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Artescénicas : La Revista De La Academia. Núm. 19, Diciembre 2020 ARTESCÉNICAS La Revista de la Academia dic #19 /2020 CAROLINA ÁFRICA Publicación trimestral. 5€ PALOMA PEDRERO, dos autoras con los pies en la tierra LIBERTAD DE EXPRESIÓN ◆ TEATROS PúBLICOS ◆ MARIA RODRIGO ◆ EL MUNDO SIN TEATRO En diciembre os planteamos estas preguntas ¿a qué saben las raíces? ¿se puede lavar la sangre? Conservando memoria Macbeth escrita y dirigida por Izaskun Fernández y Julián Sáenz-López escrita por William Shakespeare versión de José Luis Collado 18 DIC 2020 - 10 ENE 2021 un proyecto de Gerardo Vera dirigido por Alfredo Sanzol Teatro María Guerrero | Sala de la Princesa 27 NOV 2020 - 17 ENE 2021 | Teatro María Guerrero ¿enamorarse de un hombre 20 años menor? ¿habrá escapatoria? Querido capricho escrita y dirigida por Tomás Cabané Siglo mío, bestia mía en colaboración con Tomás Pozzi escrita por Lola Blasco y dirigida por Marta Pazos 20 NOV - 13 DIC 2020 11 NOV - 20 DIC 2020 Teatro María Guerrero | Sala de la Princesa Teatro Valle-Inclán | Sala Francisco Nieva Centro Nacional Todas las preguntas de la temporada y las entradas en ¿hablamos? dramático.es Tribus escrita por Nina Raine y dirigida por Julián Fuentes Reta 6 NOV - 27 DIC 2020 | Teatro Valle-Inclán contenidos 5 editorial 10 50 Entrevista con MANUEL GALIANA 6 RED DE MENTORES Por Antonio Castro Por Denis Rafter 54 MARIA RODRIGO 10 PORTADA COMPOSITORA Entrevista con Paloma Pedrero Por Ana Vega-Toscano y Carolina África Por Raúl Losánez 58 EL SALUDO DE LOS AUTORES 38 Por A. Castro 18 CARA Y CRUZ ¿Hay censura en nuestros escenarios? 62 ¿DEBE SER EL TEATRO Por Ernesto Caballero e Ignacio TRANQUILO Y SOSEGADO? del Moral Por Rober Muro y Alberto Fernández Torres 6 en TIEMPOs DE calamidad EL TEATRO GALA DE 22 Las alternativas frente a la 66 pandemia. WASHINGTON Por David R. Peralto Por Julio Salvatierra 46 26 Las artes de calle contaminadas 70 NOTICIAS DE LA Por Manuel V. Vilanova ACADEMIA 29 El mundo sin teatro 72 LIBROS 34 Qué cambiar en la pedagogía teatral. Por Tomás Motos 74 BUTACA DE ESTRENO Por Ana Santos Aramburo 38 LA SAGA PERICET 50 Por Marta Carrasco 42 TEATRO ¿GRABADO? Por Arantxa Vela Buendía 46 NUEVO RUMBO DE LOS TEATROS PÚBLICOS Por Liz Perales 5 ¡Enhorabuena a los premiados! XXI PREMIO SGAE DE TEATRO INFANTIL Antonio Álamo, por La increíble historia de la caca mutante XIV CERTAMEN INTERNACIONAL SGAE LEOPOLDO ALAS MÍNGUEZ para textos teatrales LGTBI Francisco Javier Suárez Lema, por Afuera están los perros II PREMIO SGAE DE TEATRO ANA DIOSDADO para textos escritos por mujeres Nieves Rodríguez Rodríguez, por Aquí duermen ciervos XXIX PREMIO SGAE DE TEATRO JARDIEL PONCELA Jose Joaquín Julien Ros, por Bonobo Con el TEATRO ARTESCÉNICAS Editor Academia de las Artes Escénicas de España (AAEE) Directora Liz Perales Subdirector Antonio Castro Consejo editorial Mercedes L. Caballero, César Oliva, Ana Vega Toscano Arantxa Vela Buendía Consejo de especialidades Joan Cerveró, Carmen Giménez Morte, Julia Oliva, David R. Peralto, Pape Pérez, José L. Raymond, Julio Salvatierra y Ángel Solo Publicidad [email protected] Abiertos Dirección de arte y maquetación Victoria de Diego Nuestros teatros siguen abiertos la apertura de horizontes que Suscripciones y distribución AAEE en este compás de espera que alcanzaron por entonces cier- Abdón Terradas, 4. 4ª planta 28015 Madrid sufrimos a consecuencia de la tas mujeres de las clases medias +34 915 946 984 [email protected] epidemia. Primero resistieron cultivadas de España. www.academiadelasartesescenicas.es los festivales y los teatros de Paloma y Carolina son drama- Imprime Gamacolor Madrid, abiertos desde princi- turgas de dos generaciones aleja- Depósito Legal: M-8168-2015 pios de verano con limitaciones das en el tiempo y, sin embargo, ISSN: 2605-0412 / Impresa 2605-0420 / Online de aforo y aplicando los pro- se enfrentan a su oficio de mane- La Academia no suscribe las opiniones de los autores tocolos de Sanidad. Pero aho- ra parecida, aunque no sé si por publicadas en Artescénicas. ra se han sumado los de otras voluntad o necesidad. No solo Queda prohibida la reproducción parcial o total de sus contenidos sin autorización expresa del editor ciudades españolas con lo que son autoras, sino que han funda- por cualquier medio de reproducción mecánica o electrónica. ello supone de consuelo y ánimo do compañía, se han empeñado Portada para los ciudadanos; nunca el en financiar sus producciones, Pedrero y África en el Real Jardín Botánico de Madrid fotografiadas por Valentín Álvarez. teatro me pareció más terapéu- las dirigen y, en ocasiones, ac- tico. Están funcionando y y con túan. Eso no solo exige talento, Academia de las Artes Escénicas de España cero contagios. En el trabajo que estudio y entrega, también li- Presidente ofrecemos sobre las capitales derazgo. Paloma, con una obra Jesús Cimarro Vicepresidente Económico más teatreras, solo en Ciudad de traducida, premiada y que ha Francisco Sanguino México funcionan a medio gas recibido la atención de teatros Vicepresidenta de Estudios y Actividades Rosángeles Valls algunos teatros. Se diría que el extranjeros e investigadores aca- Vicepresidente de Régimen Interno mundo está sin teatro a excep- démicos, ha tardado casi treinta Juan Ruesga ción de nuestro país, situación años en que la institución desti- Vicepresidenta de Premios y Distinciones Marta Torres muy llamativa entre los teatros nada a la promoción de nuestra Secretario general Robert Muro líricos, donde han destacado el dramaturgia -el CDN- la acogie- Tesorero Real y la Zarzuela porque no ra; afortunadamente Carolina no Luis Miguel González Cruz han detenido su programación ha tenido que esperar tanto. Con Vocales Miguel Ángel Camacho, Eduardo Galán, Cayetana como sí lo han hecho los coliseos una juventud insultante nos ha Guillén Cuervo, Pilar Jurado, Ana Labordeta, Magüi Mira, Antonio Najarro, Liz Perales, César Oliva, Julia Oliva, internacionales más célebres. presentado dos comedias que ha Carmen Portaceli, Antonio Resines, Fernando Rojas. Gerente Por otro lado, y sin proponér- escrito, producido y dirigido con Marta San Juan noslo, este número de la revisa su troupe La Belloch. Paloma y nos ha quedado muy femeni- Carolina, cada una en su estilo, no. Tuvimos claro que Paloma también comparten una escritura Pedrero y Carolina África, que es testigo de su tiempo, son La Academia de las Artes Escénicas online que han inaugurado la tem- autoras con los pies en la tierra, Visita la web de la Academia de las Artes Escénicas para porada del Centro Dramático como la del hermoso Real Jardín recibir información actualizada y conocer sus actividades puntuales. Nacional, merecían nuestra cu- Botánico de Madrid que pisan en También podrás descargarte la edición de esta revista, ampliar la información sobre los servicios que ofrece y bierta. Pero también incluimos nuestra imagen de portada. estar siempre conectado con la Academia. ◊ www.academiadelasartesescenicas.es la memoria de María Rodrigo, compositora, pianista y docente Entidades colaboradoras: durante la primera mitad del siglo XX, y cuya vida ilustra Liz Perales 5 el la apoyo de experiencia La especialidad de Dirección de ROADla Academia pone en marcha un proyecto de ayuda y asesoramiento a directores noveles. Por Denis Rafter a Red de Orientación podría sentarse y hacer pre- La dirección de escena es un y Asesoramiento en guntas a los miembros más camino a veces muy solitario. la Dirección de es- experimentados. Un grupo de profesionales de cena (ROAD) es un Inspirado por este con- la especialidad acompañamos proyecto de largo re- cepto, desde la especiali- a colegas, no solo a los que Lcorrido que une los valores dad de Dirección de escena están en la Academia, sino y objetivos de una academia: de la Academia de las Artes también a los que están fuera proteger, fomentar y desa- Escénicas se ha desarrollado de ella y que piden diálogo con rrollar un arte o ciencia. La un programa de mentoring por algún profesional de ROAD. primera Akademia fue fun- el que se pone a disposición dada en el siglo IV. a.C. en un de los jóvenes profesionales PROFESIONALES Y santuario dedicado a Atenea, una red de directores que son AMATEURS la diosa de la sabiduría y la académicos para orientar y En cualquiera de las fases de habilidad. Seguro que en esta asesorar sobre las dudas que este camino, desde la concep- cuna del diálogo filosófico puedan surgir en los distintos ción inicial hasta el estreno y y artístico había un espacio aspectos de la creación y pues- representaciones de un proyec- donde cualquier interesado ta en escena de un espectáculo. to, la iniciativa va dirigida a 6 “Lo que se ofrece es un suspiro en medio del caos de la dirección de una obra, una oportunidad de charlar y compartir ideas, resolver dudas y escuchar alternativas” cualquier persona que acredite una experiencia en la dirección de escena, ya sea del mundo amateur, estudiantes de direc- ción de escena, o profesionales de la disciplina. Lo que la especialidad de Dirección ofrece es una pa- rada en el viaje, un suspiro en medio del caos de la direc- ción de una obra de teatro, una oportunidad de charlar y compartir ideas, resolver du- das y escuchar alternativas y sugerencias cuando falta ins- piración, tener a tu alcance a alguien que te escucha para confirmar que tu propuesta de una puesta en escena es váli- da, o no; aprovecharse de la si se procede vía presencial, on- experiencia de otro director o line o vía telefónica. En caso directora, consultar a alguien de que la asesoría se solicite de que tiene ya conocimiento de manera presencial prevalecerá el ciertos autores, estilos, géneros criterio de cercanía para que los o formas de teatro o, simple- académicos que desarrollen esta mente, el apoyo de alguien en ayuda pertenezcan a la misma sus momentos de bloqueo ar- ciudad, provincia o comunidad Denis Rafter 2016.
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