Magic Pudding Tail Credits
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The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
One of New Zealand's Most Famous Exports, Sam Neill Returned to His
cheers! Actor and winemaker Sam Neill proudly presents his very own pinot noir one of New Zealand’s most famous exports, Sam Neill returned to his family’s homeland in 1993 to put a stake, literally, in the ground at his Two Paddocks vineyard. The veteran actor shares the fruits of his frustrating, yet ultimately rewarding, labour with Hong Kong Tatler A Vintage Career by Robby Nimmo hong kong tatler september 2009 Ireland for the first time a couple of years ago, from Ivanhoe co-star James Mason, whom he it was wonderful to return to the place where I Neill’s describes as “a friend and mentor.” The advice spent the first seven years of my life. I felt incon- movie fits with the self-effacing New Zealand psyche. spicuous there until a woman handed me a cup of Strip “He taught me never, never act. Just be. I think coffee in a small restaurant and whispered, ‘We’re the ‘be’ thing is important. Just inhabit the role. very proud of you around here’. I nearly cried.” Don’t go showing off. Showing off is bad.” The self-effacing streak runs thick in Neill’s reilly: ace of Neill is as laconic and low key as he is driven. spies veins and, indeed, in New Zealand’s national directed by Jim His sartorial elegance is also understated. The psyche. “The New Zealand self-effacing thing is a Goddard and Martin wardrobe choice for this interview is Neill de double-edged sword that can have a downside. It Campbell (1983) rigueur: a simple, well-cut light-coloured linen can often go with undervaluing and underselling suit that would look at home beneath a straw your own culture and your own worth. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
AACTA Announces Return to Channel Seven, New Hair and Makeup Award for Sixth Awards Season
MEDIA RELEASE – STRICTLY EMBARGOED UNTIL 12:01AM THURSDAY 14 APRIL, 2016 AACTA Announces Return to Channel Seven, new Hair and Makeup Award for Sixth Awards Season • Film, Documentary and Short Film Entries Now Open • Applications for Juries Across All Categories Now Open The Australian Academy of Cinema and Television Arts (AACTA) today announced that it will return to Channel Seven in December, following record viewers for the nation’s top screen awards which moved to Seven last year. The 6th AACTA Awards Ceremony presented by Presto will be held on Wednesday 7 December at The Star Event Centre in Sydney, again capitalising on a primetime telecast and driving great awareness for Australia’s top film and television productions awarded ahead of the Christmas and holiday period. An extended version of the Ceremony will again encore on Foxtel. Launching its sixth awards season, AACTA today announced a new award - the AACTA Award for Best Hair and Makeup, which encompasses film and television - and said a host of new television awards will be announced next month as a result of its new partnership with ASTRA. AACTA today called for entries across feature film, documentary and short film award categories, and jurors across all awards categories, with this year seeing more than 45 peer-assessed awards presented, celebrating Australian stories, culture and creativity captured on the big and small screens. All television entries, as well as jurors for new television categories, will be called for when the newly- expanded television awards are announced in May. AACTA also today announced the date of the industry-exclusive 6th AACTA Awards presented by Presto Industry Luncheon, which will be held on Monday 5 December at The Star Event Centre in Sydney. -
Attack Force Z Head Credits
Opening titles: Z Special Force was a secret operations unit of the Australian Armed Services in World War Two. It was made up of volunteers from all branches of the Allied Forces and came under the direct command of General Douglas Macarthur. Z Special carried out two hundred and eighty- four war time missions in the Pacific. The most publicised of these were the successful canoe raid on Singapore harbour from the 'Krait' and the subsequent Rimau raid in which all twenty- three participants were either killed in action or executed. The events depicted in this film are an honest and unflinching account of the type of operation carried out by our unit during the war. John L. Gardner (signature) President Z Special Force Association of New South Wales 10th January, 1945. Straits of Sembalang South West Pacific John McCallum Productions Central Motion Picture Corporation presents JOHN PHILLIP LAW Lieutenant J. A. Veitch Army of the Netherland East Indies MEL GIBSON Captain P. G. Kelly Australian Imperial Forces SAM NEILL Sergeant D. J. Costello D.C.M. Australian Imperial Forces CHRIS HAYWOOD Able Seaman A.D. Bird Royal Navy JOHN WATERS Sub Lieutenant E. P. King Royal New Zealand Navy ATTACK FORCE Z (with logo sword penetrating Z) also starring KOO CHUAN-HSIUNG Lin Chan-Lang SYLVIA CHAN Chien Hua O TI Shaw Hu Executive Producers John McCallum George F. Chang Screenplay Roger Marshall Director of Photography Lin Hun-Chung Editor David Stiven Music Eric Jupp Produced by Lee Robinson Directed by Tim Burstall. -
By DAVID LESER Two Years After Heath Ledger Scandalised Sections
By DAVID LESER Two years after Heath Ledger scandalised sections of middle America with his near- miraculous performance as a gay cowboy, he would light up the screen with another tour de force, this time as the lovelorn, heroin-soaked poet, Dan, in the Australian cult movie, Candy. Little known outside Australia, this film was based on a loosely autobiographical book of the same name written by Australian author, Luke Davies. In the film Ledger somehow managed to find his way inside the twisted, twilight world of the drug addict. I pull the syringe from her arm and drop it on the table and hold my thumb down over the tiny hole I’ve made. I release the tie with my other hand. Candy looks down at her arm like a child who’s relieved that the innoculation is over. Then she says, mmmm, and her facial muscles relax and she lies back on the bed and says, that is heaps better. Heaps better. Fuck oh God. Fuck fuck fuck. This is the best. Oh God, this is awesome. This was – as the New York Times commented of Ledger’s role – acting of the first order. “Ledger looks and plays the part of the scheming user exceptionally well. He’s deep in the character’s skin right from the start.” Ledger and his co-star, Abbie Cornish – who recently appeared opposite Cate Blanchett in Elizabeth: The Golden Age - had received their tutoring from an expert, a heroin addict belonging to a Sydney group called “Proud Users.” “Abbie and Heath got lots of lessons with a prosthetic arm on how to inject,” the film’s producer, Margaret Fink told Vanity Fair. -
Candy Talent: Heath Ledger, Abbie Cornish
Candy Talent: Heath Ledger, Abbie Cornish, Geoffrey Rush, Noni Hazlehurst, Tony Martin, Tom Budge. Director/producer/editor: Neil Armfield Duration: MA (15+) Classification: 108 minutes We rate it: Five stars. It’s my pleasure to announce that Australian cinema audiences can once again rejoice in the arrival of a sterling new Australian film. Candy, based on Luke Davies’ well-received 1997 novel, is the first big-screen feature- film effort from acclaimed theatre director Neil Armfield, and it’s a pretty stunning piece. Davies’ harrowing, immensely moving and often brutal novel gave us vivid portraits of its two central characters, young lovers whose lives were defined by their addiction to heroin. Far from being mere grunge wallowing, Candy told the deeply-felt story of a particular kind of doomed love: love played out against the looming backdrop of an unsustainable addiction. The novel’s appearance in 1997 was quite an event; Davies was rightly recognised as a major new literary presence in Australia, and his subsequent releases have confirmed the promise his debut made to readers. With the level of interest generated by Candy, a film adaptation was a likely thing. Enter Neil Armfield, gifted director of Belvoir St.’s Company B Theatre Group, and the man responsible for some of the most visionary Australian theatre of the last twenty years. Having directed television milestones like Edens Lost in the late 1980s, Armfield has long been in the running as Australia’s “man most overdue to direct a big-screen feature”. Candy is the film that has brought Armfield to the Australian cinema. -
The Paul Hogan Story
Coming to HOGES THE PAUL HOGAN STORY From Seven and FremantleMedia Australia (FMA) comes HOGES: The Paul Hogan story. An almost accidental supernova of raw comedic talent exploding onto the entertainment scene; first Australia, then the world. The story of how a married-at-18 Sydney Harbour Bridge rigger with five kids entered a TV talent contest on a dare from his work-mates to become a household name and an Oscar-nominated superstar. Embraced by all Australians and soon known simply as “Hoges,” he is joined on his meteoric journey by lifelong friend, producer and sidekick John “Strop” Cornell. Together, they first make Australians laugh, then proud with one of the most successful tourism campaigns in history selling Aussie hospitality to the world. This, with the runaway success of Crocodile Dundee, the highest US-grossing foreign film ever in its day, cements Hogan’s legacy. HOGES explores the factors which shaped this success – and at what cost success might have come. It entwines the story of his amazing journey with that of his close family life, of his two great loves, the pain of divorce, his struggle with the intense scrutiny of life in the public eye, but also of his enduring friendship with Cornell and the rollercoaster ride of their careers. FMA’s Jo Porter and Seven’s Julie McGauran are Executive Producers, Kevin Carlin (Molly, Wentworth) is Co-Producer and Director, Brett Popplewell is Producer and the script is by Keith Thompson (The Sapphires) and Marieke Hardy (Packed To The Rafters, The Family Law). The Hoges Story PART ONE PART TWO Poolside at Granville baths, a young Paul Hogan cracks jokes and pashes While the success of Crocodile Dundee catapults Hoges onto the world Noelene, his childhood sweetheart. -
His Brilliant Career His Brilliant Career
His Brilliant Life Career His Brilliant Career His Brilliant Career the media is saturated on a daily basis with celebrity ‘news’. Whether it’s birth, death, divorce, marriage, rehab, drink-driving, or simply a knickerless night out, if it involves a celebrity, we get to hear about it.Yet there are still those in the flicks who seem to slip through the net, enjoying success without the fuss and flash of the 24-hour paparazzi chase. Sam Neill is among the ranks of the latter. He’s been on our screens for nigh on 30 years,yet shied away from all but the necessary limelight. Therefore, it’s a privilege to have the opportunity to interview Mr. Neill, to gain some insight into the life and thoughts of an otherwise fairly private man. Like Russell Crowe and the boys from Crowded House, Sam is one of those great successes Australians like to claim as their own but who actually hails from across ‘the ditch’. However, while Sam calls New Zealand home, he was actually born in Ireland. He spent his first seven years in the Northern Ireland town of Omagh where his parents had a house on the coast called the Watch House.As Sam explains, it’s a site of great historic significance. “It was a customs and excise place in the 18th century where they’d watch for smugglers and they’d launch a boat if they saw any suspicious sights. It was also the beach where the SS Great Britain ACTING MAY HAVE GIVEN SAM NEILL A BOUNTIFUL ran aground on its maiden voyage.” CAREER BUT IT IS WINEMAKING THAT IS CURRENTLY These early years of Sam’s life preceded the political troubles in GIVING HIM HIS HAPPIEST HARVEST. -
Love Child S3 Press Kit.Pdf
1 The NINE Network presents A Playmaker Production Love Child Season 3 MEDIA KIT NINE Publicity Amanda Poulos T 02 9965 2489 M 0414 503 418 E [email protected] 2 Synopsis Just one month on and times they are a-changing. Shirley (Ella Scott Lynch) is confronted with the return of her first child, and Matron (Mandy McElhinney) is determined to see the re-opening of Stanton House. Joan (Jessica Marais) struggles to have it all – husband, baby and career - and Annie (Gracie Gilbert) struggles to make ends meet. Patty’s (Harriet Dyer) business is booming, whilst Viv (Sophie Hensser) is in desperate search of a connection … and Martha (Miranda Tapsell) is faced with a question that is hard to answer. Times they are a-changing. It’s 1970 and times they are a-changing. The Vietnam War is dividing the world, music and the media are shifting old ideals, and the lines between friendship, love and marriage are blurring. It’s a month after we left the young women of Kings Cross Hospital and Stanton House, and all of them are now in the throes of dealing with the choices and ramifications of the events of series two. Dr Joan Millar (Jessica Marais) continues her career as one of the country’s most promising obstetricians in this brave new world of laparoscopic surgery and burgeoning fertility treatments. But juggling a baby, a husband who is facing manslaughter charges, as well as the inconveniences of living on-site at the hospital, takes its toll. A sudden infection and emergency surgery leaves Joan facing a life of infertility, and it’s not long before she must face the truth of McNaughton’s (Jonathan LaPaglia) part in Greg Mathieson’s death – a death that has led to a manslaughter charge and the possibility of Jim (Matthew Le Nevez) facing 12 years behind bars. -
DANGER CLOSE: the Battle of Long Tan PRODUCTION NOTES
DANGER CLOSE: The Battle of Long Tan PRODUCTION NOTES PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/danger-close Running Time: 118 mins Distributed in Australia by Transmission Films DANGER CLOSE: The Battle of Long Tan – Production Notes SHORT SYNOPSIS South Vietnam, late afternoon on August 18, 1966 - for three and a half hours, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, a dispersed company of 108 young and mostly inexperienced Australian and New Zealand soldiers are fighting for their lives, holding off an overwhelming enemy force of 2,500 battle hardened North Vietnamese soldiers. SYNOPSIS Based on a true story: DANGER CLOSE begins with Major Harry Smith [Travis Fimmel], the strict and highly motivated commander of Delta Company, 6th Battalion, Royal Australian Regiment, on operation in Nui Dat, Phuoc Tuy Province, Vietnam. Delta Company is made up four platoons; 10, 11 and 12 platoons and a Company HQ, a total of 108 men. Harry is a career officer and he has no time to ‘coddle’ or befriend the men in his company. He feels that ‘babysitting’ these young men - half of which are conscripts - is beneath his special forces skills and previous combat experience. But with a point to prove, Harry is keen to show what his men, and importantly, he can do to make the best of a harrowing situation. -
Seven Stars Appear in Gripping New Drama - Seven Types of Ambiguity
RELEASED: Monday 25 April 2016 Seven stars appear in gripping new drama - Seven Types of Ambiguity ABC TV is pleased to announce that filming is underway in Melbourne on the six-part drama series Seven Types of Ambiguity, based on the critically acclaimed novel by Elliot Perlman. Starring some of Australia’s finest actors including; Hugo Weaving, Xavier Samuel, Alex Dimitriades, Leeanna Walsman, Anthony Hayes, Andrea Demetriades and Susie Porter, Seven Types of Ambiguity is a psychological mystery that explores the complicated emotional terrain of relationships and the risks people will go to in the name of love. When seven-year-old Sam Marin is taken from school, his parents Anna (Leeanna Walsman) and Joe (Alex Dimitriades) are frantic. Hours later Sam’s found unharmed and after an initial investigation, the police arrest Simon Heywood (Xavier Samuel). But this is far from an open and shut case when it’s revealed that Simon is Anna’s ex-boyfriend and his suspected accomplice Angela (Andrea Demetriades), has a salacious connection to Joe. Before long, Simon’s psychiatrist and ally Dr Alex Klima (Hugo Weaving), barrister Gina Serkin (Susie Porter), and even Joe’s best mate Mitch (Anthony Hayes) are pulled into the mystery of uncovering just why Simon really took Sam. ABC TV Acting Head of Fiction, Alastair McKinnon says, “We are delighted to have so many of this country’s finest acting talents joining forces to bring Elliot Perlman’s dazzling novel to Australian audiences.” Managing Director of Matchbox Pictures, Chris Oliver-Taylor says “Matchbox Pictures is thrilled to be working alongside the ABC in adapting Elliot Perlman's rich and complex novel.