Literature – Mythology 15 Points
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Schubert: the Nonsense Society Revisited
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. Schubert: The Nonsense Society Revisited RITA STEBLIN Twenty years have now passed since I discovered materials belonging to the Unsinnsgesellschaft (Nonsense Society).1 This informal club, active in Vienna from April 1817 to December 1818, consisted mainly of young painters and poets with Schubert as one of its central members. In this essay I will review this discovery, my ensuing interpretations, and provide some new observations. In January 1994, at the start of a research project on Schubert ico- nography, I studied some illustrated documents at the Historisches Museum der Stadt Wien (now the Wienmuseum am Karlsplatz), titled “Unsinniaden.”2 The documents comprise forty-four watercolor pictures and thirty-seven pages of text recording two festive events celebrated by the Nonsense Society: the New Year’s Eve party at the end of 1817 and the group’s first birthday party on 18 April 1818.3 The pictures depict various club members, identified by their code names and dressed in fan- ciful costumes, as well as four group scenes for the first event, including Vivat es lebe Blasius Leks (Long live Blasius Leks; Figure 1), and two group scenes for the second event, including Feuergeister-Scene (Fire Spirit Scene; Figure 6 below).4 Because of the use of code names—and the misidentifi- cations written on the pictures by some previous owner of the -
General Relativity Requires Absolute Space and Time 1 Space
CORE Metadata, citation and similar papers at core.ac.uk Provided by CERN Document Server General Relativity Requires Amp`ere’s theory of magnetism [10]. Maxwell uni- Absolute Space and Time fied Faraday’s theory with Huyghens’ wave the- ory of light, where in Maxwell’s theory light is Rainer W. K¨uhne considered as an oscillating electromagnetic wave Lechstr. 63, 38120 Braunschweig, Germany which propagates through the luminiferous aether of Huyghens. We all know that the classical kinematics was re- placed by Einstein’s Special Relativity [11]. Less We examine two far-reaching and somewhat known is that Special Relativity is not able to an- heretic consequences of General Relativity. swer several problems that were explained by clas- (i) It requires a cosmology which includes sical mechanics. a preferred rest frame, absolute space and According to the relativity principle of Special time. (ii) A rotating universe and time travel Relativity, all inertial frames are equivalent, there are strict solutions of General Relativity. is no preferred frame. Absolute motion is not re- quired, only the relative motion between the iner- tial frames is needed. The postulated absence of an absolute frame prohibits the existence of an aether [11]. 1 Space and Time Before Gen- According to Special Relativity, each inertial eral Relativity frame has its own relative time. One can infer via the Lorentz transformations [12] on the time of the According to Aristotle, the Earth was resting in the other inertial frames. Absolute space and time do centre of the universe. He considered the terrestrial not exist. Furthermore, space is homogeneous and frame as a preferred frame and all motion relative isotropic, there does not exist any rotational axis of to the Earth as absolute motion. -
The Physics Surrounding the Michelson-Morley Experiment and a New Æther Theory
The physics surrounding the Michelson-Morley experiment and a new æther theory Israel P´erez Department of Applied Physics, CINVESTAV, M´erida, Yucat´an,M´exico Abstract From the customary view the Michelson-Morley experiment is used to expose the failure of the aether theory. The key point in this experiment is the fringe shift of the interference pattern. Regularly, the fringe shift calculations are only presented from the perspective of the inertial frame where the one-way speed of light is anisotropic which gives a partial vision of the problem. In a spirit of revision of these facts we have meticulously analyzed the physics behind them. As a result, an angular effect which is based on Huyghens principle and plays a fundamental role in the reflection of light waves at moving mirrors is incorporated. Moreover, under the assumption of a null result in the experiment, on the one hand, the fringe shift conditions demand actual relativistic effects; on the other, it is confirmed that Maxwell's electrodynamics and Galilean relativity are incompatible formulations. From these two points at least three inertial theories follow: (1) the special theory of relativity (SR), (2) a new aether theory (NET) based on the Tangherlini transformations and (3) emission theories based on Ritz' modification of electrodynamics. A brief review of their physical content is presented and the problem of the aether detection as well as the propagation of light, within the context of SR and the NET, are discussed. Despite the overwhelming amount of evidences that apparently favors SR we claim that there are no strong reasons to refuse the aether which conceived as a continuous material medium, still stands up as a physical reality and could be physically associated with dark matter, the cosmic background radiation and the vacuum condensates of particle physics. -
Glossary "The Difference Between Genius and Stupidity Is That Genius Has Its Limits" - Albert Einstein ( 1879 - 1955 )
Relativity Science Calculator - Glossary "The difference between genius and stupidity is that genius has its limits" - Albert Einstein ( 1879 - 1955 ) Aberration [ aberration of (star)light, astronomical aberration, stellar aberration ]: An astronomical phenomenon different from the phenomenon of parallax whereby small apparent motion displacements of all fixed stars on the celestial sphere due to Earth's orbital velocity mandates that terrestrial telescopes must also be adjusted to slightly different directions as the Earth yearly transits the Sun. Stellar aberration is totally independent of a star's distance from Earth but rather depends upon the transverse velocity of an observer on Earth, all of which is unlike the phenomenon of parallax. For example, vertically falling rain upon your umbrella will appear to come from in front of you the faster you walk and hence the more you will adjust the position of the umbrella to deflect the rain. Finally, the fact that Earth does not drag with itself in its immediate vicinity any amount of aether helps dissuade the concept that indeed the aether exists. Star Aberration produces visual distortions of the spatial external ( spacetime ) world, a sort of faux spacetime curvature geometry. See: Celestial Sphere; also Parallax which is a totally different phenomenon. Absolute Motion, Time and Space by Isaac Newton: "Philosophiae Naturalis Principia Mathematica", by Isaac Newton, published July 5, 1687, translated from the original Latin by Andrew Motte ( 1729 ), as revised by Florian Cajori ( Berkeley, -
Catch.22.Pdf
CATCH-22 JOSEPH HELLER Copyright (c) Joseph Heller, 1955, 1961 The island of Pianosa lies in the Mediterranean Sea eight miles south of Elba. It is very small and obviously could not accommodate all of the actions described. Like the setting of this novel, the characters, too, are fictitious. TO MY MOTHER AND TO SHIRLEY, AND MY CHILDREN, ERICA AND TED CONTENTS: CHAPTER 1 - THE TEXAN CHAPTER 2 - CLEVINGER CHAPTER 3 - HAVERMEYER CHAPTER 4 - DOC DANEEKA CHAPTER 5 - CHIEF WHITE HALFOAT CHAPTER 6 - HUNGRY JOE CHAPTER 7 - McWATT CHAPTER 8 - LIEUTENANT SCHEISSKOPF CHAPTER 9 - MAJOR MAJOR MAJOR MAJOR CHAPTER 10 - WINTERGREEN CHAPTER 11 - CAPTAIN BLACK CHAPTER 12 - BOLOGNA CHAPTER 13 - MAJOR - DE COVERLEY CHAPTER 14 - KID SAMPSON CHAPTER 15 - PILTCHARD & WREN CHAPTER 16 - LUCIANA CHAPTER 17 - THE SOLDIER IN WHITE CHAPTER 18 - THE SOLDIER WHO SAW EVERYTHING TWICE CHAPTER 19 - COLONEL CATHCART CHAPTER 20 - CORPORAL WHITCOMB CHAPTER 21 - GENERAL DREEDLE CHAPTER 22 - MILO THE MAYOR CHAPTER 23 - NATELY'S OLD MAN CHAPTER 24 - MILO CHAPTER 25 - THE CHAPLAIN CHAPTER 26 - AARFY CHAPTER 27 - NURSE DUCKETT CHAPTER 28 - DOBBS CHAPTER 29 - PECKEM CHAPTER 30 - DUNBAR CHAPTER 31 - MRS. DANEEKA CHAPTER 32 - YO-YO'S ROOMIES CHAPTER 33 - NATELY'S WHORE CHAPTER 34 - THANKSGIVING CHAPTER 35 - MILO THE MILITANT CHAPTER 36 - THE CELLAR CHAPTER 37 - GENERAL SCHEISSKOPF CHAPTER 38 - KID SISTER CHAPTER 39 - THE ETERNAL CITY CHAPTER 40 - CATCH-22 CHAPTER 41 - SNOWDEN CHAPTER 42 - YOSSARIAN APPENDIX CHAPTER 1 - THE TEXAN It was love at first sight. The first time Yossarian saw the chaplain he fell madly in love with him. Yossarian was in the hospital with a pain in his liver that fell just short of being jaundice. -
A New Cosmology, Based Upon the Hertzian Fundamental Principle of Mechanics by Pascal M
A new cosmology, based upon the Hertzian fundamental principle of mechanics by Pascal M. .Rapier Director Newtonian Science Foundation, 3154 Deseret Dr. Richmond, Calif. PRESENTADO POR EL ACADÉMICO D. JULIO PALACIOS RESUMEN Con el reciente descubrimiento de la explosión de la «estrella neutrónicaj>, y con la invalidación de la teoría de la relatividad de Einstein por el experimento de Kantor, ¡a cosmologia newtoniana adquiere capital importancia. Esta cosmología se basa en el principio fundamental de Mecánica de Hertz : Todo sistema libre, persiste r» su estado de reposo o de movimiento uniforme en el camino más corto. En consecuencia, el corrimiento hacia el rojo de las rayas espectrales resulta ser debido a una degradación de la energía, degradación que es inherente a la propa- gación de la luz, y no a un efecto de Doppler, ad hoc, como se había admitido. Ea relación entre dicho corrimiento y la luminosidad, observada en las galaxias lejanas, se deduce de dicho principio y sirve para confirmarlo. Se demuestra además que la energía que llena todo el espacio y que se atribuye a los neutrinos, es el resultado de reacciones nucleares consistentes en la emisión de partículas beta y del corrimiento hacia el rojo. Esta energía es responsable de las explosiones de las «estrellas neutrónicas». Tales explosiones sirven para recrear hidrógeno virgen a partir de los detritus estelares y para distribuirlo por todo el universo, con lo que hay una creación continua de nuevas estrellas. En consecuen- cia, dunque el universo fuese infinitamente viejo, no tiene porqué «venirse abajo». Además, la cosmología newtoniana exige que el espacio sea estable, que no se ex- panda, y que sea homogéneo, euclideo e infinito. -
Catch-22, Joseph Heller Was Working in New York City in Advertising, Serving Three Large Publi- Cations from 1952 to 1961
W Brett Wiley Cathcart and the Magazine hile writing Catch-22, Joseph Heller was working in New York City in advertising, serving three large publi- cations from 1952 to 1961. In 1952, he began working for TimeW, until 1956 when he became the advertising man- ager for Look. In 1958, he was hired as the promotion manager at McCall’s,a position he held until the release of the novel in 1961. He had an insider’s view of the magazine business and was familiar with the coverage, the adver- tisements, and the layout. The copywriter turned novelist had also published five stories in the Atlantic Monthly, Story, and Esquire by the time he began working in the industry.1 While writing the novel, Heller would spend two hours every night working on the manuscript after working a full day at the office.2 His employment at Time, Look, and McCall’s appeared to be simply the backdrop for the writing of his first book. However, because he formulated the initial plans for the book during his employment at three magazines, the inclusion of a periodical in the novel was significant. Joseph Heller’s incorporation of a magazine was designed to display the ambitiousness of Colonel Cathcart and likewise the aspiration of American society. For Heller, ambition was the defining characteristic of Yossarian’s superior. According to James Nagel in “The Catch-22 Note Cards,” when the author first planned the section on the colonel his notes began with item one, “Cathcart’s background and ambition.” The colonel was obsessed with aspiring and achieving the rank of general, the highest level of command in the military.3 Nagel also explained that a fourth item on the same card of notations, “Tries to have Chaplain say prayer at briefing,” related “log- ically to Cathcart’s ambition.”4 In the book, the novelist connected his idea to have the chaplain say prayers before briefings to coverage of such an event that Cathcart discovered in The Saturday Evening Post. -
Der Auftakt 1920-1938
Der Auftakt 1920-1938 The Prague music journal Der Auftakt [The upbeat. AUF. Subtitle: “Musikblätter für die tschechoslowakische Republik;” from volume seven, issue two “Moderne Musikblätter”]1 appeared from December 1920 to April 1938.2 According to Felix Adler (1876-1928), music critic for the Prague journal Bohemia and editor of the first eight issues of AUF,3 the journal was formed out of the Musiklehrerzeitung [Journal for music teachers] (1913-16, organ of the Deutscher Musikpädagogischer Verband [German association for music pedagogy] in Prague) and was to be a general music journal with a modern outlook and with a concern for the interests of music pedagogues.4 Under its next editor, Erich Steinhard, AUF soon developed into one of the leading German-language modern music journals of the time and became the center of Czech-German musical collaboration in the Czechoslovakian Republic between the wars.5 Adolf Weißmann, eminent music critic from Berlin, writes: “Among the journals that avoid all distortions of perspective, the Auftakt stands at the front. It has gained international importance through the weight of its varied contributions and the clarity of mind of its main editor.”6 The journal stopped publication without prior announcement in the middle of volume eighteen, likely a result of the growing influence of Nazi Germany.7 AUF was published at first by Johann Hoffmanns Witwe, Prague, then, starting with the third volume in 1923, by the Auftaktverlag, a direct venture of the Musikpädagogischer Verband.8 The journal was introduced as a bimonthly publication, but except for the first volume appearing in twenty issues from December 1920 to the end of 1921, all volumes contain twelve monthly issues, many of them combined into double issues.9 The issues are undated, but a line with the date for the “Redaktionsschluss” [copy deadline], separating the edited content from the 1 Subtitles as given on the first paginated page of every issue. -
Describe Catch 22 As Doc Daneeka Explains It
Catch 22 Question Answers Describe Catch 22 as Doc Daneeka explains it. § It is a doctor’s duty to ground anyone who’s crazy. § BUT the doc cannot ground any pilot for reasons of insanity unless the pilot first asks him. § YET if a pilot asks to be grounded because he’s crazy, then he must be sane. Who doesn’t want to fight? § A soldier who doesn’t want to fight is sane (it’s impossible to want to fight). § Therefore, it’s impossible for a soldier to be excused from battle on the grounds of insanity. Describe the growth and expansion of M & M Enterprises. § This brainchild of Milo’s grows from a small operation into an international syndicate. § Within two weeks, Milo convinces Major de Coverley to name him mess officer and put squadron planes at his disposal for transactions and acquisitions. Milo’s ambition § As milo tries to get the best food for his mess hall and as he makes the best deals for the highest profit, his operations expand beyond the local level. § His operation becomes large enough to be considered a syndicate in which everyone supposedly has a share. Syndicate’s Success § Milo’s planes are everywhere. § Milo makes big deals all over the world. § Milo’s status at the head of the syndicate earns him respect-even fame- wherever he goes. § Mayor of Palermo § Assistant governor-general of Malta § Vice-shah of Oran § Caliph of Baghdad § Sheik of Araby Explain the significance of the character’s names. Yossarian § Colonel Cathcart’s reaction to the name suggests the trouble and rebellion we see in the character. -
The Life of Schubert
The life of Schubert C HRISTOPHER H. GIBBS published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011Ð4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in FF Quadraat 9.75/14 pt, in QuarkXPressª [se] A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data Gibbs, Christopher Howard. The life of Schubert / Christopher H. Gibbs. p. cm. Ð (Musical lives) Includes bibliographical references and index. isbn 0 521 59426 x 1. Schubert, Franz, 1797Ð1828. 2. Composers Ð Austria Biography. 1. Title. 11. Series. ml410.s3g53 2000 7809.92 Ð dc21 [b] 99-32936 cip isbn 0 521 59426 x hardback isbn 0 521 59512 6 paperback Contents List of illustrations viii Acknowledgments x Note on the text xii List of abbreviations xiii Prologue: Schubert yesterday 1 1 Representing Schubert: “A life devoted to art” 5 2 Young Schubert: “The master in the boy” 22 3 Ingenious Schubert: “The prince of song” 41 4 Popular -
A Guide to Franz Schubert's Religious Songs
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks A GUIDE TO FRANZ SCHUBERT’S RELIGIOUS SONGS by Jason Jye-Sung Moon Submitted to the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice December 2013 Accepted by the faculty of the Indiana University Jacobs School of Music in partial fulfillment of the requirements for the degree Doctor of Music in Voice. __________________________________ Mary Ann Hart, Chair & Research Director __________________________________ William Jon Gray __________________________________ Robert Harrison __________________________________ Brian Horne ii Copyright © 2013 by Jason Jye-Sung Moon All rights reserved iii Acknowledgements I would like to express my deepest gratitude to my committee chair and research director, Professor Mary Ann Hart, for the excellent guidance, caring, patience, and encouragement I needed to finish this long journey. I would also like to thank Dr. Brian Horne, who supported me with prayers and encouragement. He patiently corrected my writing even at the last moment. I would like to thank my good friend, Barbara Kirschner, who was with me throughout the writing process to help me by proofreading my entire document and constantly cheering me on. My family was always there for me. I thank my daughters, Christine and Joanne, my parents, and my mother-in-law for supporting me with their best wishes. My wife, Yoon Nam, deserves special thanks for standing by me with continuous prayers and care. I thank God for bring all these good people into my life. -
1.1. Galilean Relativity
1.1. Galilean Relativity Galileo Galilei 1564 - 1642 Dialogue Concerning the Two Chief World Systems The fundamental laws of physics are the same in all frames of reference moving with constant velocity with respect to one another. Metaphor of Galileo’s Ship Ship traveling at constant speed on a smooth sea. Any observer doing experiments (playing billiard) under deck would not be able to tell if ship was moving or stationary. Today we can make the same Even better: Earth is orbiting observation on a plane. around sun at v 30 km/s ! ≈ 1.2. Frames of Reference Special Relativity is concerned with events in space and time Events are labeled by a time and a position relative to a particular frame of reference (e.g. the sun, the earth, the cabin under deck of Galileo’s ship) E =(t, x, y, z) Pick spatial coordinate frame (origin, coordinate axes, unit length). In the following, we will always use cartesian coordinate systems Introduce clocks to measure time of an event. Imagine a clock at each position in space, all clocks synchronized, define origin of time Rest frame of an object: frame of reference in which the object is not moving Inertial frame of reference: frame of reference in which an isolated object experiencing no force moves on a straight line at constant velocity 1.3. Galilean Transformation Two reference frames ( S and S ) moving with velocity v to each other. If an event has coordinates ( t, x, y, z ) in S , what are its coordinates ( t ,x ,y ,z ) in S ? in the following, we will always assume the “standard configuration”: Axes of S and S parallel v parallel to x-direction Origins coincide at t = t =0 x vt x t = t Time is absolute Galilean x = x vt Transf.