PROGRAM PAULA ROBISON Is One of the Most Acclaimed Flutists in the Romance, Op

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PROGRAM PAULA ROBISON is one of the most acclaimed flutists in the Romance, Op. 37 C. Saint-Saens concert world today. Nashville-born and California-raised, she studied 1835-1921 with Julius Baker at the Juilliard School and later with Marcel Moyse. She was only 20 years old when Leonard Bernstein invited her to be a Concertino, Op. 107 C. Chaminade soloist with the New York Philharmonic, and she was the first 1857-1944 American ever to win the Geneva Competition. Paula Robison, flute Ms. Robison has commissioned works for flute and orchestra by Leon Kirchner, Toru Takemitsu, Oliver Knussen, Robert Beaser, and Concerto in D Major, K. 314 W.A. Mozart Kenneth Frazelle, premiered music written for her by Lowell -Allegro aperto 1756-1791 Liebermann and Michael Tilson Thomas, performed Leonard Yulan Chen, flute Bernstein’s “Hålil” in Vienna and Carl Nielsen’s Concerto in Copenhagen, and presented a rich spectrum of music from Mozart Image E. Bozza Concerti to Brazilian Samba in her many appearances at New York’s Adah Forer, flute 1905-1991 Carnegie Hall. Though trained in western-European tradition, Paula Robison recognizes the flute as one of the first ways humans had of making music: a kind of voice of nature. INTERMISSION Paula Robison has recorded for Vanguard Classics, Sony Classical, CBS Masterworks, Mode (the complete Berio Sequenzas, awarded the Andante Pastoral et Scherzettino P. Taffanel Premio del Disco Amadeus 2008, and Lei Liang’s “In Praise of Pheobe Rawn, flute 1804-1908 Shadows”), New World Records, King Records, Musical Heritage Society (with longtime duo partners Eliot Fisk and Ruth Laredo), and Bridge Recordings (her Marlboro Festival performance of Schubert’s Introduction and Variations with Rudolf Serkin, named American Danse de la Chevre A. Honegger Record Guide’s Best Recording of the Year). Her books on the art of 1892-1955 flute playing are published by Universal Edition, Schott, European- James Conroy, flute American Music, G. Schirmer, and Theodore Presser. In 2006 she founded Pergola Recordings, an independent label. New releases Sonatine H. Dutilleux coming up in 2014 include collaborations with American pianist Steven 1916-2013 Beck and Finnish pianist Paavali Jumppanen. Mia Nakajima, flute Paula Robison has taught at the Juilliard School and given classes all over the world. She now occupies the Donna Hieken Flute Chair at All flutists accompanied on piano by Miles Graber and New England Conservatory, and teaches at the Interlochen Flute Institute each June. Dana Burnett , who are playing on the Randall Behr Steinway D concert grand piano. Northern California Flute Camp is extremely appreciative of sponsorship for this class from a flute master class with Ms. Robison is playing the Donna Hieken Paula Robison Powell Flute Monday, July 14th, 2014 2:30-5:30 P.M. HIDDEN VALLEY MUSIC SEMINARS Carmel Valley, California .

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2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family.
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LINER NOTES Recorded Anthology of American Music, Inc
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
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Here Center and Performed There for 20 Seasons
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Program Notes
GENEVA CONCERTS presents Rochester Philharmonic Orchestra Pinchas Zukerman conductor and violin with Ariana Ghez, oboe Friday, March 9, 2007 ● 8:15 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2006-2007 SEASON Friday, 29 September 2006, 8:15 p.m. State Street Ballet of Santa Barbara Carmen A passionate story of lust, treachery and fate, based on the fabled temptress of Seville, told in ballet and set to the music of Georges Bizet. Thursday, 2 November 2006, 8:15 p.m. Syracuse Symphony Orchestra Daniel Hege, conductor “Shakespeare in Music” Walton, Mendelssohn, Sibelius, Strauss Saturday, 20 January 2007, 8:15 p.m. Cantus One of America’s finest professional male vocal ensembles, Cantus’ repertoire spans many periods and genres including Gregorian chant, Renaissance motets, contemporary works, art songs, folk music, spirituals, and pop. Friday, 9 March 2007, 8:15 p.m. Rochester Philharmonic Orchestra Pinchas Zukerman, conductor and violin Ariana Ghez, oboe Bach, Stravinsky, Elgar Friday, 30 March 2007, 8:15 p.m. Hesperus “The Buxtehude Project” Saturday, 21 April 2007, 8:15 p.m. Syracuse Symphony Orchestra Ron Spigelman, conductor Allen Vizzutti, trumpet De Falla, Vizzutti, Bernstein, Copland Performed at the Smith Opera House, 82 Seneca Street, Geneva, NY These concerts are made possible, in part, with public funds from the New York State Council on the Arts, a state agency, and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Friday, March 9, 2007 • 8:15 p.m. Rochester Philharmonic Orchestra Pinchas Zukerman, conductor and violin Ariana Ghez, oboe Johann Sebastian Bach Concerto in C minor for Oboe, Violin, and String Orchestra, BWV 1060 I.
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The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
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Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 Y H P a R G O T O H P
Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 y h p a r g o t o h P L e t a K : o t o h P Paula Robison Interview for FLÖTE AKTUELL: PAULA ROBISON, August, 2014 e n i D t t a M Playing : o t to Pan o F Interview with at the age of sixteen ̈ PAULA ROBISON for FLÖTE AKTUELL (Claudia Wälder-Jene) 1. FA (Floete Aktuell): Dear Ms. Robison, evolved human being emerges with the abili- Foto: Boswil the flute and you - a love at first sight?? ty to pass on the deepest meaning and the ̆ Moyse,- Debost,-Strum,- deepest beauty of music to others. When Paula PR (Paula Robison): Indeed it was love at Marcel Moyse called me his “best student” he As a young flutist first sight, and first sound. It was almost did not mean that I was the best flutist who playing Mozart ̈ magical. I had studied the piano, but its had studied with him but rather that I sheer size and mass intimidated me a bit, amidst all of them had truly heard and „The Complete especially since my formidable grandmother under stood him. I heard the beauty, yes, but Sequenzas“ at was my teacher. I just couldn’t sit still to was also acutely aware of his struggles as an Luciano Berio’s 70th practice. I would feel as though my nose artist, of his desire to bring to life the Birthday Celebration ̄ itched, and then my knee, then my ear, I enormous expressive power of the flute.
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Paula Robison Ruth Laredo
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Paula Robison Flutist Ruth Laredo Pianist WEDNESDAY EVENING, JULY 22, 1981, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Sonata ............... POULENC Allegro malincolico Cantilena Presto giocoso Selections from "The Bird Fancyer's Delight" for Solo Flute .... Orig. published by RICHARD MEARES, 1717 Rondo Capriccioso in G major (flute) ....... STAMITZ Four Piano Preludes from Op. 32 ....... RACHMANINOFF INTERMISSION Sonata in D major, Op. 94 ......... PROKOFIEV Moderate Allegretto scherzando Andante Allegro con brio Miss Robison: Vanguard and Musical Heritage Society Records. Miss Laredo: Columbia, Desto, and Connoisseur Society Records. Third Concert of the 103rd Season Summer Fare Series About the Artists Paula Robison, born in Nashville and raised in Los Angeles, is recognized as one of today's outstanding artists. Since becoming the first American to win first prize at the Geneva International Competition, she gives over one hundred performances annually, including appearances as soloist with the New York Philharmonic, San Francisco and Atlanta Symphonies, and Buffalo Philharmonic, as well as recitals in major halls throughout the country, among them Carnegie Hall and the Kennedy Center for the Performing Arts. She is a founding artist-member of the Chamber Music Society of Lincoln Center, with whom she appears regularly, including a performance at the White House in September 1979. Recently, in March 1981, she made her debut tour of Japan. A strong advocate for the expansion of the flute repertoire, Miss Robison has brought into the concert hall many undeservedly neglected works of the past. Her interest in contemporary composers has led her to premiere works by Pierre Boulez and Toru Takemitsu, and in 1978 Leon Kirchner's "Music for Flute and Orchestra," composed especially for her.
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Sample Instrumental Resume
Jane Smith, violin 111 East Avenue, #C ● Rochester NY 14604 (222) 555-1212 ● [email protected] ORCHESTRAL EXPERIENCE Rochester Philharmonic Orchestra, substitute Rochester, NY 2007 Lancaster Festival Orchestra and Chamber Orchestra Lancaster, OH 2007 Eastman Philharmonia, concertmaster Rochester, NY 2006-07 Aspen Chamber Orchestra Aspen, CO 2006-07 Eastman Dryden Orchestra, concertmaster Rochester, NY 2006 Eastman Graduate Chamber Orchestra, concertmaster Rochester, NY 2006-07 Heidelberg Schloss Spiele Orchestra Heidelberg, Germany 2005 Eastman Opera Theater Orchestra Rochester, NY 2004-05 Juilliard Pre-College Orchestra, assistant concertmaster New York, NY 1999-00 SOLO PERFORMANCES – with Orchestra Ridgewood Symphony Orchestra, Sandra Dackow conducting Ridgewood, NJ 2007 Juilliard Pre-College Orchestra, Ronald Braunstein conducting New York, NY 2000 Livingston Symphony Orchestra, Istvan Jaray conducting Livingston, NJ 2006 Sewanee Festival Orchestra, Americo Marino and Patrick Strub conducting Sewanee, TN 2005 CHAMBER MUSIC EXPERIENCE Eastman School of Music Rochester, NY 2003 – present Musica Nova: contemporary ensemble. Performances for Charles Wuorinen, Michael Daugherty, others. Intermusica: chamber ensemble. Performances with Julius Baker, others. Cleveland Quartet Seminar Rochester, NY 2006-07 Coaching with the Cleveland Quartet, John Graham and Catherine Tait. Performances in Kilbourn Hall and the Rochester Public Library. Juilliard Quartet Seminar New York, NY 2000 Coaching with the Juilliard String Quartet. Performance
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News Release New College, Sarasota, Florida Furman C
/ NEW COLLEGE NEWS RELEASE NEW COLLEGE, SARASOTA, FLORIDA FURMAN C. ARTHUR - INFORMATION FOR RELEASE: THURSDAY P.H. OR AFTER First concert of the seven to be held as part of the New College Summer f-lusic Festival >:·Till be offered Saturday evening (June 17) in Hamilton Center on the coller,e ca~pus. second Hill be performed at p.m. Performing in the tt-10 concerts ~-Till be six of the leading musicians lvho are serving as faculty for the festival plus two assisting artists and a chamber orchestra. Music lvill ranee from eighteenth century to the present in pror,rams carefully planned by Festival music director Paul Holfe. Leadine artists performing in the tlJO concerts ~vill be violinist 'Holfe, oboist Robert Bloom, violist Halter Trampler, cellist Bernard Greenhouse, pianist Jacques Abram and flutist Julius Baker. Assistin~ artists in the first two concerts will be violinist Anita Brooker and cellist Christopher von Baeyer. The Festival Chamber Orchestra also lvill assist in the second concert. - more - NEH COLLEGE - Page 2. :n the first half of Saturday's concert, t-1ozart' s 0uartet in F Major ~ilill be performed by Bloom, Holfe, Trampler, and Greenhouse~ followed by Debussy's Sonata played by Greenhouse and Abram. A quintet of Baker, Holfe, Miss Brooker, Trampler, and Greenhouse \ilill conclude the openinp, half of the propram with Ginastera's lmpresiones de la Puna. After intermission, Abram, Holfe, Trampler, and Greenhouse ~-1111 play Brahm's 0uartet in G Hiner Opus 25. Sunday afternoon at the concert to be performed at 11JC, the group of Holfe, Hiss Brooker, Trampler, Greenhouse and von Baeyer will play Boccherini's Ouintet inC Major followed by Baker and Abrams performing Poulenc's Sonata.
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Featuring Program
Program Featuring Marina Piccinini, Flute Hailed by Gramophone 2014 as “the Heifetz of the flute,” flutist Marina Piccinini Sergei Prokofiev (1891 - 1953) is recognized as one of the world’s leading flute virtuosos. The first flutist to win the Sonata for Flute and Piano in D Major, Op. 94 Avery Fisher Career Award, she combines flawless technical command, profound Moderato interpretive instincts, and a charismatic stage presence. In January and February Scherzo 2016, she performed the World Premiere of the Aaron Jay Kernis Flute Concerto Andante written for her, with Leonard Slatkin and the Detroit Symphony Orchestra, and Allegro con brio Ward Stare and the Rochester Philharmonic. Marina enjoys an international career as soloist with major orchestras, including the Boston Symphony, the London Philharmonic, Tokyo Symphony, the National Symphony, Saint Paul Chamber Or- Pierre Boulez (1925 - 2016) chestra, Montreal Symphony, Hong Kong Philharmonic, and Rotterdam Philhar- Sonatine for Flute and Piano monic. A graduate of The Juilliard School, her mentors include Julius Baker, Jeanne Baxtresser, and Aurèle Nicolet. She is Professor of Flute at the Peabody Institute of The Johns Hopkins University and the Hochschule für Musik, Theater und Medien Intermission in Hannover, Germany, and frequently gives Master Classes around the world. Marc-André Dalbavie (1961 - ) Andreas Haefliger, Piano Nocturne (written for Marina Piccinini and Andreas Haefliger Andreas Haefliger, with his formidable technique and musicality, and his innate as a Wedding Anniversary gift, 2012) sense of architecture and phrasing, is widely recognized as a pianist of the first rank. He has had engagements with major U.S. orchestras, including the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Boston Symphony, César Franck (1822 - 1890) and the Pittsburgh, Chicago, and San Francisco Symphony Orchestras, among Sonata in A Major others.
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THE NATIONAL FLUTE ASSOCIATION RESEARCH TABLE HOLDINGS August 2010
THE NATIONAL FLUTE ASSOCIATION RESEARCH TABLE HOLDINGS August 2010 Adams, Carl. “The Flute Works of Joachim Andersen, A Pedagogical Study.” Thesis, Catholic University, 1982. Aitchison, Anne. “The Flute Family in Contemporary Practice: An Essay-Demonstration.” Master’s thesis, University of Michigan, 1965. Arnone, Francesca Marie. “A Performance Edition of Charles Koechlin’s Les Chants de Nectaire, opus 198.” DMA essay, University of Miami, 2000. Artaud, Pierre-Yves. La Flûte. J. C. Lattès, 1986. Averitt, Frances Lapp. “An Intonation Method for Flutists (Non-Exclusive of Other Instrumentalists and Singers) Based on the Use of Difference Tones as a Practical Guide to the Achievement of Perfectly Tuned Intervals.” DM thesis, Florida State University, 1973. Bailey, John Robert. “Maximilian Schwedler’s ‘Flute and Flute-Playing’: Translation and Study of Late Nineteenth-Century German Performance Practice.” DM thesis, Northwestern University, 1987. Ballatori, Cristina. “A Performer’s Guide: Suite Paysanne Hongroise for Flute and Piano by Béla Bartók/Arranged Paul Arma.” DMA major document, University of Colorado, 2006. Beard, Christine Elizabeth. “Excerpts for Flute from the Wind Band Literature: An Annotated Guide for Practice, Performance, and Audition Preparation, Presented as a Progressive Supplementary Teaching Method.” DMA treatise, The University of Texas at Austin, 2003. Becker, Janet Sue. “The Eighteenth Century Flute Concerto: A Study and Edition of Two Manuscripts from the Fuerst Thurn und Taxis HofBibliothek Regensburg with reference to Contemporary Treatises.” DM thesis, Northwestern University, 1993. Bent, Jane. “The Arranging of Flute Concerto Accompaniments for Band.” DMA thesis, University of Wisconsin-Madison, 1988. Billington, Robert David. “A Description and Application of Robert Aitken’s Concept of the Physical Flute.” DMA essay, University of Miami, Florida, 2000.
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