Get Book ~ Simply Gershwin: the Music of George & Ira Gershwin

Total Page:16

File Type:pdf, Size:1020Kb

Get Book ~ Simply Gershwin: the Music of George & Ira Gershwin 7WQKUEHZZGLK ^ PDF ~ Simply Gershwin: The Music of George & Ira Gershwin: 20 of Their... Simply Gersh win: Th e Music of George & Ira Gersh win: 20 of Th eir Most Popular W orks Filesize: 7.63 MB Reviews A top quality ebook and also the font employed was interesting to read. This is for those who statte there was not a worth studying. Your life span will probably be enhance when you total looking at this ebook. (Billy Christiansen) DISCLAIMER | DMCA XNOPKPKI4DOJ > Book < Simply Gershwin: The Music of George & Ira Gershwin: 20 of Their... SIMPLY GERSHWIN: THE MUSIC OF GEORGE & IRA GERSHWIN: 20 OF THEIR MOST POPULAR WORKS ALFRED PUB CO INC Jan 2007, 2007. Taschenbuch. Book Condition: Neu. 297x229x3 mm. Neuware - Simply Gershwin is a collection of the most famous compositions by George and Ira Gershwin. Phrase markings, articulations, fingering and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: Bidin' My Time \* But Not for Me \* Embraceable You \* A Foggy Day \* I Got Rhythm \* I've Got a Crush on You \* Let's Call the Whole Thing O \* Love Is Here to Stay \* Lullaby (for String Quartet) \* The Man I Love \* Nice Work If You Can Get It \* Prelude II (Blue Lullaby) (1927) \* Rhapsody in Blue \* Somebody Loves Me \* Someone to Watch over Me \* Strike Up the Band! \* Summertime \* 'S Wonderful \* They Can't Take That Away from Me \* Three-Quarter Blues. 80 pp. Englisch. Read Simply Gershwin: The Music of George & Ira Gershwin: 20 of Their Most Popular Works Online Download PDF Simply Gershwin: The Music of George & Ira Gershwin: 20 of Their Most Popular Works UQN4J17BH3EA Doc » Simply Gershwin: The Music of George & Ira Gershwin: 20 of Their... Relevant PDFs You Shouldn't Have to Say Goodbye: It's Hard Losing the Person You Love the Most Sourcebooks, Inc. Paperback / soback. Book Condition: new. BRAND NEW, You Shouldn't Have to Say Goodbye: It's Hard Losing the Person You Love the Most, Patricia Hermes, Thirteen-year-old Sarah Morrow doesn't think much of the... Save PDF » Kindergarten Culture in the Family and Kindergarten; A Complete Sketch of Froebel s System of Early Education, Adapted to American Institutions. for the Use of Mothers and Teachers Rarebooksclub.com, United States, 2012. Paperback. Book Condition: New. 246 x 189 mm. Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can download... Save PDF » The Victim's Fortune: Inside the Epic Battle Over the Debts of the Holocaust HarperCollins. Hardcover. Book Condition: New. 0066212642 Never Read-12+ year old Hardcover book with dust jacket-may have light shelf or handling wear-has a price sticker or price written inside front or back cover-publishers mark-Good Copy- I... Save PDF » The World is the Home of Love and Death Metropolitan Books. Hardcover. Book Condition: New. 0805055134 Never Read-12+ year old Hardcover book with dust jacket-may have light shelf or handling wear-has a price sticker or price written inside front or back cover-publishers mark-Good Copy-... Save PDF » I Want to Thank My Brain for Remembering Me: A Memoir Back Bay Books. PAPERBACK. Book Condition: New. 0316118796 Never Read-12+ year old Paperback book with dust jacket-may have light shelf or handling wear-has a price sticker or price written inside front or back cover-publishers mark-Good... Save PDF » BAF8QATAZGOD // eBook ^ Simply Gershwin: The Music of George & Ira Gershwin: 20 of Their... Read Write Inc. Phonics: Blue Set 6 Storybook 6 the Jar of Oil Oxford University Press, United Kingdom, 2016. Paperback. Book Condition: New. Tim Archbold (illustrator). 148 x 148 mm. Language: N/A. Brand New Book. These engaging Storybooks provide structured practice for children learning to read the Read Download ePub » THE Key to My Children Series: Evan s Eyebrows Say Yes AUTHORHOUSE, United States, 2006. Paperback. Book Condition: New. 274 x 216 mm. Language: English . Brand New Book ***** Print on Demand *****.THE KEY TO MY CHILDREN SERIES: EVAN S EYEBROWS SAY YES is about Download ePub » Talking Digital: A Parent s Guide for Teaching Kids to Share Smart and Stay Safe Online Createspace, United States, 2014. Paperback. Book Condition: New. 229 x 152 mm. Language: English . Brand New Book. It is time for the digital talk. Today, kids are growing up in a wired world. Their Download ePub » Available Titles Skills Assessment Manager SAM Oice 2007 Microso Oice Excel 2007 by Elizabeth Eisner Reding and Lynn Wermers 2007 Spiral Book Condition: Brand New. Book Condition: Brand New. Download ePub » Leave It to Me (Ballantine Reader's Circle) Ballantine Books. PAPERBACK. Book Condition: New. 0449003965 12+ Year Old paperback book-Never Read-may have light shelf or handling wear-has a price sticker or price written inside front or back cover-publishers mark-Good Copy- I ship FAST Download ePub » .
Recommended publications
  • Aaron Copland: Famous American Composer, Copland Was Born in Brooklyn, New York, on November 14, 1900. the Child of Jewish Immig
    Aaron Copland: Famous American Composer, Copland was born in Brooklyn, New York, on November 14, 1900. The child of Jewish immigrants from Lithuania, he first learned to play the piano from his older sister. At the age of sixteen he went to Manhattan to study with Rubin Goldmark, a respected private music instructor who taught Copland the fundamentals of counterpoint and composition. During these early years he immersed himself in contemporary classical music by attending performances at the New York Symphony and Brooklyn Academy of Music. He found, however, that like many other young musicians, he was attracted to the classical history and musicians of Europe. So, at the age of twenty, he left New York for the Summer School of Music for American Students at Fountainebleau, France. In France, Copland found a musical community unlike any he had known. While in Europe, Copeland met many of the important artists of the time, including the famous composer Serge Koussevitsky. Koussevitsky requested that Copland write a piece for the Boston Symphony Orchestra. The piece, “Symphony for Organ and Orchestra” (1925) was Copland‟s entry into the life of professional American music. He followed this with “Music for the Theater” (1925) and “Piano Concerto” (1926), both of which relied heavily on the jazz idioms of the time. For Copland, jazz was the first genuinely American major musical movement. From jazz he hoped to draw the inspiration for a new type of symphonic music, one that could distinguish itself from the music of Europe. In the late 1920s Copland‟s attention turned to popular music of other countries.
    [Show full text]
  • Adapting the Language of Charlie Parker to the Cello Through Solo
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2007 Yardbird cello: adapting the language of Charlie Parker to the cello through solo transcription and analysis Kristin Isaacson Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Isaacson, Kristin, "Yardbird cello: adapting the language of Charlie Parker to the cello through solo transcription and analysis" (2007). LSU Doctoral Dissertations. 3038. https://digitalcommons.lsu.edu/gradschool_dissertations/3038 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. YARDBIRD CELLO: ADAPTING THE LANGUAGE OF CHARLIE PARKER TO THE CELLO THROUGH SOLO TRANSCRIPTION AND ANALYSIS A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In Partial fulfillment of the Requirements for the Degree of Doctor of Musical Arts In The School of Music By Kristin Isaacson B.M. Indiana University, 1998 M.M. Louisiana State University, 2000 December 2007 ACKNOWLEDGMENTS This document is dedicated to the memory of my grandmother, Virginia Rylands, a remarkable woman and jazz pianist who came of age in the Kansas City of Charlie Parker’s youth. She inspired my interest in this music. I would like to extend special thanks to my parents, Mary Lou and Phillip, and to my brother and musical colleague, Peter Isaacson for his encouragement along the way.
    [Show full text]
  • The Enduring Art of Ella Fitzgerald's Most Ambitious Album
    MASTERPIECE The Enduring Art of Ella Fitzgerald’s Most Ambitious Album ‘Ella Fitzgerald Sings the George and Ira Gershwin Song Books,’ which was inducted into the Grammy Hall of Fame at the end of January, remains a matchless treasure. By John Edward Hasse Published originally in The Wall Street Journal, Feb. 5, 2019 Nothing did more to crystallize the idea of the Great American Songbook than a series of recordings Fitzgerald made between 1956 and 1964. By showcasing eight different songwriters and songwriting teams, these albums esteemed each writer’s output as a body of work, canonized many of the songs, and raised respect for the repertory. The most celebrated of these albums, Ella Fitzgerald Sings the George and Ira Gershwin Song Books, unprecedented in scope, offers 59 tracks, more than three hours, broadly exploring one of America’s foremost song catalogs. It was recorded between January and August 1959 and issued originally in a lavish six-disc set. And with the Grammy’s this week, it’s worth reconsidering one of the singular recordings of the 20th century, which itself was inducted into the Grammy Hall of Fame at the end of January. The album resulted from a kind of collaboration among four living figures and one deceased, playing five different roles. George Gershwin, who died prematurely in 1937, composed the music, rich with jazzy, bluesy, Jewish and classical influences. His brother Ira matched George’s melodies with witty, memorable words that reveled in American vernacular speech. For the album, Ira wrote some new lyrics. The other three collaborators were each at their creative peak.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Suggested Wedding Music
    Suggested Wedding Music Bach-Gounod, Ave Maria Dekoven, O Promise Me Pachelbel, Canon in D Borodin, Polovetsian Dances Wagner, Bridal Chorus (Stranger in Paradise) Mendelssohn, Wedding March Grieg, Wedding Day at Troldhaugen Mouret, Rondeau Schubert, Ave Maria ~~~~~~~~~~~~~~~~~~~~~~~ Franck, Panis Angelicus Handel, Hornpipe “Water Music” Handel, La Rejouissance “Royal Jewish Repertoire Fireworks” Hava Nagila Massenet, Meditation from Thais Hatikvah Gluck, Minuet from “Orpheus” Raisins and Almonds Purcell, Trumpet Tune Mazel Tov! Clarke, Trumpet Voluntary Ceremony Schubert, Ave Maria Y’did Nefesh Mozart, Rondeau Jerusalem of Gold Bach, Jesu, Joy of Man’s Desiring Chorshat Ha’ekaliptus Bach, Air on the G String Hitragut Handel, Aria from Xerxes Erev Shel Shoshanim Vivaldi, Largo, from the Erev Ba Four Season Hana’ava Babanot English Folk Melody, Greensleeves K’var Achare Chatzot Molloy, Love’s Old Sweet Song Al Kol Ele Bond, I Love You Truly El Ginat Egoz Schubert, Serenade Dodi Li Gluck, Melody Dodi Li II Ivanovici, Waves of the Danube MacDowell, To a Wild Rose Bride and Groom Entrance Chopin, Etude No. 3 Od Yishama De Koven, Oh, Promise Me Od Yishama II Traditional, Believe Me, If All Those Yasis Alayich Endearing Young Charms Ose Shalom Bach, Sheep May Safely Graze Vay’hi Bishurn Melech Mozart, Alleluia Asher Bara Handel, Entrance, Queen of Sheba Y’varch’cha Liszt, Liebestraum Kozatske Grieg, I Love Thee (Ich Liebe Dich) and others…… Liszt, Liebestraum Tschaikowsky, Love Theme from Romeo and Juliet Barnby, O Perfect Love 1 Suggested Music for Weddin g Preludes and other Events Mozart Early Quartets Vocalise, Rachmaninoff Mozart, 3 Divertimenti Danse Des Mirlitons, Tschaikowsky Mozart, Sonate in D Bacarolle, Offenbach Beethoven Op.
    [Show full text]
  • The Dale Warland Singers Presents GLORIOUS GERSHWIN MUSIC by GEORGE GERSHWIN LYRICS by IRA GERSHWIN
    The Dale Warland Singers presents GLORIOUS GERSHWIN MUSIC BY GEORGE GERSHWIN LYRICS BY IRA GERSHWIN FRIDAY, MAY 13, 1988 ORCHESTRA HALL 8:00 P.M. THE DALE WARLAND SINGERS Dale Warland, Music Director Sigrid Johnson, Assistant Conductor "jerry Rubino, Pianist and Cabaret Singers Conductor GUEST ARTISTS MOORE BY FOUR Sanford Moore, director/piano Ginger Commodore, soprano Yolande Bruce-Crim, mezzo-soprano Connie Evingson, alto Dennis Spears, baritone Soli Hughes, guitar Jay Young, bass Robert Commodore, drums Paul Oakley, piano Don Stille, synthesizer Tom Hubbard, bass Gordy Knudtson; drums Randy Winkler, production SPECIAL MUSICAL ARRANGEMENTS Steve Barnett Jerry Rubino •This evening's concert is the result of the creative collaboration of many in- dividuals. Particular recognition is extended toJerry Rubino of the DWS ar- tistic staff for his leadership in providing the program conception and musical direction to this event as well as his outstanding musical arrangements. Glorious Gershwin is sponsored by IDS Financial Services Inc. and WAYL Radio . AM 980-FM94 (Special thanks to jefferson Transporunton Group for providing hus servic-e••for (he: pre-concert gala dinner; All musical arrangements are byJerry Rubino unless otherwise noted. I. Strike Up the Band I Got Rhythm Fascinating Rhythm (Mattson) Cabaret Singers By Strauss (Gershwin) Sigrid Johnson, soprano Strike Up the Band (King) II. He Loves and She Loves Nice Work If}fJu Can Get It Soon Ruth Spiegel, soprano; David Benson, bass Looking for a Boy Melissa O'Neill, soprano The Man I Love Lynette johnson, alto Oh, Lady Be Good Tim Sawyer, tenor; Gary Kortemeier, tenor; Michael Dailey, baritone; Brad Bak, bass Somebody Loves Me (Lyrics by B.G.
    [Show full text]
  • Wedding Ceremony Jazz and Blues
    Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St.
    [Show full text]
  • November 7, 2020 | 7:00 CST La Porte Civic Auditorium 1001 Ridge Street | La Porte, Indiana
    PM November 7, 2020 | 7:00 CST La Porte Civic Auditorium 1001 Ridge Street | La Porte, Indiana The La Porte Symphony is made possible by YOU! Your support makes a difference! It is only through the combined support of many individuals and businesses that this orchestra can continue to bring quality productions to you. Consider a donation today. Symphony Patron Levels 10,000+ Major Concert Sponsor 500 - 999 Music Maker 5,000 - 9,999 Designated Concert Sponsor 250 - 499 Main Stage 2,500 - 4,999 Concert Master 100 - 249 Concert Note 1,000 - 2,499 Principal Musician Name _________________________________________________________________________________ Address ________________________________________________________________________________ Phone _________________________________________________________________________________ Email _______________________________________________ Amount enclosed $ ______________ Return with check payable to LCSO: La Porte County Symphony Orchestra, PO Box 563 La Porte, IN 46352 Credit card donations: LCSO.net 1 2 ON LINE EDUCATION 32nd Annual Educational Presentation 2020 Go to www.LCSO.net for programing and educational guide. Michigan City Community Enrichment Corporation Dr. Linda Sirugo & Attorney David Sirugo Councilman Tim Stabosz Psi Iota Xi La Porte Chapter This project is made possible by: 3 NORTHWEST INDIANA'S MOST TRUSTED INSURANCE ADVISORS FOR OVER 80 YEARS La Porte Michigan City Valparaiso Hobart 219.362.2113 219.879.4581 219.464.3511 219.850.1001 www.genins.com 4 Huelat & Mack P.C. Attorneys at
    [Show full text]
  • HANNIGA Sunday 17 March 2019
    Sunday 17 March 2019 7–9.10pm Barbican LSO SEASON CONCERT BARBARA HANNIGAN Ligeti Concert Românesc Haydn Symphony No 86 HANNIGA Interval Berg Lulu – Suite Gershwin arr Hannigan & Elliott Girl Crazy – Suite Barbara Hannigan conductor/soprano Welcome Latest News To create the high-spirited Girl Crazy Suite, THE LSO’S 2019/20 SEASON CULTURE MILE COMMUNITY DAY Barbara Hannigan collaborated with Tony Award-winning composer and arranger The LSO’s 2019/20 season is now on sale. On Sunday 17 February, LSO St Luke’s Bill Elliott. The Suite uses the same Sir Simon Rattle continues his exploration was taken over for a day of performances, orchestration as Berg’s Lulu and brings of the roots and origins of music, including a workshops, music, food and crafts, run by together four numbers by George Gershwin, look back to the influence of Beethoven in Culture Mile to celebrate the irrepressible who was a friend of Berg’s in Vienna and the composer’s 250th anniversary year and creativity and community spirit of East who died only a month after Lulu’s premiere. a focus on how folk music inspired Bartók London. Join us for free at the next and Percy Grainger. François-Xavier Roth Community Day on 21 July. I hope you enjoy the concert and that you conducts complementary programmes of will join us again soon. At the end of the Bartók and Stravinsky, while Gianandrea • lso.co.uk/news elcome to tonight’s LSO concert at month the LSO is joined by soprano Diana Noseda continues his survey of Russian the Barbican, as Barbara Hannigan Damrau, singing Strauss and Iain Bell’s song works.
    [Show full text]
  • Do It Again: Sequences in Gershwin and Kern's Popular Songs
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 7 Issue 1 Article 4 May 2014 Do It Again: Sequences in Gershwin and Kern’s Popular Songs Maxwell Ramage Indiana University Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Composition Commons, and the Music Theory Commons Recommended Citation Ramage, Maxwell (2014) "Do It Again: Sequences in Gershwin and Kern’s Popular Songs," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 7 : Iss. 1 , Article 4. Available at: https://trace.tennessee.edu/gamut/vol7/iss1/4 This Article is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. DO IT AGAIN: SEQUENCES IN GERSHWIN AND KERN’S POPULAR SONGS MAXWELL RAMAGE mericans George Gershwin (1898–1937) and Jerome Kern (1885–1945) both A succeeded as Broadway composers but began as “song pluggers” on New York’s Tin Pan Alley.1 Their popular-song output, however, was far from hackwork; indeed, their chromatically inflected, extended tertian harmonies enriched the expressive palette available to song composers at large.2 Gershwin and Kern seem to have influenced one another: Gershwin idolized the elder composer3 and stated that his early songs “paid [Kern] the tribute of frank imitation.”4 Conversely, Howard Pollack hears in Kern’s song “Whip-Poor-Will,” for example, suggestions of Gershwin’s “From Now On.”5 In view of the special regard in which Gershwin held Kern, I will compare and contrast their popular songs.
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Embraceable You Full Score
    Jazz Lines Publications Presents embraceable you As recorded by ella fitzgerald Arranged by nelson riddle prepared by dylan canterbury, rob duboff and jeffrey sultanof full score from the original manuscript jlp-9469 Music and Lyrics by George Gershwin and Ira Gershwin Copyright © 1930 (Renewed) WB MUSIC CORP. and IRA GERSHWIN MUSIC All Rights Administered by WB MUSIC CORP. This Arrangement © 2015 WB MUSIC CORP. and IRA GERSHWIN MUSIC All Rights Reserved Used by Permission of ALFRED MUSIC Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA ella fitzgerald series embraceable you (1959) Background: Ella Fitzgerald was born on April 25, 1917, in Newport News, VA. She began her climb to becoming the ‘First Lady of Song’ with the Chick Webb Orchestra in New York City in 1935. Following Webb’s death in 1939, she became the focal point of the band. She continued her Swing Era ascent with several bands during the early-to-mid 1940s, and later honed her famous scat singing during her time with the Dizzy Gillespie Big Band. She showed the world that she could eloquently adapt her vocal prowess to any style of jazz, developing her scat style to accentuate bebop and act as another improvising horn in the band. In 1947, Ella married bassist Ray Brown, with whom she fell in love while both were with Gillespie. Brown was working on producer/ impresario Norman Granz’s Jazz at the Philharmonic tours, and Granz signed her on, later becoming her manager.
    [Show full text]