Godzilla and the Cold War: Japanese Memory, Fear, and Anxiety in Toho Studio's Godzilla Franchise, 1954-2016
GODZILLA AND THE COLD WAR: JAPANESE MEMORY, FEAR, AND ANXIETY IN TOHO STUDIO'S GODZILLA FRANCHISE, 1954-2016 Daniel J. Durkin III A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Benjamin Greene © 2021 Daniel J Durkin III All Rights Reserved iii ABSTRACT Walter Grunden, Advisor This thesis investigates the numerous installments of the Godzilla film franchise, created by Toho Studios from 1954 through the present day, that contributes to the overall historiography and understanding on a post-World War II Japan. This study complicates previous scholarship on these films and Japan as a whole, which asserts that these films were primarily geared towards children and rarely offer substantive socio-political messages. By examining the numerous films of this franchise, this study demonstrates not only that there were themes reflective of Japanese memory, fear, and anxiety throughout the franchise, but that these films aim to bring about changes in society as a whole. All of these films display to some degree uncomfortable memories of the Second World War and mounting fears of the Cold War, both of which many Japanese people saw their country at the mercy of. The films captured the Japanese zeitgeist and transformed these attitudes and emotions into thematic elements, openly displaying them on screen in the hopes of involving great societal change within Japan and the international sphere. Ideas such as fears of thermonuclear devastation, worry over the spread of Communism and Communist regimes, the growth of science and technology, musings over man’s place in nature and the world and many others are openly present throughout the Godzilla franchise.
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