Graphic Books : Winter 1930-31
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Bibliography of Canadian Literature in the Special Collections of the Trent University Archives As of March 2012
Bibliography of Canadian Literature in the Special Collections of the Trent University Archives as of March 2012. This collection has grown over a number of decades and often through donations. Early on the Library’s base collection was built via the Shell Canada Fund for Canadian Literature. Later donors of significant numbers of books include, A.J.M. Smith, Margaret Laurence, and Hugh and Elizabeth Anson-Cartwright. Note: This bibliography is in Library of Congress call number order. The first section lists Canadian literature serials and the second section lists monographs. The monographs are both fiction and literary criticism. Canadian Literature Serials Coming Attractions 89 / edited by Maggie Helwig & Bronwen Wallace. Ottawa, Ont. : Oberon Press, c1989. PS 8329 .C65 1989 TC Coming attractions 99 / edited by Maggie Helwig. [Ottawa] : Oberon Press, 1999. PS 8529 .C65 1999 TC Coming attractions 97 / Elyse Gasco, Dennis Bock, & Nadine McInnis. [Ottawa] : Oberon Press, c1997. PS 8329 .C65 1997 TC The Grammateion : the St. Michael's College journal of the arts. [Toronto] : The College, [1975]- PS 8001 .G73 V.9 NO.1 1983 SPC PS 8001 .G73 V.9 NO.2 1983 SPC Index, a guide to good reading. Montreal, Index editorial service, 1946-9999. PS 8001 .I4885 V.1, NO.6 (AUG. 1946) Intercourse; contemporary Canadian writing. Montreal, Poverty Press. PS 8001 .I5 NO.4 (1966?) It needs to be said (Kingston, Ont. : 1976) Kingston, Ont. [1976] PS 8001 .I732 NO.2 (FALL 1976) It needs to be said/the front. Kingston, Ont. [s.n.] PS 8001 .I732 NO.1 [1976] The Literary garland, and British North American magazine. -
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$i.2j per copy CANADIAN Winter, igjo ARTS IN TH€ POLITICIAN'S €Y€ Articles BY CHRISTOPHER XERXES RINGROSE, GEORGE BOWERING, ANTOINE SEROIS, G. K. FISHER, FRANK DAVEY, FRANK BIRBALSINGH Chronicle BY NAIM KATTAN Review Articles and Reviews BY D. G. STEPHENS, WILLIAM H. NEW, DOUGLAS BARBOUR, PHYLLIS GROSSKURTH, AUDREY THOMAS, LEILA VENNEWITZ, W. F. HALL, NORMAN NEWTON, GERARD TOUGAS, ROBERT HUNTER, MARYA FIAMENGO A QUARTERLY OF CRITICISM AND R6VI6W ARTS IN THE POLITICIAN'S EYE THESE THOUGHTS were provoked by receiving a copy of an American magazine — Cultural Affairs — devoted surprisingly to the arts in Canada. Cultural Affairs is the organ of the Associated Councils of the Arts in the United States. The particular issue I am discussing was brought out to cele- brate a seminar held in May last year at Ste. Adele in Quebec — a seminar to which, apparently, two hundred and fifty of the most distinguished cultural leaders from both sides of the border were invited. There was no provision in its agenda for the discussion of the creative process; far from it, the aim was specifically stated as to discuss "the political realities of government support of the arts." The issue of Cultural Affairs was conceived as an adjunct to this seminar; its contributors were all Canadians, and all, in one way or another, non-creating members of the cultural establishment. Two were members of the government, Mr. Trudeau himself and the Secretary of State, Mr. Gérard Pelletier. Several were high officials of public bodies devoted to the organization of the arts. Only one was an independent — the journalist and editor Robert Fulford. -
SARAH BINKS and EDNA JAQUES Parody, Gender, and the Construction of Literary Value
SARAH BINKS AND EDNA JAQUES Parody, Gender, and the Construction of Literary Value Carole Gerson 'EFORE CONSIDERING THE REPUTATIONS of the fictional Canadian prairie poet, Sarah Binks, and Edna Jaques, the real woman whose verse Sarah's approximates, we need to examine the institutional context which has allowed one (Binks) to be received into the canon while the other (Jaques) remains the butt of critical disdain.1 Sarah Binks was formally introduced in Paul Hiebert's 1947 book, Sarah Binks; coincidentally, Edna Jaques, Canada's most popular poet through the middle decades of this century, had published nine volumes of verse between 1934 and 1946. One might speculate whether the crea- tion of Binks was inspired by Jaques—a possibility enhanced by the similar sounds and identical rhythms of their names. However, the purpose of this essay is not to dwell only on a specific instance of possible parody, but to consider as well some of the larger questions this case implies, with regard to the gender- and class- based premises underlying the processes of literary canonization in English-speaking Canada that have prevailed since the modernist 1930s and 1940s. The feminist critique of modernism currently mounted by British and American critics has not yet inspired many Canadian critics to re-examine the Canadian past.2 The projects of Gillian Hanscombe and Virginia Smyers, Sandra Gilbert and Susan Gubar, Shari Benstock, and Bonnie Scott Kime include the recupera- tion of modernist women poets and novelists marginalized because, as Benstock charitably puts it, "Modernism as we were taught it at mid-century . -
Women's Literary Club of St. Catharines Until 1969, When the Material Was Formally Deposited in the Brock University Archives
Women’s Literary Club of St. Catharines Fonds 1892-1996, n.d. (non-inclusive) RG 18 Creator: Women’s Literary Club of St. Catharines Extent: 2.78 m (10 boxes) 2 audio cassette tapes 38 Scrapbooks 203 b&w photographs 277 col. photographs 9 col. negatives 15 b&w frames of film 3 col. frames of film 1 col. slide 117 b&w postcards 210 col. postcards 1 box of bookplates 1 bell 1 gavel 3 ink stamps 1 plaque from the Province of Ontario 3 posters Paper napkins bearing the club crest Abstract: The majority of text within this collection is comprised of meeting minutes, essays and scrapbooks relating to literature and history. Correspondence, and club publications, including photographs and a wide range of newspaper clippings make up the rest of the collection. Materials: Clippings, hand written documents, printed documents, photographs, audio cassettes, minutes, correspondence and other items pertaining to the club. Repository: Brock University Archives Processed by: Jody Barnett, student and Anne Adams Last Updated: May 2018 Custodial History: Fonds remained in the possession of the Women's Literary Club of St. Catharines until 1969, when the material was formally deposited in the Brock University Archives. Another deposit was made in April, 1983 by Elsie M. Stevens of the Women's Literary Club. The last deposit followed in approximately 1995. Terms of Use: St. Catharines Women’s Literary Club records are open for research. 1 Use Restrictions: Current copyright applies. In some instances, researchers must obtain the written permission of the holder(s) of copyright and the Brock University Archives before publishing quotations from materials in the collection.