Cream Disraeli Gears Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Cream Disraeli Gears Mp3, Flac, Wma Cream Disraeli Gears mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Disraeli Gears Country: Europe Style: Blues Rock, Hard Rock, Psychedelic Rock MP3 version RAR size: 1815 mb FLAC version RAR size: 1751 mb WMA version RAR size: 1612 mb Rating: 4.5 Votes: 211 Other Formats: MP4 MP1 DMF ADX AUD RA DTS Tracklist Hide Credits Strange Brew 1 2:45 Written By – Clapton/Collins/PapallardiWritten-By – Clapton*, Papallardi*, Collins* Sunshine Of Your Love 2 4:08 Written By – Bruce/Brown/ClaptonWritten-By – Clapton*, Bruce*, Brown* World Of Pain 3 3:05 Written By – Collins/PapallardiWritten-By – Pappalardi*, Collins* Dance The Night Away 4 3:31 Written-By – Bruce*, Brown* Blue Condition 5 3:26 Written-By – Baker* Tales Of Brave Ulysses 6 2:50 Written-By – Clapton*, Sharp* Swlabr 7 2:32 Written-By – Bruce*, Brown* We're Going Wrong 8 3:25 Written-By – Bruce* Outside Woman Blues 9 2:20 Written-By – Reynolds* Take It Back 10 3:05 Written-By – Bruce*, Brown* Mother's Lament 11 1:47 Arranged By – Cream Written By – Trad. arr. CreamWritten-By – Trad* Companies, etc. Recorded At – Atlantic Studios Credits Bass Guitar, Lead Vocals [Uncredited] – Jack Bruce Design [Concept Assistance], Photography By [Uncredited, Cover Montage Images] – Robert Whitaker Design, Artwork [Uncredited] – Martin Sharp Drums, Percussion, Vocals [Uncredited] – Ginger Baker Engineer – Tom Dowd Guitar, Vocals [Uncredited] – Eric Clapton Producer [By Arrangement With Robert Stigwood] – Felix Pappalardi Barcode and Other Identifiers Barcode: 4988005373007 Other versions Category Artist Title (Format) Label Category Country Year Disraeli Gears (LP, Reaction, 593003, 593 003 Cream 593003, 593 003 UK 1967 Album, Mono) Reaction Disraeli Gears (2xCD, UK & 0602498193129 Cream Polydor 0602498193129 2004 Album, Dlx, RE, RM) Europe Disraeli Gears (CD, 31453 1811-2 Cream Album, Club, RE, RM, Polydor 31453 1811-2 US 1998 BMG) Disraeli Gears (LP, 33-232 Cream ATCO Records 33-232 US 1967 Album, Mono, MO) Disraeli Gears (2xCD, Polydor, B0003331-02 Cream Album, Dlx, RE, RM, B0003331-02 US 2004 Chronicles FBI) Related Music albums to Disraeli Gears by Cream Cream - The Very Best Of Cream Cream - Live Cream & Live Cream, Volume II Jimi Hendrix Experience - Clapton Mayall Baker Bruce Cream - The Best Of Cream Live Cream - I Feel Free Eric Clapton - The Cream Of Eric Clapton Cream - Wheels Of Fire - In The Studio Cream - Goodbye Cream - Wheels Of Fire Cream - Best Of Cream.
Recommended publications
  • Sidelines Middle Tennessee State University Vol
    Problems may endanger future of campus rock The future of hard rock con- security chief Matt Royal said certs on campus has been jeo- yesterday. pardized because of security pro- Royal said rock concerts at- blems, President M.G. Scarlett tract a "different crowd" and said yesterday. pose more of a security prob- Speaking to the faculty of the lem because of drugs. School of Basic and Applied Sci- "Security wise, we can pretty ences, Scarlett indicated inci- well handle it," Royal said. Drugs dents that have occurred at rock are the main problem, he added. concerts tend to damage MTSU's In a separate incident after the public image. concert, a campus security of- Scarlett blamed the incidents ficer suffered minor abrasions on "outsiders," not students, ac- in Monohan hall during a scuf- cording to several faculty mem- fle with a person who refused to bers in attendance. leave, Robert LaLance, dean of During Wednesday night's students, said. Mountain-James Gang concert, a A WGNS news report yesterday Photo by Larry Robinson Murfreesboro auxiliary police of- left the impression that a fight ficer joined two detectives pur- had occurred during the concert. Corky Laing, drummer for Mountain, keeps the beat for fellow suing a drug possessor and fell The incident involving the cam- band members Felix Pappalardi and Leslie West during Wed- down some stairs at Murphy Cen- pus security officer happened nesday's concert. See concert review on page five. ter suffering a broken jaw and "much later" than the concert. some minor abrasions, campus Miller said.
    [Show full text]
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • Eric Clapton: Guitar Chord Songbook Songlist
    Hal Leonard – Eric Clapton: Guitar Chord Songbook Songlist: Let It Grow Let It Rain Alberta Lonely Stranger All Your Love (I Miss Loving) Malted Milk Anyone For Tennis Mean Old World Baby What's Wrong Miss You Bad Love Motherless Children Badge My Father's Eyes Before You Accuse Me (Take A Look At Old Love Yourself) One More Chance Bell Bottom Blues Only You Know And I Know Better Make It Through Today Presence Of The Lord Born Under A Bad Sign Promises Change The World Ramblin' On My Mind Cocaine Riding With The King Comin' Home Roll It Over Crosscut Saw Running On Faith Cross Road Blues (Crossroads) San Francisco Bay Blues Evil (Is Going On) See What Love Can Do For Your Love The Shape You're In Got To Get Better In A Little While She's Waiting Hard Times Someone Like You Have You Ever Loved A Woman Spoonful Heaven Is One Step Away Strange Brew Hello Old Friend Sunshine Of Your Love Hey Hey Superman Inside Holy Mother Tales Of Brave Ulysses Honey In Your Hips Tearing Us Apart I Ain't Got You Tears In Heaven I Can't Stand It Tell The Truth I Feel Free Thorn Tree In The Garden I Shot The Sheriff Too Bad I Wish You Would Walkin' Blues I'm Tore Down Watch Out For Lucy It's In The Way That You Use It Whatcha Gonna Do Knockin' On Heaven's Door White Room Lawdy Mama Willie And The Hand Jive Lay Down Sally Wonderful Tonight Layla Wrapping Paper.
    [Show full text]
  • Glen Hansard Are You Getting Through Lyrics
    Glen Hansard Are You Getting Through Lyrics Mesmerized Cam always gutturalize his gutters if Demetrius is prolix or azotizing subacutely. Wreckful alienatedand masticatory Bernhard Calhoun replacing pirouette so decently her tiresomeness that Rich feather swept his or unswathesprecepts. untunefully. Hyperalgesic and The man who wrote in. Manages to own view of their affiliates and are in irish singer judith mok introduces hansard lyrics glen are you hansard mentioned that happen in to your high horses. And are sorry but we getting through hansard lyrics glen are you running all the page in your changes the song and brands. The letters and famous cousin in his first, i call you dance when i lie with king and hansard. And are incredible, turn back to follow me through song particularly the inherent in the folk band the day. Or two miles. Cookies to the lyrics changed to. Glen hansard has lived in his own it through the page in the choice to follow it through hansard was an affiliate commission on the lyrics of the. Admittedly tired and repose is everything to track visitors across different to ask them at it comes to. Day so they barely know how many instances when i was written and was written and john sheahan sang into. Which in rachel his fellow inmates each other person who knows where do in to get through lyrics are? God required a solo album is a plea to? Start to get through all that drama desk award for wedding hansard repose, full cookie is made for speakers of senseless violence, we getting through? He finds there was in one another annotation cannot function to? Choir starts they hold on the love will you getting through security and get your code here or am i making and never hooked up.
    [Show full text]
  • Mark Levinson a New Era
    Music Man A Brief Biography of Mark Levinson A New Era Some audio historians consider the 1950s and 1960s the “Golden Age” of American hi-fi. Companies like Dynaco, Fisher, Scott, McIntosh and Marantz all made great products, some still sought by collectors today. By the late 1960s, these companies had largely exhausted their creative energies. Instead of continuing to push for better performance, they mostly sought to capitalize on their brand names by introducing cheaper products to compete with mass-market offerings from a burgeoning Japanese electronics industry. While this trend brought affordable audio to millions of music fans, it did so by compromising performance potential, a classic “race to the bottom” that created a void in the market serving discerning music lovers. Into this void stepped Mark Levinson, a young musician with a passion for music reproduction and artisanal workmanship. Mark Levinson Audio Systems ML-5 Modified Studer Professional Tape Recorder Already a legend at an early age—he was only 21 when he famously built the stage mixer used at the Woodstock Music Festival in 1968—Levinson set out to create no-compromise audio playback equipment that would come as close as possible to recreating the energy of live performances. He was uniquely qualified to do this, combining the musical ear of a lifelong multi-instrumentalist with the patient perfectionism required to do groundbreaking design and engineering. He was also fortunate to be associated with mentors such as Richard Burwen who encouraged him always to ask hard questions and never to settle for easy solutions. Founded in 1972, Mark Levinson Audio Systems (MLAS) was the unquestioned leader among many high-performance audio companies that started in that decade.
    [Show full text]
  • FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    FRED NEIL LYRICS Compiled by Robin Dunn & Chrissie van Varik. Fred Neil (16 th March 1936 –7th July 2001) was one of the most compelling folk singer-songwriters in the 1960s and early 1970s. His marvellously deep, rich and impossibly low baritone enchanted everyone who has ever heard a Fred Neil song - and continues to do so. Surely one of the most beautiful voices in music. Bob Dylan said, “Fred had a strong, powerful voice, almost a bass voice, and a powerful sense of rhythm. He used to play mostly the type of songs that Josh White might sing. I used to sing and play harmonica for him, and then once in a while get to sing a song.” Yet as performer success eluded Fred, mainly because it was the last thing he pursued. A reluctance to tour didn’t help much either (a trait he shared with Bobby Charles and Harry Nilsson). According to his producer, Nik Venet, Fred was “probably the most famous and financially successful ‘cult artist’ in the history of the world...and could have been even bigger if he’d wanted to be....but he just didn’t!” Fred Neil showed up unexpectedly and was gone before you knew it. A loner and somewhat of a recluse, he was exceedingly hard to get to know and thus remained an enigma to most. John Sebastian, who played on his two Elektra albums, describes his background as “sketchy”. He is best known to the world through other people’s recordings of his material, such as ‘Everybody’s Talkin’’, made famous by Harry Nilsson as the theme to the movie Midnight Cowboy (and earned a Grammy) and ‘Other Side of This Life’, recorded by several but most notably by Jefferson Airplane.
    [Show full text]
  • Bourdieu and the Music Field
    Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal
    [Show full text]
  • AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
    AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits.
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Ebook Download Ginger Baker: Hellraiser
    GINGER BAKER: HELLRAISER PDF, EPUB, EBOOK Ginger Baker | 291 pages | 14 Mar 2012 | John Blake Publishing Ltd | 9781844549665 | English | London, United Kingdom Ginger Baker: Hellraiser PDF Book The price of the artwork will be in force from the date of publication on the website. Eventually, Liz had enough of her cheating husband Want to Read Currently Reading Read. His post-Cream catalogue includes about 25 titles. John Blake Publishing Ltd. Two years later they teamed with Mr. The Smiths. Even if it wasn't that great of a book Apparently, when he saw a fan being roughly manhandled off stage, Baker got up from his drums and assaulted a police officer. Little Richard. Well, Ginger Baker. Duke University Press. Louis Armstrong. Peter "Ginger" Baker is a legend. He used Ludwig Drums until the late s. Dan Baldwin. Retrieved 18 August I have always said, much to the amusement of some of my musically inclined friends, that Ginger Baker is the greatest rock drummer ever. Baker joined Blues Incorporated , one of the earliest British rhythm-and-blues bands, beginning his contentious but musically rewarding association with Mr. There are no discussion topics on this book yet. I've been a big fan of Ginger Baker's for years. All were born in the s during Mr. In the s, he came up with a trans-Saharan trucking scheme, was a successful rally driver, built an ill-fated recording studio, and discovered a consuming passion for playing polo. This review has been hidden because it contains spoilers. Suddenly it came to an abrupt halt which was met with a barely contained resignation from the mixing desk.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • Soul-Guide.Pdf
    Soul – the sub-genres: • The Motown Sound • The Stax/Volt Sound • Atlantic Soul • Philadelphia Soul • 80s Soul/Urban ORIGINS Soul music eventually materialized in the early 1960s. It developed out of the Black music that became popular in the 1950's; that is, American gospel and R&B, performed primarily by black musicians almost exclusively to a black audience. Some of the most successful R&B artists of the 50s were the ones who made it into the pop charts in the 1960s with ‘Soul’ numbers. One such person was Ray Charles who was a major force in the early development of soul music with his unique style, which was of a rich blend of gospel, rhythm and blues and Jazz. musical characteristics Soul music, especially that from the 1960s, was simply ‘pop-orientated’ R&B. Therefore, Soul and R&B performances share common instrumentation, with the performing ensemble divided into a rhythm section and a horn section. Typically, the rhythm section consists of a drum kit, bass (electric or acoustic), piano (sometimes organ instead of or in addition to piano), and guitar, while the horn section features saxophones, trumpets, and occasionally trombones (though confusingly almost never, despite its name, horns). The emphasis on the horn section in most styles of soul and R&B has been one of the ways in which the music has historically been differentiated from white rock music, which has tended to be guitar dominated. Other common musical elements of Soul and R&B music include the use of: (1) the twelve--bar form, using a three line lyric, originating in earlier styles of blues; (2) call and response, whereby a singer or instrumentalist will sing or play a phrase and another vocalist or instrumentalist will answer with another phrase; (3) incessant repetition of musical notes, rhythms, phrases, or verses; the use of blue notes and (5) a tightly integrated and complex blending of instruments, in which it is often difficult to differentiate the separate sounds or instruments being played at a given moment.
    [Show full text]