The Films of Oliver Stone

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The Films of Oliver Stone H-Film ReFocus: The Films of Oliver Stone Discussion published by Elif Sendur on Tuesday, December 1, 2020 deadline for submissions: January 29, 2021 full name / name of organization: David Da Silva contact email: [email protected] ReFocus: The Films of Oliver Stone For many, Oliver Stone set the tone and pacing for the political film narrative in American cinema for nearly twenty years. First, we have to put Oliver Stone back in the current Hollywood system, a place a thousand leagues from where he occupied in the 80s and early 90s. Oliver Stone began as a screenwriter for filmmakers as John Milius (Conan the barbarian), Brian De Palma (Scarface), Michael Cimino (Year of the dragon) or Alan Parker (Midnight Express and an Oscar for best screenplay) before quickly becoming one of Hollywood's great filmmakers. Platoon, his fourth feature film after two low-budget films and Salvador with James Woods, won four Oscars including that of best film and best director. An unexpected triumph for a very personal film (Oliver Stone participated in the Vietnam War and this is a subject that is particularly important for him). The American filmmaker, who has French origins through his mother, has a series of successful films such as Wall Street, Born on the Fourth of July (which allows him to obtain a second Oscar for best director) or JFK. The turning point in his career was the public and critical failure of the last installment of his Vietnam trilogy (Heaven and Earth with Tommy Lee Jones). Oliver Stone's state of grace in Hollywood is over despite some modest box office successes (especially Any Given Sunday which saves his career from total wreck and even allows him to start his dream project on Alexander The Great). This book must demonstrate all the thematic and aesthetic richness of his work. We are particularly interested in interdisciplinary approaches that can illuminate the various aspects of the director’s work and visual style. This volume will undertake to address the entirety of his work. As this volume will be peer-reviewed and scholarly, chapters are to be written at a high academic level. Contributions could include – but are not limited to– the following topics: -American Politics (and its international reception) -Christian Figure - The Father Figure -Oliver Stone’s vision of Film Genre Citation: Elif Sendur. ReFocus: The Films of Oliver Stone. H-Film. 12-01-2020. https://networks.h-net.org/node/14467/discussions/6895104/refocus-films-oliver-stone Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Film -Oliver Stone and Cultural Studies -Oliver Stone and History -Violence -Influence of Joseph Campbell - Human ambivalence -Morality and transgression -Representations of masculinity and femininity -War and rebellion - Collaboration with other filmmakers (Brian De Palma, Michael Cimino…) -The individual opposing majority This anthology will be organized into thematic sections around these topics and others that emerge from submissions. We are open to works that focus on other topics as well and authors interested in pursuing other related lines of inquiry. Feel free to contact the editor with any questions you may have about the project and please share this announcement with colleagues whose work aligns with the focus of this volume. Submit a 300-500 words abstract of your proposed chapter contribution, a short bio and complete contact information to David Da Silva ([email protected]) by January 29, 2021. Essays included in the refereed anthology will be of approximately 6,000 to 8,000 words, referenced in Chicago endnote and American spellings. The Films of Oliver Stone will be one of the scholarly editions to be published by Edinburgh University Press in a new series of anthologies examining overlooked American film directors. Series editors are Robert Singer, Ph.D, Frances Smith, Ph.D.,. and Gary D. Rhodes, Ph.D. https://edinburghuniversitypress.com/series-refocus-the-american-directo... Note: Acceptance of a proposed abstract does not guarantee the acceptance of the full chapter into the completed volume. Citation: Elif Sendur. ReFocus: The Films of Oliver Stone. H-Film. 12-01-2020. https://networks.h-net.org/node/14467/discussions/6895104/refocus-films-oliver-stone Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 2.
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  • The Cinema of Oliver Stone
    Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules.
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