Download Event Song List

Total Page:16

File Type:pdf, Size:1020Kb

Download Event Song List Harp/Vocal Songs Instrumental All of Me Ain't Misbehavin' All The Things You Are Bewitched At Last Bidin' My Time A Blossom Fell Body and Soul Blue Skies But Not For Me Body and Soul C'est Magnifique Butterflies (Kacey Musgraves) Chances Are Days of Wine and Roses Clap Yo' Hands Dream Days of Wine and Roses Dream a Little Dream of Me Do Do Do Feelin' Good Don't Get Around Much Anymore Hallelujah Dream How Deep is the Ocean Embraceable You I Can't Get Started Everybody Love Somebody I Can't Help Falling in Love with You (Elvis) Falling in Love with Love I Thought About You Fools Rush In I Want to be Loved by You How Deep is the Ocean I Wish You Love I Got Rhythm I've Got You Under My Skin I've Got a Crush on You Just Squeeze Me I Want to be Happy La Vie en Rose It's Been a Long Time Lovable and Sweet Let's Call The Whole Thing Off L.O.V.E Look to the Rainbow My Cherie Amore (Stevie Wonder) Love Walked In Our Love is Here to Stay Lover Come Back to Me Skylark Misty Something (The Beatles) Moonglow Somewhere Over the Rainbow My Cup Runneth Over They Can't Take That Away From Me My Funny Valentine The Nearness of You Oh, Lady Be Good Too Marvelous for Words People Rhythm of the Rain Softly, As in a Morning Sunrise Somebody Loves me Someone to Watch Over Me S'Wonderful Tea for Two They Were You Time After Time Try to Remember Where or When Requests made within two weeks of an event will be accommodated. .
Recommended publications
  • Aaron Copland: Famous American Composer, Copland Was Born in Brooklyn, New York, on November 14, 1900. the Child of Jewish Immig
    Aaron Copland: Famous American Composer, Copland was born in Brooklyn, New York, on November 14, 1900. The child of Jewish immigrants from Lithuania, he first learned to play the piano from his older sister. At the age of sixteen he went to Manhattan to study with Rubin Goldmark, a respected private music instructor who taught Copland the fundamentals of counterpoint and composition. During these early years he immersed himself in contemporary classical music by attending performances at the New York Symphony and Brooklyn Academy of Music. He found, however, that like many other young musicians, he was attracted to the classical history and musicians of Europe. So, at the age of twenty, he left New York for the Summer School of Music for American Students at Fountainebleau, France. In France, Copland found a musical community unlike any he had known. While in Europe, Copeland met many of the important artists of the time, including the famous composer Serge Koussevitsky. Koussevitsky requested that Copland write a piece for the Boston Symphony Orchestra. The piece, “Symphony for Organ and Orchestra” (1925) was Copland‟s entry into the life of professional American music. He followed this with “Music for the Theater” (1925) and “Piano Concerto” (1926), both of which relied heavily on the jazz idioms of the time. For Copland, jazz was the first genuinely American major musical movement. From jazz he hoped to draw the inspiration for a new type of symphonic music, one that could distinguish itself from the music of Europe. In the late 1920s Copland‟s attention turned to popular music of other countries.
    [Show full text]
  • Chicago Phil Brass” Brass Quintet
    2020-2021 SEASON: TOGETHER Chicago Phil Chamber presents "Chicago Phil Brass” ​ Brass Quintet Sunday, October 11 2020, 4:00pm ​ ​ North Shore Center, Skokie William Denton trumpet ​ ​ Mike Brozick trumpet ​ ​ Fritz Foss horn ​ ​ Jeremy Moeller trombone ​ Matthew Gaunt tuba ​ SCHERZO . JOHN CHEETHAM (b. 1939) ​ ​ ​ AIR POUR LES TROMPETTES . JOHANN SEBASTIAN BACH (1685-1750) ​ ​ ​ ​ (arr. Irving Rosenthal) ‘LITTLE’ FUGUE IN G MINOR . JOHANN SEBASTIAN BACH (1685-1750) ​ ​ ​ (arr. Ronald Romm) BRASS QUINTET No. 1 . .VICTOR EWALD (1860-1935) ​ ​ I. Moderato - Più mosso II. Adagio non troppo lento III. Allegro moderato ENGLISH FOLK SONG SUITE . RALPH VAUGHAN WILLIAMS (1872-1958) ​ ​ ​ (arr. Jari Villanueva) I. March: "Seventeen Come Sunday" II. Intermezzo: "My Bonny Boy" III. March: "Folk Songs from Somerset" SELECTIONS FROM WEST SIDE STORY . LEONARD BERNSTEIN (1918-1990) ​ ​ ​ ​ (arr. Jack Gale) “Maria" “Tonight" “I Feel Pretty” 1 2020-2021 SEASON: TOGETHER “SUMMERTIME” . GEORGE GERSHWIN (1898-1937) ​ ​ ​ (arr. John Glenesk Mortimer) “OUR LOVE IS HERE TO STAY” . GEORGE GERSHWIN (1898-1937) ​ ​ ​ (arr. Bill Holcombe) “A NIGHTINGALE SANG IN BERKELEY SQUARE” . MANNING SHERWIN (1902-1974) ​ ​ ​ (arr. Jack Gale) “THAT’S A-PLENTY” . LEW POLLACK (1895-1946) ​ ​ ​ (arr. Jack Gale) “JUST A CLOSER WALK WITH THEE” . TRADITIONAL ​ ​ (arr. Don Gillis) TRITSCH - TRATSCH POLKA . JOHANN STRAUSS II (1825-1899) ​ ​ ​ ​ ​ (arr. B. A. Kretz) The program begins with one of the all-time classic brass compositions of the 20th century, John ​ Cheetham’s Scherzo. A classic in brass quintet repertoire, Scherzo was an immediate success when ​ ​ ​ ​ it was written. Air Pour Les Trompettes, Irving Rosenthal’s arrangement of Bach's Suite in A, ​ ​ ​ ​ originally for solo harpsichord, showcases the trumpet.
    [Show full text]
  • Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru Boogiewoogie.Ru
    BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU BOOGIEWOOGIE.RU Contents ALL THE I-IVELONG DAY (And The Long, Long Night), 141 THE BACK BAY POLKA, 119 BESS YOU IS MY WOMAN, 9 (I've Got) BEGINNER'S LUCK, 66 BY STRAUSS, 131 A FOGGY DAY, 87 FOR YOU, FOR ME, FOR EVERMORE, 123 I CAN'T BE BOTHERED NOW, 91 I GOT PLENTY 0' NUTTIN', 17 I LOVE TO RHYME, 103 I WAS DOING ALL RIGHT, 107 IT AIIV'T NECESSARILY SO, 23 THE JOLLY TAR AND THE MILK MAID, 95 JUST ANOTHER RHUMBA, 53 LET'S CALL THE WHOLE THING OFF, 70 LOVE IS HERE TO STAY, 11 1 LOVE WALKED IN, 11 5 MY MAN'S GONE NOW, 29 NICE WORK IF YOU CAN GET IT, 99 OH BESS, OH WHERE'S MY BESS, 35 PROMENADE (Piano Solo), 74 THE REAL AMERICAN FOLK SONG (Is A Rag), 4 SHALL WE DANCE, 78 SLAP THAT BASS, 61 SOPHIA, 136 SUMMERTIME, 40 THERE'S A BOAT DAT'S LEAVIN' SOON FOR NEW YORK, 44 THEY ALL LAUGHED, 82 THEY CAN'T TAKE THAT AWAY FROM ME, 127 A WOMAN IS A SOMETIME THING, 48 For all works contained herein: International Copyright Secured ALL RIGHTS RESERVED Printed in U.S.A. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. THE REAL AMERICAN FOLK BOOGIEWOOGIE.RUSONG (Is A Ras)* Lyrics by IRA GERSHWN Music by GEORGE GERSH WIN 1 " Near Bar - ce - io - na the Deas - int cioons The old tra - di - tion - a1 I You may dis - like, or you 'may a - dore, The na - tire songs from a A Fm6 C Cmaj7 Am7 C dim Span - ish tunes; The Ne - a - pol - i - tan Street Song sighs, You for - eign shore; They may be songs that you can't for - get,- They I I Written for "Ladies First" (1918) The first George and In Gershwin collaboration used in a Broadway show Copyright @ 1959 by Gershwin Publishing Corporation Assigned to Chappell & Co., Inc.
    [Show full text]
  • Suggested Wedding Music
    Suggested Wedding Music Bach-Gounod, Ave Maria Dekoven, O Promise Me Pachelbel, Canon in D Borodin, Polovetsian Dances Wagner, Bridal Chorus (Stranger in Paradise) Mendelssohn, Wedding March Grieg, Wedding Day at Troldhaugen Mouret, Rondeau Schubert, Ave Maria ~~~~~~~~~~~~~~~~~~~~~~~ Franck, Panis Angelicus Handel, Hornpipe “Water Music” Handel, La Rejouissance “Royal Jewish Repertoire Fireworks” Hava Nagila Massenet, Meditation from Thais Hatikvah Gluck, Minuet from “Orpheus” Raisins and Almonds Purcell, Trumpet Tune Mazel Tov! Clarke, Trumpet Voluntary Ceremony Schubert, Ave Maria Y’did Nefesh Mozart, Rondeau Jerusalem of Gold Bach, Jesu, Joy of Man’s Desiring Chorshat Ha’ekaliptus Bach, Air on the G String Hitragut Handel, Aria from Xerxes Erev Shel Shoshanim Vivaldi, Largo, from the Erev Ba Four Season Hana’ava Babanot English Folk Melody, Greensleeves K’var Achare Chatzot Molloy, Love’s Old Sweet Song Al Kol Ele Bond, I Love You Truly El Ginat Egoz Schubert, Serenade Dodi Li Gluck, Melody Dodi Li II Ivanovici, Waves of the Danube MacDowell, To a Wild Rose Bride and Groom Entrance Chopin, Etude No. 3 Od Yishama De Koven, Oh, Promise Me Od Yishama II Traditional, Believe Me, If All Those Yasis Alayich Endearing Young Charms Ose Shalom Bach, Sheep May Safely Graze Vay’hi Bishurn Melech Mozart, Alleluia Asher Bara Handel, Entrance, Queen of Sheba Y’varch’cha Liszt, Liebestraum Kozatske Grieg, I Love Thee (Ich Liebe Dich) and others…… Liszt, Liebestraum Tschaikowsky, Love Theme from Romeo and Juliet Barnby, O Perfect Love 1 Suggested Music for Weddin g Preludes and other Events Mozart Early Quartets Vocalise, Rachmaninoff Mozart, 3 Divertimenti Danse Des Mirlitons, Tschaikowsky Mozart, Sonate in D Bacarolle, Offenbach Beethoven Op.
    [Show full text]
  • Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log On, Get Your Coffee, Listen, Relax
    Gershwin Part 1: “I Got Rhythm” Music from 9AM – 9:30 - Log on, get your coffee, listen, relax. • “I Got a Crush on You” recorded by Nat Adderley in 1960 on Work Song. Written in 1928 for Treasure Girl. • “Nice Work If You Can Get It” recorded by Sarah Vaughn in 1950 on Sarah Vaughn with George Treadwell and his All Stars. Written in 1937 for Damsels in Distress. • “Isn’t It A Pity” recorded by Cheryl Bentyne in 2010 on The Gershwin Songbook. Written in 1933 for Pardon My English. • “I Loves You, Porgy” recorded by Billie Holiday, accompanied by Bobby Tucker. Written in 1935 for Porgy & Bess. • “Let’s Call The Whole Thing Off” recorded by Ella Fitzgerald and Louis Armstrong with the Oscar Peterson Trio in 1957 on Ella and Louis Again. Written in 1937 for Shall We Dance. • “They Can’t Take That Away From Me” recorded by Frank Sinatra in 1962 on Sinatra and Swingin’ Brass. Written in 1937 for Shall We Dance. • “Do It Again” recorded by Beverly Kenney accompanied by Ellis Larkins in 1958 on Beverly Kenney Sings for Playboys. Written in 1922 for The French Doll. • “Love is Here to Stay” recorded in 1955 by Carmen McRae. Written in 1937 for The Goldwyn Follies. • “My One and Only” recorded in 1950 by Ella Fitzgerald with Ellis Larkin on Ella Sings Gershwin. Written in 1927 for Funny Face. • “I Got Rhythm” recorded in 1964 in Sweden by Sarah Vaughn. Written in 1930 for Girl Crazy. Class Begins at 930AM The Gershwins Part 1: “I Got Rhythm” Course Agenda showing the music 1.
    [Show full text]
  • The Dale Warland Singers Presents GLORIOUS GERSHWIN MUSIC by GEORGE GERSHWIN LYRICS by IRA GERSHWIN
    The Dale Warland Singers presents GLORIOUS GERSHWIN MUSIC BY GEORGE GERSHWIN LYRICS BY IRA GERSHWIN FRIDAY, MAY 13, 1988 ORCHESTRA HALL 8:00 P.M. THE DALE WARLAND SINGERS Dale Warland, Music Director Sigrid Johnson, Assistant Conductor "jerry Rubino, Pianist and Cabaret Singers Conductor GUEST ARTISTS MOORE BY FOUR Sanford Moore, director/piano Ginger Commodore, soprano Yolande Bruce-Crim, mezzo-soprano Connie Evingson, alto Dennis Spears, baritone Soli Hughes, guitar Jay Young, bass Robert Commodore, drums Paul Oakley, piano Don Stille, synthesizer Tom Hubbard, bass Gordy Knudtson; drums Randy Winkler, production SPECIAL MUSICAL ARRANGEMENTS Steve Barnett Jerry Rubino •This evening's concert is the result of the creative collaboration of many in- dividuals. Particular recognition is extended toJerry Rubino of the DWS ar- tistic staff for his leadership in providing the program conception and musical direction to this event as well as his outstanding musical arrangements. Glorious Gershwin is sponsored by IDS Financial Services Inc. and WAYL Radio . AM 980-FM94 (Special thanks to jefferson Transporunton Group for providing hus servic-e••for (he: pre-concert gala dinner; All musical arrangements are byJerry Rubino unless otherwise noted. I. Strike Up the Band I Got Rhythm Fascinating Rhythm (Mattson) Cabaret Singers By Strauss (Gershwin) Sigrid Johnson, soprano Strike Up the Band (King) II. He Loves and She Loves Nice Work If}fJu Can Get It Soon Ruth Spiegel, soprano; David Benson, bass Looking for a Boy Melissa O'Neill, soprano The Man I Love Lynette johnson, alto Oh, Lady Be Good Tim Sawyer, tenor; Gary Kortemeier, tenor; Michael Dailey, baritone; Brad Bak, bass Somebody Loves Me (Lyrics by B.G.
    [Show full text]
  • Wedding Ceremony Jazz and Blues
    Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St.
    [Show full text]
  • Orchestra Repertoire by Composer
    Concord Orchestra (1969-2019 seasons) –– Richard Pittman, 50th season as conductor by Composer Compiled by Grant Anderson, June 2019 1 Concord Orchestra Repertoire by Composer (1969-2019 seasons) — Richard Pittman, conductor Composer Composition Composed Soloists Groups Concert Adams John (1947 – ) Nixon in China: The Chairman Dances 1985 May 2000 Adams John (1947 – ) ShortA Short Ride in a Fast Machine (Fanfare for 1986 December 1990 Great Woods) Adams John (1947 – ) AShort Short Ride in a Fast Machine (Fanfare for 1986 December 2000 Great Woods) Adler Samuel (1928 – ) TheFlames Flames of Freedom: Ma’oz Tzur (Rock 1982 Lexington High School December 2015 of Ages), Mi y’mallel (Who Can Retell?) Women’s Chorus (Jason Iannuzzi) Albéniz Isaac (1860 – 1909) Suite española, Op. 47: Granada & Sevilla 1886 May 2016 Albert Stephen (1941 – 1992) River-Run: Rain Music, River's End 1984 October 1986 Alford, born Kenneth, born (1881 – 1945) Colonel Bogey March 1914 May 1994 Ricketts Frederick Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 July 1998 Anderson Leroy (1908 – 1975) Belle of the Ball 1951 May 2003 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 1998 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2007 Anderson Leroy (1908 – 1975) Blue Tango 1951 May 2011 Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954 Norman Plummer, April 1971 Thomas Taylor, Stanley Schultz trumpet Anderson Leroy (1908 – 1975) BuglerA Bugler's Holiday 1954f John Ossi, James May 1979 Dolham,
    [Show full text]
  • November 7, 2020 | 7:00 CST La Porte Civic Auditorium 1001 Ridge Street | La Porte, Indiana
    PM November 7, 2020 | 7:00 CST La Porte Civic Auditorium 1001 Ridge Street | La Porte, Indiana The La Porte Symphony is made possible by YOU! Your support makes a difference! It is only through the combined support of many individuals and businesses that this orchestra can continue to bring quality productions to you. Consider a donation today. Symphony Patron Levels 10,000+ Major Concert Sponsor 500 - 999 Music Maker 5,000 - 9,999 Designated Concert Sponsor 250 - 499 Main Stage 2,500 - 4,999 Concert Master 100 - 249 Concert Note 1,000 - 2,499 Principal Musician Name _________________________________________________________________________________ Address ________________________________________________________________________________ Phone _________________________________________________________________________________ Email _______________________________________________ Amount enclosed $ ______________ Return with check payable to LCSO: La Porte County Symphony Orchestra, PO Box 563 La Porte, IN 46352 Credit card donations: LCSO.net 1 2 ON LINE EDUCATION 32nd Annual Educational Presentation 2020 Go to www.LCSO.net for programing and educational guide. Michigan City Community Enrichment Corporation Dr. Linda Sirugo & Attorney David Sirugo Councilman Tim Stabosz Psi Iota Xi La Porte Chapter This project is made possible by: 3 NORTHWEST INDIANA'S MOST TRUSTED INSURANCE ADVISORS FOR OVER 80 YEARS La Porte Michigan City Valparaiso Hobart 219.362.2113 219.879.4581 219.464.3511 219.850.1001 www.genins.com 4 Huelat & Mack P.C. Attorneys at
    [Show full text]
  • Jazz Promo Services 'S Wonderful: Perry Beekman Sings and Plays
    Jazz Promo Services ‘S Wonderful: Perry Beekman Sings and Plays Gershwin (Self Produced) Street Date June 5, 2015 PERRY BEEKMAN (VOCALS AND GUITAR), PETER TOMLINSON (PIANO), LOU PAPPAS (BASS) For the third part of his continued quest to fully explore the Great American Songbook, the remarkable guitarist/vocalist Perry Beekman embraces George and Ira Gershwin with the very aptly titled ‘S Wonderful. Following up on the critical and popular success of the first two albums in the series – Bewitched (Rodgers & Hart) and So in Love (Cole Porter) – Perry and his longtime associates, pianist Peter Tomlinson and Lou Pappas on bass, offer 15 of the Gershwins’ best loved classics. With each new recording project and the prolific live performing schedule they maintain, the trio’s synergy and unity of purpose become increasingly apparent. The sheer joy and the sparkling sense of discovery they exhibit in playing together has never been more palpable than on this album. The easygoing and joyous nature of the music almost obscures the sophistication and inventiveness of Perry’s brilliant arrangements, which perfectly frame these familiar songs. While remaining totally faithful to the composers’ visions, they provide a freshness and flair that makes them new again. One of the most captivating elements of the arrangements is the creation of written improvisational lines and chordal passages played in unison by guitar and piano that link the imaginative solos with the return to the theme on a number of tracks. The effect is exhilarating and further enhances the constant lyricism in the solos, tying them in even more seamlessly with the unforgettable melodies.
    [Show full text]
  • Indesign Template Standard Jewelbox Eight Page
    InDesign Template Standard Jewelbox Eight Page Booklet document size: 9.5” x 4.719” (L->R) Panel1 Panel2 front 4.75” 4.75” back 4.75” 4.75” Hieght: 4.719” *Design must bleed 1/8” beyond trim. ACD-71290 Notes.indd 1 3/4/14 8:50 PM ACD-71290 GEORGE Gershwin (1898-1937) MUSIC FOR VIOLIN AND PIANO Suite from Girl Crazy (1930), arranged by Eric Stern (b. 1952) (2012) WORLD PREMIER RECORDING 1. “But Not for Me” [2:37] 2. “Bidin’ My Time” [3:22] 3. “Embraceable You” [1:54] 4. “I Got Rhythm” [2:09] Three Preludes for Piano (1926), transcribed by Jascha Heifetz (1901-1987) 5. I. [Allegro ben ritmato e deciso] (1940) [1:51] 6. II. Andante con moto e poco rubato (1944) [3:29] 7. III. Allegro ben ritmato e deciso (1942) [1:39] Short Story (1925), arranged by Samuel Dushkin (1891-1976) 8. Andantino con fantasia; Allegretto scherzando [2:37] An American in Paris (Excerpts) (1928), WORLD PREMIER RECORDING transcribed by Jascha Heifetz (1901-1987), completed from the original sketches by Ayke Agus (b. 1949) (2000) 9. Allegretto grazioso; Tempo Blues, Andante, ma con ritmo deciso; Allegro (con anima) [5:09] “Love Walked In” (1938) [from The Goldwyn Follies], arranged by Eric Stern (b. 1952) (2012) WORLD PREMIER RECORDING 10. Freely; Meno Mosso e Rubato [3:50] “Nice Work If You Can Get It” (1937) [from A Damsel in Distress], arranged by Eric Stern (b. 1952) (2012) WORLD PREMIER RECORDING 11. With a Bouncy Swing [2:15] Selections from Porgy and Bess (1935) transcribed by Jascha Heifetz (1901-1987) (1944) 12.
    [Show full text]
  • Rodney Earl Clarke Christopher Gould
    HITS FROM THE GOLDEN AGE OF BROADWAY MUSICALS Rodney Earl Clarke Christopher Gould HITS FROM THE GOLDEN AGE OF BROADWAY MUSICALS Rodney Earl Clarke Christopher Gould 1 Oh, What a Beautiful Mornin’ 3’05 from Oklahoma! music by Richard Rodgers, words by Oscar Hammerstein II 2 If I loved you 2’25 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 3 Soliloquy 7’25 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 4 You’ll never walk alone 2’00 from Carousel music by Richard Rodgers, words by Oscar Hammerstein II 5 Love Walked In 3’18 from The Goldwyn Follies music by George Gershwin, words by Ira Gershwin 6 Just Another Rhumba 3’16 from The Goldwyn Follies music by George Gershwin, words by Ira Gershwin 7 Younger Than Springtime 3’17 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 8 Some Enchanted Evening 3’27 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 9 This Nearly Was Mine 3’28 from South Pacific music by Richard Rodgers, words by Oscar Hammerstein II 10 Joey, Joey, Joey 3’38 from The Most Happy Fella music and words by Frank Loesser 11 Come Home 2’49 from Allegro music by Richard Rodgers, words by Oscar Hammerstein II 12 Ol’ Man River 2’51 from Showboat music by Jerome Kern, words by Oscar Hammerstein II 13 Lonely Town 3’59 from On the Town music by Leonard Bernstein, words by Betty Comden and Adolph Green 14 The Impossible Dream (The Quest) 2’44 from Man of La Mancha music by Mitch Leigh, words by Joe Darion 47’42 Rodney Earl Clarke baritone Christopher Gould piano Rodney Earl Clarke takes us to the golden age of the American musical theatre song focussing on the composers that solidified the modern, story-driven, integrated art genre that we now enjoy.
    [Show full text]