2020 Calendar of Events UK & Ireland
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Slap Magazine Issue 90 (April 2019)
Issue 90 Apr2019 FREE SLAP Supporting Local Arts & Performers WORCESTER’S NEW INDEPENDENT ITALIAN RESTAURANT Traditional Italian food, cooked the Italian way! We create all dishes in our kitchen, using only the finest quality fresh ingredients. f. t. i. SUGO at The Lamb & Flag SUGO at Friar St 30 The Tything 19-21 Friar Street, Worcester Worcester WR1 1JL WR1 2NA 01905 729415 01905 612211 [email protected] [email protected] Spring is here as we turn our thoughts to the season ahead, and what a summer it will surely be with all the music and arts events in the pipeline. We again look forward to a few of the local music festivals such as Mello, where Severn Sounds again have a stage focusing on the young talent around the area; Kidderminster, Hereford, Worcester Colleges and Christopher Whitehead, Pershore and Tewkesbury High Schools are all represented, which bodes well for the future of our local music scene. We Apr 2019 bring news of other festivals such as Upton Jazz and Under the Hill festival near Evesham. Poetry lovers are also catered for In this issue, as we SLAP MAGAZINE highlight a vibrant spoken word scene, with articles on the Unit 3a, Lowesmoor Wharf, upcoming Cheltenham Poetry Festival and the Evesham Festival of Words, as well as all the other regular local Worcester WR1 2RS events.. Telephone: 01905 26660 There’s plenty for art fans in these pages too. If you haven’t [email protected] been to see the Matisse exhibition at Worcester Museum EDITORIAL yet, then I suggest you pop along before it ends later in the Mark Hogan - Editor month. -
Edinburgh's Hogmanay Celebrates Europe and Invites the World To
Press release under embargo until 12noon Wednesday 19th September Underbelly Announces Full Programme for Edinburgh’s Hogmanay WE LOVE YOU! Edinburgh’s Hogmanay celebrates Europe and invites the world to share the love, embrace friends – old and new – and come together in the home of Hogmanay. Edinburgh’s Hogmanay, 30 December 18 to 1 January 19. Tickets on sale now at edinburghshogmanay.com and (+44) 131 510 0395 Hogmanay’s Street Party Hosts The Mac Twins share the love On behalf of City of Edinburgh Council, Underbelly today announced the full programme for Edinburgh’s Hogmanay 19 in their second year of producing the festival. Edinburgh’s Hogmanay 19 will lead with a celebration of Scotland’s shared cultural, historic and social connections with Europe. Although 1 January 2019 marks the start of the year in which Scotland may leave the EU, we remain part of Europe and so Hogmanay 19 will be a celebration of our continental ties and our shared history and culture. Every year we welcome the world to ring in the New Year in the home of Hogmanay and celebrate our cultural connections with the world. 2019 is the time for us to celebrate our ties with Europe and ask the world to say – “WE LOVE YOU” Programme highlights include: • The line-up for Street Party hosted by Johnnie Walker leads with Scottish and European bands, street performers and musicians including; Compagnie Transe Express, Meute, Snap! and Gerry Cinnamon. • Spend the 31st thinking you are seeing double with Street Party Hosts, The Mac Twins. • Concert in the Gardens headlined -
ANDERTON Music Festival Capitalism
1 Music Festival Capitalism Chris Anderton Abstract: This chapter adds to a growing subfield of music festival studies by examining the business practices and cultures of the commercial outdoor sector, with a particular focus on rock, pop and dance music events. The events of this sector require substantial financial and other capital in order to be staged and achieve success, yet the market is highly volatile, with relatively few festivals managing to attain longevity. It is argued that these events must balance their commercial needs with the socio-cultural expectations of their audiences for hedonistic, carnivalesque experiences that draw on countercultural understanding of festival culture (the countercultural carnivalesque). This balancing act has come into increased focus as corporate promoters, brand sponsors and venture capitalists have sought to dominate the market in the neoliberal era of late capitalism. The chapter examines the riskiness and volatility of the sector before examining contemporary economic strategies for risk management and audience development, and critiques of these corporatizing and mainstreaming processes. Keywords: music festival; carnivalesque; counterculture; risk management; cool capitalism A popular music festival may be defined as a live event consisting of multiple musical performances, held over one or more days (Shuker, 2017, 131), though the connotations of 2 the word “festival” extend much further than this, as I will discuss below. For the purposes of this chapter, “popular music” is conceived as music that is produced by contemporary artists, has commercial appeal, and does not rely on public subsidies to exist, hence typically ranges from rock and pop through to rap and electronic dance music, but excludes most classical music and opera (Connolly and Krueger 2006, 667). -
Unkans ISSUE JUNE 2015 the Newsletter of the Shetland Heritage and Culture Community Issue 50 a Look Back on fi Fty Issues Unkans Has Reached a Milestone 50Th Issue
50th FREE Unkans ISSUE JUNE 2015 The newsletter of the Shetland Heritage and Culture Community Issue 50 A look back on fi fty issues Unkans has reached a milestone 50th issue. to become a publication dedicated to the introduction of an online mailing list. Now The newsletter was first produced in March promotion of activities of the wider heritage readers from all around the world can sign 2007 to inform and update the community and culture community in Shetland. Emma up to receive the latest issue direct to their about events, research and services provided Miller, Marketing Officer at Shetland inbox. The readership now extends from by the brand new Shetland Museum and Amenity Trust took on the role of editor. Canada to Australia and New Zealand with Archives. Assistant Archivist, Joanne Since its inception, Unkans has always been many places in between including Norway, Wishart, and Curator, Dr Carol Christiansen, available to download from the Shetland Italy and Hong Kong. worked together as joint editors. Articles Museum and Archives website, and all back Article contributions are always welcome relating to the wider Shetland heritage issues from the very first are still online. on any subject relating to Shetland’s community were also welcomed. In February 2013, Unkans moved a further heritage and culture. Here’s to the next 50 In July 2012 Unkans was rebranded step forward in the digital world with the issues! The Victoress – a family heirloom in Hoswick, it had spent all of its life didn’t have room in our house, so in my great aunt Helen Jamieson’s my forgiving in-laws, Richard and house in Guddon, East Yell. -
January 2021 Newsletter
Scottish Heritage USA NEWSLETTER JANUARY 2021 Vikings leading the Hogmanay Torchlight Parade, Edinburgh ISSUE #1-2021 HAPPY NEW YEAR & HAPPY HOGMANAY! H OGMANAY may be Scotland’s New Year celebration, but it lasts three to five days with unusual, weird and wild H traditions. It starts on Christmas with the Edinburgh Torchlight Parade and is all downhill from there! Look to Scotland to find the best, most spectacular fire festivals in the UK. Combine the primitive impulse to light up the long nights (the ancient idea that fire purifies and chases away evil spirits) and the natural Scottish impulse to party to the wee small hours and you end up with some of the most dazzling and daring midwinter celebrations in Europe. At one time, most Scottish towns celebrated the New Year with huge bonfires and torchlight processions. Many have disappeared, but those that are left are real Site where the horde was found humdingers. Here are the five of the best winter fire festivals in Scotland: STONEHAVEN FIRE FESTIVAL: Strong Scots dare-devils parade through the town on New Year's Eve swinging 16-pound balls of fire around themselves and over their heads. Each "swinger" has his or her own secret recipe for creating the fireball and keeping it lit. Thousands come to watch this famous event on the North Sea, south of Aberdeen. It all gets underway before midnight with bands of pipers and wild drumming. Then a lone piper, playing Scotland the Brave, leads the pipers into town. At the stroke of midnight, they raise their flaming balls over their heads and begin to swing and twirl them, showering the street, themselves and usually the 12,000 strong crowd, with sparks. -
Auld Rock Meets Nordic Noir: a Danish Gaze on Shetlandic Scandinavian-Ness
Auld Rock meets Nordic Noir: A Danish Gaze on Shetlandic Scandinavian-ness By Gunhild Agger, Hanne Tange The Scandinavian traveller arriving through Sumburgh is greeted in a homely way. On the road taking drivers out of the airport area stands a multilingual sign, which welcomes voyagers in the four languages of English, Norwegian, German and French. To the Scandinavian the sign is an oddity, signalling at once historical connectivity and geographical distance. For while the choice of Norwegian acknowledges Shetland’s legacy as a nodal point connecting the string of islands making up a Viking kingdom stretching from Bergen to Dublin, any present-day visitor from Nordic Europe will inevitably arrive through British (air)ports such as Edinburgh, Glasgow or Aberdeen, which would be difficult if s/he was capable of managing in a Scandinavian language alone. To provide information in Norwegian seems unnecessary, leaving one to wonder what exactly is the purpose of the Sumburgh signpost? The authors rely in this paper on a specific reading of signs, accepting their power to create simultaneously a sense of connectivity and distance. The core concept of connectivity is inspired by the Swedish anthropologist Ulf Hannerz1, who argues how shared migration experiences, cultural representations, communication and trade networks evoke in people the feeling of being related to communities positioned in other parts of the world. Connectivity builds on a logic of similarity, suggesting that relationships create a shared we-ness, which is reinforced through the cultural practices, traditions and symbols linking a historic settler society such as Shetland, to Norway, as the Shetlanders’ imaginary ‘land of the fathers’.2 The Sumburgh signpost offers a physical expression of connectivity where Norwegian, as a linguistic sign, is selected because it can communicate both a Shetlandic desire to connect with Norway/Scandinavia and a perceived sense of distance, linguistic and cultural, to the British Mainland and Scotland in particular. -
SB-4207-January
Scottishthethethethe www.scottishbanner.com Banner 37 Years StrongScottishScottishScottish - 1976-2013 Banner A’BannerBanner Bhratach Albannach 42 Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Years Strong - 1976-2018 www.scottishbanner.com A’ Bhratach Albannach Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 VolumeVolumeVolume 42 36 36 NumberNumber Number 711 11 TheThe The world’s world’s world’s largest largest largest international international international ScottishScottish Scottish newspaper newspaper May January May 2013 2013 2019 Up Helly Aa Lighting up Shetland’s dark winter with Viking fun » Pg 16 2019 - A Year in Piping » Pg 19 USAustralia Barcodes $4.00; N.Z. $4.95 A Literary Inn ............................ » Pg 8 The Bards Scotland: What’s New for 2019 ............................. » Pg 12 Discover Scotland’s Starry Nights .............................. » Pg 15 Family 7 25286 844598 0 1 The Immortal Memory ........ » Pg 29 » Pg 25 7 25286 844598 0 9 7 25286 844598 0 3 7 25286 844598 1 1 7 25286 844598 1 2 THE SCOTTISH BANNER Volume 42 - Number 7 Scottishthe Banner The Banner Says… Volume 36 Number 11 The world’s largest international Scottish newspaper May 2013 Publisher Offices of publication Valerie Cairney Australasian Office: PO Box 6202 Editor Marrickville South, Starting the year Sean Cairney NSW, 2204 Tel:(02) 9559-6348 EDITORIAL STAFF Jim Stoddart [email protected] Ron Dempsey, FSA Scot The National Piping Centre North American Office: off Scottish style PO Box 6880 David McVey Cathedral you were a Doonie, with From Scotland to the world, Burns Angus Whitson Hudson, FL 34674 Lady Fiona MacGregor [email protected] Uppies being those born to the south, Suppers will celebrate this great Eric Bryan or you play on the side that your literary figure from Africa to America. -
Summary of Sensory Team Manager Duties
Link to thesis website Chapter 6 Competing speech communities Chapter 6 Competing speech communities The final chapter of this section focuses on the evolution of folk tradition, and the new spaces created for performance, within the Celto-Cornish movement through the latter half of the twentieth century to the current era of festival culture and Pan- Celticism. It makes the case that the Celto-Cornish movement and the folk revival that arrived in Cornwall in the sixties represent different speech communities, which competed for ownership of oral folk tradition and the authenticity it represented. It must be also be recognised that there is a third speech community with a stake in the celebration of tradition, the local community within which it takes place. One outcome of these competing speech communities is the way in which the same folk phenomena will be used to express quite different identities. The Padstow May Day festivities for example are a celebration that firstly represents a sense of the towns community1 and secondly a Celto-Cornish tradition2 but at the same time is used as an icon by the English Folk Dance And Song Society.3 Underlying this discussion, however, must be the recognition that identity is chaotically unique for each individual and each group of individuals, all of which are at the centre of a “complex web of being”.4 In order to pursue this argument it is first necessary to revisit and examine more closely what is meant by a speech community and how this might affect performance and meaning within oral folk tradition. -
NOEA Yearbook2018
CREATE / COLLABORATE / CONTROL 2019 YEARBOOK CELEBRATING 40 YEARS National Outdoor Events Association AS THE UK’S LEADING OUTDOOR TRADE www.noea.org.uk ASSOCIATION NATIONAL OUTDOOR EVENTS ASSOCIATION 2019 YEARBOOK 3 CONTENTS An Introduction to the National Outdoor Events Association 5 Code of Professional Practice | Legal AdVice | Insurance Panel 6 Message from the President and Vice President 8-9 UniVersitY of DerbY – Event SafetY Diploma 9 NOEA – Values and Goals 10-11 CEO’s Report 12 NOEA Scotland 13 General Council Members 2018/2019 Picture GallerY 14 General Council Members 2018/2019 Contact Details 15 NeW Council Members 16 Events IndustrY Forum 17 So Where Did It Go Wrong – A Suppliers PerspectiVe 18 40th AnniVersarY of NOEA 18-19 Business Visits & Events Partnership Working With VisitBritain 20 Special Memberships and Affiliations 21 Event Solutions NOEA 16th Annual Convention and AWards Dinner 21 2018 AWard Winners Pictures 22 Judges for the AWards 23 NOEA 2018 AWard Winners 24-25 Recording Breaking Convention 25 NOEA AWard Sponsors Logos 25 Futures Sponsors 26 AWards Sponsors 27-28 Media Partner 28 2Can Productions Members NeWs 29-38 Front cover photographs: Annual Convention and AWards Dinner Packages 42-43 Stage Lighting SerVices, Tintern AbbeY List of NOEA Members – Full details 44-67 Bournemouth 7s, SomersbY Cider Garden Classified Headings IndeX 68-76 We Are the Fair, El Dorado FestiVal Richmond Event Management Ltd, The opinions expressed by contributors to this publication are not Bristol Balloon Fiesta always a reflection of the opinions or the policy of the Association National Outdoor Events Association, PO BoX 4495, Wells BA5 9AS Tel. -
Sponsorship Packages
SPONSORSHIP PACKAGES 6 DECEMBER - TROXY, LONDON WWW.FESTIVALAWARDS.COM Annual Celebration of the UK Festival Industry THE EVENT An awards ceremony that will leave UK festival organisers feeling celebrated, indulged and inspired. A highlight of the UK Festivals Calendar, the UKFA was founded in 2002 and is now celebrating its 15th year. With over 650 festival organisers, music agents and trade suppliers in attendance, the evening brings together the UK Festival scene’s key players for a night of entertainment, networking, street food, innovative cocktails and an exclusive after party – all held at the historic Troxy in London. Recognising the festival industries’ brightest and best, previous award winners include Michael Eavis (Glastonbury Festival), Peter Gabriel (WOMAD), Download Festival, Latitude and TRNSMT. We look forward to celebrating 2018’s triumphs with this year proving to be bigger and better than ever. THE BENEFITS The Awards offer sponsors the opportunity to network with the UK’s leading festival influencers and gain extensive exposure: EXCLUSIVE NETWORKING OPPORTUNITIES With the UK festival industry’s key players in attendance, the Awards offers unparalleled opportunity to network and engage one-on-one with decision makers. POSITION YOUR BRAND IN FRONT OF THE UK’S TOP FESTIVAL ORGANISERS Last year’s shortlisted festivals are the most influential, established and recognisable in the country. The UK’s greatest influencers will be attending the event and sponsors will have the opportunity to showcase products and services to a broad prospect base. UK FESTIVAL AWARDS 2017 SPONSORS & SUPPORTERS SPONSORSHIP OPPORTUNITIES HEADLINE PARTNER SPONSORSHIP Bespoke Sponsor Packages £20,000 If you are looking for a more unique package, contact us for The Headline Partner package is designed to offer your brand details about bespoke sponsorship packages. -
Advance Programme 2020
Dé hAoine / Friday 17/4/20 2pm: Mórshiúl na Féile / Pan Celtic Festival Parade PAN CELTIC NATIONAL COMMITTEES 2020 CONTACTS: Colourful Celtic Parade through the streets of Carlow with representatives from all nations in full colour and costume. 3pm: Comórtais Rince Idir-Cheilteach Pan Celtic Festival Office / Inter-Celtic Dance Competitions Glór Cheatharlach Áras na nÓg, O’Brien Rd, Carlow, Ireland Solo, Group & New Invention Dances +353 (0)87 2857048 / +353 (0)85 1340047 Venue: Seven Oaks Hotel [email protected] www.panceltic.ie 7.30pm: Ceolchoirm na gCór / 2020 Celtic Choral Concert A magnificent evening of choral singing featuring choirs from the participating celtic Nations. ALBA / SCOTLAND: MANINN / ISLE OF MAN: Ailean MacColla, 5 Farrow Drive, Fiona McArdle, Cooil Beg, Venue: Carlow Cathedral, College St Adm: €10 Corpach, Fort William, Alba Douglas Road, Kirk Michael, The I nternational T: +44 (0)1397 772530 Isle of Man, IM6 1AR Féile Idirnáisiúnta Idirnáisiúnta Féile 9.30pm: Club na Féile le Muintir CYMRU E: [email protected] T: +44 (0)762 447 1543 E: [email protected] Festival Club hosted by Wales showcasing the ÉIRE / IRELAND: cream of Welsh musicians, singers, dancers, Louise Ní Dháibhéid, Oireachtas na CYMRU / WALES - NORTH bands & choirs. Gaeilge, 6 Sráid Fhearchair, Tegwyn Williams, (President) Baile Átha Cliath 2, Éire Penbedw, Flordd y Bryn, Venue: Seven Oaks Hotel Admission: €10 Pan T: +353 (0)1 475 3857 Llanelwy, Sir Ddinbych, LL17 0DD E: [email protected] T: +44 (0)1745 583 612 E: [email protected] KERNOW / CORNWALL: Dé Sathairn / Saturday 18/4/20 Arwell & Awen Roberts, Jamie Toms, 49 Fairview Park, (Organiser & Secretary) St Columb Road, Cornwall, TR9 6TN LÁ NA gCOMÓRTAS / COMPETITIONS DAY Fachwen, Ffordd Y Rhyl, Celtic T: +44 (0)777 9560752 Comórtais Idir Cheilteach / Inter-Celtic Competitions Ruddlan, Wales, LL 18 2TP E: jamie jamietoms.com @ T: +44 (0)1745 590 869 Ionaid / Various venues. -
From Glyndebourne to Glastonbury: the Impact of British Music Festivals
An Arts and Humanities Research Council- funded literature review FROM GLYNDEBOURNE TO GLASTONBURY: THE IMPACT OF BRITISH MUSIC FESTIVALS Emma Webster and George McKay 1 CONTENTS EXECUTIVE 4 INTRODUCTION 6 THE IMPACT OF FESTIVALS: A SURVEY OF THE FIELD(S) 7 ECONOMY AND CHARITY SUMMARY 8 POLITICS AND POWER 10 TEMPORALITY AND TRANSFORMATION Festivals are at the heart of British music and at the heart 12 CREATIVITY: MUSIC of the British music industry. They form an essential part of AND MUSICIANS the worlds of rock, classical, folk and jazz, forming regularly 14 PLACE-MAKING AND TOURISM occurring pivot points around which musicians, audiences, 16 MEDIATION AND DISCOURSE and festival organisers plan their lives. 18 HEALTH AND WELL-BEING 19 ENVIRONMENT: Funded by the Arts and Humanities Research Council, the LOCAL AND GLOBAL purpose of this report is to chart and critically examine 20 THE IMPACT OF ACADEMIC available writing about the impact of British music festivals, RESEARCH ON MUSIC drawing on both academic and ‘grey’/cultural policy FESTIVALS literature in the field. The review presents research findings 21 RECOMMENDATIONS FOR under the headings of: FUTURE RESEARCH 22 APPENDIX 1. NOTE ON • economy and charity; METHODOLOGY • politics and power; 23 APPENDIX 2. ECONOMIC • temporality and transformation; IMPACT ASSESSMENTS • creativity: music and musicians; 26 APPENDIX 3. TABLE OF ECONOMIC IMPACT OF • place-making and tourism; MUSIC FESTIVALS BY UK • mediation and discourse; REGION IN 2014 • health and well-being; and 27 BIBLIOGRAPHY • environment: local and global. 31 ACKNOWLEDGEMENTS It concludes with observations on the impact of academic research on festivals as well as a set of recommendations for future research.