DOCSLIB.ORG

Activism, Affect and the Archives of HIV/AIDS a Dissert

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

UNIVERSITY OF CALIFORNIA Los Angeles ‘Your Nostalgia is Killing Me’: Activism, Affect and the Archives of HIV/AIDS A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Information Studies by Marika Louise Cifor 2017 © Copyright by Marika Louise Cifor 2017 ABSTRACT OF THE DISSERTATION ‘Your Nostalgia is Killing Me’: Activism, Affect, and the Archives of HIV/AIDS by Marika Louise Cifor Doctor of Philosophy in Information Studies University of California, Los Angeles, 2017 Professor Michelle L. Caswell, Chair Nostalgia has long been dismissed and derided by scholars and popular commentators as a pointless and self-indulgent wallowing in the past that stands in the way of social change in the present and for the future. In this archival ethnography, I examine the critical potential of nostalgia as recorded and produced by archives documenting 1980s and 1990s HIV/AIDS activism in the United States. I argue that critical nostalgia, an ethical mode of critique grounded in the bittersweet longing for a past time or space, is a productive lens at every moment of collaboration between HIV/AIDS archives and the AIDS activist communities they document and serve. I present case studies using materials culled from the New York Public Library’s Manuscripts and Archives Division, New York University’s Fales Library and Special Collections, and Visual AIDS, a community-based arts organization committed to raising AIDS awareness through visual art, assisting artists living with HIV/AIDS, and preserving artists’ legacies. Using these case studies, I show that critical nostalgia shapes the ways in which we ii record and remember in, with, and through archives. With attention to the intersections of gender, sexuality, race, class, and ability, my inquiry focuses on the historical development of these collections, the connections of activists to their materials, and archivists’ relationships to the communities implicated in their records. I also analyze contemporary activists’ and artists’ creative use and reuse of these archival records to produce knowledge, provoke dialogue, preserve legacies, and support ongoing movements to end HIV/AIDS. These archives, which often center gay, white, middle class men, translate the past in and for the present, shaping collective memories and dominant historical narratives. Such memory practices and narratives in turn shape future possibilities. An analysis of the data collected through ethnographic fieldwork resulted in the rich description of these phenomena that is fundamental to the project of building theory around the concept of nostalgia. The nostalgias produced and reproduced by these archives and their materials infuse and constrain present HIV/AIDS activism, cultural productions, and the lives and life chances of those living with HIV and AIDS. This dissertation demonstrates that archives and critical nostalgia in combination are an essential means to reflect on the past in the contextualized manner necessary to for fostering communal identity and direct action in the present and future. Ultimately, a responsible and ethical scholarship and activist archiving practice must harness critical nostalgia to actively engage and to serve the archives constituencies with an eye to the present and future. iii The dissertation of Marika Louise Cifor is approved. Jonathan Furner Anne J. Gilliland Kate Eichhorn Michelle Caswell, Committee Chair University of California, Los Angeles 2017 iv This dissertation is dedicated to my participants and to all who fight. v Table of Contents Chapter One: Introduction: Nostalgia, Archives, and AIDS Activism.................................... 1 Introduction............................................................................................................................................. 1 HIV/AIDS and its Activism: A Short History...................................................................................... 5 Nostalgia and AIDS Archives ................................................................................................................ 8 Methodological Approach and Research Design............................................................................... 19 Chapter Layout..................................................................................................................................... 29 Study Limitations.................................................................................................................................. 34 References.............................................................................................................................................. 35 Chapter Two: Home/Not Home: ACT UP, Ethics, and Ongoing Relations.......................... 43 Introduction........................................................................................................................................... 43 Literature Review ................................................................................................................................. 46 Nostalgia: A Longing for Home......................................................................................................... 46 Dwelling in the Archives: Archives, Homes, and Relations of Care................................................. 49 Archiving Activism, Archiving AIDS................................................................................................ 53 The ACT UP/NY Records: Formation, Home, and Ongoing Relations .......................................... 60 The “Impulse to Archive” .................................................................................................................. 62 The Search for an Archival Home...................................................................................................... 71 Appraisal and Acquisition.................................................................................................................. 75 In the Archives ................................................................................................................................... 80 Why We Fight .................................................................................................................................... 84 Conclusion ............................................................................................................................................. 94 References.............................................................................................................................................. 95 Chapter Three: “Your Nostalgia is Killing Me!” ACT UP Nostalgia, Historical Narratives and their Meaning in the Present ............................................................................................ 102 Introduction......................................................................................................................................... 102 Literature Review ............................................................................................................................... 106 AIDS Historiography ....................................................................................................................... 106 Memory and Archives...................................................................................................................... 112 “Your Nostalgia is Killing Me!” ........................................................................................................ 117 Inspiration and Creation ................................................................................................................... 117 Nostalgia........................................................................................................................................... 125 Circulation and Response................................................................................................................. 129 ACT UP Now....................................................................................................................................... 137 References............................................................................................................................................ 146 Chapter Four: The Cure: Nostalgia, Affect, Preservation and The Archive Project as Cure ..................................................................................................................................................... 153 Introduction......................................................................................................................................... 153 The Archive Project and the Cure .................................................................................................... 155 The Archive Project as a Fix ............................................................................................................ 159 The Archive Project as Curing ......................................................................................................... 175 The Archive Project as Care............................................................................................................. 181 The Archive Project as a Limited Cure............................................................................................ 188 Conclusion ........................................................................................................................................... 194
Recommended publications
  • Critical Actions from 2012-2016 to Begin to End the HIV/AIDS Pandemic

    Critical Actions from 2012-2016 to Begin to End the HIV/AIDS Pandemic

    An Action Agenda to End AIDS EMBARGOED Critical Actions UNTIL THURSDAY, JULY 19 AT NOON ET from 2012-2016 to Begin to End the HIV/AIDS Pandemic JULY 2012 ver the last year, the conversation about the AIDS transmission. We emphasize, too, that comprehensive • Focused, Evidence-Based Prevention Programs epidemic has dramatically changed. We’re now harm reduction, decriminalization and human rights for Key Populations—to ensure that drivers of O beginning to talk about how to end it. The hope protections must be combined to effectively address the the epidemic are addressed. stems from research breakthroughs as well as an epidemics among injection drug users, men who have accumulation of evidence on the potential impact of sex with men (MSM) and sex workers around the world. To end the epidemic, we cannot do everything in “combination prevention,” which the US government Failure to implement these strategies at scale remains every setting. Nor can we look to limited AIDS has defined as including voluntary medical male a major missed opportunity of HIV prevention to date. funding to address all the many ills that undermine circumcision, the use of ART treatment in HIV-positive health and development. Core interventions people to reduce risk of transmission prevention of As the concept of combination prevention takes should be complemented, where indicated by pediatric infections and HIV testing. hold, there will inevitably be debates about which local circumstances, by other strategies, such as “America’s combination prevention strategy focuses on a interventions to prioritize. We believe the test should condom promotion, harm reduction, behavior set of interventions that have been proven most effective To begin to end the epidemic, we need to be strategic be to identify the cost-effective approaches that will best change strategies, demonstration projects for pre- — ending mother-to-child transmission, expanding and ambitious in using what is available today.
  • Psychosocial Aspects of HIV/AIDS: Children and Adolescents Kristin L

    Psychosocial Aspects of HIV/AIDS: Children and Adolescents Kristin L

    Chapter Title Psychosocial Aspects of HIV/AIDS: Children and Adolescents Kristin L. Close, LMSW Objectives Overview 1. Identify psychosocial factors that affect children and Children and adolescents are an ever-growing part of the adolescents infected with human immunodeficiency human immunodeficiency virus (HIV)/AIDS pandemic. virus (HIV)/AIDS and how these factors relate to In 2007, an estimated 2.1 million children younger than general chronic illness. 15 years were living with HIV, and 290,000 children 2. Identify sources of stigma and discrimination died from the disease in 2007 alone. HIV/AIDS takes against children and adolescents and explore how an enormous physical toll on those infected by the stigma affects disclosure of HIV status. virus as well as those who care for them. However, the 3. Examine issues of death and dying and the grief/ psychological toll of the pandemic is just as significant. bereavement process that follows for survivors. The psychological and social effects of HIV/AIDS are 4. Identify particularly vulnerable pediatric and magnified in today’s youth. adolescent populations and explore reasons why they are at increased risk of HIV/AIDS infection and Children involved in the pandemic face a set of psycho- progression. logical and social issues that must be addressed, not 5. Discuss special issues encountered by adolescents overlooked. This chapter will discuss how children and infected with and affected by HIV/AIDS. adolescents are affected by important aspects of the HIV/ AIDS pandemic, including stigma, disclosure, and death, Key Points as well as how health care professionals can support them while dealing with these challenges.
  • Hiv/Aids and Its Impact Hiv/Aids

    Hiv/Aids and Its Impact Hiv/Aids

    Section 1 HIV/AIDS and its impact Section 2 Legal and policy HIV/AIDS AND ITS IMPACT framework Section 3 Employers need a clear understanding of HIV/AIDS and the impact of the epidemic in order to plan a workplace programme. Developing workplace policies This Section helps you fi nd basic information about inf HIV and inf AIDS, and their implications for society as a whole as well as for Section 4 the world of work. Implementing workplace programmes To view the contents, click on the headings on the left or scroll through the pages. Section 5 Good practice and lessons learnt HIV/AIDS - the facts The Human Immunodefi ciency Virus (HIV) is a virus that weakens the body’s immune system, ultimately causing AIDS. The Acquired Immune Defi ciency Syndrome (AIDS) is a cluster of medical conditions linke to HIV infection. These conditions include diseases known as inf 2 opportunistic infections, as well as certain cancers. To date there is no cure, but the onset of AIDS can be slowed and symptoms relieved with the appropriate use of antiretroviral drugs (ARVs). A person with HIV is not necessarily sick, and can go on working for a number of years after infection. ARVs make it possible for people to continue living full and productive lives. You are in Section 1 The ILO Code of Practice on HIV/AIDS and the world of work (Appendix I) and the accompanying HIV/AIDS and its impact Education and Training Manual contain basic facts about the epidemic and its implications, conditions that contribute to inf HIV and AIDS – the facts vulnerability, and the gender dimension.
  • Dec1 Untitled REF GUIDE FINAL[2]

    Dec1 Untitled REF GUIDE FINAL[2]

    UNTITLED RESOURCE GUIDE SUGGESTIONS FOR ENGAGEMENT ABOUT UNTITLED Beginning with a reflection on the early AIDS epidemic, Untitled eschews a linear narrative to introduce a fractious timeline, moving from the sublime to the tragic and back again. By juxtaposing mainstream network news, activist footage, artists' work, and popular entertainment from the last turbulent decades, Untitled references regimes of power that precipitated a generation of AIDS and queer activism and continues today with international struggle and expression. In 2010, artist Jim Hodges was invited to give a lecture on the billboard project of Félix González-Torres at San Antonioʼs Artpace. He teamed up with fellow filmmakers Carlos Marques da Cruz and Encke King to create Untitled. Neither a portrait or a documentary about González- Torres, the film was an attempt to place the viewer “in his room,” that is to say, the filmmakers worked to create, for the viewer, an understanding of the influences and contexts within which González- UNTITLED Torres was working. In Hodges's words, “In this way, the framing of the artist can become a way to project any number of people, endlessly.” A Film by Untitled can therefore be considered to be as much about González- Jim Hodges, Carlos Marques da Cruz, and Encke King Torres and the AIDS crisis as it can be seen as grappling with the continuum of global dehumanization. PURPOSE OF THIS RESOURCE GUIDE In an effort to honor the sense of endlessness that Untitled suggests, this guide is a resource for provoking both public and private conversation. We have provided you with: • WORDS for engagement regarding HIV/AIDS, art, and culture • THOUGHTS to provoke dialogue • HIV/AIDS TIMELINE • INFORMATION about prevention and wellness • LINKS to extend the conversation CREDITS • Like the film, this Resource Guide hopes to raise more questions than it answers.
  • Brand Guidelines for Partners 2019

    Brand Guidelines for Partners 2019

    BRAND GUIDELINES 2019 P. 2 (RED) BRAND GUIDELINES 2019 HELLO. Good to have you! (RED) is a nonprofit organization that fights AIDS. 100% of all proceeds generated from Partners go directly to The Global Fund, which distributes the money to work on the ground in Ghana, Kenya, Lesotho, Rwanda, South Africa, Swaziland, Tanzania, and Zambia. We believe a strong brand keeps us inspiring and relevant, and can help you tell your story better, too. These guidelines should educate you on (RED) and equip you to message about us in the best ways possible. P. 3 (RED) BRAND GUIDELINES 2019 (RED) CONTENT OVERVIEW ABOUT FOR PARTNERS 4. Our Story 23. Partner Logos 6. Our Progress 24. Partnership Language 8. Our Partners 27. Packaging Guidelines 29. Partner Cheat Sheet THE BRAND 11. Brand Lens ASSETS + CONTACT 12. Our Logos 30. Assets 14. Registration 31. Say Hello 15. Copyright 16. Typefaces 17. Color 18. The Parentheses 19 (RED) Words 20. Language & Tone P. 4 OUR STORY (RED) was created by Bono and Bobby Shriver in 2006 to transform the collective power of consumers into a global force of critical, lifesaving aid. (RED) BRAND GUIDELINES 2019 We work with the world’s most iconic brands— including Apple, Starbucks, Belvedere Vodka, Bank of America, and more—to develop (PRODUCT)RED branded products and experiences that, when purchased, trigger corporate giving to the Global Fund. With these contributions, the Global Fund finances programs in sub-Saharan Africa, which provide HIV+ pregnant women access to the lifesaving medication they need to ensure their babies are born HIV-free.
  • WORLD AIDS DAY 2018 the 30Th Anniversary

    WORLD AIDS DAY 2018 the 30Th Anniversary

    WORLD AIDS DAY The 30th 2018 Anniversary events • information • stories #BrizWAD2018 | #myredribbon Support people living with HIV this World AIDS Day, make a donation to Brigstowe, local HIV services. Text BRIG05 and your amount to 70072. Thank you. 01 World AIDS Day was founded 30 years ago by two people who were working for the World Health Organisation. The premise was simple: to raise awareness and to dispel stigma. By 1988, tens of thousands of people had died from AIDS-related illness and that number was still rising. There was no promising treatment and people living with HIV and AIDS were experiencing discrimination from employers, landlords and health care professionals. Activist movements had started to rise out of frustration at political apathy in the face of one of the largest public health crisis in modern history. Groups like ACT UP and Treatment Action Group (TAG) were starting to demand the government pay attention. Support and advice organisations were forming to support people living with HIV and AIDS, with the myriad issues that went along with having the virus: housing; work; relationships; and of course, healthcare. Now, 30 years on, where are we? How far have we come? This magazine and programme of events has been designed with our friends, partners, colleagues and of course – people living with HIV – in order to celebrate life, remember those we’ve lost and to raise awareness of an illness that still carries a burden of misunderstanding and stigma. We hope you enjoy reading! Team Brigstowe x 02 Contents The Red Ribbon Project Page 03 #MyRedRibbon Page 04 Rockin the Ribbon since 1987 Page 05 Andy’s Story Page 06 #zerotransmission – THT Page 10 Programme of Events Page 11-17 The Diversity Trust Page 12 UWE Bristol Page 14 Don’t Tell Your Mother Page 17 About Brigstowe Page 18 Support Our Work Page 19 Emily’s Story Page 20 Programme Supporters Page 21 Top HIV Facts Page 22 03 The Red Ribbon Project The Red Ribbon has been an international symbol of HIV and AIDS for years.
  • The Transgender-Industrial Complex

    The Transgender-Industrial Complex

    The Transgender-Industrial Complex THE TRANSGENDER– INDUSTRIAL COMPLEX Scott Howard Antelope Hill Publishing Copyright © 2020 Scott Howard First printing 2020. All rights reserved. No part of this publication may be copied, besides select portions for quotation, without the consent of its author. Cover art by sswifty Edited by Margaret Bauer The author can be contacted at [email protected] Twitter: @HottScottHoward The publisher can be contacted at Antelopehillpublishing.com Paperback ISBN: 978-1-953730-41-1 ebook ISBN: 978-1-953730-42-8 “It’s the rush that the cockroaches get at the end of the world.” -Every Time I Die, “Ebolarama” Contents Introduction 1. All My Friends Are Going Trans 2. The Gaslight Anthem 3. Sex (Education) as a Weapon 4. Drag Me to Hell 5. The She-Male Gaze 6. What’s Love Got to Do With It? 7. Climate of Queer 8. Transforming Our World 9. Case Studies: Ireland and South Africa 10. Networks and Frameworks 11. Boas Constrictor 12. The Emperor’s New Penis 13. TERF Wars 14. Case Study: Cruel Britannia 15. Men Are From Mars, Women Have a Penis 16. Transgender, Inc. 17. Gross Domestic Products 18. Trans America: World Police 19. 50 Shades of Gay, Starring the United Nations Conclusion Appendix A Appendix B Appendix C Introduction “Men who get their periods are men. Men who get pregnant and give birth are men.” The official American Civil Liberties Union (ACLU) Twitter account November 19th, 2019 At this point, it is safe to say that we are through the looking glass. The volume at which all things “trans”
  • Abstract Supplement

    Abstract Supplement

    ONLINE ONLINE OPEN PEER-REVIEWD PEER-REVIEWD ONLINE A PEER-REVIEWD OPEN ACCESS OPEN HIV/AIDS JOURNAL HIV/AIDS JOURNAL CCESS ONLINEONLINE CCESS A OPEN OPEN PEER-REVIEWD ONLINE HIV/AIDS JOURNAL HIV/AIDS HIV/AIDS JOURNAL PEER-REVIEWD PEER-REVIEWD OPEN ACCESSONLINEPEER-REVIEWD A ONLINEPEER-REVIEWD CCESS HIV/AIDS JOURNALPEER-REVIEWD OPEN ACCESS CCESS A OPEN ONLINE ONLINE HIV/AIDS JOURNAL ONLINE PEER-REVIEWDHIV/AIDS JOURNALONLINEONLINE PEER-REVIEWDOPEN ACCESS PEER-REVIEWD ONLINE ONLINE OPEN ACCESSONLINE OPEN HIV/AIDS JOURNAL CCESS OPEN ACCESS HIV/AIDS JOURNAL PEER-REVIEWD PEER-REVIEWD PEER-REVIEWD HIV/AIDS JOURNAL PEER-REVIEWD A HIV/AIDS JOURNAL OPEN ACCESS PEER-REVIEWD PEER-REVIEWD PEER-REVIEWDONLINE HIV/AIDS JOURNAL HIV/AIDS JOURNAL OPEN ACCESS ONLINE ONLINEONLINE HIV/AIDS JOURNAL HIV/AIDS PEER-REVIEWD A PEER-REVIEWD ONLINE ONLINE HIV/AIDS JOURNAL CCESS HIV/AIDS JOURNALOPEN ONLINE PEER-REVIEWDONLINE PEER-REVIEWD HIV/AIDS JOURNAL OPEN PEER-REVIEWDJOURNAL HIV/AIDS HIV/AIDS JOURNAL HIV/AIDS JOURNAL CCESS ONLINE A A ONLINE OPEN ACCESS HIV/AIDS JOURNAL ONLINE HIV/AIDS JOURNAL CCESS PEER-REVIEWD OPEN ACCESS HIV/AIDS JOURNAL OPEN ACCESS ONLINE HIV/AIDS JOURNAL HIV/AIDS ONLINE OPEN OPEN ACCESS HIV/AIDS JOURNAL PEER-REVIEWD OPEN HIV/AIDS JOURNALPEER-REVIEWD PEER-REVIEWD OPEN ACCESS PEER-REVIEWD CCESS A OPEN PEER-REVIEWDONLINE PEER-REVIEWD PEER-REVIEWD HIV/AIDS JOURNALAbstractHIV/AIDS JOURNAL SupplementHIV/AIDS JOURNAL PEER-REVIEWD OPEN ACCESS CCESS PEER-REVIEWD A PEER-REVIEWD Oral abstracts of the 21st International AIDS Conference A CCESS OPEN ACCESS
  • DAVID HELFAND, ACE Editor

    DAVID HELFAND, ACE Editor

    DAVID HELFAND, ACE Editor PROJECTS DIRECTORS STUDIOS/PRODUCERS YOUNG SHELDON Various Directors WARNER BROS. / CBS Seasons 1 - 5 Chuck Lorre, Steven Molaro Tim Marx UNITED WE FALL Mark Cendrowski ABC / John Amodeo, Julia Gunn Pilot Julius Sharpe UNTITLED REV RUN Don Scardino AMBLIN PARTNERS / ABC Pilot Presentation Jeremy Bronson, Rev Run Simmons Jhoni Marchinko ATYPICAL Michael Patrick Jann SONY / NETFLIX 1 Episode Robia Rashid, Seth Gordon Mary Rohlich, Joanne Toll GREAT NEWS Various Directors UNIVERSAL / NBC Season 1 Tina Fey, Robert Carlock Tracey Wigfield, David Miner THE BRINK Michael Lehman HBO / Roberto Benabib, Jay Roach Season 1 Tim Robbins Jerry Weintraub UNCLE BUCK Reggie Hudlin ABC / Brian Bradley, Steven Cragg Season 1 Ken Whittingham Korin Huggins, Will Packer Fred Goss Franco Bario BAD JUDGE Andrew Fleming NBC / Adam McKay, Kevin Messick Pilot Will Ferrell THE MINDY PROJECT Various Directors FOX / Mindy Kaling, Howard Klein Seasons 1 - 2 Michael Spiller WEEDS Craig Zisk SHOWTIME Series Paul Feig Jenji Kohan, Roberto Benabib 2x Nominated, Single Camera Comedy Paris Barclay Mark Burley Series – Emmys NEXT CALLER Pilot Marc Buckland NBC / Stephen Falk, Marc Buckland PARTY DOWN Bryan Gordon STARZ Season 2 Fred Savage John Enbom, Rob Thomas David Wain Dan Etheridge, Paul Rudd THE MIDDLE Pilot Julie Anne Robinson ABC / DeeAnn Heline, Eileen Heisler GANGSTER’S PARADISE Ralph Ziman Tendeka Matatu Winner, Best Editing, FESPACO Awards FOSTER HALL Bob Berlinger NBC / Christopher Moynihan Pilot Conan O’Brien, Tom Palmer THAT ‘70S SHOW David Trainer FOX Season 6 Jeff Filgo, Jackie Filgo, Tom Carsey Nominated, Multi-Cam Comedy Series – Mary Werner Emmys CRACKING UP Chris Weitz FOX Pilot Paul Weitz Mike White GROSSE POINTE Peyton Reed WARNER BROS.
  • UNAIDS/WHO (2008) Report on the Global HIV/AIDS Epidemic

    UNAIDS/WHO (2008) Report on the Global HIV/AIDS Epidemic

    Report on the 08 global AIDS epidemic Executive summary UNAIDS/08.27E / JC1511E (English original, July 2008) © Joint United Nations Programme on HIV/AIDS (UNAIDS) 2008. All rights reserved. Publications produced by UNAIDS can be obtained from the UNAIDS Content Management Team. Requests for permission to reproduce or translate UNAIDS publications—whether for sale or for noncommercial distribution—should also be addressed to the Content Management Team at the address below, or by fax, at +41 22 791 4187, or e-mail: [email protected]. The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of UNAIDS concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The mention of specifi c companies or of certain manufacturers’ products does not imply that they are endorsed or recommended by UNAIDS in preference to others of a similar nature that are not mentioned. Errors and omissions excepted, the names of proprietary products are distinguished by initial capital letters. UNAIDS does not warrant that the information contained in this publication is complete and correct and shall not be liable for any damages incurred as a result of its use. Cover photo: UNAIDS / N. Lieber WHO Library Cataloguing-in-Publication Data Report on the global HIV/AIDS epidemic 2008: executive summary. “UNAIDS/08.27E / JC1511E”. 1.HIV infections − epidemiology. 2.HIV infections − therapy. 3.Acquired immunodefi ciency syndrome − epidemiology. 4.Acquired immunodefi ciency syndrome − prevention and control.
  • Lifestyle Awards Monday, January 27, 2020

    Lifestyle Awards Monday, January 27, 2020

    Established 1961 21 Lifestyle Awards Monday, January 27, 2020 DGA Feature Film Award winner for ‘1917’ Sam Mendes poses in Outstanding Directorial Achievement in Movies the press room during the 72nd Annual Directors Guild Of for Television and Limited Series winner America Awards at The Ritz Carlton. — AFP photos Swedish director Johan Renck poses in the press room. DGA First-Time Feature Film Award winner for ‘Honey Boy’ Alma Har’el (second left) poses in the press room. DGA Feature Film Award nominee Taika Waititi Outstanding Directorial Achievement in Documentary winners Julia Reichert and DGA Commercials Award winner Spike Jonze poses in the press DGA Reality Programs Award winner for ‘Encore!’ Jason Cohen poses in the press room. Steven Bognar pose in the press room. room. poses in the press room. ollywood’s directors handed World “He’s a master of so many mediums... he’s do” on boosting diversity but pointed to HWar I thriller “1917” their top annual pretty much done it all,” said George the recently introduced first-time director prize Saturday, one of the final major MacKay. “We’ll be very excited to see category, featuring three women. Alma award shows that typically spells success what happens at the Oscars-I’ve never Har’el (“Honey Boy”) won the prize, prais- at next month’s Oscars. The win makes been before!” his co-star Dean-Charles ing fellow female nominees Mati Diop British auteur Sam Mendes hot favorite for Chapman told AFP. (“Atlantics”) and Melina Matsoukas the best director Oscar-the Directors (“Queen & Slim”) as “the future.” Guild of America Awards have correctly The category means “new voices like predicted the victor the past six years run- us can be included and celebrated,” said ning.
  • Television Academy

    Television Academy

    Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.