South Africans Make a Song and Dance About Politics
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Read Ebook {PDF EPUB} Dorothy's Rage by Henry Mikitish Dorothy's Rage by Henry Mikitish
Read Ebook {PDF EPUB} Dorothy's Rage by Henry Mikitish Dorothy's Rage by Henry Mikitish. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 658a345b1e4ac447 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Dorothy's Rage by Henry Mikitish. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. -
A Decolonial Reading of Psalm 137 in Light of South Africa's Struggle Songs
464 Ramantswana, “Reading of Psalm 137,” OTE 32/2 (2019): 464-490 Song(s) of Struggle: A Decolonial Reading of Psalm 137 in Light of South Africa’s Struggle Songs HULISANI RAMANTSWANA (UNIVERSITY OF SOUTH AFRICA) ABSTRACT This article engages in a decolonial reading of Ps 137 in light of South African songs of struggle. In this reading, Ps 137 is regarded as an epic song which combines struggle songs which originated within the golah community in response to the colonial relations between the oppressor and the oppressed. The songs of struggle then gained new life during the post-exilic period as a result of the new colonial relation between the Yehud community and the Persian Empire. Therefore, Ps 137 should be viewed as not a mere song, but an anthology of songs of struggle: a protest song (vv. 1-4), a sorrow song (vv. 5-6), and a war song (vv. 7- 9). KEYWORDS: Psalm 137, Songs of Struggle, protest song, sorrow song, war song, exile, Babylon, post-exilic, Persian Empire. A INTRODUCTION Bob Becking, in a paper entitled “Does Exile Equal Suffering? A Fresh Look at Psalm 137,”1 argues that exile and diaspora for the exiles who were in Babylon did not so much amount to things such as hunger and oppression or economic hardship; instead, it was more a feeling of alienation which resulted in the longing to return to Zion. Becking’s interpretation of Ps 137 tends to minimise the colonial dynamics involved in the relationship between the oppressor and the oppressed, the coloniser and the colonised, which continually pushes the oppressed into the zone of nonbeing. -
Notre Dame Scholastic Football Review
WORDEN PETiTBON OSTROWSKI HUNTER HOWMAIIYTIMESAMY DOYOUINHAIE? 50?] (iOO?H200? IF YOU'RE AH AVERAGE SMOKER THE RIGHT AHSWER IS OVER 200! Yes, 200 times every day your nose ond throat are exposed to irritation... 200 GOOD REASONS WHY YOU'RE BEHER OFF SiNOiaNG PHILIP MORRIS! PROVED definitely milder . PROVED definitely less irritating than any other leading brand . PROVED by outstanding nose and throat specialists. YES, you'll be glad tomorrow . .. you smoked PHILIP MORRIS today! CALL FOR PHILIP MORRIS Football Review e P**' .. ///, / ^ AT INDIANA TYPESETTING CORPORATION 211 SERVICE COURT •SOUTH BEND 1, INDIANA In South Bend GILBERT'S is th^ place to go for the names you know. — TAKE THE MICHIGAN STREET BUS \ \ \STATE GILBERT'S 813-817 S. Michigan Si. Open every evening till 9 December 7, 1951 but Cigars are a ^an!; Smoke! Y>u need not inhale to ei^oy a cigar/ CIGAR INSTITUTE OF AMERICA, INC. The Manhattan Shirt Company, makers of Manhattan shirts, neck wear, undertvear, pajamas, sportshirts, beachwear and handkerchiefs. Football Review 107 N. D. MEN DID IT You Can Do It Too! SAVE TIME The records of 107 Notre Dame men who have BETTER READING means reading faster, understanding completed our training show: more of what you read, knowing how to approach various kinds of reading and how to get the most out average reading rate before training 292 WPM of it in the shortest time. average reading rate after training 660 WPM You can do all your reading in half the average comprehension before training 81 % time it takes you now. -
The Smoke That Calls: Insurgent Citizenship, Collective Violence and the Struggle for a Place in the New South Africa
CSVR Final Cover 7/6/11 1:36 PM Page 1 C M Y CM MY CY CMY K The smoke that calls Insurgent citizenship, collective violence and th violence citizenship, collective Insurgent Insurgent citizenship, collective violence and the struggle for a place in the new South Africa. in the new a place for and the struggle violence citizenship, collective Insurgent Insurgent citizenship, collective violence and the struggle for a place in the new South Africa. The smoke that calls that calls The smoke The smoke Eight case studies of community protest and xenophobic violence www.csvr.org.za www.swopinstitute.org.za Karl von Holdt, Malose Langa, Sepetla Molapo, Nomfundo Mogapi, Kindiza Ngubeni, Jacob Dlamini and Adele Kirsten Composite CSVR Final Cover 7/7/11 9:51 AM Page 2 C M Y CM MY CY CMY K Published: July 2011 Copyright 2011 ® Centre for the Study of Violence and Reconciliation | Society, Work and Development Institute The smoke that calls: Insurgent citizenship, collective violence and the struggle for a place in the new South Africa. Eight case studies of community protest and xenophobic violence Centre for the Study of Violence and Reconciliation Society, Work and Development Institute 4th Floor, Braamfontein Centre, 23 Jorissen Street, Braamfontein Faculty of Humanities PO Box 30778, Braamfontein, Johannesburg, 2017 University of the Witwatersrand Tel: +27 (0) 11 403 5650 | Fax: +27 (0) 11 339 6785 Private Bag 3, Wits, 2050 Cape Town Office Tel: +27 (0) 11 717 4460 501 Premier Centre, 451 Main Road, Observatory, 7925 Tel: +27 (0) 21 447 3661 | Fax: +27 (0) 21 447 5356 email: [email protected] www.csvr.org.za www.swopinstitute.org.za Composite CSVR - Chapter 1 - 5 7/6/11 1:52 PM Page 1 C M Y CM MY CY CMY K The smoke that calls Insurgent citizenship, collective violence and the struggle for a place in the new South Africa. -
A Irrealidade No Cinema Contemporâneo: Matrix & Cidade
A IRREALIDADE NO O cinema contemporâneo está repleto de lmes que nos desaam “[...] Em Matrix, o leitor-modelo é encorajado, CINEMA CONTEMPORÂNEO constantemente a separar ilusão e através de referências intertextuais ao cinema de Matrix & Cidade dos Sonhos verdade, sonho e vigília, real e gênero, a acreditar estar assistindo a um lme de virtual, sanidade e loucura, vida e espionagem até o momento em que Neo, o morte... protagonista, atravessa o espelho para fora do Adriano Oliveira Matrix (The Matrix, 1999) e ventre cibernético. Em Cidade dos Sonhos, o Cidade dos Sonhos (Mulholland Dr., leitor-modelo é induzido a prestar atenção na 2001) são casos exemplares: suposta trama policial linear e a ignorar os telefones, plugs cibernéticos, inúmeros, mas fragmentários, indícios de que tudo chaves e caixas azuis demarcam não passa de um sonho. Matrix deseja um pontos de passagem entre leitor-modelo que experimente a revelação de universos paralelos em tramas que Adriano Oliveira nasceu em forma tão vertiginosa quanto Neo. Cidade dos levam protagonistas e plateia a Salvador, Bahia, em 1970. Sonhos deseja um leitor-modelo que saia da compartilhar a angústia da Psicólogo, estudou psicanálise exibição incomodado por não conseguir assimilar impossibilidade de discernimento lacaniana por vários anos. a experiência e volte para empreender uma entre realidade e irrealidade. Atualmente exerce sua paixão segunda leitura. Matrix convida o leitor para uma Enredos assim estruturados pela sétima arte como professor do volta linear na montanha-russa. Cidade dos remontam a obras clássicas, mas o curso de Cinema e Audiovisual da Sonhos arrasta o leitor a um bosque de caminhos fascínio que exercem atualmente Universidade Federal do Recôncavo que se bifurcam e esconde-lhe o o de Ariadne.” parece indicar um diálogo da Bahia, na cidade histórica de profundo com a nossa época. -
DRUG STORE the Regular Republican1 Organ- "These Spots in Damp Weather Housewives
:^A . THE CRAWFORD CITIZEN AND CHRONICLE. THURSDAY, MARCH 1% 1»55 ioch has served as a Sunday School PTA on Wednesday at 8:15 present a $100 United States Sav- YWCA. On cradaution from the the nurse completed the annual teachers from all Schools in th» These four demonstrated that district. This group has been School teacher, treasurer of the p jn. • !. • . ••:.... Garwood public schols she receiv- hearing tests in all classes. Both the basic step in music ia walking ing Bond to the firl judged to Missionary Society 'and member ' Mrs. Charles Scherer Is Inhave contributed the most to hered the Richard Sachsel Memorial fifth grades are working on nu-working on a"new course of study 'Education' or the half note and that the other for language arta. of the Ladles' Aid Society. notes are represented by skipping, charge of arrangements for the church, school and community. 'Award for outstanding citizenship trition units after hearing a talk running, a slow walk and a very' program* which will be held at the Two alternates will receive $25 in school, and community, the by Mrs. KichU. In the seventh In Music slow walk.' Dynamics, aljso enters home of Mrs. S. Christenien, 21 bonds, and there will be three Parent-Teacher Association award and eighth grades all, the pupils Mrs. Tulloclv Honored Clark High School •.<:vi into the picture as does syncopa- Oak lane. Hostesses for the eve- honorable mentions. for.scholarship and the American have received their patch tests for ning are Mrs. Robert Hetzke, Mrs. Legion. award for' scholarship, At Farewell Luncheon tion,-of which there are two kinds, Miss Mosca. -
Songs and the Liberation Struggle in South Africa
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 27 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy December 2014 Voices of Liberation: Songs and the Liberation Struggle in South Africa Rachidi Molapo University of Venda, RSA [email protected] Doi:10.5901/mjss.2014.v5n27p985 Abstract Many communities around the world have taken part in songs and dance or have witnessed roles played by songs. However, scholarly focus on such a field of study has been very limited. This study challenges for a new consideration of what songs are and the roles they play or played in contemporary society. Songs have been means of communication, education and importantly played important roles in the struggle against apartheid. When the apartheid regime became repressive by banning or exiling leaders, suppressing information, songs in vernacular or indigenous languages flourished in promoting resistance texts. These songs flourished like graffities in repressive environments. They were used as propaganda tools by the liberation movements and at the same time dealing with state propaganda. They were platforms of propaganda in a dialectical relationship with the state but also embodied other elements beyond these parameters. Songs have been fundamental instruments of resistance, heritage and history. This study looks at how South African activists used songs and the struggle against apartheid and the post-apartheid scenario. Focus will be on the pre-1960 period, exile and the post- apartheid dynamics. A qualitative research methodology has been useful for this study because of the human agency aspect. Keywords: Apartheid (racial discrimination), Nkosi sikelel’ i-Africa (Lord bless Africa), siyanqonqoza (knocking) umshini wami, ibhunu (white farmer), dubula (shoot), exile. -
Polokwane Conference
No. 87 January 2008 POLOKWANE CONFERENCE- Searchlight on Highlights 1. The Rowdiness at the Conference 2. “My Comrade, my brother….my Leader.” 3. Purge in the National Executive Committee 4./…. 1 4. Dr Dube and Zuma 5. “Umshini Wami” 6. Large number of Votes for the NEC does not always mean Power 7. Newly elected NEC gives Pride of Place to Fraudsters and Thieves 8. A Plague on both their Houses APDUSA VIEWS e.mail: [email protected] P.O. Box 8888 website: www.apdusaviews .co.za CUMBERWOOD 3235 2 1. The Rowdiness Toward Senior ANC members The rowdiness exhibited by a large section of the ANC conference towards Minister Lekota was a measure of the hostility the Zuma supporters showed towards the Mbeki faction symbolised by Lekota as its chief spokesman in the battle against the Zuma faction. According to Mbeki, the image that behaviour “conveyed to the country, the continent and the world was a bad image.”1 In his closing speech, Zuma described the behaviour as “a negative”. According to Mbeki: “The matter was addressed and delegates were told that their behaviour was unacceptable and indeed the behaviour improved.”2 Those of us viewing these “disturbing” scenes on television would have noticed that that behaviour was being exhibited in the very presence of Jacob Zuma. The question on everybody lips is: Why did Jacob Zuma not get up from his seated position and direct/instruct /request his supporters to stop behaving in that unacceptable manner? There appears to be only one answer: It was orchestrated rowdiness which had the full approval of Jacob Zuma! Postscript. -
Native Foreigners’
From ‘Foreign Natives’ to ‘Native Foreigners’ Contents, Neocosmos2.pmd 1 29/04/2010, 17:26 Contents, Neocosmos2.pmd 2 29/04/2010, 17:26 From ‘Foreign Natives’ to ‘Native Foreigners’ Explaining Xenophobia in Post-apartheid South Africa Citizenship and Nationalism, Identity and Politics Michael Neocosmos Council for the Development of Social Science Research in Africa Contents, Neocosmos2.pmd 3 29/04/2010, 17:26 First published under the CODESRIA Monograph Series, 2006 © CODESRIA 2010 Council for the Development of Social Science Research in Africa, Avenue Cheikh Anta Diop, Angle Canal IV BP 3304 Dakar, 18524, Senegal Website: www.codesria.org All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage or retrieval system without prior permission from CODESRIA. ISBN: 978-2-86978-307-2 Layout: Hadijatou Sy Cover Design: Ibrahima Fofana Printed by: Graphi plus, Dakar, Senegal Distributed in Africa by CODESRIA Distributed elsewhere by the African Books Collective, Oxford, UK. Website: www.africanbookscollective.com The Council for the Development of Social Science Research in Africa (CODESRIA) is an independent organisation whose principal objectives are to facilitate research, promote research-based publishing and create multiple forums geared towards the exchange of views and information among African researchers. All these are aimed at reducing the fragmentation of research in the continent through the creation of thematic research networks that cut across linguistic and regional boundaries. CODESRIA publishes a quarterly journal, Africa Development, the longest standing Africabased social science journal; Afrika Zamani, a journal of history; the African Sociological Review; the African Journal of International Affairs; Africa Review of Books and the Journal of Higher Education in Africa. -
South Africa
MOSAIC SOUTH AFRICA Illustration by1 Christina Liang Albert Gallatin Scholars The Arts in Times of Social Change Stephen Brown | Lisbeth Carney | Brandon Green EDITORS Maomao Hu | Patrick McCreery DESIGNER Maomao Hu Melissa Daniel Publication Managers Brandon Green This issue of Mosaic represents the collaborative efforts of many people. We wish to thank: Michael Dinwiddie | Patrick McCreery Scholars Advisers, 2010-2011 Nicole Cohen | Joseph Pisano Susanne Wofford | Lisa Goldfarb Gallatin Deans Linda Wheeler Reiss | Kimberly DaCosta Masauko Chipembere | Kevin Hylton | Ricardo Khan Faculty and Guest Mkhululi Mabija | Sibusiso Mamba | Vasuki Nesiah Speakers, Fall 2010 Jabulani Chen Pereira Adam Carter and his colleagues In the United states at Destination Partners Sedica Davids | Sue Krige | Zanele Muholi | Riason Naidoo In south africa Michael Stevenson Gallery (Cape Town) | Zulwini Tours Market Photo Workshop (Jo’burg) We wish to offer a heartfelt special thanks to Thomas Harms, our guide ex- traordinaire, who went above and beyond to help us understand his country. Table of contents 1 Introduction Brittany Habermehl & Paolina Lu 3 The Flux of Tongues and Power Cameron Martin 8 Schools of Struggle Revolutionary Student Leadership in Soweto Daniel Jones 12 class and race Contemporary South africa Lauren Wilfong 16 Finding Evita Ryan Weldon 21 Fighting aids in south africa tradition meets modernity Dipika Gaur 25 Connection or contrivance? Apartheid and the Holocaust Matthew S. Berenbaum 30 South Africa and South Korea Gina Hong 34 I’M just -
MARCH 2008 Inside VOLUME 84, NUMBER 3
Take the lead... with the company that always has. In an industry with countless imitators, To become the leader in your industry, only one company has risen to the top. trust the leader in surface treatment For almost one hundred years, Chemetall technologies – Chemetall Oakite. Oakite has led the way with: Chemetall Oakite is proud to have recently made these • The development, production, and new additions to our family of products: OXILAN 9809, distribution of scientifically-advanced and environmentally-friendly, phosphorous-free surface treatments replacement for most 3-stage iron phosphate processes, METALAST TCP-HF, a trivalent replacement for hexavalent • An on-going commitment to chromates, CrysCoat 2707, an energy-saving, ambient- innovation temperature, cleaner-coater iron phosphate, and Gardacid P 4462/1 and Gardacid P 4468, laser scale • Products and services that may be removers for spray, immersion, and brush-on application. imitated, but can never be duplicated Let us help you lead the way and get a free gift by visiting us at www.chemetalloakite.com/leaders/. 800.526.4473 www.ChemetallOakite.com FT03084Chem.indd 1 2/5/08 1:58:16 PM RoHS. ELV. And Beyond. Yes We Can. With Our Electroless Nickel Plating Solutions. When you need globally compliant electroless nickels, only MacDermid Industrial Solutions has you completely covered. Available today, off-the-shelf, and RoHS, ELV, WEEE and REACH-compliant, the NiKlad portfolio features the new bright and semi-bright organically stabilized systems, the ELV lead and cadmium-free processes, and Low Metal Operation (LMO™) technology proven to reduce metal usage and lower costs. With NiKlad solutions, there are no current or future needs or applications we can't satisfy. -
Struggle Music: South African Politics in Song Andra Le Roux-Kemp, City University of Hong Kong
City University of Hong Kong From the SelectedWorks of Andra le Roux-Kemp 2014 Struggle music: South African politics in song Andra le Roux-Kemp, City University of Hong Kong Available at: https://works.bepress.com/andra-leroux-kemp/20/ DOI: http://dx.doi.org/10.5235/17521483.8.2.247 (2014) 8(2) Law and Humanities 247–268 Struggle Music: South African Politics in Song Andra le Roux-Kemp* 1. INTRODUCTION From ‘The Marseillaise’ to ‘We shall overcome’, there has probably never been a revolution that did not use songs to give voice to its aspirations or rally the morale of its adherents.1 This power of music in politics was recognised by Plato in The Republic when he warned that any musical innovation that endangers the State must be prohibited because ‘when modes of music change, the fundamental laws of the State always change with them’.2 It is probably all the more true on the African continent, where music is ‘intricately inter- woven with development issues … a dynamic and highly charged force that affects and embraces intellectual property rights, democracy, economic growth, censorship, media, tradition, globalisation, and education’.3 In South Africa, music also played a central role in the struggle for liberation from white domination.4 This struggle not only liberated, it also culminated in a new political and legal order based on a supreme Constitution and Bill of Rights. However, the new order did not automatically eradicate the painful history of South Africa and can best be described as transformative in nature—it is the normative and legal framework that must guide South African society along the way of reconciliation, eradication of poverty, reali- * Assistant Professor, School of Law, City University of Hong Kong; Visiting Research Scholar, School of Law, University of the Witwatersrand, South Africa.