ideas within the Center and in public forums throughout the Library. colleagues. Applications will be peer-reviewed by IFK’s International Academic Deadline: TBA Advisory Board. Deadline: Varies by fellowship Contact: [email protected] Fulbright Grants are made to US citizens and nationals of other countries for a variety of educational activities, primarily university lecturing, advanced research, graduate study, and teaching in elementary and secondary schools. Through the Andrew W. Mellon Foundation, the Institute for Advanced The Fulbright Scholar Program sends 800 scholars and professionals each year Study has a one-year membership competition for the academic year for to more than 140 countries. Grant benefits vary by program and type of award. assistant professors at universities and colleges in the US and Canada. These Deadline: Varies by grant awards will match the salary and benefits of the home institutions. Contact: [email protected] or (202) 686-4000 Deadline: October 15 Contact: [email protected]

The Getty Grant Program offers Getty Scholar Grants to scholars at senior levels through its theme-year scholar programs, library research grants, and The James Marston Fitch Charitable Foundation will award research grants conservation guest scholars program. The Getty also funds nonresidential of up to $15,000 to one or two mid-career professionals who have an academic grants. The Conservation Guest Scholar Program at the Getty Conservation background, professional experience, and an established identity in one or Institute supports established conservators, scientists, and professionals in more of the following fields: historic preservation, architecture, landscape pursuing new ideas in the field of conservation, with an emphasis on the visual architecture, urban design, environmental planning, architectural history arts and the theoretical underpinnings of the field. and the decorative arts. The James Marston Fitch Charitable Foundation will Deadline: October 1 consider proposals for the research and/or the execution of the preservation-re- Contact: [email protected] or (310) 440-7374 lated projects in any of these fields. Deadline: October 22 Contact: [email protected] The Getty Grant Program offers Specialized Library Research Grant Op- portunities. Four grants of $1,500 each will be awarded as follows: (1) Research project focusing on an aspect of the art critic Clement Greenberg’s work; (2) The John Simon Guggenheim Memorial Foundation offers fellowships to Research involving the library’s special collections that focus on published further the development of scholars and artists by assisting them with research and unpublished resources about the scientific aspects of materials used in the in any field of knowledge and creation in any of the arts, under the least production of art, such as paper, pigments, textiles, and plastics; (3) Research restrictive conditions and irrespective of race, color or creed. The fellowships opportunity specifically for an advanced undergraduate majoring in art are awarded to those who have already demonstrated exceptional capacity for history, architectural history, or studio art, to conduct research in the library’s productive scholarship or exceptional creative ability in the arts. Approximate- GRI’s special collections and library (4) Research opportunity specifically for a ly 175 fellowships are awarded each year. graduate student in the early stages of a graduate program (pre-MA degree or Deadline: September 17 equivalent) in art history, architectural history, or studio art to conduct research Contact: (212) 687-4470 in the GRI’s special collections and library. Deadline: April 30 Contact: [email protected] or (310) 440-7374 The National Endowment for the Humanities offers a variety of fellow- ships that allow individuals to pursue advanced work in the humanities. Applicants may be faculty or staff members of colleges, universities, primary or secondary schools, and independent scholars and writers. Summer Sti-

12 FALL 2019 / AHNCA Newsletter grants, fellowships, prizes & awards pends award $6,000 for two consecutive months of full-time independent The Radcliffe Institute for Advanced Study is a scholarly community where study and research. individuals pursue advanced work across a wide range of academic disciplines, Deadline: September 25 professions, or creative arts. Radcliffe Institute Fellowships are designed to Contact: [email protected] or (202) 606-8200 support scholars, scientists, artists, and writers of exceptional promise and demonstrated accomplishment. In recognition of Radcliffe’s historic mission, the Radcliffe Institute sustains a continuing commitment to the study of NEH Collaborative Research Grants support original research undertaken women, gender, and society. Women and men from across the United States by a team of two or more scholars or coordinated by an individual scholar that and throughout the world, including developing countries, are encouraged to because of its scope and complexity requires additional staff or resources. apply. Residence in the Boston area and participation in the Institute commu- Grants support full-time or part-time activities for periods up to three years nity are required during the fellowship year. Stipends are funded up to $70,000 and normally range from $50,000 to $250,000 (the use of federal matching for one year with additional funds for project expenses. funds is encouraged). Deadline: October 1 Deadline: December 4 Contact: [email protected] or (617) 496-1324 Contact: [email protected] or (202) 606-8200

The Social Science Research Council sponsors fellowship and grant pro- NEH Scholarly Editions Grants and Translation Grants support the grams on a wide range of topics, and across many different career stages. Most preparation of editions and translations of pre-existing texts of value to the support goes to pre-dissertation, dissertation, and postdoctoral fellowships. humanities that are currently inaccessible or available only in inadequate Some programs support summer institutes and advanced research grants. editions or transcriptions. Typically, the texts and documents are significant Although most programs target the social sciences, many are also open to ap- literary, philosophical, and historical materials; but other types of work, such plicants from the humanities. Programs relevant to the history of art and visual as musical notation, are also eligible. Projects must be undertaken by at least culture include Abe Fellowships, The Berlin Program for Advanced German two scholars working collaboratively. These grants support sustained full-time and European Studies, The Eurasia Program, ACLS/SSRC/NEH International or part-time activities during the periods of performance of one to three years and Area Studies Fellowships, and Japan Studies. with a maximum award amount of $300,000. Guidelines posted two months Deadline: Varies by fellowship before the deadline. Contact: [email protected] or (212) 377-2700, ext. 500 Deadline: December 4 Contact: [email protected] or (202) 606-8200 The Sterling & Francine Clark Art Institute offers 15-20 Clark Fellowships each year. Tenure ranges from less than a month to ten months (year runs July The National Humanities Center offers up to 40 residential fellowships 1 – June 30) with generous stipends, dependent on salary and sabbatical replace- for advanced study in the humanities during the academic year, September ment needs. Housing is provided. National and international scholars, critics, through May. Applicants must hold doctorate or equivalent scholarly creden- and museum professionals are encouraged to apply. Fellows are given access to tials. The Center seeks to provide half salary up to $65,000 with the expectation the Institution’s collections and library, all located together with the Williams that a fellow’s home institution will cover the remaining salary. The Center also College Graduate Program in the History of Art. The Beinecke Fellowship is covers travel expenses to and from North Carolina for fellows and dependents endowed by the devoted chair of the Research and Academic Program Trustee living with the fellow in North Carolina during the fellowship. Committee, Frederick W. Beinecke, and is awarded to a noted senior scholar for Deadline: October 1 one semester. The Clark/Oakley Humanities Fellowship, offered by the Clark Contact: [email protected] in conjunction with the Oakley Center for the Humanities and Social Sciences at Williams College, is intended for a scholar in the humanities whose work takes an interdisciplinary approach to some aspect of the visual. The Clark/ The Research Fellowships Program of the National Gallery of Canada Centre Allemand Fellowship is awarded for a project centered on French art encourages and supports advanced research. The fellowships emphasize the and culture. use and investigation of the collections of the National Gallery of Canada, Deadline: October 15 including those of the Gallery’s Library and Archives. Competitive fellowships Contact: [email protected] or (413) 458-0469 are offered in the field of Canadian Art, Indigenous Art, and the History of Photography. Applications are welcomed from art historians, curators, critics, independent researchers, conservators, conservation scientists and other pro- To encourage and enrich international partnerships and to deepen research fessionals in the visual arts, museology and related disciplines in the human- and dialogue, for the next two years the Terra Foundation will offer three ities and social sciences, who have a graduate degree or equivalent publication types of Exhibition Research & Development Grants: history. The fellowships are open to international competition. Fellowships are • US Curatorial Travel Grants for Travel outside the United States can be tenable only at the National Gallery of Canada. Awards can be up to $5,000 a used to seek curatorial and/or institutional partners and venues; conduct month, including expenses and stipend, to a maximum of $30,000. research in public and private art collections, archives, and libraries; and meet Deadline: September 6 with specialists. Contact: Cyndie Campbell, [email protected] or (613) 990-0597 • Convening Grants for Internationally Collaborative Exhibitions allow for a team of curators, professors, and/or advising scholars from at least two institutions (located in different countries) to convene in person.

FALL 2019 / AHNCA Newsletter 13 grants, fellowships, prizes & awards

• International Curatorial Travel Grants enable international curators to trav- The American Historical Association offers several book prizes for out- el to the US to research and develop specific exhibition ideas about historical standing works in the field of history. The Herbert Baxter Adams Prize for American art. a work in the field of European history from 1815 through the 20th century; Deadline: September 13 the James A. Rawley Prize in Atlantic History for historical writing that Contact: [email protected] explores the integration of Atlantic worlds before the twentieth century; the J. Russell Major Prize for the best work in English on any aspect of French history; and the George Louis Beer Prize in European international history The Terra Foundation also offers Terra Foundation International Re- since 1895 century. The Albert J. Beveridge Award in American history search Travel Grants to US-based scholars working on American art and recognizes a distinguished book on the history of the United States, Latin visual culture prior to 1980 to opportunity to conduct research abroad. The America, or Canada from 1492 to the present. award is up to $6,000 for graduate students and up to $9,000 for postdoc- Deadline: May 15 toral and senior scholars. Contact: [email protected] or (202) 544-2422 Deadline: January 15 Contact: [email protected] The College Art Association welcomes applications for the Terra Founda- tion for American Art International Publication Grant and Translation The University of Delaware Library and the Delaware Art Museum offer a Grant. Guidelines for the publication grant define “American art” as art joint Fellowship in Pre-Raphaelite Studies funded by the Amy P. Goldman (circa 1500–1980) of what is now the geographic United States. Eligibility is Foundation. This one-month, residential fellowship (up to $3,000) is intended limited to book-length scholarly manuscripts in the history of American art, for scholars conducting significant research in the lives and works of the visual studies, and related subjects that are under contract with a nonprofit Pre-Raphaelites and their friends, associates, and followers. The fellowship is or commercial publisher. In particular, circumstances involving non-US open to those who are pursuing or hold a PhD or who can demonstrate equiva- publishers, projects being considered for publication may also apply. The lent professional or academic experience. grants are especially designed to cover image acquisition and translation Deadline: November 1 costs, but may be used to cover any costs related to the publication’s editing Contact: [email protected] or (302) 351-8515 and production costs. The Translation Grant is open to applicants from all nations for translation of a book, published or unpublished, on a topic in American art to English, or from English to another language. For this The William T. Grant Scholars Program supports promising early career grant, “American art” is defined as art (circa 1500–1980) of what is now the researchers from diverse disciplines. Each fellow receives up to $350,000 dis- geographic United States. Applications can be submitted by the publisher or tributed over a 5-year period. Investigators in any discipline, at all non-profit author/translator. institutions worldwide, are eligible. Applicants must be nominated by their in- Deadline: September 15 stitutions. Major divisions (e.g., College of Arts and Sciences, Medical School) of Contact: Cali Buckley, [email protected] an institution may nominate only one applicant each year. Applicants must be employed in career-ladder positions. For many applicants, this means holding a tenure-track position in a university. Applicants in other types of organiza- The Historians of British Art annually awards prizes to outstanding tions should be in positions in which there is a pathway to advancement in a books on the history of British art, architecture, and visual culture. It will research career at the organization and the organization is fiscally responsible consider books in four categories: Pre-1800, 1600–1800, Post-1800, and for the applicant’s position. The award may not be used as a post-doctoral multi-authored volume. The committee is currently welcoming nomina- fellowship. The William T. Grant Scholars Award must not replace the institu- tions for this year’s prize for books published in 2018. Publishers should tion’s current support of the applicant’s research. notify the chair of their nominations and send a copy of each nominated Deadline: July 2, 3:00 pm EST book to the four committee members. Contact: (212) 752-0071 Deadline: October 1 Contact: Not yet updated for 2020 award

PRIZES & AWARDS For over a century, the American Academy in Rome has awarded the Rome The Historians of British Art offers a Publication Grant to offset publica- Prize to support innovative and cross-disciplinary work in the arts and tion costs for a book manuscript in the field of British art or visual culture humanities. Each year, the prize is awarded to about thirty artists and scholars that has been accepted by a publisher; and a Travel Award to a graduate stu- who represent the highest standard of excellence and who are in the early dent member who will be presenting a paper on British art or visual culture or middle stages of their careers. Each Rome Prize winner is provided with a at an academic conference. stipend, meals, a bedroom with private bath, and a study or studio. Those with Deadline: January 15 children under 18 live in partially subsidized apartments nearby. Winners of Contact: Kimberly Rhodes, [email protected] half-term and full-term fellowships receive stipends of $16,000 and $28,000, respectively. Winners of the two-year fellowships receive $28,000 annually. Deadline: November 1 Contact: (212) 751-7200

14 FALL 2019 / AHNCA Newsletter grants, fellowships, prizes & awards

The Nineteenth Century Studies Association (NCSA) offers the NCSA Smithsonian American Art Museum is now accepting nominations for the Article Prize and Emerging Scholars Award. The NCSA Article Prize Charles C. Eldredge Prize. A cash award of $3,000 is made to the author of recognizes excellence in scholarly studies from any discipline focusing on a recent book-length publication that provides new insight into works of any aspect of the long 19th century (French Revolution to World War I). The art, the artists who made them, or aspects of history and theory that enrich winner will receive a cash award of $500 to be presented at the Annual NCSA our understanding of America’s artistic heritage. The Eldredge Prize seeks Conference. Entries can be from any discipline, must be published in En- to recognize originality and thoroughness of research, excellence of writing, glish or be accompanied by an English translation. Submission of essays that clarity of method, and significance for professional or public audiences. It is are interdisciplinary is especially encouraged. Articles that appeared in print especially meant to honor those authors who deepen or focus debates in the in a journal or edited collection between July 1, 2018 and June 30, 2019 are eli- field, or who broaden the discipline by reaching beyond traditional bound- gible for the 2020 Article Prize; if the date of publication does not fall within aries. Single-author, book-length publications – including monographs, ex- that span but the work appeared between those dates, then it is eligible. hibition catalogues, catalogues raisonnés, and collected essays – in the field Essays published in online, peer-reviewed journals are considered to be “in of American art history published in the three previous calendar years are print” and are thus eligible. Articles may be submitted by the author or the eligible. To nominate a book, send a one-page letter explaining the work’s publisher of a journal, anthology, or volume containing independent essays. significance to the field of American art history and discussing the quality The Emerging Scholars Award acknowledges the work of emerging of the author’s scholarship and methodology. Nominations by authors or scholars represents the promise and long-term future of interdisciplinary publishers for their own books will not be considered. scholarship in nineteenth century studies. In recognition of the excellent Deadline: December 1 publications of this constituency of emerging scholars, this award celebrates Contact: [email protected] an outstanding article or essay published within six years of the author’s doctorate or other terminal professional degree. Entrants must have less than seven years of experience either in an academic career or as a post-ter- The Society for the History of Technology offers prizes for outstanding minal-degree independent scholar or practicing professional. The winning work in the history of technology, broadly defined. The Sidney Edelstein article will be selected by a committee of nineteenth-century scholars rep- Prize is awarded to the author of an outstanding scholarly book in the resenting diverse disciplines. The winner will receive $500 to be presented history of technology published during the preceding three years (so, for at the annual NCSA Conference. Applicants are encouraged to attend the example, books eligible for the 2019 award will have been published in 2016– conference at which the prize will be awarded. 2018). Non-English language books are eligible for three years following the Deadline: July 1 date of their English translation. Publishers and authors are invited to nom- inate titles for this prize. Send one copy to each of the committee members. The Sally Hacker Prize honors exceptional scholarship that reaches beyond The Phi Beta Kappa Society offers the Sidney Hook Award ($7,500) to the academy toward a broad audience. Any book published in the three recognize national distinction by a single scholar in each of three endeavors years preceding the year of the award is eligible (for example, books eligible scholarship, undergraduate teaching, and leadership in the cause of liberal for the 2019 award would have been published in 2016–2018). The prize arts education. Nominations for this award are accepted every three years. consists of a cash award and a certificate. Publishers and authors are invited There will be a call for nominations a year and a half prior to each Triennial to nominate titles. The Samuel Eleazar and Rose Tartakow Levinson Prize Council in the Key Reporter, the General Newsletter, and social media. The is awarded each year for a single-authored, unpublished essay in the history last award was given in 2018. The Award for Distinguished Service to the of technology that explicitly examines, in some detail, a technology or Humanities is given to recognized individuals who have made significant technological device or process within the framework of social or intellec- contributions in the field of the humanities. Nominations for this award are tual history. It is intended for younger scholars and new entrants into the accepted every three years. There will be a call for nominations a year and a profession. Manuscripts already published or accepted for publication are half prior to each Triennial Council in the Key Reporter, the General News- not eligible. In order to be considered, manuscripts must be in English and letter, and social media. The last award was given in 2018. of a length suitable for publication as an article in Technology and Culture– Contact: Jen Horneman, [email protected] or (202) 745-3287 approximately 7,500 words (not including notes) and 100 notes. Deadline: April 15 Contact: Jan Korsten, [email protected]

FALL 2019 / AHNCA Newsletter 15 US Exhibitions US Exhibitions ARIZONA Natural Forces: Winslow Homer and Frederic Remington Opens March 15, 2020 Phoenix Art Museum Sublime Landscapes Through May 3, 2020 FLORIDA

CALIFORNIA JACKSONVILLE. The Cummer Museum of Art & Gardens LOS ANGELES. The Getty Center Louis Comfort Tiffany: Treasures from the Manet and Modern Beauty Driehaus Collection Through January 12, 2020 Through January 5, 2020

Peasants in Pastel: Jean-François Millet and Eugène Louis Charvot the Pastel Revival February 11 – December 13, 2020 Through May 10, 2020 N. C. Wyeth, Island Funeral, tempera and oil on hardboard Vero Beach Museum of Art panel, 1939, Gift of E. I. du Pont de Nemours and Com- SAN FRANCISCO. Legion of Honor, Fine Arts L’Affichomania: The Passion for French pany in honor of the 50th Anniversary of the Brandywine Museums of San Francisco Posters Conservancy and Museum of Art. On view at the Portland James Tissot: Fashion & Faith Through January 12, 2020 Museum of Art in N.C. Wyeth: New Perspectives. Through February 9, 2020 WINTER PARK. Charles Hosmer Morse Museum KANSAS Santa Barbara Museum of Art of American Art KANSAS CITY. Nelson-Atkins Museum of Art Salt & Silver: Early Photography, 1840–1860 Earth into Art: The Flowering of American Golden Prospects: California Gold Rush Through December 8, 2019 Art Pottery Daguerreotypes Through September 27, 2020 Through January 26, 2020 Through Vincent’s Eyes: Van Gogh and His Sources GEORGIA KENTUCKY Opens October 11, 2020 ATHENS. Georgia Museum of Art LOUISVILLE. Speed Art Museum Material Georgia, 1733–1900: Two Decades of Kentucky Women: Enid Yandell COLORADO Scholarship Through January 12, 2020 Denver Art Museum November 16, 2019 – March 15, 2020 Claude Monet: The Truth of Nature LOUISIANA Through February 2, 2020 SAVANNAH. Telfair Museum of Art, Jepson New Orleans Museum of Art Center Orientalism: Taking and Making If These Walls Could Talk: 200 Years of Through December 31, 2019 William Jay Architecture Through 2020 Inventing Acadia: Painting and Place in Louisiana Tea for Two: British and American Traditions November 15, 2019 – January 26, 2020 Through January 12, 2020 MAINE IDAHO BRUNSWICK. Bowdoin College Museum of Art Boise Art Museum Bowdoin Collects: The Nineteenth Century Impressionism in the Northwest Through January 12, 2020 November 9, 2019 – February 2, 2020 Portland Museum of Art N.C. Wyeth: New Perspectives Through January 12, 2020 George Jakob Hunzinger, Side chair, ebonized and gilt hardwood, original velvet seat panel, modern upholstery, MASSACHUSETTS patented 1869, c. 1875, Museum purchase, Mervin and Museum of Fine Arts, Boston Maxine Mock Morais Fund, New Orleans Museum of Art. Boston Made: Arts and Crafts Jewelry and On view at the New Orleans Museum of Art in Orientalism: Metalwork Taking and Making. Through March 29, 2020

16 FALL 2019 / AHNCA Newsletter US Exhibitions

SALEM. Peabody Essex Museum NEW JERSEY ROCHESTER. Memorial Art Gallery A Lasting Memento: John Thomson’s Alphonse Mucha: Master of Art Nouveau Newark Museum Photographs Along the River Min Through January 19, 2020 Vantage Points: History and Politics in the Through May 17, 2020 American Landscape YONKERS. Hudson River Museum Ongoing WILLIAMSTOWN. Sterling and Francine Clark Art Thomas Cole’s Refrain: The Paintings of Institute Catskill Creek NEW BRUNSWICK. Zimmerli Art Museum Travels on Paper November 22, 2019 – February 23, 2020 Intimate Details: Prints by James Tissot November 16, 2019 – February 9, 2020 Through March 29, 2020 OHIO Arabesque NEW YORK CINCINNATI. Taft Museum of Art December 14, 2019 – March 22, 2020 Albany Institute of History and Art The Poetry of Nature: Hudson River School A Brilliant Bit of Color: The Work of Walter Landscapes from the New York Historical MICHIGAN Launt Palmer Society Detroit Institute of Arts Through December 31, 2019 Through January 12, 2020 Van Gogh in America June 21 – September 27, 2020 Joseph Hidley (1830–1872): Folk Artist from Columbus Museum of Art Rensselaer County Rodin: Muses, Sirens, Lovers/Selections from FLINT INSTITUTE OF ARTS Through December 1, 2019 the Iris and B. Gerald Cantor Collections Visions of American Life: Paintings from the Through December 8, 2019 Manoogian Collection, 1850–1940 The Hudson River School: Landscape Through December 30, 2019 Paintings from the Albany Institute Toledo Museum of Art Ongoing One Each: Still Lifes by Pissarro, Cézanne, MISSISSIPPI Manet & Friends JACKSON. Mississippi Museum of Art NEW YORK. The Frick Collection January 18 – April 12, 2020 Van Gogh, Monet, Degas & Their Times Manet from the Norton Simon Museum April 4 – September 27, 2020 Through January 5, 2020 OKLAHOMA TULSA. Gilcrease Museum NEVADA NEW YORK. Metropolitan Museum of Art To Endure in Bronze RENO. Nevada Museum of Art Watercolors of the Acropolis: Émile Gilliéron Ongoing Victorian Radicals: From the Pre-Raphaelites in Athens to the Arts and Crafts Movement Through January 3, 2020 PENNSYLVANIA June 20 – September 13, 2020 PHILADELPHIA. The Pennsylvania Academy of the NEW YORK. Morgan Library and Museum Fine Arts Joseph Hidley, View of Glass Lake, oil on board, 1862- John Singer Sargent: Portraits in Charcoal From the Schuylkill to the Hudson: 1863, Collection of the Rensselaer County Historical Through January 12, 2020 Landscapes of the Early American Republic Society, Troy, New York. On view at the Albany Institute of Through December 29, 2019 History and Art in Joseph Hidley (1830–1872): Folk Artist from Rensselaer County. UNIVERSITY PARK. Palmer Museum of Art, Pennsylvania State University Fantasy and Reality: The World According to Félix Buhot, 1847–1898 Through December 15, 2019

RHODE ISLAND PROVIDENCE. Rhode Island School of Design Museum Gorham Silver: Designing Brilliance, 1850–1970 Through December 1, 2019

SOUTH CAROLINA The Columbia Museum of Art Van Gogh and His Inspirations Through January 12, 2020

FALL 2019 / AHNCA Newsletter 17 US Exhibitions

WASHINGTON, D.C. Freer Sackler: The Smithsonian’s Museums of Asian Art The Peacock Room in Blue and White Ongoing

National Gallery of Art The Eye of the Sun: Nineteenth-Century Photographs from the National Gallery of Art Through December 1, 2019

Smithsonian, National Portrait Gallery Women of Progress: Early Camera Portraits Through May 31, 2020

Storied Women of the Civil War Era Through May 8, 2022

WISCONSIN Utagawa Hiroshige, Futakawa: Sarugababa, woodblock Milwaukee Art Museum print, 1834, Gift of Mr. and Mrs. Stanley Marcus. On view WASHINGTON A Modern Vision: European Masterworks at the Dallas Museum of Art in The Fifty-Three Stations of GOLDENDALE. Maryhill Museum of Art from the Phillips Collection the Tōkaidō. Théodore Rivière (1857–1912): Sculpture November 15, 2019 – March 22, 2019 Through November 15, 2019

Tacoma Art Museum TENNESSEE Monet, Renoir, Degas, and Their Circle: Knoxville Museum of Art French Impressionism and the Northwest Whistler & Company: The Etching Revival Through January 5, 2020 Through November 10, 2019 Immigrant Artists and the American West TEXAS Through June 14, 2020 Dallas Museum of Art The Fifty-Three Stations of the Tōkaidō Through November 10, 2019

Fort Worth. Kimbell Art Museum Renoir: The Body, The Senses Through January 26, 2020

VIRGINIA William Edward NORFOLK. Chrysler Museum of Art Kilburn, Queen Waterscape: Picturesque Views of Hampton Victoria and Children, Roads daguerreotype with Through April 5, 2020 applied color, January 19, 1852, Patrons’ Thomas Jefferson, Architect: Palladian Permanent Fund, Models, Democratic Principles, and the National Gallery of Art, Conflict of Ideals Washington. On view Through January 19, 2020 at the National Gallery of Art in The Eye of WILLIAMSBURG. DeWitt Wallace Decorative Arts the Sun: Nineteenth- Museum Century Photographs Artists on the Move: Portraits for a New from the National Nation Gallery of Art. Ongoing

18 FALL 2019 / AHNCA Newsletter international exhibitions International Exhibitions CANADA ENGLAND TORONTO. Art Gallery of Ontario COMPTON. George Frederic Watts Gallery Crossing the Line: Political Satire from 1800 John Frederick Lewis to Today Through November 3, 2019 Through February 23, 2020 LONDON. National Portrait Gallery MONTREAL. Museum of Fine Arts Pre-Raphaelite Sisters Paris 1900 and Post-Impressionism: Signac Through January 26, 2020 and the Independents February 1 – June 7, 2020 LONDON. National Gallery Gauguin Portraits DENMARK In collaboration with the National Gallery of Canada, COPENHAGEN. Hirschsprung Collection Ottawa. Kristian Zahrtmann: Queer, Art, and Passion Through January 26, 2020 February 5 – May 10, 2020 Newcastle upon Tyne. Laing Art Gallery Hammershøi’s Dark Masterpiece The Enchanted Interior Through January 12, 2020 Through February 22, 2020

Another Golden Age: Johan Ludvig Lund FINLAND Across All Borders HELSINKI. Ateneum Through January 12, 2020 Through My Travels I Found Myself Henri Manguin, Les Enfants Hans et Lisa Hahnloser, oil November 15, 2019 – January 26, 2020 on canvas, 1910, permanent loan from the Hahnloser/ COPENHAGEN. National Gallery of Denmark Jaeggli Foundation, Winterthour, Villa Flora. On view at (SMK) Finnish Artists in Ruovesi the Albertina in Cézanne, Matisse, Hodler: The Hahnloser Danish Golden Age: World-Class Art between November 15, 2019 – January 26, 2020 Collection. Disasters Through December 8, 2019

AUSTRALIA Anna Ancher SIDNEY. ART GALLERY OF NEW SOUTH WALES February 8 – May 24, 2020 Helene Schjerfbeck, Clothes Drying, oil on canvas, 1883, Japan Supernatural Finnish National Gallery / Ateneum Art Museum. On view November 2, 2019 – March 8, 2020 there in Through My Travels I Found Myself.

HOBART. Tasmanian Museum and Art Gallery Fifty Shades of Blue Through December 30, 2019

AUSTRIA VIENNA. Albertina Cézanne, Matisse, Hodler: The Hahnloser Collection February 22 – May 23, 2020.

VIENNA. Leopold Richard Gerstl: Inspiration – Legacy Through January 20, 2020

BRAZIL Museu de Arte de São Paulo Women’s Histories: Artists Before 1900 Through November 17, 2019

FALL 2019 / AHNCA Newsletter 19 international exhibitions

Near Life: The Gipsformerei, 200 Years of FRANCE Casting Plaster GIVERNY. Musée de Impressionnismes Through March 1, 2020 Ker-Xavier Roussel: Private Garden, Dreamed Garden FRANKFURT. Staedel Museum Through November 11, 2019 Making Van Gogh: A German Love Story Through February 26, 2020 PARIS. Louvre Georges Marteau and His Collection: A Taste HAMBURG. Hamburger Kunsthalle of the Orient Impressionism: Masterpieces from the Or- Through January 6, 2020 drupgaard Collection November 7, 2019 – March 1, 2020 PARIS. Musée d’Orsay Degas at the Opera LEIPZIG. Museum der Bildenden Künste Through January 19, 2020 Impressionism in Leipzig 1900–1914: Part I, Max Liebermann Joris-Karl Huysmans Art Critic. From Degas November 15, 2019 – February 16, 2020 to Grünewald, in the Eye of Francesco Vezzoli November 26, 2019 – March 1, 2020 MUNICH. Kunsthalle Munich In a New Light: Canada and Impressionism The Land of Monsters: Léopold Chauveau, Organized by the National Gallery of Canada, Ottawa. 1870–1940 Through November 17, 2019 March 10 – June 29, 2020

MUNICH. Alte Pinakothek James Tissot, 1836–1902 From Goya to Manet: The 19th Century in the March 24 – July 19, 2020 Old Pinakothek Through July 24, 2020 PARIS. Musée du Luxembourg The Golden Age of English Painting: From SAARBRÜCKEN. Saarlandmuseum, Moderne Reynolds to Turner Galerie Through February 16, 2020 Rodin/Nauman Through January 26, 2020 PARIS. Grand Palais Toulouse-Lautrec: Resolutely Modern IRELAND Through January 27, 2020 DUBLIN. National Gallery of Ireland Sorolla: Spanish Master of Light PARIS. Petit Palais Organized by the National Gallery, London and the Na- Kishida Ryusei, Portrait of Reiko at Sixteen Years Old, oil on Yan Pei-Ming/Courbet tional Gallery of Ireland, in collaboration with Museo canvas, 1929, Kasama Nichido Museum of Art. On view at Through January 19, 2020 Sorolla. the Hiroshima Museum of Art in Kishida Ryusei: Japanese Through November 3, 2019 Realism. Vincenzo Gemito: The Sculptor of the Neapol- itan Soul View of Ireland: Collecting Photography National Museum of Art Through January 26, 2020 Through February 2, 2020 OSAKA. Vienna on the Path to Modernism: The 150th Anniversary of the Establishment of Diplo- PARIS. Musée des Arts Décoratifs ITALY matic Relations between Japan and Austria Marquise Arconati Visconti: Free Woman and FERRARA. Palazzo Dei Diamanti Through December 8, 2019 Exceptional Patron Giuseppe De Nittis December 13, 2019 – March 15, 2020 December 1, 2019 – April 13, 2020 TOKYO. National Museum of Western Art Vilhelm Hammershøi and Danish Painting of GERMANY VENICE. Museo Fortuny the 19th Century Staatliche Museen zu Berlin The Fortuny: A Family Story January 21 – March 26, 2020 Fighting for Visibility: Women Artists in the Through November 24, 2019 Nationalgalerie before 1919 Through March 8, 2020 JAPAN HIROSHIMA. Hiroshima Museum of Art Kishida Ryusei: Japanese Realism November 9, 2019 — January 13, 2020

20 FALL 2019 / AHNCA Newsletter international exhibitions

Masterpieces of Impressionism: The Cour- NORWAY MADRID. Thyssen-Bornemisza tauld Collection The Impressionists and Photography OSLO. Munch Museum Organized by Tokyo Metropolitan Art Museum (Tokyo Through January 26, 2020 Everything We Own: The Art of Edvard Metropolitan Foundation for History and Culture), The Munch and More Asahi Shimbun, NHK, NHK Promotions Inc. Through May 31, 2020 SWEDEN Through December 15, 2019 GOTHENBERG. Gothenberg Museum of Art THE NETHERLANDS RUSSIA From Golden Age to Hammershøi: Danish Art ASSEN. Drents Museum MOSCOW. Tretyakov Gallery from Ordrupgaard and the Gothenberg Art Sprezzatura: Fifty Years of Italian Painting, Sculptor Anna Golubkina Museum 1860–1910 Through January 15, 2020 Through March 22, 2020 Through November 3, 2019 ST. PETERSBURG. State Hermitage Museum SWITZERLAND THE HAGUE. The Gemeentemuseum Nineteenth- and Twentieth-Century Tapes- BERN. Kunstmuseum Bern Breitner and Israels: Friendship and Rivalry tries in the Hermitage Collection Intervention Provenance #1, Courbet, Monet, February 1 – May 10, 2020 Through January 12, 2020 Rodin: Works from the Legate Cornelius Gurlitt Monet: The Garden Paintings SCOTLAND Through December 31, 2020 Through February 2, 2020 EDINBURGH. National Museum of Scotland Wild and Majestic: Romantic Visions of GENEVA. Musées d’Art et d’Histoire de Genève NEW ZEALAND Scotland Pioneers of Photography in French-Speaking Auckland Art Gallery Through November 10, 2019 Switzerland: Auer Ory Collection In the Listening Light: Momentary Impres- Through March 29, 2020 sions in Painting, 1890-1920 SPAIN Through November 17, 2019 MADRID. Museo Sorolla WINTERTHUR. Kunstmuseum Winterthur Sorolla: Master Lines Rich Kids: Children Portrait Miniatures from Love, Longing, Loss November 25, 2019 – May 10, 2020 the Donation of Briner and Kern Through January 26, 2020 Through January 5, 2020

Christchurch Art Gallery ZURICH. Kunsthaus Zürich Endless Light Wilhelm Leibl: Drawings and Paintings Through March 8, 2020 Through January 19, 2020

Frank Bramley, For of such is the Kingdom of Heaven, oil on canvas, 1891, Mackelvie Trust Collection, Auckland Art Gallery Toi o Tāmaki. On view at the Auckland Art Gallery in Love, Longing, Loss.

FALL 2019 / AHNCA Newsletter 21 new books New Books Amiot-Saulnier, Emmanuelle and Christine Burnham, Helen, Mary Weaver Chapin, and Jo- DeWitt, Lloyd and Corey Piper. Thomas Jefferson, Peltre. L ´Orient des peintres, du rêve à la lumière anna Wendel. Toulouse-Lautrec and the Stars of Paris. Architect: Palladian Models, Democratic Principles, and (Oriental Visions: From Dreams into Light). Hazan, in MFA Publications, Museum of Fine Arts, Boston, the Conflict of Ideals. With an introduction by Erik association with the Musée Marmottan, 2019. 192 2019. 112 pp. Hardcover $29.95. H. Neil, and contributions by Guido Beltramini, pp. Paperback $49.95. Barry Bergdoll, Howard Burns et al. Yale Universi- Carter, Sarah Anne. Object Lessons: How Nine- ty Press, in association with the Chrysler Museum Amory, Dita, Philippe Büttner, Ann Dumas, teenth-Century Americans Learned to Make Sense of the of Art, 2019. 208 pp. Hardcover $45.00. Belinda Thomson et al. Félix Vallotton. Royal Acad- Material World. Oxford University Press, 2018. 216 emy of Arts, 2019. 184 pp. Hardcover $45.00. pp. Hardcover, $39.95. Draguet, Michel. Fernand Khnopff. Mercatorfonds, 2019. 304 pp. Hardcover $60.00. Aspinwall Jane L. Golden Prospects: Daguerreotypes Cauman, John. Van Gogh: In 50 Works. Rizzoli Elec- of the California Gold Rush. With contributions by ta, 2019. 144 pp. Hardcover $29.95. Farrugia, Mallory ed. Cassatt: Mothers and Children. Keith F. Davis. Distributed by Yale University With contributions by Sue Roe and Judith A. Press, for The Hall Family Foundation, in asso- Champion, Jean-Loup, Frank Claustrat, Mari- Barter. Chronicle Books, 2019. 120 pp. Hardcover ciation with the Nelson-Atkins Museum of Art, anne Saabye et al. Hammershøi et son monde. Mer- $40.00. 2019. 168 pp. Hardcover $50.00. catorfonds, for Musée Jacquemart-André, Paris 2019. 176 pp. Hardcover $42.00. Frey, Julia. Venus Betrayed: The Private World of Atanassova, Katerina, Christa Broeckx, Tobi Édouard Vuillard. Reaktion Books, 2019. 424 pp. Bruce, Adam Gopnik et al. Canada and Impression- Chivot, Mathias. Ker-Xavier Roussel: Jardin privé, Hardcover $55.00. ism: New Horizons. Arnoldsche Verlagsanstal, 2019. jardin rêvé. Gallimard Publishing, in association 296 pp. Hardcover $65.00. with Musée des Impressionnismes, Giverny, 2019. Gamboni, Dario L. The Museum as Experience: An 168 pp. Hardcover $31.33. Email Odyssey through Artists’ and Collectors’ Muse- Avery-Quash, Susanna and Christian Huemer ums. Brepols, 2019. 400 pp. Paperback $82.00. eds. London and the Emergence of a European Art Mar- Coltman, Viccy. Art and Identity in Scotland: A Cul- ket, 1780–1820. Getty Publications, 2019. 304 pp. tural History from the Jacobite Rising of 1745 to Walter Gleis, Ralph ed. Gustav Caillebotte: Painter and Pa- Paperback $60.00. Scott. Cambridge University Press, 2019. 338 pp. tron of Impressionism. With contributions by Arnika Hardcover $99.00. Groenewald-Schmidt and Karin Sagner. Forward Bartrum, Giulia and Karl Ove Knausgaard. Edvard by Udo Kittlemann. University of Chicago Press, Munch: Love and Angst. Thames and Hudson, in Concannon, Amy and Martin Myrone. William for Hirmer Publishers, 2019. 120 pp. Paperback association with the British Museum, 2019. 224 Blake. With an afterword by Alan Moore. Universi- $24.00. pp. Hardcover $49.95. ty of Princeton Press, in association with Tate, 2019. 224 pp. Hardcover $55.00. Glendinning, Miles and Aonghus MacKechnie. Bell, Esther and George T. M. Shackelford eds. Scotch Baronial: Architecture and National Identity in Renoir: The Body, The Senses. With contributions by Coughlin, Maura and Emily Gephart eds. Eco- Scotland. Bloomsbury Visual Arts, 2019. 312 pp. Colin B. Bailey, Martha Lucy, Nicole R. Myers et criticism and the Anthropocene in Nineteenth Century Hardcover $88.00. al., and a conversation between Lisa Yuskavage Art and Visual Culture. With contributions by Alan and Alison de Lima Greene. Distributed by Yale Braddock, Rosie Ibbotson, Corina Weidinger et al. Goddard, Linda. Savage Tales: The Writings of Paul University Press, for the Clark Art Institute, 2019. Routledge, 2019. 254 pp. Hardcover $150.00. Gauguin. Yale University Press, 2019. 208 pp. 264 pp. Hardcover $55.00. Hardcover $40.00. Daneo, Angelica, Christoph Heinrich, Ortrud Bell, Nicholas ed. Conversations with Turner: The Westheider, and Michael Philipp eds. Claude Graybill, Maribeth. Poetic Imagination in Japanese Watercolors. With contributions by Tim Barringer, Monet: The Truth of Nature. Prestel 2019. 280 pp. Art: Selections from the Collection of Mary and Cheney Alexander Nemerov, Susan Grace Galassi et al. Hardcover $50.00. Cowles. University of Washington, 2020. 200 pp. Skira, 2019. 208 pp. Hardcover $50.00. Hardcover $45.00. Davidson, Hilary. Dress in the Age of Jane Austen: Blayney, David Brown, Cees Nooteboom, Fanni Regency Fashion. Yale University Press, 2019. 336 Guleng, Mai Britt, Dario Gambomi, Thierry Ford Fetzer et al. Turner: The Sea and the Alps. Hirmer pp. Hardcover, $40.00. et al. Harald Sohlberg: Infinite Landscapes. With a Publishers, in association with Kunstmuseum forward by Karin Hindsbo, Jennifer Scott, and Luzern, 2019. 180 pp. Hardcover $39.95. Demandt, Philipp and Ilka Voermann eds. Alexander Klar. Hirmer Publishers, in associa- King of the Animals: Wilhelm Kuhnert and the Image tion with Nationalmuseum Oslo, 2019. 240 pp. Boone, Elizabeth M. The Spanish Element in Our of Africa. With contributions by F. Becker, K. Hardcover $33.50. Nationality: Spain and America at the World’s Fairs and Chapman, A. Gall, B. Gissibl et al. University of Centennial Celebrations, 1876–191. Penn State Univer- Chicago Press, for Hirmer Publishers, 2019. 64 Haggarty, Sarah William ed. Blake in Context. With sity Press, 2019. 256 pp. Hardcover $99.95. pp. Hardcover $49.95. contributions by Tilottama Rajan, Denise Gi- gante, Saree Makdisi et al. Cambridge University Brettell, Richard R., On Modern Beauty: Three Denekamp, Nienke. The Gauguin Atlas. Yale Uni- Press, 2019. 392 pp. Hardcover $89.99. Paintings by Manet, Gauguin, and Cézanne. Getty versity Press, 2019. 180 pp. Hardcover. $22.50. Publications, 2019. 116 pp. Paperback $19.95.

22 FALL 2019 / AHNCA Newsletter new books

Herring, Sarah. The Nineteenth-Century French Kuenzli Katherine M. Henry van de Velde: Designing Prideaux, Sue. Edvard Munch: Behind the Scream. Paintings. Volume 1: The Barbizon School. Yale Uni- Modernism. Yale University Press, 2019. 240 pp. Yale University Press, 2019. 496 pp. Paperback versity Press, for the National Gallery Company. Hardcover $65.00. $20.00. 2020. 464 pp. Hardcover $125.00. Lavery, Grace E. Quaint, Exquisite: Victorian Aes- Ray, Sugata. Climate Change and the Art of Devo- Holzer, Harold. Monument Man: The Life and Art thetics and the Idea of Japan. University of Princeton tion: Geoaesthetics in the Land of Krishna, 1550–1850. of Daniel Chester French. Princeton Architectural Press, 2019. 240 pp. Hardcover $45.00. University of Washington Press, 2019. 264 pp. Press, 2019. 368 pp. Hardcover $35.00. Hardcover $70.00. Leonard, Anne. Arabesque. Clark Art Institute, Høgsbro, Cecilie Østergaard. The Danish Golden 2019. 64 pp. Paperback $15.00. Robertson, Kate R. Community & Australian Artists, Age. Nationalmuseum, Stockholm, 2019. 341 pp. 1890–1914: Paris, London, and Further Afield. Blooms- Hardcover $83.00. Luxenberg, Alisa and Reva Wolf eds. Freemason- bury Visual Arts, 2019. 256 pp. Hardcover $130.00. ry and the Visual Arts from the Eighteenth-Century Jacobi, Carol ed. Van Gogh and Britain. With contri- Forward: Historical and Global Perspectives. With Sienkewicz, Julia A. Epic Landscapes: Benjamin butions by Martin Baily, Anna Gruetzner Robins contributions by David Martín López, Cordula Henry Latrobe and the Art of Watercolor. University of and Hattie Spires. Rizzoli Electa, 2019. 240 pp. Bischoff, David Bjelajac et al. Bloomsbury Visual Delaware, 2019. 288 pp. Hardcover $65.00. Hardcover $50.00. Arts, 2019. 286 pp. Hardcover $120.00. Skuggen, Guri, Jarle Strømodden, Christine Jonker, Marijke. On Asp and Cobra You Will Tread...: Marley, Anna and Ramey Mize. From the Schuylkill Lancestremère, et al. Parallels: Gustav Vigeland and Animals as Allegories of Transformation in Delacroix’s to the Hudson: Landscapes of the Early American Repub- His Contemporaries Rodin, Meunier, Bourdelle, Maillol. Liberty Leading the People. ART-Dok; Publishing lic. Pennsylvania Academy of the Fine Arts, 2019. Skira, 2019. 224 pp. Paperback $55.00. Platform for Art Studies, 2019. 211 pp. E-book 64 pp. Hardcover $30.00. (https://doi.org/10.11588/artdok.00006532). Thomas, Sarah. Witnessing Slavery: Art and Travel Marsh, Jan, Peter Funnell, Charlotte Gere, Pamela in the Age of Abolition. Yale University Press, for the Joseph, Abigail. Exquisite Materials: Episodes in the Gerrish Nunn et al. Pre-Raphaelite Sisters. National Paul Mellon Centre for Studies in British Art, Queer History of Victorian Style. University of Virgin- Portrait Gallery, London, 2019. 224 pp. Hardcover 2019. 304 pp. Hardcover $55.00. ia Press, 2019. 328 pp. Hardcover $70.00. $50.00. Thompson, Sarah E. Hokusai’s Landscapes: The Com- Kahn, Eve M. Forever Seeing New Beauties: The For- Moran, Claire. Staging the Artist: Performance and the plete Series. MFA Publications, Museum of Fine gotten Impressionist Mary Rogers Williams, 1857–1907. Self-Portrait from Realism to Expressionism. Rout- Arts, Boston, 2019. 224 pp. Hardcover $45.00. Wesleyan University Press, 2019. 250 pp. Hardcov- ledge, 2019. 192 pp. Hardcover $132.00. er $35.00. Quirk, Maria. Women, Art and Money in England, Moser, Stephanie. Painting Antiquity: Ancient Egypt 1880–1914: The Hustle and the Scramble. Bloomsbury Kelly, Simon and Maite van Dijk eds. Millet and in the Art of Lawrence Alma-Tadema, Edward Poynter Visual Arts, 2019. 248 pp. Hardcover $115.00. Modern Art: From Van Gogh to Dalí . With contribu- and Edwin Long. Oxford University Press, 2019. 584 tions by Nienke Bakker and Abigail Yoder. Yale pp. Hardcover $99.00. Westheider, Ortrud and Michael Philipp eds. Van University Press, in association with the Van Gogh: Still Lifes. Prestel, 2019. 248 pp. Hardcover $ Gogh Museum and the Saint Louis Art Museum, Pfohl, Katie A. ed. Inventing Acadia: Painting and 50.00. 2019. 192 pp. Hardcover $40.00. Place in Louisiana. With contributions by Anna Arabindan-Kesson and Mia L. Bagneris, Aurora Whitlum-Cooper, Francesca. Boilly: Scenes of Pari- Krämer, Felix and Alexander Eiling eds. Making Avilés García et al., Kelly Presutti, and Gabrielle sian Life. National Gallery of London, 2019. 96 pp. Van Gogh. With the cooperation of Elena Schroll, Wyrick, and a conversation between Regina Agu Hardcover $23.00. and contributions by H. Biedermann, R. Dorn, and Ryan N. Dennis. Yale University Press, for E. Eiling et al. Hirmer Publishers, in association the New Orleans Museum of Art, 2019. 250 pp. Williams, Elizabeth A. Gorham Silver: Designing with the Städel Museum, Frankfurt, 2019. 352 pp. Hardcover $50.00. Brilliance, 1850–1970. With contributions by David Hardcover $60.00. L. Barquist, Gerald M. Carbone, Amy Miller Pons-Sorolla, Blanca and Monica Rodriguez Sub- Dehan, and Jeannine Falino. Rizzoli Electa, 2019. irana. Sorolla: Painted Gardens. Rizzoli Electa, 2019. 288 pp. Hardcover $75.00. 152 pp. Hardcover $50.00.

FALL 2019 / AHNCA Newsletter 23 Join Us and Keep Up with Developments in Our Field

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24 FALL 2019 / AHNCA Newsletter AHNCA PO Box 5730 Austin, TX 78763-5730 Managing Editor, Nineteenth-Century Art Worldwide Reminder: Petra ten-Doesschate Chu Please Keep Your AHNCA Officers Peter Trippi, President Executive Editor, Nineteenth-Century Art Worldwide Membership Scott Allan, Vice President Isabel Taube Active M. Franny Zawadzki, Secretary Andrew Eschelbacher, Treasurer AHNCA Past Presidents If you have not already renewed Karen Pope, Membership Coordinator Patricia Mainardi for this year, please use the Member- Patricia Mainardi, Program Chair Gabriel P. Weisberg ship Form inside this Newsletter to Kimberly Musial Datchuk, Newsletter Editor Petra ten-Doesschate Chu renew, or renew online at Elizabeth C. Mansfield www.ahnca.org. At-Large Board Members We would also appreciate your Marilyn Brown CURRENT MEMBERSHIP: 266 help in encouraging your students Petra ten-Doesschate Chu Memberships created or renewed this year up and colleagues to join AHNCA. André Dombrowski to November 1 will be active through 2019. Thank you! Marc Gotlieb Memberships and renewals made after November 1 James Housefield will be active through 2020.

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INSTITUTIONS PATRONS SUPPORTERS Kathie Manthorne Alderman Library, Bridget Alsdorf Sarah Betzer John McGuigan University of Virginia Georgia Barnhill Annette Bourrut Lacouture Mary McGuigan Blackader-Lauterman Library, Phillip Dennis Cate Marilyn Brown Alison McQueen McGill University Veronique Chagnon-Burke Jan Dewilde Karen Pope Elizabeth Dafoe Library, Adrienne Childs Justine DeYoung Jonathan Ribner University of Manitoba Hollis Clayson André Dombrowski Suzanne Singletary Spencer Art Reference Library, Laurie Dahlberg Michael Duffy Carol Forman Tabler Nelson-Atkins Museum of Art Therese Dolan Andrew Eschelbacher Isabel Taube Jennifer Ehlert David Farmer Oscar Vázquez LIFETIME Marc Gotlieb Roberto Ferrari Susan Waller Howard L. Rehs Gloria Groom Michelle Foa Yvonne Weisberg Anne Helmreich Eric Garberson Barbara Ehrlich White BENEFACTORS James Housefield Christine Giviskos Janet Whitmore Petra Chu Michael Leja June Hargrove Simone Zurawski Layla Diba Laure de Margerie-Meslay Cynthia Hawkins Elizabeth Mansfield Allison Morehead Erica Hirshler Caterina Pierre Mary G. Morton Eve Kahn Peter Trippi Marjorie Munsterberg Jennifer Katanic Jane Van Nimmen David O’Brien Marilyn Kushner Sally Webster Shalon Parker John P. Lambertson Gabriel Weisberg Aimée Brown Price Leah Lehmbeck Beth S. Wright W. O. Russell Sura Levine Polly Sartori Mary Lublin Karyn Zieve Patricia Mainardi

FALL 2019 / AHNCA Newsletter 25