Comprehensive Digital Documentation and Preliminary Structural Assessment of Satunsat: a Unique Maya Architectural Labyrinth at Oxkintok, Yucatan, Mexico
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THE GREAT MAYAN ECLIPSE: Yucatán México October 14, 2023
Chac Mool, Chichén Itzá Edzna Pyramid, Campeche THE GREAT MAYAN ECLIPSE: Yucatán México October 14, 2023 October 6-16, 2023 Cancún • Chichén-Itzá • Mérida • Campeche On October 14, 2023, a ‘ring of fire’ Annular Solar Eclipse will rip across the western U.S. and parts of the Yucatán in México as well as Central and South America. Offer your members the opportunity to see a spectacular annular eclipse among the ruins of the mighty Maya civilization. Meet in Cancún before heading off to Chichén Itzá, Ek Balam, Uxmal, Mérida, and Campeche. On Eclipse Day transfer to our viewing site outside Campeche in the vicinity of the Maya Site of Edzná to see this spectacular annular solar eclipse. Here passengers can see a smaller-than-usual moon fit across 95% of the sun to leave a ring of fire. The ring of fire will reign for 4 minutes and 31 seconds while very high in the darkened sky. Highlights • Swim in a cenote or sinkhole formed million years ago from a colossal asteroid impact to the region. • Enjoy a stay at a luxury and historic hacienda. • Investigate the UNESCO Heritage Sites of Chichén Itzá one of the “New 7 Wonders of the World.” • Witness the ring of fire of an Annular clipseE near the Maya ruins. Itinerary 2023 Oct 06: U.S. / Cancún Oct 08: Chichén Itzá Fly to Cancún. Transfer to hotel near the airport. Meet in the Private sunrise tour of Chichén Itzá before it opens to the public. early evening at the reception area for a briefing of tomorrow’s The site contains massive structures including the immense El departure. -
Further Advances of House Sparrows Into the Brazilian Amazon
SHORT COMMUNICATIONS 109 Condor, 82:109 0 The Cooper Ormthological Society 1980 OBSERVATIONS ON THE BREEDING cm height) hole located 2.5 m above floor level in the OF TURQUOISE-BROWED MOTMOTS inner room of a 2-room complex within The Governors’ Palace at Uxmal. This observation supports Skutchs’ IN YUCATAN (1945) judgment that the attribution by Gaumer (1881- 1882) of relatively elaborate nests to well (cenote?)- nesting Yucatan Turquoise-browed Motmots was ques- ROBERT F. MARTIN tionable. Together with our sightings of recently fledged young on these dates, this observation also supports the AND data of Klaas (1968) taken at a bank-burrowing colony MARK W. MARTIN near Champoton, Campeche on 9 July 1962 and his hy- pothesis that these motmots may rear two broods per sea- son. Recent work on this species near Escircega, Cam- Motmots typically excavate burrows in banks and lay peche, by Orejuela (1977), however, indicates that their eggs on bare earth in terminal chambers of these early July clutches in that area represent late starts and b urrows. The works of Skutch (1947), Klaas (1968), and renestings. An additional observation made at Uxmal Orejuela (1977) indicate that in much of Middle Amer- is of interest in regard to potential helpers at the nest ica, the behavior of the Turquoise-browed Motmot in this motmot: On 4 July, we watched three individ- (Eumomota superciliosu) follows this pattern. In areas uals of similar size (apparently adult, but rectrices were of the Yucatan Peninsula that possess shallow soils, hidden) perched on a rock within 30 cm of each other however, this motmot commonly frequents the vicinity with prey in their bills; one held a large scorpion. -
Architectural Survey at Uxmal Vol. 1
ARCHITECTURAL SURVEY AT UXMAL VOL. 1 George F. Andrews University of Oregon I 2 ARCHITECTURAL SURVEY AT UXMAL 3 ARCHITECTURAL SURVEY AT UXMAL Starting in 1973, I have recorded detailed architectural data on the following groups and structures: r 1) Northwest Quadrangle (North of Northwest Acropolis (1984) a. Structure 4 b. Structure 5 c. Structure 6 d. Structure 7 2) Group 22 (1985) a. Structure 1 b. Structure 3 3) Temple of the Columns (1985) 4) Cemetary Group (1978, 1981) a. Structure 2 5) Nunnery Quadrangle (1973, 1974) a. South Building (+ South Stairway, 1987) b. East Building c. West Building d. North Building c. Venus Temple, lower level, platform of North Building f. East Temple, lower level, platform of North Building g. East and West Rooms, lower level, platform of North Building 6) Northern Long Building(North 6 South Annexes, Nunnery Quadrangle) (1974) a. South Wing b. North Wing 7) Advino Quadxangle(Quadrangle west of Pyramid of the Magician) (1973,1974) a. East Building (Lower West Building, Pyramid of the Magician) b. West Building (House of the Birds) (1993) c. North and South Buildings tKiO 8) Pyramid of the Magician (Pirámide del Advino) (1974, 1981) \f>' a. Temple II . b. Temple 111 c. Temple IV (Chenes Temple) d. Temple V (Upper Temple) 9) Southeast Annex, Nunnery Quadrangle (1974) 4 10) Ballcourt (1978) 11) House of the Turtles (1973) 12) House of tin Governor (1973) r - ''rU ■'■' ?J~**-;" '■> 0 13) Chenes Building 1 (1974) 14) Chenes Building 2 (1978) 15) Group 24(Group northeast of North Quadrangle of South Acropolis(l9B4) a. -
Who Were the Maya? by Robert Sharer
Who Were the Maya? BY ROBERT SHARER he ancient maya created one of the Belize, Honduras, and El Salvador until the Spanish Conquest. world’s most brilliant and successful The brutal subjugation of the Maya people by the Spanish ca. 1470 CE civilizations. But 500 years ago, after the extinguished a series of independent Maya states with roots The Kaqchikel Maya establish a new Spaniards “discovered” the Maya, many as far back as 1000 BCE. Over the following 2,500 years scores highland kingdom with a capital at Iximche. could not believe that Native Americans of Maya polities rose and fell, some larger and more powerful had developed cities, writing, art, and than others. Most of these kingdoms existed for hundreds of ca. 1185–1204 CE otherT hallmarks of civilization. Consequently, 16th century years; a few endured for a thousand years or more. K’atun 8 Ajaw Europeans readily accepted the myth that the Maya and other To understand and follow this long development, Maya Founding of the city of Mayapan. indigenous civilizations were transplanted to the Americas by civilization is divided into three periods: the Preclassic, the “lost” Old World migrations before 1492. Of course archaeol- Classic, and the Postclassic. The Preclassic includes the ori- ogy has found no evidence to suggest that Old World intru- gins and apogee of the first Maya kingdoms from about 1000 sions brought civilization to the Maya or to any other Pre- BCE to 250 CE. The Early Preclassic (ca. 2000–1000 BCE) Columbian society. In fact, the evidence clearly shows that pre-dates the rise of the first kingdoms, so the span that civilization evolved in the Americas due to the efforts of the began by ca. -
Chichén Itzá 6 Turismo MÉRIDA | 7 Ubicación Se Localiza En El Sureste De La República Mexicana, Geografía En La Parte Norte De La Península De Yucatán
CATÁLOGO DE VENTAS Y U C ATA N EL INICIO DE UN NUEVO BAKTÚN BIENVENIDOS A YUCATÁN El principio y el origen de lo que hoy somos, nace en el Mayab, con la ancestral civilización maya a la que pertenecemos y cuya herencia milenaria nos llena de orgullo. El ser humano del siglo XXI está en la búsqueda de reencontrarse consigo mismo, de reconciliarse con la naturaleza y aprender de sus semejantes; está en la búsqueda de conocer antiguas civilizaciones, nuevos paisajes, nuevos mares, nuevas costumbres, nuevas experiencias… En YUCATÁN ofrecemos esta posibilidad de comunión en virtud de nuestro extraordinario patrimonio, teniendo la oportunidad de dar a conocer, preservar compartir y disfrutar la riqueza cultural , natural y turística que poseemos. En el inicio de un nuevo Baktún, de una nueva cuenta larga, ofrecemos a lo largo y ancho de Yucatán un sinnúmero de opciones de recreación, de esparcimiento, de conocimiento, de quietud, de tranquilidad, de salud, de aventura, de convivencia… YUCATAN es Tierra de Orígenes; es tierra donde todo comienza de nuevo; es tierra prodigiosa al alcance de todos los viajeros del mundo que buscan conocer y convivir con una cultura que está mas viva que nunca: La Cultura Maya. Somos herederos de esta gran riqueza, que debemos, queremos y deseamos compartir con todos ustedes y con las futuras generaciones. BIENVENIDOS A YUCATÁN. Rolando Rodrigo Zapata Bello Gobernador Constitucional del Estado de Yucatán EL GRAN MUSEO DEL MUNDO MAYA 2 Turismo MÉRIDA | 3 CRÉDITOS Rolando Zapata Bello Gobernador Constitucional del Estado de Yucatán Saúl M. Ancona Salazar Secretario de Fomento Turístico Patronato de las Unidades de Servicios Culturales y Turísticos del YUCATÁN Estado de Yucatán Tierra de Orígenes, tierra donde Asociación Mexicana de Hoteles Todo comienza de nuevo… en Yucatán, A.C. -
A Distinctive Maya Architectural Format: the Lamanai Temple
8 A Distinctive Maya Architectural Format: The Lamanai Temple . H. Stanley Loten Introduction At Lamanai, as at Tikal, the ancient Maya maintained and repeated the same distinctive temple form over a Towering pyramidal temples, arresting dynastic significantly long time span at different locations portraits, fantastic.mythological figures; they leap to within the site. This review outlines the Lamanai our eyes from the forest canopy, from incised stelae example and considers comparable patterns of and from sculptured mask panels. 1l1ese are the great variation in architectural forms of pyramid-temples at signature pieces of Maya artistic production. They other sites in the Maya area. cap the ruins that initially attracted archaeological attention, and they continue to draw world-class As a secondary theme I am concerned with the con tourism to the Maya area. A constant· stream of ceptual role played by the pyramid, and with the vacationers shuffles past these great works, now underlying reasons that impelled the Maya to include cleared and restored. But they are seen merely as such costly and time-consuming features as prominent curiosities touted to sell excursions from Caribbean parts oftheir major temples. It is generally taken more resorts. In ancient times, however, they were certainly or less for granted that Maya pyramids were employed not for holiday amusement; they .were central to the to raise the "temples" at their summits to a civic and political life of Maya communities. Over commanding position of height (see, for example, centuries the Maya invested an enormous amount of Stierlin 1968:96). This view of the structures is time, energy, skill and resources in their production, certainly correct, and the idea has obvious value; I and their functioning is generally acknowledged to suspect, however, that it may not be the whole story. -
"In 1965 the University Museum Received As a Gift an Intricately Painted Slab of Limestone
83 A PAINTED CAPSTONE FROM THE MAYA AREA Christopher Jones Introduction Mesoamerican archaeology is in an exciting period of synthesis, in which many scholars are making attempts to understand their particular areas or sites as parts of the complex development of civilization in the Americas. The spirit of synthesis has often re-exposed the shakiness of the scaffolding on which some of the most trusted chronologies are based. One of the frustrating chronological controversies at present is that of the architectural styles of the Yucatan Peninsula, with its strongly regional nature and its apparently sudden changes and abandonments. Attempts have seemed to fall so far to reconcile differences of viewpoint in such major matters as the correlation of the Northern and Southern Maya Lowland sequences (see Willey and Shimkin 1973: 471- 473 for a recent statement), and even the basic outline of the architectural sequence at Chichen Itza (Parsons 1969: 172-184). The present paper is written for two purposes. The first is to illustrate and describe a hitherto unpublished painted Maya capstone from the peninsula and present a reading of its inscription. The second is to review our knowledge about capstone dates and scenes in the belief that these small paintings can contribute toward a resolution of some of the above-mentioned controversies, as well as toward a better understanding of the complex religious beliefs of the area. The University Museum Capstone: The Artifact William R. Coe, curator of the American Section of the University Museum, has kindly furnished the following comments upon the physical appearance of the Univer- sity Museum Capstone as well as a photograph (Plate 1), a drawing of the painted scene (Figure 1), and a drawing of the capstone as an object (Figure 2). -
Maya Architecture
1 Uxmal, Kabah, Sayil, and Labná http://academic.reed.edu/uxmal/ return to Annotated Bibliography Architecture, Restoration, and Imaging of the Maya Cities of UXMAL, KABAH, SAYIL, AND LABNÁ The Puuc Region, Yucatán, México Charles Rhyne Reed College Annotated Bibliography Maya Architecture . This is not a general bibliography on Maya Architecture. This section lists publications on Maya Architecture that include attention to the Puuc Region. Publications on individual Puuc sites are usually listed only in their own sections of this subject matter bibliography. Publications by and about early explorers and scholars are listed in that section, even though they sometimes deal extensively with Puuc architecture. A Abrams, Elliot Marc How the Maya Built Their World: Energetics and Ancient Architecture. Austin: University of Texas Press, 1994. Based on a study of the residential architecture at Copán, the author attempts to demonstrate the usefulness of “architectural energetics” in understanding ancient civilizations. As the author writes: “By converting buildings into the energy and labor expended in their construction, a series of reconstructions concerning social power, labor organization, and economics can be generated.” Thus, the book includes 12 tables with titles such as “Operations, Tasks, and Costs per Task in Construction”, “Cumulative Energy Cost per Major Construction Episode”, and Hierarchic Social structure based on Residential Cost”. The few conclusions reached regarding the Maya at Copån do not seem to need the elaborate structure of the book. For example, the first conclusion states that “in addition to their greater symbolic value, improved 2 residential structures provided their occupants with an enhanced biopsychological quality of life, particularly in terms of health and comfort. -
La Cerámica De Oxkintok
La cerámica de Oxkintok CARMEN VARELA TORRECILLA Proyecto Oxkintok «No será para vosotros el juego de pelota. Solamente os ocuparéis de hacer cacharros, apastes y piedras de moler maíz.» POPOL VUH. La presente comunicación es el resultado de un análisis preliminar sobre una muestra reducida del material recogido en la temporada 1987, exactamente el 15,65 °/0 del total, por lo que las conclusiones aquí presentadas son meramente orientativas. Dado que nuestro objetivo, dentro del Proyecto Oxkintok, es la interpretación de la evidencia cerámica en términos cronológicos y culturales, se trata pues de plantear inicialmente unas hipótesis de trabajo que puedan orientar futuras camparias. Las primeras noticias sobre el material cerámico de Oxkintok las encontramos en la obra de H. Ch. Mercer, The Hill Caves of Yucatan (1975: 45-47, 60); donde se describen los materiales cerámicos de la caverna Oxkintok (actualmente catalogada con el n.° 25, Bonor, 1987:24) y aquéllos recogidos en el montículo Xentzil. En 1940, Brainerd, Pollock y Schook financiados por la Carnegie Institution of Washington, excavaron en Oxkintok y presentaron el primer estudio detallado de su cerámica. Resultado de estos trabajos son: el informe preliminar de Schook (1940) y la obra de Brainerd, The Archaeological Ceramics of Yucatan (1958). En la colección de Brainerd la cerámica llamada Pizarra Puuc constituía más del 75 ')/0 del total, correspondiendo el resto a materiales denominados ambiguamente «tempranos». Brainerd examina también la cerámica recogida por Mercer, citando erróneamente su lugar de procedencia, ya que como afirmábamos con anterioridad, la cerámica que describe Mercer fue recogida en el Xemtzil y no en el Satunsat como afirma Brainerd (1976:15). -
Algunas Precisiones Sobre La Arqueologia De Oxkintok, Yucatan *
ALGUNAS PRECISIONES SOBRE LA ARQUEOLOGIA DE OXKINTOK, YUCATAN * MIGUEL RIVERA DORADO Si los primeros ejemplos de arquitectura monumental que conocemos en la región Puuc y mitad noroccidental de la península de Yucatán pertenecen al estilo Oxkintok Temprano, fechado por asociaciones cerámicas y medios epigráficos en el siglo v de nuestra era, podemos suponer con fundamento que en ellos se expresan las manifestaciones iniciales de la civilización maya en ese área. Similitudes en la caligrafia de los jeroglíficos más antiguos con el Petén y cuenca del Usumacinta permiten aventurar que esa civilización fue llevada a las regiones septentrionales de las tierras bajas por emigrantes procedentes del sur y que, a juzgar por la concentración de sitios del período en el corredor occidental, entre el mar y la serranía, éste fue el camino principal seguido por los rasgos culturales y sus portadores. Asentados junto a poblaciones formati- vas —que, desde luego, se encontraban en proceso de transformación, como testimonian las plataformas de grandes dimensiones y otras construcciones descubiertas, por ejemplo, en el mismo Oxkintok— en lugares como Bakná, Acanmul, Yakalmai y Xulmil, pronto la ciudad de Oxkintok adquirió las proporciones y el carácter de una capital regional y centro de control de un extenso territorio. A finales del siglo vi se produce una interrupción en la talla de esculturas e inscripciones, acompariada de profundas remodelaciones de los conjuntos arquitectónicos, que se ajustan, sin embargo, con mayor precisión a los modelos meridionales de tipo acrópolis; es la época del llamado estilo Proto- Puuc, que es solamente, en cuanto a las técnicas constructivas y ornamentales, una mera evolución sin ruptura aparente de las formas precedentes. -
Architectural Survey at Chichen Itza
ARCHITECTURAL SURVEY AT CHICHEN ITZA George F. Andrews University of Oregon 1 z SITE: CHICHEN ITZA NUMBER; 16Qd(9):l DATE: 1991 BACKGROUND Although Chichen Itza is assumed to have been seen by the Spanish conquistadores as early as 1528 and several of its buildings were described by Bishop Landa (1566), its history as far as architecture is concerned properly begins with Stephens' and Catherwood's visit to the site in 1842. They were followed by Charnay (1860, 1882), LePlongeon (1879, etc.), Maudslay (1889-1902, 1906, 1910), Breton (1900-1904), and E. Seler (t^iT ). Commencing in the early 19205, the Carnegie Institution of Washington initiated a series of excavation and restoration projects at the site which involved a large number of individuals, including Jean Chariot, S.G. Morley, Earl Morris, Karl Ruppert, P.S. Martin, Gustav Stromsvik, J.R. Bolles, R.T. Smith, Oliver Ricketson, H.E.D. Pollock, J.E.S. Thompson, George Vaillant, and R. Wauchop. Overlapping with the work of this group were a number of restoration projects carried out under the auspices of INAH, Mexico. More recent studies have been carried out by Thompson (1945), Ruppert (1952), Tozzer (1957), Cohodas (1978), Lincoln (1986) and others. I first visited the site in 1960 but the bulk of my architectural data was recorded in 1973, 1981, and 1983. Because the present report is concerned primarily with the architecture at Chichen Itza, the references cited above do not include the names of those who have focussed their attention on the art, ceramics, "Toltec" and/or "Itza" historical relationships, and other areas of specialization. -
Constructive Analysis of Maya Vaulted Architecture from Photogrammetric Survey
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLIV-M-1-2020, 2020 HERITAGE2020 (3DPast | RISK-Terra) International Conference, 9–12 September 2020, Valencia, Spain CONSTRUCTIVE ANALYSIS OF MAYA VAULTED ARCHITECTURE FROM PHOTOGRAMMETRIC SURVEY L. Gilabert-Sansalvador 1, *, R. Montuori 1, 2, A. L. Rosado-Torres 1, 2 1 Universitat Politècnica de València, Camí de Vera s/n 46022 Valencia, Spain - (laugisan, ricmon, anrotor3)@upv.es 2 Research Centre PEGASO, Universitat Politècnica de València, Valencia, Spain Commission II - WG II/8 KEY WORDS: Uxmal, Vault, Photogrammetry, Digital, Construction, Stonework ABSTRACT: Studying Maya architecture from a constructive perspective reveals new insights into the ancient building techniques and processes. Gaining deep knowledge of these structures is key to assessing the current conservation state of the buildings and to designing strategies for the excavation and preservation of this heritage. In order to study the Maya vault system, considering its regional variants and technical development over time, we performed field data collections at 48 Maya Lowlands archaeological sites with the aim of documenting and comparing constructive techniques from different areas and chronological periods. Surveying some of these buildings with digital photogrammetry made it possible to obtain geometrically accurate models with a high-quality texture that were used to measure, analyze and compare the features of the vaults in detail. The main advantage of this survey methodology is that it permits to achieve a high amount of information with affordable instruments. From the models obtained, a thorough analysis of stonemasonry techniques, stereotomy solutions and building processes was carried out, considering their implications for the stability and conservation of the structures.