DOCSLIB.ORG

Rogers Tv Sales

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rogers Tv Sales ROGERS TV SALES 2010 Fall Launch – Toronto Primetime Media Kit Citytv™ television stations in Toronto, Vancouver, Calgary, Edmonton and Winnipeg offer viewers intensely local, urban-oriented, culturally-diverse television programming. A distinct alternative to other conventional television stations, Citytv engages its viewers with dynamic on-air personalities and delivers an entertaining mix of news, local interactive formats such as: Breakfast Television and CityLine; aswell as local Canadian and US acquired prime time entertainment programming. Citytv is a part of Rogers Broadcasting Limited, a division of Rogers Communications Inc. (TSX: RCI and NYSE: RCI) which is a diversified Canadian communications and media company. For more information on Citytv stations and programming, visit www.Citytv.com. ROGERS TV SALES 2010 Fall Launch – Toronto Primetime Schedule ALL TIMES ET ROGERS TV SALES Key Contacts SALES Heather Player Manitoba Leslie Sole Research Manager Chief Executive Officer National Tom Scott T: 416.764.6821 / F: 416.764.6810 General Manager, Citytv Winnipeg T: 416.764.3030 / F: 416.764.3032 Mitch Dent [email protected] T: 204.934.8025 / F: 204.934.8019 [email protected] Executive Vice President Rogers [email protected] TV Sales Ontario Malcolm Dunlop T: 416.764.6801 / F: 416.764.6810 Rick Marchand Ben Lucas Executive Vice President, [email protected] Director, Ontario Retail Sales Sales Supervisor, Citytv Winnipeg Programming T: 204.934.8021 / F: 204.934.8019 T: 416.764.3033 / F: 416.764.3032 Michael Cansick T: 416.764.6818 / F: 416.764.6830 [email protected] [email protected] Director, National Sales [email protected] T: 416.764.6813 / F: 416.764.6810 British Columbia Quebec Hayden Mindell [email protected] Director, Programming Bruce Hamlin Marco Mezzaluna T: 416.764.3220 / F: 416.764.3032 Steve Muscat Director, Sales Sales Manager [email protected] Director, National Sales T: 604.872.6111 / F: 604.876.2476 T: 514.734.7355 / F: 514.842.4412 T: 416.764.6815 / F: 416.764.6810 [email protected] [email protected] Pacifica Virzi [email protected] Manager, Commercial Production Bea Nohr International T: 416.764.3371 / F: 416.260.3638 Don Lang Sales Manager Rob Cowie [email protected] Director, Revenue Management & T: 604.872.6317 / F: 604.874.2486 President, RNC Media Sales Sales Operations [email protected] T: 732.303.7489 / F: 732.303.7490 Andrea Gagliardi General Manager, Web T: 416.764.6816 / F: 416.764.6820 [email protected] [email protected] Alberta T: 416.764.3249 / F: 416.764.3247 Al Thorgeirson [email protected] Rob Groen Regional Vice President TRAFFIC Dawn Morden Director, Marketing Solutions & T: 403.508.3331 / F: 403.508.5567 Val Head Executive Director, On-air Creative Specialty Sales [email protected] T: 416.764.6814 / F: 416.764.6820 Senior Director, Traffic Operations & T: 416.764.3350 / F: 416.764.3247 [email protected] Richard Hiron Client Services [email protected] Regional Sales Manager T: 416.764.3261/ F: 416.260.3662 Koreen Ott Jacquie Hood T: 780.440.7760 / F: 780.412.2777 [email protected] Director, Marketing & PR Manager, Sales Development [email protected] T: 416-764-6817 / F: 416-764-6830 Ada Belmonte T: 416.764.3250 / F: 416.764.3247 [email protected] Peggy Urlacher Director, Traffic [email protected] Sales Manager Calgary T: 416.764.6440 / F: 416.764.6444 Melanie Farrell Nicole Stothard T: 403.390.4122 / F: 403.508.5567 [email protected] Director, Community Liaison Account Manager, Digital [email protected] T: 416.764.6888 / F: 416.764.6820 T: 416.764.3084 / F: 416.764.3247 [email protected] David Humen [email protected] Sales Manager Edmonton Gino Belmonte T: 780.412.2805 / F: 780.412.2777 Senior Director, Research [email protected] T: 416.764.6421 / F: 416.764.6552 [email protected] drama ONE-HOUR DRAMA Chase From Emmy® Award-winning executive producer Jerry Bruckheimer (CSI franchise) and executive producer Jennifer Johnson (Cold Case), Chase is a lightning-fast-paced drama that drops viewers smack into the middle of a game of cat and mouse as a team of U.S. marshals hunts down America’s most dangerous fugitives. Kelli Giddish stars as U.S. Marshal Annie Frost, a strong, resourceful, cowboy boot-wearing deputy whose sharp mind and unique Texas upbringing help her track down these violent criminals on the run. Cole Hauser, Amaury Nolasco, Rose Rollins and Jesse Metcalfe also star as members of Annie’s elite team. CAST EXECUTIVE PRODUCERS Annie Frost – Kelli Giddish (Past Life) Jerry Bruckheimer (CSI franchise, Without Jimmy – Cole Hauser (K-Ville) a Trace, Cold Case, Dark Blue, The Amazing Race, Pirates of the Caribbean films) Marco – Amaury Nolasco (Prison Break) Jennifer Johnson (Cold Case) Daisy – Rose Rollins (The L Word) Jonathan Littman (CSI franchise, Luke – Jesse Metcalfe Without a Trace, Cold Case, Dark Blue , (Desperate Housewives) The Amazing Race) David Nutter – pilot only (The Mentalist, Without a Trace, The X-Files) KristieAnne Reed (Dark Blue) ONE-HOUR DRAMA The Event The Event is an emotional, high-octane conspiracy thriller that follows Sean Walker (Ritter), an Everyman who investigates the mysterious disappearance of his fiancée, Leila (Roemer), and unwittingly begins to expose the biggest cover-up in U.S. history. Sean’s quest will send ripples through the lives of an ecletic band of strangers, including: newly elected U.S. President Martinez (Underwood); Sophia (Innes), who is the leader of a mysterious group of detainees; and Sean’s shadowy father-in-law (Patterson). Their futures are on a collision course in a global conspiracy that could ultimately change the fate of mankind. CAST EXECUTIVE PRODUCERS Sean Walker – Jason Ritter (The Class) Steve Stark (Medium, Facing Kate) Sean’s Father In Law – Scott Patterson Nick Wauters (The 4400, Eureka) (Gilmore Girls) Jeffrey Reiner (Friday Night Lights, Trauma) Leila – Sarah Roemer (Disturbia) Evan Katz (24) Sophia – Laura Innes (ER) President Martinez – Blair Underwood (Dirty Sexy Money) Simon Lee – Ian Anthony Dale (Daybreak) Blake Sterling – Zeljko Ivanek (Damages) ONE-HOUR DRAMA Fringe Heading into its mind-bending third season, the critically acclaimed Fringe continues to explore new cases and endless impossibilities. When FBI Special Agent Olivia Dunham (Torv) enlisted institutionalized “Fringe” scientist Walter Bishop (Noble) and his jack-of-all-trades son, Peter (Jackson), to help in an investigation that defied human logic, the case was revealed to be one of a series of unusual incidents linked together…and the Fringe team was formed. In season three, additional details of the alternate universe continue to emerge, as the unlikely trio investigates the worlds of Fringe… where there is more than one of everything. CAST EXECUTIVE PRODUCERS Olivia Dunham – Anna Torv (Mistresses) J.J. Abrams (Lost, Alias) Peter Bishop – Joshua Jackson Bryan Burk (Lost) (Dawson’s Creek) Jeff Pinkner (Lost) Phillip Broyles – Lance Reddick (Lost) J.H. Wyman (Keen Eddie) Nina Sharp – Blair Brown (Law & Order: Special Victims Unit) Astrid Farnsworth – Jasika Nicole (She’s Out of My League) Walter Bishop – John Noble (24) ONE-HOUR DRAMA Parenthood From the executive producers of the box-office hit Parenthood, Ron Howard and Brian Grazer, and writer/executive producer Jason Katims comes the story of the colorful and imperfect Braverman family - four grown siblings sharing the headaches, heartaches, and joy of being parents. When Sarah Braverman (Graham), a financially strapped single mother, returns to her family home she is greeted by her opinionated father, Zeek (Nelson), and strong mother, Camille (Bedelia), who are privately dealing with their own marital issues. As Sarah is reunited with her siblings – sister, Julia (Christensen), and brothers Crosby (Shepard) and Adam (Krause) – all struggling with issues of their own, it’s clear that the Braverman reunion is just what they need to face the everyday challenges of modern family life. CAST EXECUTIVE PRODUCERS Sarah Braverman – Lauren Graham Ron Howard (Arrested Development) (Gilmore Girls) Brian Grazer (A Beautiful Mind) Zeek – Craig T. Nelson (Coach) Camille – Bonnie Bedelia (Heart Like A Wheel) Julia – Erika Christensen (Traffic) Crosby – Dax Shepard (Baby Mama) Adam – Peter Krause (Six Feet Under) ONE-HOUR DRAMA Law & Order: Special Victims Unit This award-winning series chronicles the life and crimes of the Special Victims Unit of the New York Police Department, a highly-specialized squad of detectives who investigate sexually based crimes. Lead by Captain Donald Cragen (Florek) this elite force must tackle the complex and sometimes unpre- dictable cases that come through the door on a daily basis. The drama follows Detective Elliot Stabler (Meloni), a seasoned veteran of the unit who has seen it all, and his partner, Detec- tive Olivia Benson (Hargitay), who joined the unit as a way of coping with her difficult past and history of rape. Together, the Special Victims Unit confronts some of the most horrifying crimes in New York City all the while trying to balance their personal lives and supporting each other in the line of duty. CAST EXECUTIVE PRODUCERS Det. Elliot Stabler – Christopher Meloni Dick Wolf (Law & Order, Law & Order: CI) (Oz, Nights in Rodanthe) Neal Baer (ER) Det. Olivia Benson – Mariska Hargitay Ted Kotcheff (Law & Order, Lake Placid) Peter Jankowski (Law & Order, Det. John Munch – Richard Belzer Law & Order: CI) (Homicide: Life on the Street) Capt. Donald Cragen – Dann Florek (Law & Order) Det. Odafin “Fin” Tutuola– Ice-T (Public Enemy) Det.
Load more

Recommended publications
  • PEDAGOGIAS CULTURAIS NO SERIADO MODERN FAMILY Luciana Kornatzki1 Paula Regina Costa Ribeiro2
    PEDAGOGIAS CULTURAIS NO SERIADO MODERN FAMILY Luciana Kornatzki1 Paula Regina Costa Ribeiro2 Resumo: Este artigo tem por objetivo analisar algumas pedagogias culturais produzidas pelo seriado norte-americano Modern Family, a partir das suas diferentes configurações familiares, das relações de parentesco que se estabelecem e das personagens que o compõem. Entende-se que as mídias possuem pedagogias culturais que contribuem para a produção de percepções e entendimentos sobre o significado de família, assim como educam os sujeitos, pois são capazes de produzir subjetividades e interferir no modo como as pessoas percebem a si e ao mundo. As pedagogias culturais de família presentes em Modern Family são produtoras de novas identidades de ser pai, mãe, filho ou filha, bem como de todo um conjunto de relações de parentesco que mobilizam os sujeitos na constituição de suas subjetividades. Palavras-chave: Pedagogias culturais. Seriado Modern Family. Família. CULTURAL PEDAGOGIES ON THE MODERN FAMILY SERIES Abstract: This article aims to analyze some of the cultural pedagogies produced by the North American series, "Modern Family", based on their different family configurations, the kinship relations that are established and the characters that compose it. It is understood that media have cultural pedagogies that contribute to the production of perceptions and understandings about the meaning of family, as well as educate the subjects, since they are capable of producing subjectivities and interfere in the way people perceive themselves and the world. The family cultural pedagogies present in Modern Family are producers of new identities of being father, mother, son or daughter, as well as of a whole set of kinship relations that mobilize the subjects in the constitution of their subjectivities.
    [Show full text]
  • Analisis Modern Family
    Analisis de la serie Modern Family La serie Modern Family nos invita a conocer las vidas de tres familias que se unen en relación a Jay Prichett y sus dos hijos Claire Dunphy y Mitchel Prichett formando una gran familia, los Pritchett.. Además de la familia tradicional conoceremos otros modelos distintos que aparecen hoy en día concretamente en la sociedad americana. Los personajes comentan lo que piensan y las dudas que tiene cada una de las familias. Así nos indica en su articulo Juanma Gonzalez (12-07-2012): “Un estilo que se ha revelado como perfecto para la comedia: esa fórmula verista y aparentemente documental, en la que los personajes comentan sus pensamientos, deseos o –simplemente- su versión de los hechos que vemos en pantalla, sirve para establecer contrastes con lo que realmente ocurre que resultan tremendamente cómicos “ (1) Ficha Técnica Titulo original: Modern Family (TV series) País: Estados Unidos Duración: 22 minutos. Estudio: 20th Century Fox Televisión Picture Day Productions Canal: USA ABC Género: Comedia. Sitcom familiar. Productores ejecutivos: Christopher Lloyd y Steven Levitan . Actores: Ed O´Neill ( Jay Pritchett), Sofia Vergara (Gloria Delgado), Julie Bowen (Claire Pritchett), Ty Burrell (Phil), Jesse Tyler Ferguson (Mitchell Pritchett), Eric Stonestreet (Cameron Tucker), Rico Rodriguez (Manny), Noland Gould (Luke), Sarah Hyland(Haley), Ariel Winter (Alex), Anbrey Winter (Alex), Anbrey Anderson-Emmons( Lily Tucker Pritchett), Jeremy Maguire ( (Fulgencio Joe Pritchell)… Premios: Desde sus inicios ha recibido numerosos premios: Mejor comedia en la 69 edición de los Globos de Oro. En diferentes años ha conseguido numerosos premios Emmy como comedia y actor y actriz secundarios.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance F Is For Family • The Stinger • Netflix • Wild West Television in association with Gaumont Television Kevin Michael Richardson as Rosie Family Guy • Con Heiress • FOX • 20th Century Fox Television Seth MacFarlane as Peter Griffin, Stewie Griffin, Brian Griffin, Glenn Quagmire, Tom Tucker, Seamus Family Guy • Throw It Away • FOX • 20th Century Fox Television Alex Borstein as Lois Griffin, Tricia Takanawa The Simpsons • From Russia Without Love • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Moe, Carl, Duffman, Kirk When You Wish Upon A Pickle: A Sesame Street Special • HBO • Sesame Street Workshop Eric Jacobson as Bert, Grover, Oscar Outstanding Animated Program Big Mouth • The Planned Parenthood Show • Netflix • A Netflix Original Production Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark J. Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Supervising Producer Ben Kalina, Supervising Producer Chris Prynoski, Supervising Producer Shannon Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Gil Ozeri, Producer Kelly Galuska, Producer Nate Funaro, Produced by Emily Altman, Written by Bryan Francis, Directed by Mike L. Mayfield, Co-Supervising Director Jerilyn Blair, Animation Timer Bill Buchanan, Animation Timer Sean Dempsey, Animation Timer Jamie Huang, Animation Timer Bob's Burgers • Just One Of The Boyz 4 Now For Now • FOXP •a g2e0 t1h Century
    [Show full text]
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
    [Show full text]
  • “DOA for a Day”
    “DOA for a Day” Episode #415 Written By John Dove & Peter M. Lenkov DIR: Christine Moore © MMVIII SHOOTING SCRIPT 2/29/08 CBS Broadcasting Inc. and Entertainment AB Funding LLC All Rights Reserved No portion of this material may be copied or distributed without the prior consent of CBS Broadcasting, Inc. Ep. #415 – “DOA for a Day” Shooting Script – 2/29/08 “DOA for a Day” Ep. #415 CASTU LIST MAC TAYLOR STELLA BONASERA DANNY MESSER DR. SHELDON HAWKES DET. DON FLACK LINDSAY MONROE DET. JESSICA ANGELL ADAM ROSS DR. SID HAMMERBACK SUSPECT X RUSS MCHENRY (War hero and son of one of Suspect X’s previous vics, Judge McHenry) JORDAN GATES (the Mayor’s Criminal Justice Coordinator Mac’s helped before; Kelly’s boss) BARTENDER (At Club Random, the Cosplay club) TAYLOR AVATAR (Is killed by Suspect X’s Avatar at the club) SUSPECT X AVATAR (Let’s our team know she’s watching) FeaturedU Characters (non-speaking only) Male (V.O. only) (NY Crime Catchers) Unis Kelly Mann (Vic made to look like Suspect X; Jordan Gates’ assistant) ND Techs M.E. Techs Detectives Mayor’s Protection Detail Sound Techs Club Random Patrons Dr. Joseph Kirkbaum (made Kelly Mann look like Suspect X as payback to her but then became her vic as well) ESU Officers Sergeants Williams and Clark (on teleconference) FBI Special Agents Steve Beck and Kevin Halinan (on teleconference) ND Woman (Disguised as Suspect X sent in by her to make sure it’s not a trap) Uniformed Officer ESU Officers Pedestrians Ep. #415 – “DOA for a Day” Shooting Script – 2/29/08 “DOA for a Day” Ep.
    [Show full text]
  • Global Upfront New and Returning Series
    GLOBAL ANNOUNCES STAR-STUDDED 2021/22 PRIMETIME LINEUP FILLED WITH THE MOST IN-DEMAND NEW PICK- UPS AND RETURNING HIT BLOCKBUSTERS New Global Original Family Law and Franchise Expansions CSI: Vegas, NCIS: Hawai’i, and FBI: International Lead Global’s Fall Schedule The Highly-Anticipated Return of Survivor Joins New Seasons of Hits The Equalizer, Tough As Nails, New Amsterdam, and More New Comedy Ghosts and Audience Favourite United States of Al Bring the Laughs to Global This Fall Stream Anytime with STACKTV or the Global TV App Additional photography and press kit material can be found here. Follow us on Twitter at @GlobalTV_PR To share this release: https://bit.ly/3w3lm3x #CorusUpfront For Immediate Release TORONTO, June 8, 2021 – Ahead of the #CorusUpfront on June 9, Global unveils its 2021/22 programming lineup loaded with exciting series pick-ups and returning established hits. Global’s fall offering promises to deliver a dynamic and diverse schedule filled with thrilling dramas, hilarious comedies, captivating reality television, and much more. Adding 10 new series, including five new primetime series debuting this fall, Global’s schedule features 18 hours of simulcast with four out of seven days entirely simulcast in primetime. Corus’ conventional network offers Canadians a full suite of options for TV lovers looking to stream its blockbuster franchises and hottest new shows in every genre, anytime they want on STACKTV and the Global TV App. “After an unprecedented year, Global is back in full force this fall with a jam-packed schedule of prestigious dramas, powerhouse franchises, and laugh-out-loud comedies,” said Troy Reeb, Executive Vice President, Broadcast Networks, Corus Entertainment.
    [Show full text]
  • Enjoy Shavuot and Summertime at Beth Tzedec!
    bulletin 6 0 Years of Tradition–Building for the Future Beth Tzedec Bulletin volume 65, no. 5 | iyar 5776 • may 2016 | www.beth-tzedec.org Enjoy Shavuot and summertime at Beth Tzedec! Shavuot Midnight in Midtown Summer Film Series Membership Appreciation BBQ June 11 July 6, 13, 20 & 27 & Open House See p. 6 See p. 14 September 22 See p. 2 Membership Appreciation BBQ & Open House Thursday, September 22 5:00 to 8:00 PM Our doors are open for you to discover all Beth Tzedec has to offer at our annual BBQ featuring music and fun activities! D Meet our exceptional clergy and leadership D Tour our extensive facilities, including our stunning new Banquet Hall D Meet representatives from Applause Catering D Become a member or renew your Beth Tzedec membership D Members can pick up their High Holy Day ticket packages Step through our doors and know you've come home! RSVPs for the BBQ and Open House—requested by Friday , September 16 to 416-781-3511. For membership information, contact Sheri Federman at 416-781-3514 ext. 220 or [email protected]. 2 commentary Rabbi Baruch Frydman-Kohl Sinai and Zion: ShavUot and Tishah B’Av The faith of Judaism is deeply linked to the physical existance and well-being of Jews. the two mountains that loom large in the comparable to other political entities, bUt it is also tied religioUs imagination of the Jewish people are Sinai, to the spiritUal memory and religioUs aspirations of associated with the Giving of Torah and the Festival of JUdaism.
    [Show full text]
  • Modern Family"
    Representation of Gender in "Modern Family" Vuković, Tamara Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:639538 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-26 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Tamara Vuković Representation of Gender in “Modern Family” Diplomski rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Diplomski sveučilišni studij engleskog jezika i književnosti; smjer: nastavnički (dvopredmetni) Representation of Gender in “Modern Family” Diplomski rad Student/ica: Mentor/ica: Tamara Vuković izv. prof. dr. sc. Senka Božić-Vrbančić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Tamara Vuković, ovime izjavljujem da je moj diplomski rad pod naslovom Representation of Gender in „Modern Family“ rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj
    [Show full text]
  • Modern Family Origem: Wikipédia, a Enciclopédia Livre
    UNIVERSIDADE CANDIDO MENDES PÓS-GRADUAÇÃO “LATO SENSU” AVM FACULDADE INTEGRADA A FAMÍLIA PÓS-MODERNA E O PENSAMENTO SISTÊMICO Sandra Oliveira Ferrão Orientador Prof. Fabiane Muniz DOCUMENTO PROTEGIDO PELA LEI DE DIREITO AUTORAL Rio de Janeiro 2016 2 UNIVERSIDADE CANDIDO MENDES PÓS-GRADUAÇÃO “LATO SENSU” AVM FACULDADE INTEGRADA A FAMÍLIA PÓS-MODERNA E O PENSAMENTO SISTÊMICO Apresentação de monografia à AVM Faculdade Integrada como requisito parcial para obtenção do grau de especialista em Terapia de Família. Por: Sandra Oliveira Ferrão Rio de Janeiro 2016 3 AGRADECIMENTOS À Rozeny Seixas, que muito me incentivou, aos meus clientes e, especificamente, à Anadia Bienhachewski e à família Varela Mello, que me motivaram a buscar mais conhecimento para melhor exercer minha profissão. 4 DEDICATÓRIA Dedico este estudo a meu pai, Walter Ferrão, in memoriam, e a minha mãe Arlette Oliveira Ferrão, por tudo o que me ofereceram em meu caminho de vida, e a meu marido, Miguel Vicente, pela paciência e cumplicidade. 5 RESUMO Este trabalho tem por objetivo propiciar a reflexão sobre a importância da abordagem sistêmica no trabalho clínico com famílias pós-modernas no contexto da realidade brasileira, especificamente, a carioca. Na introdução, apresentaremos a síntese do conteúdo a ser desenvolvido, demonstrando a importância do pensamento sistêmico no trabalho clínico do psicoterapeuta com as famílias pós-modernas. No desenvolvimento, analisaremos, em princípio, a evolução histórica do conceito de família, da tradicional à pós-moderna, considerando que tais composições coexistem na atualidade do país Brasil. Em seguida, verificaremos os antecessores que possibilitaram o novo paradigma sistêmico para uma visão mais dinâmica das dificuldades existenciais das famílias pós- modernas.
    [Show full text]
  • Fictionalized Women in Trouble: an Exploration of the Television Crime Drama CSI: Miami
    Fictionalized Women in Trouble: An Exploration of the Television Crime Drama CSI: Miami Sarah Rizun Abstract. This paper details the process and results of conducting an audio-visual content analysis of the television crime drama CSI: Miami. Specifically, a feminist analysis of the fourth season was performed in order to explore the ways in which women are portrayed as criminals and to identify any themes. The results indicate that female criminals are represented as: super models; socio-economically privileged; ‘liberated’; violent; and unreasonable. For the most part, the results are consistent with research on women’s portrayal as criminals in the media and are inconsistent with research on criminalized women’s circumstances in the ‘real world’. The potential effects that such erroneous and negative representations have upon the public, policy-makers, and ultimately criminalized women are vast and perilous. Thus, further research and activism is needed to strengthen the demand for socially responsible media production. I.) INTRODUCTION Today, almost everyone in North America is an audience member of some form of media. Television is an especially popular medium. In fact, “into the 1990s television viewing ranked as the third most time-consuming activity (after sleep, work, or school) for Americans” (Surette, 2007, p.5). Moreover, since its inception, television has relied on crime and violence as key audience-attracting material (Surette, 2007, p.13), and this reliance has increased dramatically in recent years (Chesney-Lind, 1999, p.130). Indeed, “crime and violence [is] the most common content found on television” (Surette, 2007, p.13). Crime dramas have proven to be particularly appealing to the general public, as reflected in the recent proliferation of such programs.
    [Show full text]
  • The Myth and Reality of the CSI Effect
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Court Review: The Journal of the American Judges Association American Judges Association 2011 Fact or Fiction? The Myth and Reality of the CSI Effect Steven M. Smith Saint Mary’s University, [email protected] Veronica Stinson Saint Mary’s University, [email protected] Marc W. Patry Saint Mary’s University, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/ajacourtreview Smith, Steven M.; Stinson, Veronica; and Patry, Marc W., "Fact or Fiction? The Myth and Reality of the CSI Effect" (2011). Court Review: The Journal of the American Judges Association. 355. https://digitalcommons.unl.edu/ajacourtreview/355 This Article is brought to you for free and open access by the American Judges Association at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Court Review: The Journal of the American Judges Association by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Fact or Fiction? The Myth and Reality of the CSI Effect Steven M. Smith, Veronica Stinson, & Marc W. Patry nyone who has been to a crime lab or experienced the WHAT IS THE CSI EFFECT? presentation of forensic evidence in open court knows Typically, media reports of the CSI effect include references Athat there is a disconnect between the way forensic sci- to an undesirable effect exhibited during jury trials, which ence is depicted on popular television programs and the real- results from jurors’
    [Show full text]
  • Jews and Hollywood
    From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.
    [Show full text]