Brent Nicholson and Nathaniel Siegel Interview Number: 150 Interviewer
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The Transgender-Industrial Complex
The Transgender-Industrial Complex THE TRANSGENDER– INDUSTRIAL COMPLEX Scott Howard Antelope Hill Publishing Copyright © 2020 Scott Howard First printing 2020. All rights reserved. No part of this publication may be copied, besides select portions for quotation, without the consent of its author. Cover art by sswifty Edited by Margaret Bauer The author can be contacted at [email protected] Twitter: @HottScottHoward The publisher can be contacted at Antelopehillpublishing.com Paperback ISBN: 978-1-953730-41-1 ebook ISBN: 978-1-953730-42-8 “It’s the rush that the cockroaches get at the end of the world.” -Every Time I Die, “Ebolarama” Contents Introduction 1. All My Friends Are Going Trans 2. The Gaslight Anthem 3. Sex (Education) as a Weapon 4. Drag Me to Hell 5. The She-Male Gaze 6. What’s Love Got to Do With It? 7. Climate of Queer 8. Transforming Our World 9. Case Studies: Ireland and South Africa 10. Networks and Frameworks 11. Boas Constrictor 12. The Emperor’s New Penis 13. TERF Wars 14. Case Study: Cruel Britannia 15. Men Are From Mars, Women Have a Penis 16. Transgender, Inc. 17. Gross Domestic Products 18. Trans America: World Police 19. 50 Shades of Gay, Starring the United Nations Conclusion Appendix A Appendix B Appendix C Introduction “Men who get their periods are men. Men who get pregnant and give birth are men.” The official American Civil Liberties Union (ACLU) Twitter account November 19th, 2019 At this point, it is safe to say that we are through the looking glass. The volume at which all things “trans” -
Interviewee: Jay Blotcher Interview Number
A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Jay Blotcher Interview Number: 054 Interviewer: Sarah Schulman Date of Interview: April 24, 2004 © 2004 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP ORAL HISTORY PROJECT Interview of Jay Blotcher April 24, 2004 SARAH SCHULMAN: If you could say your name, your age, today’s date, and where we are? JAY BLOTCHER: Jay Blotcher. I’m 43, and it is the 24th of April 2004, and we’re in High Falls, New York, in my palatial cabin. It used to be a hunting cabin. SS: And you live here with your husband – you just got married. JB: Yes, we got hitched, and all the world knows it, thanks to CNN. It was really fantastic. The fact is when we moved up here, we didn’t think that sexuality or activism would even be on the table. We essentially came up here – not to retire, but to switch gears, and the movement sort of followed us here, which was good. Brook [Garrett] and I mentor to gay teams up here, and to them, being gay is not a major issue, it’s really so refreshing. They’re very inspiring – these kids. They don’t know anything about ACT UP; they don’t know anything about Queer Nation, because being gay is just what they are. We help them, by filling in the holes in their history, but they are just so functional and so cool and so vibrant that it’s nice, because weren’t we fighting for their right to not have a it be a big deal? To have it just be an aspect of their personality, rather than be the dominating aspect of their personality. -
Activism, Affect and the Archives of HIV/AIDS a Dissert
UNIVERSITY OF CALIFORNIA Los Angeles ‘Your Nostalgia is Killing Me’: Activism, Affect and the Archives of HIV/AIDS A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Information Studies by Marika Louise Cifor 2017 © Copyright by Marika Louise Cifor 2017 ABSTRACT OF THE DISSERTATION ‘Your Nostalgia is Killing Me’: Activism, Affect, and the Archives of HIV/AIDS by Marika Louise Cifor Doctor of Philosophy in Information Studies University of California, Los Angeles, 2017 Professor Michelle L. Caswell, Chair Nostalgia has long been dismissed and derided by scholars and popular commentators as a pointless and self-indulgent wallowing in the past that stands in the way of social change in the present and for the future. In this archival ethnography, I examine the critical potential of nostalgia as recorded and produced by archives documenting 1980s and 1990s HIV/AIDS activism in the United States. I argue that critical nostalgia, an ethical mode of critique grounded in the bittersweet longing for a past time or space, is a productive lens at every moment of collaboration between HIV/AIDS archives and the AIDS activist communities they document and serve. I present case studies using materials culled from the New York Public Library’s Manuscripts and Archives Division, New York University’s Fales Library and Special Collections, and Visual AIDS, a community-based arts organization committed to raising AIDS awareness through visual art, assisting artists living with HIV/AIDS, and preserving artists’ legacies. Using these case studies, I show that critical nostalgia shapes the ways in which we ii record and remember in, with, and through archives. -
Gay Connection
CHIP DUCKETT * DRAG QUEENS IN THE CHAPEL! * CAVERNOUS DANCE FLOORS (including the School Gym and a gigantic drained swimming pool)! * Dykes will love the inlomous LESBO LOUNGE- ploying non-stop Mot/onno 011night longl * HOT GO-GO BOYS EVERYWHEREI * Sexy Locker Room FUN! ___ Ml_ "' __ DANCE TRACKS A DIFFERENTLIGHT PATRICIAFIELD 91 East Third St. 548 Hudson St. 10 East Eighth St. Th ill b . I ere w e a sp8Cla and at MARS every Sunday night entrance for advance ticket holders-with no waiting. Film Gone with the Wini! Film Steel Magnolias ' Music Chafin and Starr Dance Fresh Tracks Art Set the Wood5 on Fire! ..... ~;wu, f,j 'If,. ~. Perfonnance Wonderful Life • ~$ CARDINAL KNOWLEDGE The complete Theater Dr.jekyO and Mr. Hyde 61 Sl Patrick's stary begins on page 12. Books Reader - Animal Instincts· Holy Terror 62 "Photo:Rex Wockner - . ON THE COVER: Rollerena and friend. Concept and styling by Dan Williams. photo by T.l Litt. OutSpoken (EdiloriaJ) ,4 , letters 6 Stonewall Ri<1S(Natalie) . 7 Dykes To Watch Out For (BecbdeO 8 , 9 Quote of the Week Jay Blotcher Skates Down Memory Lane with'the Fairy Godmother of New Y6rk-Turned-AIDS-Activist Blurt Out 10 Xeroxed '11 42 GLAAD Tidings 32 THE,DREK OF A DECADE , . Out Law (Leonard) 34 In a Special Section Devoted to the Creepy Monsters who Made the 80s One Long, Bad Dream, OUlWeeMs Lookout 48 Editors Present the First Annual Gallery of Nightrmres Out of my Hands (BalJ) 50. Gossip Watch 51 Going Out Calendar (X) 66 Best Bets (X) 68 Bar Guide 70 Community Directory 72 Classifieds 75 "; 1WA.<.__ 4' Personals 86 .....tC .l"Tc'--'~ . -
Rollerena Fairy Godmother Collection
9/7/2016 Archive Record #69 - Rollerena Fairy Godmother Collection 208W13St Building Hours New York. NY 10011 Mon-Sat 9 .i.m. to 10 p.m. THE 212.620.7310 Sun 9 a.m. to 9 p.m. EMAIL US l.OOIM CENTER LOCATION MAP MORE IMF<>Rl'IA110N TH• LllSBIAll, GAY, Bl•llXUAL & T-•NDD COMMUNITY Cllllnll ABOUT THE CENTER ARTS A CULTURE RECOVERY 6 WELLNESS FiAMILY a YOUTH EVENTS 6 RENTALS RESOURCE CENTER CALENDAR BACK TO COMPLETE ARCHIVE Collectlon #69 ROLLERENA FAIRY GODMOTHER COLLECTION AECORD:69 DATE:1948-2009 (BULK 1976 - 1992) SIZE:3.5 FEET PLUS 2.5 INCHES PHOTOGRAPHS, 1 COSTUME BOX PROVENANCE FOLDER LIST 8Ml: P.ipers don;ited by Rollerena between 1995 • 2009. 1. 1972 September 16, borrowed .i robe or gown from anUquai ACCESS RESTRICTIONS store $1cated up and down Christopher St.Artlcles:Hl&tory reportlild In Outweek ;irtlcle December 24, 1989.Mentloned In Video taDN 111• felt ,.Nrch only, l!O commercllil 111._ tile LGBT Vogue, Septlllmber 1972, by Pat Chas.. c:.riter hN Denn!Alon to.di- tlll!Nt for Center IPOftlorM .,,.nt. 2. 1973 !nllde debllt at 49th and Fifth Avenue-AIDS fund raising flyer: Roller Arena In Easter Parade new51)aper photo• with hllnd SCOPE AND CONTENT written caption "E.aster Sunday 1973, Bethe-sda Fount.In, Central Park", •eo Som11thlng"'proClllS5or's note: the photo appears In This Is the collection of Rollerena Fairy Godmother. It Includes the Soho Weekly, March 30, 1978, not 1973. newspaper and magazine artlcles, listing of 11pp11rancas on 3. 1974 started working In Financial district on wall Strfft.Busas radio or TV shows, Ales about het' pettldpatlon In /ICT UP, to Albany Ayer: Photo caption "ColumbLtS Clrcle, February 1974" awards, conespondence and photographs. -
Interviewee: Jim Fouratt Interview
A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Jim Fouratt Interview Number: 066 Interviewer: Sarah Schulman Date of Interview: November 28, 2006 © 2007 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP Oral History Project Interview of Jim Fouratt November 28, 2006 Sarah Schulman: So let’s start if you could say your name, today’s date, how old you are and where we are. Jim Fouratt: All of that? I am a short, blond gay man and you are asking me to tell you how old I am? Okay. My name is Jim Fouratt, today’s date in the 20th of November 2006. And I am 65 years old. SS: Before we start the interview I just want to say I feel like I’ve known you all my life. I was remembering seeing you as a leader in the community when I was very, very young, still as a teenager. In fact, I remember my first experience of you, even before Danceteria, at the New School, you were on a panel, Is There a Gay Aesthetic, and you announced that you were getting married. JF: Do you remember to who I said I was marrying? SS: No. JF: It was a well-known lesbian. SS: Was it Jill Johnston? JF: Yes. SS: Oh, okay! And today you are wearing a wedding ring. JF: Well there is a back-story to that. If you remember all of the participants were on their best behavior. And I think it was Vito Russo that was sitting next to me, and he kicked me under the table when I said that. -
Just Drop My Body on the Steps of the FDA: Emotion & Activism at ACT
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2018 Just Drop My Body on the Steps of the FDA: Emotion & Activism at ACT UP’s “Seize Control of the FDA” Action Mariana Lopez de Castilla The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2495 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] JUST DROP MY BODY ON THE STEPS OF THE FDA: EMOTION & ACTIVISM AT ACT UP’S “SEIZE CONTROL OF THE FDA” ACTION by MARIANA LOPEZ DE CASTILLA A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2018 i © 2018 Mariana Lopez de Castilla All Rights Reserved ii Just Drop my Body on the Steps of the FDA: Emotion & Activism at ACT UP’s “Seize Control of the FDA” Action by Mariana Lopez de Castilla This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. 01/10/2018 Karen Miller Thesis Advisor 01/10/2018 Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Just Drop my Body on the Steps of the FDA: Emotion & Activism at ACT UP’s “Seize Control of the FDA” Action by Mariana Lopez de Castilla Advisor: Karen Miller The outbreak of AIDS politicized and radicalized the gay community in New York City, which is when ACT UP emerged. -
Interviewee: Michael Petrelis Interview Number
A PROGRAM OF MIX – THE NEW YORK LESBIAN & GAY EXPERIMENTAL FILM FESTIVAL Interviewee: Michael Petrelis Interview Number: 020 Interviewer: Sarah Schulman Date of Interview: April 21, 2003 © 2004 The New York Lesbian & Gay Experimental Film Festival, Inc. ACT UP ORAL HISTORY PROJECT Interview of Michael Petrelis April 21, 2003 MICHAEL PETRELIS: My name is Michael Petrelis. We’re in San Francisco, California, at my apartment that I share with my partner, Mike Merrigan. And, today is April 21st, 2003. SARAH SCHULMAN: How old are you, dear? MP: I am 44, and quite proud of my wrinkles and gray hair that I have in a few spots. I’m really proud. I’m still here at my great age, at 44. SS: Where were you born, Michael? MP: Newark, New Jersey. SS: Did you grow up there? MP: For about four or five years, and then my parents moved us to the suburbs, to a little town called Caldwell – also, in New Jersey. Caldwell, New Jersey. SS: And you went to high school there? Grew up there? MP: Well, I actually went to an alternative high school in East Orange, New Jersey. And, I was out in high school. SS: You came out in high school, in the ’70s? MP: Yeah. I guess I came out in 1974, ’75, and I graduated in 1977, and I’m happy to say, I wasn’t the only out gay or lesbian that I went to high school with. And also, that a few – well they were girls at the time, they’re women now – from kindergarten in Caldwell, New Jersey, are also out, and were also out at that time and I’ve seen them at high school reunion things or at demonstrations. -
Vito Texted Broadcast Master Hbo Documentary Films 9/21/11 Page 1
VITO TEXTED BROADCAST MASTER HBO DOCUMENTARY FILMS NO. DESCRIPTION/MUSIC/FX NO. DIALOGUE/SPOTTING START FINISH TOTAL 1 FADE IN 1 01:00:00;00 01:00:05;13 00:00:05;14 TEXT - HBO Original Programming FADE OUT 2 FADE IN 2 01:00:05;04 01:00:11;01 00:00:05;28 TEXT - HBO Documentary Films Presents FADE OUT 3 FADE IN 3 01:00:12;11 01:00:19;21 00:00:07;11 TEXT - HBO Documentary Films Presents An Automat Pictures Production FADE OUT 4 FADE IN Hello. If you've just joined us I'm 01:00:20;01 01:00:28;01 00:00:08;01 INTERVIEW Vito Russo. Good evening. I'm Vito Russo Vito Russo. I'm Vito Russo. 5 INTERVIEW Vito was first and foremost an 01:00:28;02 01:00:28;29 00:00:00;27 Arnie Kantrowitz activist. 6 INTERVIEW The gay people in middle America 01:00:28;29 01:00:34;02 00:00:05;04 Vito Russo are certainly ready for it, and if the straight people aren’t then they should get to know who their neighbors are. 7 INTERVIEW If you’re gonna talk about the gay 01:00:34;03 01:00:36;08 00:00:02;06 David Ehrenstein rights movement you’re gonna talk about Vito. 8 Slow Push In VOICE OVER 01:00:36;09 01:00:46;11 00:00:10;03 Still When I got involved in the gay Vito Russo and protesters movement I was fighting for the generations that are gonna come after me so that young gay people who are fourteen and fifteen PAGE 1 9/21/11 VITO TEXTED BROADCAST MASTER HBO DOCUMENTARY FILMS 9 INTERVIEW won’t have to grow up the way we 01:00:46;12 01:00:47;20 00:00:01;09 Vito Russo did. -
Full Screen View
BUILDING COSMOPOLITICAL SOLIDARITY FROM THE ANTIGONE: A RETURN TO THE CHORUS By Rebecca L. McCarthy A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, Florida August 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Copyright by Rebecca L. McCarthy 2007 ii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. BUILDING COSMOPOLITICAL SOLIDARITY FROM THE ANTIGONE: A RETURN TO THE CHORUS By Rebecca L. McCarthy This Dissertation was prepared under the direction of the candidate’s dissertation advisor, Dr. Jan W. Hokenson, Department of Languages and Linguistics, and has been approved by the members of her supervisory committee. It has been submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. SUPERVISORY COMMITTEE: Dr. Jah^\| Hokenson, Director of Dissertation iWilliamsDr. Da iWilliamsDr. r. Mark V. Frezzo Chairperson^Department of Comparative Studies Dean, The Dorothy F. Schmidt College of Arts and Letters Dean, Graduate Studies and Programs 7/Date^ * in Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGEMENTS I owe a debt of gratitude to many people who helped me to conceive, develop and write this project. Foremost, I thank my mentor Dr. Jan Hokenson for her expertise on the Antigone, her guidance, insight, support, direction and detailed notes, which kept me on track and focused. -
Let the Record Show: Mapping Queer Art and Activism in New York City, 1986-1995
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 Let The Record Show: Mapping Queer Art and Activism in New York City, 1986-1995 Tara Jean-Kelly Burk Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/534 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LET THE RECORD SHOW: MAPPING QUEER ART AND ACTIVISM IN NEW YORK CITY, 1986-1995 By TARA BURK A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2015 i ii c 2015 TARA BURK All Rights Reserved iii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________ ____________________________________ Date Professor Kevin D. Murphy Chair of Examining Committee ___________________ ____________________________________ Date Professor Claire Bishop Executive Officer ____________________________________ Professor David A. Gerstner ____________________________________ Professor Sally O’Driscoll iv THE CITY UNIVERSITY OF NEW YORK ABSTRACT LET THE RECORD SHOW: MAPPING QUEER ART AND ACTIVISM IN NEW YORK CITY, 1986-1995 Advisor: Kevin D. Murphy Although scholars increasingly scrutinize late twentieth-century American art produced in relation to social movements organized around feminism, anti-racist politics, health activism, and LGBTQ (lesbian, gay, bisexual, transgender, queer) identity, scholars usually fail to address the importance of printed ephemera as a medium of artistic expression. -
How Sex Got Screwed up the Ghosts That Haunt Our Sexual Pleasure
How Sex Got Screwed Up The Ghosts that Haunt Our Sexual Pleasure Book Two From Victoria to Our Own Time Written and Illustrated by Jon Knowles Edited by Christopher Reed Series in Anthropology Copyright © 2019 Jon Knowles All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Anthropology Library of Congress Control Number: 2018954116 ISBN: 978-1-62273-416-0 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. From John Money’s The Destroying Angel — Sex, Fitness and Food in the Legacy of Degeneracy Theory, Graham Crackers, Kellogg’s Corn Flakes and American Health History. Copyright © 1985 by John Money. All rights reserved. Used with permission of the publisher; www.prometheusbooks.com.