מגזין לריקודי עם ומחול עמותת ארגון המדריכים והיוצרים לריקודי עם Vol 103 | May 2020 Photo: A, Brener In The Light Of Memories Yonatan Karmon July 28 1931 February 6 2020 Dear Readers, This issue is entirely devoted to the man who molded Israeli folk dance for the stage and who greatly influenced the dances מגזין לריקודי עם ומחול done in dance sessions (harkadot). In recent years, we, the editors of “Rokdim-Nirkoda” magazine, have decided to interview and present articles about important Yaron Meishar עמותת ארגון המדריכים and significant people who have shaped and influenced Israeli והיוצרים לריקודי עם folk dance in the early years of the country (State of Israel). Vol. No. 103 | May 2020 Yonatan is of course, is one of the most notable of them. To Receive This Issue Please Press VIP Therefore, in November 2019, I called Yonatan in Paris and asked that our reporter, Miri Krymolowski, who was supposed arrive Publisher: in Paris, interview him for our magazine. “Not about today’s “Rokdim-Nirkoda” – Rokdim in activities”, I said, “but rather about your place in the history association with the Israeli Dance and development of Israeli folk dance from the 1940s to the Ruth Goodman Institute Inc. (IDI), U.S.A., Robert beginning of the 21st century. Levine, President, Ted Comet, Chairman No doubt there is much to hear from him, I thought. Editors: Yonatan happily agreed and asked me to call him when he arrives Yaron Meishar, Ruth Goodman, in Israel at the beginning of January 2020, and we scheduled a Danny Uziel time to meet for an interview at the café that was next to his Editorial Staff – Nirkoda: house in Tel Aviv…The meeting did not take place…I received Danny Uziel Shani Karni Aduculesi, Judy Fixler, word that Yonatan was no longer with us. Honey Goldfein, Benny Levy, Ruth During the funeral I thought about the interview that did not take place and also Schoenberg, Tzipi Shragai about the efforts that were made for Yonatan to receive the Israel Prize which were Design: Anna Kadary not successful. Perhaps it is appropriate that we, those who enjoyed his creativity and his personality share with the Israeli dance public in Israel and throughout Editorial Office: the world, the experiences and the stories about Yonatan and Lehakat Karmon. Rokdim, 96/35 Moshe Dayan Rd., I contacted close to 50 dancers, choreographers and friends and the result is here Tel Aviv 67320 in front of you in stories and photographs. Many were enthusiastic about the idea Tel: 972-52-5620447, and joined the mission. We were exposed to interesting and fascinating stories... Fax: 972-3-5614651 and hope that through this magazine you will be fascinated by them as well. Email: [email protected] "Lehakat Karmon" is not just the name of a dance troupe, it is an "Israeli cultural Website: http://www.rokdim.co.il brand". SUBSCRIBE A short video dedicated with love to Yonatan Karmon z”l: https://bit.ly/2UoVpcX Something from the modest commemoration 30 days after his death (“shloshim”): http://bit.ly/32YA6D1 מגזין לריקודי עם ומחול Many thanks to all the participants in this magazine: עמותת ארגון המדריכים והיוצרים לריקודי עם Vol 103 | May 2020 Alon Schmidt, Miri Krymolowski, Tzipora Dagan, Shosh Hodorov, Itamar Zukerman, Tzlila Harizman, Ofra Fuchs Manor, Nira Paz, Drora Alon, Danny Uziel, Bat-Tzion Mizrachi, Shosh Leket, Rina Meir, Yoni Carr, Ronit Ronen-Tamir, Lucy Maman, Roni Siman Tov, Miri Shahaf Levi, Tamar Sebok, Hila Amir, Yossi Tal-Gan, Adi Eldar, Levia Shalev-Fisher, Shlomo Maman, Barry Avidan, Izhar Cohen, Shuki Hoffman, Zeev Keren, Yitzchak Maayan, Gadi Bitton, .Ilana Segev, Michal Linenberg, Lior Tavori, Alon Schmidt, Yigal Betzer צילום א. ברגר Links to dance videos. In The Light Enjoy your reading, Of Memories Yaron Meishar, Ruth Goodman, Danny Uziel – Editors Yonatan Karmon July 28 1931 February 6 2020 3 Back to Contents Vol 103 | May 2020 Yonatan Karmon The Man And The Creation FROM THE RECOMMENDATION FOR THE ISRAEL PRIZE onatan Karmon was born in Bucharest, In the IDF he served in the Artillery Battalion but Romania in 1931 with the name Yonel continued to dance and perform with Lehakat Y Kalman, to his parents, Marcello and ”Harel” of the Palmach, which was a folk dance Silvia Kalman. When he was 13, his parents troupe. Yonatan did not give up on developing were taken to the labor camps and he managed his professional side; he trained and was part to escape from the claws of the Nazis on the of the Israeli ballet troupe of Gertrud Kraus, Kastner rescue train. participated in performances by the Israeli Opera Alon Schmidt In 1944, he immigrated to Israel with ”Aliyat and Naomi Aleskovsky’s Chamber Quartet. dancer and manager of Lehakat Karmon – the Hanoar” – the Youth Aliyah and moved to ”Meshek From the mid-1950s, Yonatan established dance Karmon Troupe HaPoalot” in Tel Aviv to study agriculture and then troupes around the country for which he directed to ”Ayanot”, where he specialized in dairy farming. and composed choreographies, all in the spirit of Translation: time and place. His work is unique and special with Ruth Goodman and His life was intertwined with the history of the Land Tzipi Shragai of Israel: the working settlement, the Palmach, a folkloric direction from which he built artistic the ”Dalia” Festival, the establishment of Israeli lines, intelligently, with talent, imagination and folk dance troupes, representation throughout the creativity, combining a story that is illustrated world, producing historic events over the years with every step and movement. His dances are from 1944 and performing in them. filled with sweeping, bursting energy that uses space, captivates and excites the dancers and Yonatan was invited to artistically conduct and spectators alike. direct nature festivals and other holiday celebrations in the working settlements: at Sha’ar HaNegev, Karmon 's troupes were numerous and exquisite: Tzor’a, Shoval, Nir Banim, Ramat HaShofet, Lehakat ”Alumim” of the Gadna in Petach Tikva, Palmachim. These performances were examples Lehakat ”HaPoel Tel Aviv” Lehakat ”HaStudentim and masterpieces, as they expressed the pioneering Shel Yerushalaym” and ”HaLehaka HaMerkazit Shel spirit, which was so characteristic of the early HaHistadrut” (which became ”Lehakat Karmon”). settlement of the country and has been a source At the fourth ”Dalia Festival” in 1958, the of emulation for many years. The holidays in Israel have been glorified in the folk dance as a source of authentic Israeli expression. Yonatan Karmon's activities in the 1950s: He created a choreography for the show to inaugurate the instillation of the national pipeline in Rosh Ha’Ayin directed by Peter Frey. He performed as a soloist in HaPortzim Battalion and choreographed for Lehakat ”Harel” of the Palmach directed by Rivka Shturman. 4 Back to Contents Vol 103 | May 2020 Alon Schmidt Histadrut's main troupe appeared At the conclusion of the tour abroad, the Lehaka in the choreography of Yonatan returned to Israel and performed for a year at Karmon and was the crowning ”Tarnegol HaZahav” – the Golden Rooster Club. highlight of the festival. It was already possible to discern the Bruno Coquatrix, manager of the Olympia distinctive talent of Karmon as a Theater in Paris, booked an Israeli performance unique creator who combines art, by Lehakat Karmon. The Lehaka performed on professionalism, theatrical and the Olympia stage every evening for more than folk, and embedded in all that is three months straight. the essence of the Israeli dance Following Karmon’s success with performances at of yore, which is still so relevant the Olympia Hall in Paris, Bruno Coquatrix offered and exciting even today. him the role of artistic director of Olympia, a role The Lehaka was considered he held for several years during which time he Israel's best cultural also made sure to present the best Israeli artists ambassador in those days: on this stage. 1958 – In nationwide auditions The performances included some of the best veteran (see Itamar Zukerman's article artists in the country, as well as new ”stars”. in this issue) Ed Sullivan chose the renowned Lehakat Karmon to appear on his prestigious From the early 1960s to the late 1980s Lehakat television show. Thus, the troupe embarks on a Karmon represented Israel on the world's best long and comprehensive tour on behalf of the stages: The Lehaka performed at the Olympia in Zionist Congress. Paris (for three consecutive months), throughout Europe, on Broadway in New York and throughout These shows in the United States opened the the United States, in South and Central America door for Yonatan for performances at prestigious Broadway professional venues, Radio City, New and in South Africa. The performances were very York’s Palace Theater, Valentine, and more. successful and ran for long periods of time. The Lehaka continued to perform throughout the From 1967 to 1974, Yonatan Karmon staged world as Israel's ambassador, with the songs arranged musicals that invoked the atmosphere of Israel. by Gil Aldema, winner of the 2004 Israel Prize for In these musicals, Yonatan used his unique Israeli songs who also managed the orchestra. A choreographies drawn from folk dance. They number of record albums were produced as part of revealed beautiful Israel, including her problems the joint work of Gil and Yonatan, recordings that and contemporaneous events. The success was became an inalienable asset and was groundbreaking huge. The audience voted with their feet and the for the culture of Israeli song. halls were filled to capacity. Lehakat Karmon at the "Olympia" 5 Back to Contents Vol 103 | May 2020 Alon Schmidt His life was Yonatan receives the French Culture Award from Bruno intertwined Coquatrix with the At the beginning of the 80s, Karmon founded history of the ”Lehakat Yerushalayim”, which he managed for Land of Israel: three years and produced three programs and the musical ”David” – a biblical opera presented at the working the Sultan's Pool in Jerusalem.