Why Did Edward Penn Build Only Half a House?
WHY DID EDWARD PENN BUILD ONLY HALF A HOUSE? A HISTORIC BUILDING ANALYSIS OF SHELL HOUSE, HEDGERLEY PETER JOHN MARSDEN Shell House in Hedgerley is odd: an asymmetrical house built in the late seventeenth century, when symmetry was the ruling fashion. A detailed survey by Buckinghamshire Archaeological Society members indicates that it was asymmetrical from the start – a ‘half-house’ whose internal plan shows how the services of a larger symmetrical plan were ‘shoehorned in’ to cope with reduced circumstances. How did its owner, Edward Penn, come to this place of ‘ambition thwarted’? Documentary research reveals how his inheritance of nearby Chalfont House was ‘seized’ by King Charles II, given to the infamous Judge Jeffreys, and led Edward into a series of expensive – and ultimately futile – court cases. Around the year 1679 Edward Penn built a house tion at Winslow Hall, South Littleton Manor, Leys for himself in the village of Hedgerley in South Farmhouse and other Renaissance-style houses is Buckinghamshire. Outwardly fashionable, in the symmetrical, balanced around a central doorway. latest ‘Renaissance’ style of the late seventeenth Symmetry is a central principle of the Renaissance century, it was, however, only half of what that style, imported from Europe to inform the design style expected. ‘Shell House’ as Edward Penn’s of England’s great houses in the late 16th century. 4 house is now named, is of brick, with tall casement By the end of the seventeenth century this symmet - windows, leaded-lights, timber mullions and tran - rical style had become the fashion for upper and soms, a panelled front door framed by Ionic brick ‘middling sort’ residences across the country.
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