Sketches of Some of the Booksellers of the Time of Dr. Samuel Johnson
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The British Journal for the History of Science Mechanical Experiments As Moral Exercise in the Education of George
The British Journal for the History of Science http://journals.cambridge.org/BJH Additional services for The British Journal for the History of Science: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Mechanical experiments as moral exercise in the education of George III FLORENCE GRANT The British Journal for the History of Science / Volume 48 / Issue 02 / June 2015, pp 195 - 212 DOI: 10.1017/S0007087414000582, Published online: 01 August 2014 Link to this article: http://journals.cambridge.org/abstract_S0007087414000582 How to cite this article: FLORENCE GRANT (2015). Mechanical experiments as moral exercise in the education of George III. The British Journal for the History of Science, 48, pp 195-212 doi:10.1017/ S0007087414000582 Request Permissions : Click here Downloaded from http://journals.cambridge.org/BJH, IP address: 130.132.173.207 on 07 Jul 2015 BJHS 48(2): 195–212, June 2015. © British Society for the History of Science 2014 doi:10.1017/S0007087414000582 First published online 1 August 2014 Mechanical experiments as moral exercise in the education of George III FLORENCE GRANT* Abstract. In 1761, George III commissioned a large group of philosophical instruments from the London instrument-maker George Adams. The purchase sprang from a complex plan of moral education devised for Prince George in the late 1750s by the third Earl of Bute. Bute’s plan applied the philosophy of Frances Hutcheson, who placed ‘the culture of the heart’ at the foundation of moral education. To complement this affective development, Bute also acted on seventeenth-century arguments for the value of experimental philosophy and geometry as exercises that habituated the student to recognizing truth, and to pursuing it through long and difficult chains of reasoning. -
FACULTE DES ETUDES SUPERIEURES L== L FACULTY OF
mn u Ottawa l.'Univcrsitc canndicnnc Canada's university FACULTE DES ETUDES SUPERIEURES l==l FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'Universittf canadienne Canada's university Amy Frances Larin AUTEUR DE LA THESE / AUTHOR OF THESIS M.A. (Histoire) GRADE/DEGREE Department of History TACUlTlTfCOLETDl^ A Novel Idea: British Booksellers and the Transformation of the Literary Marketplace, 1745-1775 TITRE DE LA THESE / TITLE OF THESIS Dr. Richard Connors WE'CTEURWECTRTC^^^^ EXAMINATEURS (EXAMINATRICES) DE LA THESE / THESIS EXAMINERS Dr. Sylvie Perrier Dr. Beatrice Craig Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies A NOVEL IDEA BRITISH BOOKSELLERS AND THE TRANSFORMATION OF THE LITERARY MARKETPLACE, 1745-1775 By Amy Frances Larin Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the M.A. degree in History Universite d'Ottawa/University of Ottawa © Amy Frances Larin, Ottawa, Canada, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-50897-8 Our file Notre reference ISBN: 978-0-494-50897-8 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. -
Kit-Cat Related Poetry
‘IN AND OUT’: AN ANALYSIS OF KIT-CAT CLUB MEMBERSHIP (Web Appendix to The Kit-Cat Club by Ophelia Field, 2008) There are four main primary sources with regard to the membership of the Kit-Cat Club – Abel Boyer’s 1722 list,1 John Oldmixon’s 1735 list,2 a Club subscription list dated 1702,3 and finally the portraits painted by Sir Godfrey Kneller between 1697 and 1721 (as well as the 1735 Faber engravings of these paintings). None of the sources agree. Indeed, only the membership of four men (Dr Garth, Lord Cornwallis, Spencer Compton and Abraham Stanyan) is confirmed by all four of these sources. John Macky, a Whig journalist and spy, was the first source for the statement that the Club could have no more than thirty-nine members at any one time,4 and Malone and Spence followed suit.5 It is highly unlikely that there were so many members at the Kit-Cat’s inception, however, and membership probably expanded with changes of venue, especially around 1702–3. By 1712–14, all surviving manuscript lists of toasted ladies total thirty-nine, suggesting that there was one lady toasted by each member and therefore that Macky was correct.6 The rough correlation between the dates of expulsions/deaths and the dates of new admissions (such as the expulsion of Prior followed by the admission of Steele in 1705) also supports the hypothesis that at some stage a cap was set on the size of the Club. Allowing that all members were not concurrent, most sources estimate between forty- six and fifty-five members during the Club’s total period of activity.7 There are forty- four Kit-Cat paintings, but Oldmixon, who got his information primarily from his friend Arthur Maynwaring, lists forty-six members. -
The Dictionary of Printers and Printing
A DICTIONARY OF PRINTERS AND PRINTING WITH THE Progress of Literature, ANCIENT AND MODERN; BIBLIOGRAPHICAL ILLUSTRATIONS, ETC. ETC. BY C. H. TIMPERLEY. “If asked, why Printers and Booksellers in particular?—I answer, they are a valuable class of the community—the friendly assistants, at least, if not the patrons of literature—and I myself one of the fraternity—let the members of other professions, if they approve of the suggestion, in like manner record the meritorious actions of their brethren.”—JOHN NICHOLS. LONDON: H. JOHNSON, 49, PATERNOSTER ROW; FRASER & CO. EDINBURGH; SYMINGTON & CO. GLASGOW; CURRY & CO. DUBLIN; AND BANCKS & CO. MANCHESTER. MDCCCXXXIX. EIGHTEENTH CENTURY 671 1744, Jan. The Meddler, No. 1. 1744, April 1. The Female Spectator, monthly. This periodical was the production of Mrs. Eliza Heywood,* and was carried on till March, 1746. As soon as completed, they were immediately collected into four volumes 12mo., and have gone through several impressions. The seventh and last was printed in 1771. 1745. The Biographia Britannica commenced. This work was undertaken by John Campbell, and published in weekly numbers. It was completed in seven volumes folio. In 1777 a new edition was begun under the superintendence of Dr. Andrew Kippis; it is a work of considerable magnitude, and still holds a respectable station in our national literature. 1745, Oct. 19. Died, JONATHAN SWIFT, the celebrated dean of St. Patrick’s, Dublin. Of a life so various, and so full of business as Swift’s we know not what part we could select consistent with the limits of this work, that would not rather excite curiosity than gratify it. -
The Economic Aspects of Copyright in Books Author(S): Arnold Plant Reviewed Work(S): Source: Economica, New Series, Vol
The Suntory and Toyota International Centres for Economics and Related Disciplines The Economic Aspects of Copyright in Books Author(s): Arnold Plant Reviewed work(s): Source: Economica, New Series, Vol. 1, No. 2 (May, 1934), pp. 167-195 Published by: Wiley-Blackwell on behalf of The London School of Economics and Political Science and The Suntory and Toyota International Centres for Economics and Related Disciplines Stable URL: http://www.jstor.org/stable/2548748 . Accessed: 21/10/2012 20:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wiley-Blackwell, The London School of Economics and Political Science, The Suntory and Toyota International Centres for Economics and Related Disciplines are collaborating with JSTOR to digitize, preserve and extend access to Economica. http://www.jstor.org 1 934] The Economic Aspects of Copyright in Books' By ARNOLD PLANT (Sir Ernest Cassel Professor of Commercein the University of London) I. IF an economist needed encouragement or justification for devoting time to the consideration of the effects of copy- right legislation on the output of literature, he might find it in the stimulating introduction which Professor Frank H. Knight has contributed to the reissue of his Risk, Uncertainty and Profit. -
Literature in Context: a Chronology, C16601825
Literature in Context: A Chronology, c16601825 Entries referring directly to Thomas Gray appear in bold typeface. 1660 Restoration of Charles II. Patents granted to reopen London theatres. Actresses admitted onto the English and German stage. Samuel Pepys begins his diary (1660 1669). Birth of Sir Hans Sloane (16601753), virtuoso and collector. Vauxhall Gardens opened. Death of Velàzquez (15591660), artist. 1661 Birth of Daniel Defoe (c16611731), writer. Birth of Anne Finch, Countess of Winchilsea (16611720), writer. Birth of Sir Samuel Garth (16611719). Louis XIV crowned in France (reigns 16611715). 1662 Publication of Butler’s “Hudibras” begins. The Royal Society is chartered. Death of Blaise Pascal (16231662), mathematician and philosopher. Charles II marries Catherine of Braganza and receives Tangier and Bombay as part of the dowry. Peter Lely appointed Court Painter. Louis XIV commences building at Versailles with Charles Le Brun as chief adviser. 1663 Milton finishes “Paradise Lost”. Publication of the Third Folio edition of Shakespeare. The Theatre Royal, Bridges Street, opened on the Drury Lane site with a revival of Fletcher’s “The Humorous Lieutenant”. Birth of Cotton Mather (16631728), American preacher and writer. 1664 Birth of Sir John Vanbrugh (16641726), dramatist and architect. Birth of Matthew Prior (16641721), poet. Lully composes for Molière’s ballets. “Le Tartuffe” receives its first performance. English forces take New Amsterdam and rename it New York. Newton works on Theory of Gravity (16641666). 1665 The Great Plague breaks out in London. Newton invents differential calculus. The “Journal des Savants”, the first literary periodical, is published in Paris. -
Choking the Channel of Public Information: Re-Examination of an Eighteenth-Century Warning About Copyright and Free Speech
CHOKING THE CHANNEL OF PUBLIC INFORMATION: RE-EXAMINATION OF AN EIGHTEENTH-CENTURY WARNING ABOUT COPYRIGHT AND FREE SPEECH EDWARD L. CARTER* The U.S. Supreme Court in Eldred v. Ashcroft gave First Amendment importance to the topic of copyright history. In measuring whether Congress has altered the “traditional contours” of copyright such that First Amendment scrutiny must be applied, federal courts—including the Supreme Court in its 2011 Term case Golan v. Holder—must carefully examine the intertwined history of copyright and freedom of the press. The famous but misunderstood case of Donaldson v. Beckett in the British House of Lords in 1774 is an important piece of this history. In Donaldson, several lawyers, litigants, judges, and lords recognized the danger posed by copyright to untrammeled public communication. Eighteenth-century newspaper accounts shed new light on the free press implications of this important period in copyright law history. INTRODUCTION ..........................................................................................................80 I. SCHOLARLY VIEWS ON DONALDSON V. BECKETT .......................................84 II. ALEXANDER DONALDSON AND THE CRUSADE AGAINST SPEECH MONOPOLY ................................................................................................91 III. DONALDSON V. BECKETT RE-EXAMINED ....................................................97 A. Day 1: Friday, February 4, 1774 ...................................................99 B. Day 2: Monday, February 7, 1774 ..............................................103 -
Robert Dodsley, Poet, Publisher & Playwright
NIVERSITY OF CALIFORNIA SAN D EGO 3 1822 01602 ( I UNIVERSITY OF CALIFORNIA. SAN DIEGO 3 1822016020117 Central University Library University of California, San Diego Note: This item is subject to recall after two weeks. Date Due UCT 14 SEP 2? Cl 39 (1/91) UCSDLib. ROBERT DODSLEY BY THE SAME AUTHOR JOHN BASKERVILLE : A MEMOIR (With ROBERT K. DENT) THE MAN APART THE LITTLE GOD'S DRUM THE SCANDALOUS MR WALDO THE DUST WHICH IS GOD <?rf?* ROBERT DODSLEY POET, PUBLISHER & PLAYWRIGHT BY RALPH STRAUS <& & WITH A PHOTOGRAVURE PORTRAIT AND TWELVE OTHER ILLUSTRATIONS LONDON JOHN LANE THE BODLEY HEAD NEW YORK JOHN LANE COMPANY MCMX Turnbull & Spears, Printers, Edinburgh TO AUSTIN DOBSON WHO OF ALL WRITERS HAS MOST SURELY TOUCHED THE ATMOSPHERE OF DODSLEY'S TIMES I AM PERMITTED TO DEDICATE THIS BOOK PREFACE of eighteenth century wor- thies multiply exceedingly at the present BIOGRAPHIESday, and it might seem that the appearance of a life of Robert Dodsley should be heralded by an apology. Instead I prefer to quote a sentence from Isaac Reed's eulogy of the publisher- poet, which explains the attractiveness of such a ' ' subject. It was his happiness,' he says, to pass the greater part of his life with those whose names will be revered by posterity.' Dodsley, indeed, seems most unjustly to have escaped the historian's notice. Beyond Mr Tedder's article in the Dictionary of National Biography, Mr Austin Dobson's entertaining ' vignette At Tully's Head,' and scattered, though useful, notes in various volumes of Notes and Queries, little if anything has of late been written about him. -
Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe
Paying for Poetry at the Turn of the Eighteenth Century, with Particular Reference to Dryden, Pope, and Defoe J. A. DOWNIE IT IS SOMETIMES insinuated that author-publisher relations changed once and for all as a consequence of Dryden’s contract with Jacob Tonson to publish a subscription edition of his translation of Virgil, and Pope’s subsequent agreement with Bernard Lintot to publish a translation of the Iliad. Both poets unquestionably made a lot of money out of these publications. Dryden should have received the proceeds of the 101 five-guinea subscriptions in their entirety, in accordance with his contract with Tonson, as well as an additional sum from the cheaper second subscription. In addition to agreeing to pay Dryden £200 in four instalments for the copyright of his translation of Virgil to encourage him to complete the project as speedily as possible, Tonson also paid the capital costs of the plates and alterations and the costs of the 101 copies for the first subscribers. He even made a contribution towards the costs of the copies of the second subscribers. John Barnard calculates that “in all Dryden received between £910 and £1,075 from Tonson and the subscribers, and probably £400 or £500 for his [three] dedications” (“Patrons” 177). Yet Dryden fell out with Tonson, and William Congreve and one Mr Aston were called in to mediate. “You always intended I shou[l]d get nothing by the Second Subscriptions,” Dryden complained to Tonson, “as I found from first to last” (Letters 77). After shopping around among other booksellers, however, Dryden came to think rather differently. -
British Society for Eighteenth-Century Studies Annual Conference 10:00
British Society for Eighteenth-Century Studies Annual Conference 10:00 - 13:45 Tuesday 6 January 2015 Location 10:00-13:45 Registration Maplethorpe Lobby 12:30 - 13:45 Opening Plenary 'Conduits of Treason: Objects, Weapons, Conflict and Memory in the State, 1688-1760' Maplethorpe Hall Professor Murray Pittock 13:45 - 15:30 Tuesday Session 1 Panel Panel Title Chair Location Tuesday Panel Gender, race, TBA TBA TBA 1 power Chi Sum Reading Doris Lessing’s The Grass is Singing (1950): Garfield Lau Reinvention of Eighteenth-Century Gender Norms under African Colonialism Suzanne Ayah, Caregiver for Anglo-Indian Children seen in 18th Conway Century British Painting Regulus Allen Mutinous Slave Mothers in Aphra Behn's Oroonoko Tuesday Panel Education and TBA TBA TBA 2 Epistemologies Paul D. Tonks Education, Empire and Enlightenment in a Revolutionary Age: Patrick Colquhoun and the 'Free School' Model Jill Gage James Boswell the younger and the 1791 Westminster School Rebellion Haroldo A. The Perfectibility of Character: The qualities of Émulation Guizar and Heuristic Pedagogy in Eighteenth-century French Military Education Tuesday Panel Music and Martin Clarke TBA 3 Influence Douglas The Small Flute Concerto in early Eighteenth-Century MacMillan London Olga A. Baird Ignaz Pleyel and Ludwig-Wilhelm Tepper de Ferguson: the Mystery of the 'Twelve German Songs' Mita Commemorative Theatricality Choudhury Tuesday Panel Ossian in the Sebastian TBA 4 twenty-first Mitchell century Dafydd Moore Gerald Bär Juliet Sheilds Murdo Macdonald Victoria Henshaw Tuesday -
Of Grubs and Other Insects: Constructing the Categories of “Ephemera” and “Literature” in Eighteenth-Century British Writing
Book History 15 (2012), 48-70 Of Grubs and Other Insects: Constructing the Categories of “Ephemera” and “Literature” in Eighteenth-Century British Writing Paula McDowell Abstract The category “ephemera,” like the category “Literature,” is a classification that does powerful rhetorical, practical, ideological, and disciplinary work. This essay historicizes these value-laden classifications across disciplinary and period boundaries. It begins by suggesting how librarians and collectors have defined ephemera since the 1960s, then steps back to the eighteenth century in Britain, arguing that the categories of “ephemera” and “Literature” were reciprocally constructed parts of a classification system that was a response to the commercialization of letters and the proliferation of print. But today, new media technologies and digital archives are destabilizing centuries-old categorical distinctions, and eighteenth-century authors’ classification work can help us to think through the challenges and opportunities we face in the digital age Of Grubs and Other Insects: Constructing the Categories of “Ephemera” and “Literature” in Eighteenth-Century British Writing Paula McDowell Book History, Volume 15, 2012, pp. 48-70 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/bh.2012.0009 For additional information about this article https://muse.jhu.edu/article/488252 Access provided by New York University (25 Jun 2017 22:09 GMT) Of Grubs and Other Insects Constructing the Categories of “Ephemera” and “Literature” in Eighteenth-Century -
Jacob Tonson and Dryden's Linguistic Project
Document généré le 24 sept. 2021 22:41 Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies Travaux choisis de la Société canadienne d'étude du dix-huitième siècle Improvised Patronage: Jacob Tonson and Dryden’s Linguistic Project Catherine Fleming Volume 36, 2017 URI : https://id.erudit.org/iderudit/1037856ar DOI : https://doi.org/10.7202/1037856ar Aller au sommaire du numéro Éditeur(s) Canadian Society for Eighteenth-Century Studies / Société canadienne d'étude du dix-huitième siècle ISSN 1209-3696 (imprimé) 1927-8284 (numérique) Découvrir la revue Citer cet article Fleming, C. (2017). Improvised Patronage: Jacob Tonson and Dryden’s Linguistic Project. Lumen, 36, 95–111. https://doi.org/10.7202/1037856ar All Rights Reserved © Canadian Society for Eighteenth-Century Studies / Société Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des canadienne d'étude du dix-huitième siècle, 2017 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ Improvised Patronage: Jacob Tonson and Dryden’s Linguistic Project Catherine Fleming University of Toronto The eighteenth-century bookseller is now recognized as a middleman through whom works reach the public, as a reflector of public taste, and as a cultural figure who slowly ousted the aristocratic patron in shaping and supporting literary production.1 The bookseller Jacob Tonson was one of the more important of these figures, using his publishing house and political relationships to support rising authors.