CATALOGUE 345 the Antique Bookshop & Curios
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1 AFANADOR, Ruven. Torero. with an Introduction by Hector Abad Faciolince
1 AFANADOR, Ruven. Torero. With an introduction by Hector Abad Faciolince. Poems by Gloria Maria Pardo Vargas. (Thalwil/Zurich and New York): Edition Stemmle, (2001). Large 4to. Orig. boards. Dustjacket. Unpaginated. Copiously illustrated with full-page b/w photographic images, and text-illusts. Title-page printed in orange and black ink. Fine. $150 2 AMIS, Kingsley. The James Bond Dossier. London: Cape, (1965). 8vo. Orig. black cloth with blind-stamped stylised “007” on front cover. Spine gilt. Dustjacket designed by Jan Pienkowski, based on Richard Chopping’s famous trompe l’oeil Bond dustjackets. (160pp.). 1st ed. Tabular reference guide to the Bond novels at end. Some light foxing to endpapers, otherwise fine. $125 3 ANDERSON, D.G. Australia’s Contribution to the Development of International Civil Aviation. (Being) the Second Sir Ross and Sir Keith Smith Memorial Lecture delivered to the Adelaide Branch of the Royal Aeronautical Society - Australian Division. (Adelaide April 1960). 4to. Orig. printed wrapper. Unpaginated. Illustrated. Text printed in double-column. Ex-library copy. $50 4 ANGAS, George French. Savage Life and Scenes in Australia and New Zealand: Being an Artist’s impressions of Countries and People at the Antipodes. 2 vols. London 1847. (Facs. Adelaide 1969). 8vo. Orig.cloth. With col. frontispiece, title-vignettes, 12 full-page plates, and text-illusts. (Aust. Facsimile Editions, No. 184). Fine. The original prospectus loosely inserted. $100 5 ARNOLD, Matthew. The Scholar Gipsy & Thyrsis. London: Phillip Lee Warner, 1910. Large 4to. Orig. full gilt-illust. vellum with bevelled boards. Spine gilt titled. T.e.g. other edges uncut. (x, 68pp.). -
Artistic Identity in the Published Writings of Margaret Thomas (C1840-1929)
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Artistic identity in the published writings of Margaret Thomas (c1840-1929) Lynn Patricia Brunet University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Brunet, Lynn Patricia, Artistic identity in the published writings of Margaret Thomas (c1840-1929), Master of Creative Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
04 Lists and Tables
INDEX, PAOB Academic Dress 309 Academic Year 92 Accounts. Statement of .. 68* Admission ad Eundem 43, 4, 10, 12 Admission Without Examination .. 41, 43 Agricultural College, Dookie 262 Agriculture Details of Subjects.. „ B72 Diploma of( Regulation .. 258 Diplomates in, proceeding to B.Agr.Sc. .. 260 Agricultural Science Degree of Bachelor of, Regulation 2(1 Degree of Mastef of, Regulation .. 261 Permission to Divide Years 118 Proceeding to Engineering.. 209, 216, 222, 228 Ambulance Class.. .. .. 666 Analytical Chemistry (see Chemistry) Announcements .. .. .. 633 Annual Examinations Admission to Supplementary 116, 120 Certificates .. 125 Details of Subjects and Text Books .. 36, 433 Entry and Fees 111 Examiners 28 Medical Course .. 158 Military Duties .. .. .. 122 Passing and Completing Years 116 Publication of Results .. 124 Subjects .. .. 110 Times and Conduct .. 106 Animal Report .. 651 Appointments Board 70 Architecture. Diploma in, Regulation .. 236 Army Commissions .. .. *. .. 641 Articled Clerks .. 644 IV. INDKX. PlOX Arts, Bachelor of Details of Subjects 433 Proceeding to Engineering .. 209, 216, 222, 228, 274 Proceeding to Medicine .. 272 Proceeding to Science .. 274 Leave to take two Subjects.. 116, 462, 634 Regulation .. .. 181 Arts, Degree of Master of Details of Subjects .. 469 Regulation .. .. 137 Attendants and Assistants 32 Australian College of Dentistry .. .. .. 873 Statute .. 68 Barristers. Admission of .. .; .. 6*4 • Benefactions. List of .. 647 Boards, Faculties, etc.. Lists of .. xxvi. British School at Rome .. 642 Calendar—Date of Publication and Contents.. 35 Candidates for Degrees and Diplomas, Statote .. 38 Certificated Teachers 126, 127, 128 Certificates ' Annual Examinations • .. Matriculation Public'Examinations . Lectures .. • .. 106 Changing Courses 121,141,209,216, 222, 228, 272 Chemistry, Diploma of Analytical Details of Subjects 490 Regulation . -
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Illustrating Mobility: Networks of Visual Print Culture and the Periodical Contexts of Modern Australian Writing VICTORIA KUTTAINEN James Cook University The history of periodical illustration offers a rich example of the dynamic web of exchange in which local and globally distributed agents operated in partnership and competition. These relationships form the sort of print network Paul Eggert has characterised as being shaped by everyday exigencies and ‘practical workaday’ strategies to secure readerships and markets (19). In focussing on the history of periodical illustration in Australia, this essay seeks to show the operation of these localised and international links with reference to four case studies from the early twentieth century, to argue that illustrations offer significant but overlooked contexts for understanding the production and consumption of Australian texts.1 The illustration of works published in Australia occurred within a busy print culture that connected local readers to modern innovations and technology through transnational networks of literary and artistic mobility in the years also defined by the rise of cultural nationalism. The nationalist Bulletin (1880–1984) benefited from a newly restricted copyright scene, while also relying on imported technology and overseas talent. Despite attempts to extend the illustrated material of the Bulletin, the Lone Hand (1907–1921) could not keep pace with technologically superior productions arriving from overseas. The most graphically impressive modern Australian magazines, the Home (1920–1942) and the BP Magazine (1928–1942), invested significant energy and capital into placing illustrated Australian stories alongside commercial material and travel content in ways that complicate our understanding of the interwar period. One of the workaday practicalities of the global book trade which most influenced local Australian producers and consumers prior to the twentieth century was the lack of protection for international copyright. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Low Culture in Sydney 1887-1914
Common Pleasures: Low Culture in Sydney 1887-1914 Susan Doyle Doctor of Philosophy 2006 CERTIFICATE OF AUTHORSHIP/ORIGINALITY I certify that the work in this thesis has not previously been submitted for degree, nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledge. In addition, I certify that all information sources and literature used are indicated in the thesis. Susan Doyle. Contents Preface and Acknowledgements ii Abstract vi Introduction 1 Part 1, The Pub 23 Chapter 1: The 1887 Intoxicating Drink Inquiry 24 Chapter 2: Lower-Class Drinking: Places and Practices 54 Chapter 3: Women and the Drink Question 82 Part 2, The Vaudeville Theatre 115 Chapter 4: 'Colour, Music, Light and Rhythm': Vaudeville in Sydney 116 Chapter 5: The Gallery Gods: 'Kicking up a Row in Olympus' 141 Chapter 6: “We’ve Got a Lodger and He’s Very Fond of Ma’: The Vaudeville Repertoire 162 Part 3, The Street 196 Chapter 7: Larrikin Days 197 Chapter 8: The Haymarket Swell: Larrikin Fashion 223 Chapter 9: Everyday Resistance: Larrikin Street Life 248 Conclusion 280 Bibliography 285 i Preface and Acknowledgements In Heterologies De Certeau writes: By a professional reflex, the historian refers any discourse to the socioeconomic or mental conditions that produced it. He needs to apply this kind of analysis to his own discourse in a manner that will make it pertinent to the elucidation of those forces that presently organise representations of the past. -
Science, Fashion, Knowledge and Imagination: Shopfront Natural History in 19Th-Century Sydney
Science, Fashion, Knowledge and Imagination: Shopfront Natural History in 19th-Century Sydney ANNE COOTE isiting Sydney in 1845, a young French tourist, Eugène Delessert, was agreeably surprised by the advanced state of the town’s V commercial development and particularly impressed by the array of native birds on show in the Hunter Street establishment of the natural history dealer, John William Roach. During his time in this colonial capital Delessert, as he reported later, often enjoyed gazing at the brilliantly coloured plumage of the several hundred birds which fluttered among the shrubs inside Roach’s large aviary. The parrots and pigeons delighted him, but equally remarkable, he thought, was the lovely Regent Bower Bird, a study in velvet black and brilliant gold. Sydney dealers, Delessert informed his readers, had this bird for sale in quite large numbers.1 Sydney Journal Vol 4, No 1 (2013): 1–18 ISBN: 1835-0151 © UTSePress and the author Sydney Journal | Coote The existence of such a trade in native species, as Delessert would have understood, signalled that a good many people in this far-flung colonial outpost shared the cultural and intellectual engagement with natural history which was common in the metropole. Indeed, businesses like that of Roach with their novelty, noise and colour apparently found a ready market in mid-nineteenth century Sydney, with six trading for varying periods during the 1840s, and at least seven in each of the following two decades, although not all at the same time. This article examines the character of mid-nineteenth century shop-front natural history enterprise and considers its significance for the inhabitants of Sydney and its visitors. -
The Australian Dictionary of Biography’S Genealogy
1. ‘Insufficiently Engineered’: A Dictionary Designed to Stand the Test of Time? Melanie Nolan The Australian Dictionary of Biography’s genealogy In May 1962 Sir Keith Hancock, Professor of History and Director of the Research School of Social Sciences (RSSS), appeared before the ANU Council to put the case for funding the Australian Dictionary of Biography (ADB). The ADB Editorial Board had appointed Douglas Pike as general editor of the dictionary in January 1962 but there was no provision in Hancock’s budget for the position. Boldly, Hancock went to the council to convince it to cover Pike’s appointment. He hoped to also convince council members to release funds for the appointment of research staff.1 Hancock began by discussing the ADB’s ‘prehistory’: how the idea for an Australian dictionary had ‘been in the minds of historians in various parts of Australia for ten years or more’; how Laurie Fitzhardinge had started a National Register (later called the Biographical Register) in the history department in 1954; how a conference of Australian historians, held at The Australian National University (ANU) in 1957, gave their general support for the dictionary project and how, after wide consultation, an editorial board, headed by Hancock, had met for the first time in 1960.2 1 W. K. Hancock, ‘The Australian Dictionary of Biography’ (12 April 1962), Minutes, ANU Council meeting (11 May 1962), 567/1962, box 1, series 245, ANU Archives [hereinafter ANUA], p. 3 [reprinted here as Document 1]. Separately, Hancock also had to request the council to make Pike’s a professorial appointment, which then had to be subject to an electoral committee process: Minutes, ANU Council meeting (30 April 1962), 639/1962, box 1, series 245, ANUA. -
IMPACT of the MODERN: VERNACULAR MODERNITIES in AUSTRALIA 1870S–1960S
IMPACT OF THE MODERN: VERNACULAR MODERNITIES IN AUSTRALIA 1870s–1960s Edited by Robert Dixon and Veronica Kelly SYDNEY UNIVERSITY PRESS Published 2008 by Sydney University Press SYDNEY UNIVERSITY PRESS University of Sydney Library www.sup.usyd.edu.au © Individual authors 2008 © Sydney University Press 2008 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] National Library of Australia Cataloguing-in-Publication entry Title: Impact of the modern : vernacular modernitities in Australia 1870s–1960s / editors: Robert Dixon, Veronica Kelly. ISBN: 9781920898892 (pbk.) Notes: Includes index. Bibliography. Subjects: Social change--Australia--Congresses. Diffusion of innovations--Australia--Congresses. Nationalism--Australia--Congresses. Australia--Civilization--Congresses. Australia--Social life and customs--Congresses. Other Authors/Contributors: Dixon, Robert (Robert William), 1954- Kelly, Veronica, 1945- Dewey Number: 306 Cover design by Miguel Yamin, the University Publishing Services Printed in Australia at the University Publishing Services, The University of Sydney Contents Contributors ...................................................................................................... -
The Indignant Nation
Edinburgh Research Explorer The indignant nation Citation for published version: Pentland, G 2015, 'The indignant nation: Australian responses to the attempted assassination of the Duke of Edinburgh in 1868', English Historical Review, vol. 130, no. 542, pp. 57-88. https://doi.org/10.1093/ehr/ceu335 Digital Object Identifier (DOI): 10.1093/ehr/ceu335 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: English Historical Review General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 1 The Indignant Nation: Australian Responses to the Attempted Assassination of the Duke of Edinburgh in 18681 The basic facts surrounding the attempted assassination of Prince Alfred, the Duke of Edinburgh, are well known. Alfred, Queen Victoria’s second son, had embarked on a world cruise in the Galatea at the beginning of 1867. It was the first royal tour of Australia, -
To Be a Californian Was to See Oneself, If One Believed the Lessons the Place Seemed Most Immediately to Offer, As Affected Only
Coda To be a Californian was to see oneself, if hese quotations from two renowned one believed the lessons the place seemed contemporary authors, one Californian most immediately to offer, as affected only si and the other Australian, serve to by 'nature', which in turn was seen to exist refocus, to bring us back to the intentions simultaneously as a source of inspiration or underlying the writing of these chapters. In renewal ... Much of the California landscape the visual sphere rather than the literary, I has tended to present itself as metaphor ... wanted in this study to consider how people —Joan Didion, Where I was from (2003)1 of Eurocentric cultures, thrust into a new landscape, an unknown geography, were able We can learn to appreciate kinds of landscape with the aid of images to make the place their other than the one we grew up with, to see own. Ending these ruminations in 1935 was what is unique and a source of beauty in them. not an entirely arbitrary decision. Aesthetic But the landscape we most deeply belong to, exchange through reproducible images and that connects with our senses, that glows in a sharing of the emblems of popular culture our consciousness, will always be the one we continued between these two Pacific regions are born into. after this date, and continues still. But in the —David Malouf, A spirit of play (1998)2 early twentieth century historic transforma- tions in art and mass media changed the nature of the concepts of itinerancy, reproducibility and portability. In architecture, the worldwide Depression of the 1930s curtailed construction in Australia and limited direct interaction with the wider world, thus ending any extravagant imitation of Hollywood houses and Spanish Style fantasies. -
Australian Newspapers Digitisation Program
Australian Newspapers Digitisation Program Selected Titles by State Author: Sally Manning Version: 4.0 Date: March 2011 Contents Summary ................................................................................................................................... 1 Selected Titles – by State ......................................................................................................... 1 ANDP Group titles in use .......................................................................................................... 9 Summary This list contains all titles currently selected for inclusion in the Australian Newspapers Digitisation Program, consisting of over 130 titles containing approximately 4.5 million newspaper pages. Titles included in this list may change as the program progresses. These changes may include titles being removed from the list, additional titles being added or changes to the date range being digitised. It is anticipated that these titles will be progressively processed and made available via the Digitised Newspapers and more view of Trove http://trove.nla.gov.au/newspaper through until July 2011. Selected Titles – by State Titles marked with an * belong to a group title1. The group title is provided in brackets below the title. Titles with two separate entries qualified by date indicate when a title ceased publication or changed name. These will appear separately in the Trove newspapers view, for example, The Advertiser, Cairns Post. State Newspaper Title Date Range ACT The Canberra Times (ACT : 1926-1954)