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Agenda  Why are we here?

 Who are we? (introductions)

 How do we dissect texts?

 What have we learned?

 Where is the industry now?

 When are the cocktails?

Why are we here?

What did we read?

2017

2018

Reader’s Point of View: Poetics by Aristotle

Plot (mythos) Character (ethos) Thought (dianoia) Diction (lexis) Melody (melos) Spectacle (opsis)

Writer’s Point of View: The Order of Creation

Plot (mythos) Character (ethos) Thought (dianoia) Diction (lexis) Melody (melos) Spectacle (opsis)

Analyzing Writing: Deep Reading

Analyzing Writing: Deep Reading

Consider the Context Is the Language Effective? Analyze the Overall Structure Look Hard at the Climax How has the Protagonist Changed? Break Down Every Scene

Analyzing Writing: Literary Forensics

https://www.garyalanmcbride.com/literary-forensics-resources/

Reading Techniques  Close Reading (bullet points)  How To Read Like A Writer (16-page essay, 6 tips)  Reading Like A Writer (book) – Francine Prose  How to Read Literature Like a Professor (book) – Thomas C. Foster Industry Resources Story Architecture  Fiction categories  Genres – the 5-Leaf Clover  Novel Writer’s Market: 2019  The 7 Basic Plots  ‘Book Riot’: publishing insider podcast  Story focus: Milieu, Idea, Character or Event  NYT Book Review podcast  Arch-plot Structure — explained in 12 sections  Sentiment analysis: 6 emotional arcs and story shapes (paper) Top Sellers  Weekly: Publishers’ Weekly, Scene / Chapter Considerations  Best-selling Fiction & Literature in 2019 ()  Dictionary of Fiction Critique (book) — terms we need to know  Best-selling Fiction Authors (all-time)  Point of View: here and here  Best-selling Books (all-time)  SCENES and SEQUELS  Choose your words: Anglo-Saxon vs. Latinate

Analyzing Writing: Form

Analyzing Writing: Form Timing Matters 92%

75% 50%

25%

8%

~ first 25 pages Editors At Work: The Magical Mid-Point

50%

Editors At Work: The Magical Mid-Point

50%

Editors At Work: The Magical Mid-Point

50%

Editors At Work: The Magical Mid-Point

Exit West The Witch Elm

Eleanor Oliphant Origin

Editors At Work: The Magical Mid-Point

Less Mrs. Fletcher

Female Persuasion Broken Angels

Analyzing Writing: AI

Stories Reviews (32M) + (70M)

Story DNA machine learning Story Shapes: AI

Kurt Vonnegut (1985) The Shape of Stories

July 2016

Exit West – Mohsin Hamid (2018)

Less – (2017) Eleanor Oliphant – Gail Honeyman (2017)

The Hate U Give – Angie Thomas (2017)

Origin – Dan Brown (2017) The Witch Elm – Tana French (2018)

Mrs. Fletcher – Tom Perrotta (2017) House of Broken Angels – Luis Urrea (2018)

The Female Persuasion – Meg Wolitzer (2017)

Kudos – Rachel Cusk (2018) Asymmetry – Lisa Halliday (2018)

There There – Tommy Orange (2018)

Writing Analyzation: Plot Points vs. Sentiment

Pacing (words per Backstory paragraph) (% past tense)

Points of View—How many is too many?

1 3 [2]

5 Alice, [Amar], Ezra 1-ish

. . . But it’s not who you think . . .

Points of View—How many is too many? 8 13

12

Points of View—How many is too many?

21 15

Using POV to Explore the Human Condition

“Migration is a basic condition of humanity” “How much is being a Mohsin Hamid good person or bad person tied to luck?” Tana French

“A white middle-aged American man walking around with his white middle-aged American sorrows?” . . . “It’s a little hard to feel sorry for a guy like that.” - from Less, Andrew Sean Greer

And what if the POV is a shell?

Faye Trends: Book Length—Last 50 years

1970-2019 1970-2019 1970-2019

Pulitzer Prize Booker Prize avg: 411 Pages avg: 405 Pages avg: 368 Pages

Trends: Mixing Genres

1970-2019 1970-2019 1970-2019 2 2

1 1 1

Pulitzer Prize National Book Award Booker Prize 1980: The Executioner’s Song – (True Crime, Literary) 1988: Paris Trout – Pete Dexter (Thriller, Literary) 2001: The Amazing Adventures of Kavalier & Clay – (Super Hero, Literary) 2003: The Great Fire – (Romance, Literary) 2013: The Orphan Master's Son – (Thriller, Literary) 2007: (Thriller, Literary) 2016: (Mystery, Literary)

Where to next?