Antebellum Narratives of Terraqueous Domesticity
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Kierkegaard and Byron: Disability, Irony, and the Undead
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2015 Kierkegaard And Byron: Disability, Irony, And The Undead Troy Wellington Smith University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Comparative Literature Commons Recommended Citation Smith, Troy Wellington, "Kierkegaard And Byron: Disability, Irony, And The Undead" (2015). Electronic Theses and Dissertations. 540. https://egrove.olemiss.edu/etd/540 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. KIERKEGAARD AND BYRON: DISABILITY, IRONY, AND THE UNDEAD A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of English The University of Mississippi by TROY WELLINGTON SMITH May 2015 Copyright © 2015 by Troy Wellington Smith ALL RIGHTS RESERVED ABSTRACT After enumerating the implicit and explicit references to Lord Byron in the corpus of Søren Kierkegaard, chapter 1, “Kierkegaard and Byron,” provides a historical backdrop by surveying the influence of Byron and Byronism on the literary circles of Golden Age Copenhagen. Chapter 2, “Disability,” theorizes that Kierkegaard later spurned Byron as a hedonistic “cripple” because of the metonymy between him and his (i.e., Kierkegaard’s) enemy Peder Ludvig Møller. Møller was an editor at The Corsair, the disreputable satirical newspaper that mocked Kierkegaard’s disability in a series of caricatures. As a poet, critic, and eroticist, Møller was eminently Byronic, and both he and Byron had served as models for the titular character of Kierkegaard’s “The Seducer’s Diary.” Chapter 3, “Irony,” claims that Kierkegaard felt a Bloomian anxiety of Byron’s influence. -
Edward Rochester: a New Byronic Hero Marybeth Forina
Undergraduate Review Volume 10 Article 19 2014 Edward Rochester: A New Byronic Hero Marybeth Forina Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Literature in English, British Isles Commons Recommended Citation Forina, Marybeth (2014). Edward Rochester: A New Byronic Hero. Undergraduate Review, 10, 85-88. Available at: http://vc.bridgew.edu/undergrad_rev/vol10/iss1/19 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2014 Marybeth Forina Edward Rochester: A New Byronic Hero MARYBETH FORINA Marybeth Forina is a n her novel Jane Eyre, Charlotte Brontë established several elements that are senior who is double still components of many modern novels, including a working, plain female hero, a depiction of the hero’s childhood, and a new awareness of sexuality. majoring in Elementary Alongside these new elements, Brontë also engineered a new type of male hero Education and English Iin Edward Rochester. As Jane is written as a plain female hero with average looks, with a minor in Rochester is her plain male hero counterpart. Although Brontë depicts Rochester as a severe, yet appealing hero, embodying the characteristics associated with Byron’s Mathematics. This essay began as a heroes, she nevertheless slightly alters those characteristics. Brontë characterizes research paper in her senior seminar, Rochester as a Byronic hero, but alters his characterization through repentance to The Changing Female Hero, with Dr. create a new type of character: the repentant Byronic hero. Evelyn Pezzulich (English), and was The Byronic Hero, a character type based on Lord Byron’s own characters, is later revised under the mentorship of typically identified by unflattering albeit alluring features and an arrogant al- Dr. -
Byronic Heroism Byronic Heroism Refers to a Radical and Revolutionary
Byronic Heroism Byronic heroism refers to a radical and revolutionary brand of heroics explored throughout a number of later English Romantic and Victorian works of literature, particularly in the epic narrative poems of the English Romantic poet Lord Byron, including Manfred, Don Juan, Childe Harold’s Pilgrimage, the Giaour, and The Corsair. The figure of the Byronic hero was among the most potent and popular character archetypes developed during the late English Romantic period. While traditional literary heroes are usually marked by their valor, intrinsic goodness, commitment to righteous political and social causes, honesty, courage, propriety, and utter selflessness, Byronic heroes are defined by rather different character traits, many of which are partially or even entirely opposed to standard definitions of heroism. Unlike most traditional heroic figures, Byronic heroes are often deeply psychologically tortured and reluctant to identify themselves, in any sense, as heroic. Byronic heroes tend to exhibit many of the following personality traits: cynicism, arrogance, absolute disrespect for authority, psychological depth, emotional moodiness, past trauma, intelligence, nihilism, dark humor, self-destructive impulses, mysteriousness, sexual attractiveness, world- weariness, hyper-sensitivity, social and intellectual sophistication, and a sense of being exiled or outcast both physically and emotionally from the larger social world. Byronic heroes can be understood as being rather akin, then, to anti-heroes (unlike Byronic heroes, though, anti-heroes tend to be rather reluctant or helpless heroes). Byronic heroes are often committed not to action on behalf of typically noble causes of “good,” but, instead, to the cause of their own self-interest, or to combatting prevailing and oppressive social and political establishments, or to particular problems or injustices in which they take a particular and often personal interest. -
David Copperfield: Victorian Hero
David Copperfield: Victorian Hero by James A. Hamby A Dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the College of Graduate Studies of Middle Tennessee State University Murfreesboro, Tennessee August 2012 UMI Number: 3528680 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. OiSi«Wior» Ftattlisttlfl UMI 3528680 Published by ProQuest LLC 2012. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Submitted by James A. Hamby in partial fulfillment of the requirements for the degree of Doctor of Philosophy, specializing in English. Accepted on behalf of the Faculty of the College of Graduate Studies by the dissertation committee: Date: Quaul 3-1.9J310. Rebecca King, Ph.D. ^ Chairperson Date:0ruu^ IX .2.612^ Elvira Casal^Ph.D. N * Second Reader f ./1 >dimmie E. Cain, Ph.D. Af / / / y # Third Reader / diPUt Date:J Tom Strawman, Ph.D. Chair, Department of English (lULa.lh Qtt^bate: 7 SI '! X Michael D.)'. Xllen, Ph.D. Dean of the College of Graduate Studies © 2012 James A. Hamby ALL RIGHTS RESERVED ii For my family. -
Antarctica: Music, Sounds and Cultural Connections
Antarctica Music, sounds and cultural connections Antarctica Music, sounds and cultural connections Edited by Bernadette Hince, Rupert Summerson and Arnan Wiesel Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Antarctica - music, sounds and cultural connections / edited by Bernadette Hince, Rupert Summerson, Arnan Wiesel. ISBN: 9781925022285 (paperback) 9781925022292 (ebook) Subjects: Australasian Antarctic Expedition (1911-1914)--Centennial celebrations, etc. Music festivals--Australian Capital Territory--Canberra. Antarctica--Discovery and exploration--Australian--Congresses. Antarctica--Songs and music--Congresses. Other Creators/Contributors: Hince, B. (Bernadette), editor. Summerson, Rupert, editor. Wiesel, Arnan, editor. Australian National University School of Music. Antarctica - music, sounds and cultural connections (2011 : Australian National University). Dewey Number: 780.789471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press Cover photo: Moonrise over Fram Bank, Antarctica. Photographer: Steve Nicol © Printed by Griffin Press This edition © 2015 ANU Press Contents Preface: Music and Antarctica . ix Arnan Wiesel Introduction: Listening to Antarctica . 1 Tom Griffiths Mawson’s musings and Morse code: Antarctic silence at the end of the ‘Heroic Era’, and how it was lost . 15 Mark Pharaoh Thulia: a Tale of the Antarctic (1843): The earliest Antarctic poem and its musical setting . 23 Elizabeth Truswell Nankyoku no kyoku: The cultural life of the Shirase Antarctic Expedition 1910–12 . -
Spring 2011 Volume Xvi - Number 1
Leader page to JHSSC Fall 2010 Set your Acrobat Reader to View > Page Display > Two-Up T HE J EWISH H ISTORICAL S OCIETY o f S O U T H C AROLINA SPRING 2011 VOLUME XVI - NUMBER 1 Register for the Spring Conference “Jews, Slavery, and the Civil War” May 24 – 26, 2011 College of Charleston Pages 11 – 13 PAGE 2 JEWISH HISTORICAL SOCIETY OF SOUTH CAROLINA In this issue From the President of the JHSSC 3 Ann Meddin Hellman When Grant Expelled the Jews 4 Jonathan D. Sarna After alienating American Jews in 1862 with his infamous antisemitic General Orders No. 11, Ulysses S. Grant later earned their trust as a two-term president. Ann Meddin Hellman President Diplomacy’s Cruel Sword: Confederate Agents in Pursuit of Recognition 6 Theodore Rosengarten On the cover: Judah P. Benjamin and Edwin De Leon—both men of Sephardic ancestry raised in South Columbia, South Carolina, Carolina—became bitter rivals in the diplomatic struggle to win recognition for the surrenders to General Confederacy. William T. Sherman, February 17, 1865. Early “He Was Like One of Us”: The Judaization of Abraham Lincoln 8 Gary P. Zola the next morning, a fire Abraham Lincoln’s Jewish contemporaries viewed him as a friend and ally. With the passage breaks out and spreads, of time, his stature in the eyes of American Jews rose to that of a biblical patriarch. engulfing the town. The Burning of Columbia, Registration for Spring Conference: “Jews, Slavery, and the Civil War” 11 South Carolina (1865), Conference Schedule, College of Charleston, May 24–26, 2011 12 by William Waud for Harper’s Weekly. -
U·M·I University Microfilms International a Bell & Howell Information Company 300 North Zeeb Road
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrightmaterial had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800/521-0600 Order Number 9429649 Subversive dialogues: Melville's intertextual strategies and nineteenth-century American ideologies Shin, Moonsu, Ph.D. University of Hawaii, 1994 V·M·I 300 N. -
M. Nourbese Philip's Bibliography
Tables of Contents M. NOURBESE PHILIP’S BIBLIOGRAPHY PAGE POETRY Books 1 Anthologies 1 Magazines & Journals 3 PROSE: LONG FICTION Books 5 Anthologies (excerpts) 5 Magazines and Journals (excerpts) 5 PROSE: SHORT FICTION Anthologies 6 Magazines and Journals 6 PROSE: NON-FICTION Books Appearances 8 Anthologies 8 Magazines, Journals, Newspapers and 9 Catalogues DRAMA 12 INTERVIEWS 13 RADIO AND TELEVISION On-Air Appearances 14 On-Air Readings 15 Documentaries 15 CONFERENCES 16 READINGS AND TALKS 19 KEYNOTE LECTURES AND SPEECHES 26 RESIDENCIES 28 P o e t r y | 1 POETRY BOOKS Zong!, Wesleyan University Press, Middletown, CT, 2008. Zong!, (Spanish Bilingual edition) She Tries Her Tongue; Her Silence Softly Breaks, Poui Publications, Toronto, 2006. She Tries Her Tongue; Her Silence Softly Breaks, The Women's Press, London, 1993. She Tries Her Tongue, Her Silence Softly Breaks, Ragweed Press, Charlottetown, 1988. She Tries Her Tongue, Her Silence Softly Breaks, Casa de las Americas, Havana, 1988. Salmon Courage, Williams Wallace Inc., Stratford, 1983. Thorns, Williams Wallace Inc., Stratford, 1980. ANTHOLOGIES Best American Experimental Writing 2014, ed. Cole Swensen, Omnidawn Publishing, Richmond, 2014. Eleven More American Women Poets in the 21st Century, eds. Claudia Rankine, and Lisa Sewell, Wesleyan University Press, Middleton, 2012. “Questions! Questions!” Rotten English, ed. Dora Ahmad, WW Norton & Co., New York, 2007. “Salmon Courage,” “Meditations on the Declension of Beauty by the Girl with the Flying Cheekbones,” ‘The Catechist,” and “Cashew #4," Revival - An Anthology of Black Canadian Writing, ed. Donna Bailey Nurse, McClelland & Stewart, Toronto, 2006. “Discourse on the Logic of Language”, Introduction to Literature, Harcourt, Toronto, 2000. -
C. L. R. James's Caribbean I Edited by Paget Henry and Paul Buhle
C. L. R. JAMES 'S CARIBBEAN C. L. R. JAMES 'S CARIBBEAN Edited by Paget Henry and Paul Buhle DUKE UN IVE RSI TY PRESS Durham 1992 Second printing, 1996 © 1992 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Library of Congress Cataloging-in-Publication Data C. L. R. James's Caribbean I edited by Paget Henry and Paul Buhle. Includes bibliographical references and index. ISBN 0-8223-1231-X (cloth : alk. paper).- ISBN 0-8223-1244-1 (pbk. : alk. paper) 1. James, C. L. R. (Cyril Lionel Robert), 1901- -Homes and haunts-Caribbean Area. 2. James, C. L. R. jCyril Lionel Robert), 1901--Knowledge-Caribbean Area. 3. Authors, Tr inidadian-2oth century-Biography. 4. Revolutionaries-Caribbean Area-Biography. 5. Historians-Caribbean Area-Biography. 6. Caribbean Area Historiography. 7. Caribbean Area in literature. I. Henry, Paget. II. Buhle, Paul, l 944- PR9272.9.135z63 1992 818-dc20 [Bj 91-42237CIP Contents Preface vii PART I Portraits and Self-Portraits 1 C. L. R. James: A Portrait 3 Stuart Hall 2 C. L. R. James on the Caribbean: Three Letters C. L. R. James 3 C. L. R. James: West Indian 28 George Lamming interviewed by Paul Buhle PART II Th e Early Trinidadian Ye ars 4 The Audacity of It All: C. L. R. James's Trinidadian 39 Background Selwyn Cudjoe 5 The Making of a Literary Life 56 C. L. R. James interviewed by Paul Buhle PART III Textual Explorations 6 Beyond the Categories of the Master Conception: The Counterdoctrine of the Jamesian Poiesis Sylvia Wynter vi Contents 7 Cricket and National Culture in the Writings of C. -
Liminal Encounters and the Missionary Position: New England's Sexual Colonization of the Hawaiian Islands, 1778-1840
University of Southern Maine USM Digital Commons All Theses & Dissertations Student Scholarship 2014 Liminal Encounters and the Missionary Position: New England's Sexual Colonization of the Hawaiian Islands, 1778-1840 Anatole Brown MA University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/etd Part of the Other American Studies Commons Recommended Citation Brown, Anatole MA, "Liminal Encounters and the Missionary Position: New England's Sexual Colonization of the Hawaiian Islands, 1778-1840" (2014). All Theses & Dissertations. 62. https://digitalcommons.usm.maine.edu/etd/62 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in All Theses & Dissertations by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. LIMINAL ENCOUNTERS AND THE MISSIONARY POSITION: NEW ENGLAND’S SEXUAL COLONIZATION OF THE HAWAIIAN ISLANDS, 1778–1840 ________________________ A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF THE ARTS THE UNIVERSITY OF SOUTHERN MAINE AMERICAN AND NEW ENGLAND STUDIES BY ANATOLE BROWN _____________ 2014 FINAL APPROVAL FORM THE UNIVERSITY OF SOUTHERN MAINE AMERICAN AND NEW ENGLAND STUDIES June 20, 2014 We hereby recommend the thesis of Anatole Brown entitled “Liminal Encounters and the Missionary Position: New England’s Sexual Colonization of the Hawaiian Islands, 1778 – 1840” Be accepted as partial fulfillment of the requirements for the Degree of Master of Arts Professor Ardis Cameron (Advisor) Professor Kent Ryden (Reader) Accepted Dean, College of Arts, Humanities, and Social Sciences ii ACKNOWLEDGEMENTS This thesis has been churning in my head in various forms since I started the American and New England Studies Masters program at The University of Southern Maine. -
History of Fairfax City
HISTORY OF FAIRFAX CITY The City of Fairfax began as the Town of Providence in 1805, a community built around the Fairfax County Courthouse. Completed in 1800 at the corner of Little River Turnpike and Ox Road, the area was a crossroads of conflict during the American Civil War with hardships and disrupted lives for everyone. From a crossroads of conflict, the area became a crossroads of commerce in the late nineteenth century when the dairy industry propelled economic rebirth and the building of schools, churches, homes, barns, and businesses and in 1874 the Town of Providence officially became the Town of Fairfax. The early 20th century ushered in a myriad of technological and transportation changes and the emergence of civic organizations, sports clubs, a Town police unit, and a volunteer fire company. World War II spurred rapid growth across the region in housing, business ventures, and population and Fairfax quickly changed from a rural to a suburban community. The Town of Fairfax deeded a 150-acre tract of land in 1959 to the University of Virginia to establish a permanent home for what is now George Mason University. In 1961, the Town of Fairfax was incorporated as the independent City of Fairfax and in 1962 a new City Hall was completed. Rich in history and heritage, residents and visitors enjoy a small-town atmosphere and an abundance of cultural and recreational pursuits in the midst of a bustling metropolitan area. As the City's first mayor, John C. Wood said in 1962 - "Fairfax has a wonderful past and present and an even greater future." HOW DID THE JULY 4TH CELEBRATION BEGIN IN FAIRFAX CITY? Fairfax City’s Independence Day Parade and Fireworks began in 1967 and was organized by the Delta Alpha Chapter of Beta Sigma Phi Sorority. -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular.