Directing for a Drama Series
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ERIC NORRIS Stunt Coordinator / 2Nd Unit Director
ERIC NORRIS Stunt Coordinator / 2nd Unit Director FEATURE FILMS DIRECTORS PRODUCERS/STUDIOS DYLAN DOG: DEAD OF NIGHT Kevin Munroe Gil Adler, Ashok Amritraj / Platinum Studios 2nd Unit Director / Stunt Coordinator TEKKEN Stunt Coordinator Dwight H. Little Benedict Carver, Steven Paul / Crystal Sky I LOVE YOU PHILLIP MORRIS Glenn Ficarra Richard Middleton, Andrew Lazar Stunt Coordinator & John Requa Jeff Harlacker / Fox Searchlight RIGHTEOUS KILL Stunt Coordinator Jon Avnet Rob Cowan, Emmett/Furla Films / Overture MISSION: IMPOSSIBLE III J.J. Abrams Tom Cruise, Paula Wagner Stunt Coordinator Stratton Leopold / Paramount BEYOND A REASONABLE DOUBT Stunt Coord. Peter Hyams Kevin Cornish, Ted Hartley GET SMART’S BRUCE AND LLOYD Gil Junger Richard Middleton, Andrew Lazar OUT OF CONTROL Stunt Coordinator Warner Bros. THE CUTTER Stunt Coordinator William Tannen Avi Lerner, Trevor Short / Sony THE MUMMY LIVES Stunt Coordinator Gerry O’Hara Allan Greenblatt / Global Pictures STUNTS THE GREEN HORNET Michael Gondry Neal Moritz / Columbia DUE DATE Stunt Driver Todd Phillips Daniel Goldberg / Warner Bros. THE TOWN Stunt Driver Ben Affleck Basil Iwanyk, Graham King / Warner Bros. MACHETE Ethan Maniquis & Dominic Cancilla, Rick Schwartz Robert Rodriguez Quentin Tarantino, Elizabeth Avellan / Fox SALT Stunt Driver Phillip Noyce Lorenzo Di Bonaventura / Sony Columbia OLD DOGS Walt Becker Brian Robbins, Robert Levy, Garrett Grant / Disney ANGELS & DEMONS Ron Howard Brian Grazer / Sony Columbia 12 ROUNDS Renny Harlin Mark Gordon / Fox Atomic CLOVERFIELD Matt Reeves Guy Riedel, Bryan Burke / Bad Robot / Paramount THE GREAT DEBATERS Denzel Washington David Crockett, Todd Black, Joe Roth / MGM RUSH HOUR 3 Brett Ratner Jonathan Glickman, Jay Stern Roger Birnbaum / New Line Cinema THE GOOD GERMAN Steven Soderbergh Ben Cosgrove / Warner Bros. -
2009 Annual Report
D i s c o v e r C o n n e c t C h a n g e DUTCHESS COMMUNITY COLLEGE NONPROFIT ORG. U.S. POSTAGE FOUNDATION PAID 53 Pendell Road NEWBURGH, NY Poughkeepsie, New York 12601-1595 PERMIT NO. 44 DUTCHESS COMMUNITY COLLEGE FOUNDATION 2009 D U T C H E S S C O M M U N I T Y C O L L E G E A N N U A L R E P O R T ‘Man's mind, once stretched by a new idea, never regains its D i s c o v e r C o n n e c t C h a n g e original dimensions.’ ~ Oliver Wendell Holmes Dear Friends and Alumni ever before in Dutchess Community Colleges history have our faculty, staff and Nservices touched the lives of so many students. Record-breaking enrollment of 9,794 students for the Fall 2009 semester (with continued momentum this Spring) is a testament to the quality and value DCC provides, especially during financially challenging times. Our college community pulled together to serve this unprecedented influx of students by stepping up our advising and registration capabilities and adding faculty and courses. Some other community colleges werent as proactive in meeting the challenge, closing admission to fall credit classes or turning away new students. Fortunately, we were able and will continue to be here for our students and community. However, because of the difficult economic situation our students are facing, we need your assistance now more than ever. -
PADRAIC Mckinley Editor
PADRAIC McKINLEY Editor FEATURES DIRECTORS PRODUCERS/STUDIOS BOSS LEVEL Joe Carnahan Scott Putman, Frank Grillo Emmett/Furla/Oasis Films WHEELMAN Jeremy Rush George Parra, Frank Grillo / Netflix PRIDE AND PREJUDICE Burr Steers Sue Baden-Powell, Marc Butan, Lauren Selig AND ZOMBIES Allison Shearmur / Lionsgate WILD CARD Simon West Steve Chasman, Brian Pitt, Jib Polhemus Recut Jason Statham / Lionsgate HOMEFRONT Gary Fleder Avi Lerner, John Thompson Open Road Films / Millennium CHARLIE ST. CLOUD Burr Steers Michael Fottrell, Marc Platt Universal Pictures 17 AGAIN Burr Steers Jennifer Gibgot, Adam Shankman Dara Weintraub / New Line Cinema THE EXPRESS Gary Fleder Derek Dauchy, John Davis, Arne Schmidt Davis Entertainment / Universal Pictures ALFIE Charles Shyer Sean Daniel, Diana Phillips, Elaine Pope Paramount Pictures IF ONLY Gil Junger Basil Iwanyk, Jeffrey Silver, Scott Strauss Tapestry Films / Sony IGBY GOES DOWN Burr Steers Lisa Tornell, David Rubin, Marco Weber MGM TELEVISION AMERICAN GODS Season 2 Various Directors Jesse Alexander, Reid Shane Editor, Executive Producer Dante DiLoreto / Fremantle Media / Starz FIGHT WORLD Docu-Series Padraic McKinley Todd Lubin, John Gerstel / Matador / Netflix Editor, Director KINGDOM Pilot & Series Various Directors Byron Balasco, Adam Davidson Supervising Editor, Producer, Director Endemol USA / DirecTV ANIMAL KINGDOM Christopher Chulack Terri Murphy, Lou Wells One Episode Warner Bros. / TNT BEAUTY AND THE BEAST Pilot Gary Fleder Sherri Cooper, Jennifer Levin, Tony Thomas Paul Junger Witt / CBS -
Collection Adultes Et Jeunesse
bibliothèque Marguerite Audoux collection DVD adultes et jeunesse [mise à jour avril 2015] FILMS Héritage / Hiam Abbass, réal. ABB L'iceberg / Bruno Romy, Fiona Gordon, Dominique Abel, réal., scénario ABE Garage / Lenny Abrahamson, réal ABR Jamais sans toi / Aluizio Abranches, réal. ABR Star Trek / J.J. Abrams, réal. ABR SUPER 8 / Jeffrey Jacob Abrams, réal. ABR Y a-t-il un pilote dans l'avion ? / Jim Abrahams, David Zucker, Jerry Zucker, réal., scénario ABR Omar / Hany Abu-Assad, réal. ABU Paradise now / Hany Abu-Assad, réal., scénario ABU Le dernier des fous / Laurent Achard, réal., scénario ACH Le hérisson / Mona Achache, réal., scénario ACH Everyone else / Maren Ade, réal., scénario ADE Bagdad café / Percy Adlon, réal., scénario ADL Bethléem / Yuval Adler, réal., scénario ADL New York Masala / Nikhil Advani, réal. ADV Argo / Ben Affleck, réal., act. AFF Gone baby gone / Ben Affleck, réal. AFF The town / Ben Affleck, réal. AFF L'âge heureux / Philippe Agostini, réal. AGO Le jardin des délices / Silvano Agosti, réal., scénario AGO La influencia / Pedro Aguilera, réal., scénario AGU Le Ciel de Suely / Karim Aïnouz, réal., scénario AIN Golden eighties / Chantal Akerman, réal., scénario AKE Hotel Monterey / Chantal Akerman, réal., scénario AKE Jeanne Dielman 23 quai du commerce, 1080 Bruxelles / Chantal Akerman, réal., scénario AKE La captive / Chantal Akerman, réal., scénario AKE Les rendez-vous d'Anna / Chantal Akerman, réal., scénario AKE News from home / Chantal Akerman, réal., scénario, voix AKE De l'autre côté / Fatih Akin, réal., scénario AKI Head-on / Fatih Akin, réal, scénario AKI Julie en juillet / Fatih Akin, réal., scénario AKI L'engrenage / Fatih Akin, réal., scénario AKI Solino / Fatih Akin, réal. -
October 2019
FILMS RATED/CLASSIFIED From 01 Oct 2019 to 31 Oct 2019 Films and Trailers FILM TITLE DIRECTOR RUN TIME DATE APPROVED DESCRIPTION MEDIA NAME #AnneFrank. Parallel Stories Sabina Fedeli/Anna 2.07 22/10/2019 PG Trailer Migotto 1917 Sam Mendes 2.27 15/10/2019 M Trailer 3 From Hell Rob Zombie 115.49 18/10/2019 R18 Graphic violence, sexual violence, horror & offensive language Film - DCP Abominable Jill Culton, Todd 97 24/10/2019 G Film - DVD Wilderman Ad Astra James Gray 122.55 8/10/2019 M Violence, offensive language & content that may disturb Film - DVD Addams Family, The Greg Tiernan, 86.58 17/10/2019 PG Coarse language Film - DCP Conrad Vernon Aeronauts, The Tom Harper 100.23 8/10/2019 PG Film - DCP All at Sea Robert Young 88.2 10/10/2019 M Film - DCP Am Cu Ce Pride Hannah 19 25/10/2019 PG Offensive language Film - DCP Weissenborn André Rieu: 70 Years Young André Rieu and 1 15/10/2019 G Trailer Michael Wiseman Angel Has Fallen Ric Roman Waugh 121 7/10/2019 R16 Violence & offensive language Film - Harddrive Arctic Justice Aaron Woodley 92 24/10/2019 G Film - DCP Ardab Mutiyaran Manav Shah 139.3 15/10/2019 PG Violence & coarse language Film - DCP At Last Yiwei Liu 1.05 22/10/2019 M Trailer Badlands Terrence Malick 93.37 15/10/2019 M Violence Film - DCP Bala Amar Kaushik 2.47 22/10/2019 M Sexual references Trailer Barefoot Bandits, The: Behind the Voices Ryan Cooper, Alex 4.56 4/10/2019 G Film - DCP Leighton, Tim Evans Barefoot Bandits, The: Glow Your Own Way Comp Ryan Cooper, Alex 0.31 4/10/2019 G Film - DCP Leighton, Tim Evans For Further -
Thomas Hardy: Scripting the Irrational
1 Thomas Hardy: Scripting the Irrational Alan Gordon Smith Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds York St John University School of Humanities, Religion and Philosophy April 2019 2 3 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Alan Gordon Smith to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 4 5 Acknowledgements I am extremely grateful to have been in receipt of the valuable support, creative inspiration and patience of my principal supervisor Rob Edgar throughout my period of study. This has been aided by Jo Waugh’s meticulous attention to detail and vast knowledge of nineteenth-century literature and the early assistance of big Zimmerman fan JT. I am grateful to the NHS for still being on this planet, long may its existence also continue. Much thought and thanks must also go to my late, great Mother, who in the early stages of my life pushed me onwards, initially arguing with the education department of Birmingham City Council when they said that I was not promising enough to do ‘O’ levels. Tim Moore, stepson and good friend must also be thanked for his digital wizardry. Finally, I am immensely grateful to my wife Joyce for her valued help in checking all my final drafts and the manner in which she has encouraged me along the years of my research; standing right beside me as she has always done when I have faced other challenging issues. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed. -
Gillian Robespierre on Getting a Movie Made
February 2, 2017 - Writer/Director Gillian Robespierre is a Brooklyn-based filmmaker, born and raised in New York City. She graduated from the School of Visual Arts, Film & Video Program. Her first feature, Obvious Child premiered at Sundance in 2014. The film got a nod for the year's "Best Discovery" on iTunes and she won Best Directorial Debut from the National Board of Review. Her second feature Landline premiered at Sundance in 2017 and was sold to Amazon. She did not vote for Trump. As told to Brandon Stosuy, 2484 words. Tags: Film, Collaboration, Anxiety, Beginnings. Gillian Robespierre on getting a movie made The writer and director of Obvious Child and Landline talks about crisis and sadness in comedy, the importance of collaboration, and why finishing a second movie isn’t any easier than finishing the first. When I reached out to you, I said I wanted to talk about crisis and sadness in your comedy. At first you wanted to go in a different direction, but you changed your mind. At first I was afraid of your question, because I thought it was too early to analyze the new movie, Landline, and compare it to Obvious Child. I’m also so early in my career. I was nervous to explore it, but then sitting with my writing partner, Elizabeth Holm, and my editor, Casey Brooks, talking about comedy, talking about digging out what really matters in this scene, it dawned on me how important crisis and sadness is in my type of comedy, and how it’s important in storytelling. -
NURSING for the 21St Century
Adapting NURSING for the 21st century Alumni Association & Development Foundation • Spring 2021 4 - 14 -21 2 CONNECTIONS Spring ’21 CONNECTIONS STAFF Vice President for Advancement Rick Hedberg ’89 Managing Editor Michael Linnell Greetings from the MSU Writing Staff campus! Winter in Minot Michael Linnell Amanda Duchsherer ’06 has been mild for much Dan Fagan ’18 of this season, but it Emily Schmidt roared to life in early/mid Jeff Bowe February. As I type this Photographers afternoon, it is minus 10 Richard Heit ’08 with a wind chill of minus Janna McKechnie ’14 37. These are the days that Photography Coordinator always make me especially Teresa Loftesnes ’07/’15 appreciative of our other Publication Design three seasons in North Doreen Wald Dakota! Alumni Happenings We are nearing the Janna McKechnie ’14 midpoint of the spring Baby Beavers semester, and I want to Kate Marshall ’07 publicly applaud our Class Notes entire community of Bonnie Trueblood students, faculty, staff, In Memory and administration for the Renae Yale ’10 roles they have played in ensuring the campus has ADDITIONAL PHOTO CREDITS: remained open this entire academic year. We have had our peaks and valleys like any other university, ON THE COVER: Minot State University but as the light at the end of this pandemic tunnel slowly gets brighter, I am heartened by the resilience nursing professors Carrie Lewis, April Warren, and Melissa Fettig inside the new nursing simulation lab in Memorial Hall. The space tripled the amount of andof everyone teamwork who have has beenhelped incredibly lead MSU important to a safe and characteristics. -
2020 Summer/Fall Supplement for Merges & Duffy: Patent Law And
Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. 2020 Summer/Fall Supplement for Merges & Duffy: Patent Law and Policy (7th ed. 2017) Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. Copyright © 2020 Carolina Academic Press, LLC All Rights Reserved Carolina Academic Press 700 Kent Street Durham, North Carolina 27701 Telephone (919) 489-7486 Fax (919) 493-5668 E-mail: [email protected] www.cap-press.com Copyright © 2020 Carolina Academic Press, LLC. All rights reserved. Table of Contents Chapter 1: Introduction ................................................................................................................. 1 A. Historical Overview of Patent Law ...................................................................................... 1 Update on Supreme Court Patent Cases .............................................................................. 1 D. Overview of Patent Rights and Patent Process ................................................................... 3 Revised Figure on the Legal Process of the U.S. Patent System ......................................... 3 3. Post-Issuance Administrative Processes .......................................................................... 4 Note on the Constitutionality of Post-Issuance Administrative Processes .......................... 4 Chapter 2: Patentable Subject Matter .......................................................................................... 5 B. Natural Law and Natural Principles ................................................................................... -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
For Immediate Release 22Nd Annual Nantucket Film
FOR IMMEDIATE RELEASE ND 22 ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES THE BIG SICK AS OPENING NIGHT FILM AN INCONVENIENT SEQUEL: TRUTH TO POWER TO CLOSE FESTIVAL WHITNEY: CAN I BE ME SCREENS AS CENTERPIECE DISNEY•PIXAR’S CARS 3 PRESENTED AS OPENING FAMILY FILM SPOTLIGHT FILMS INCLUDE COUP D’ETAT, DOG YEARS, FUN MOM DINNER, PATTI CAKE$, TAKE EVERY WAVE: THE LIFE OF LAIRD HAMILTON New York, NY (April 25, 2017) – The Nantucket Film Festival proudly announced today the opening night selection for its 2017 festival, Lionsgate/Amazon Studios’ THE BIG SICK, directed by Michael Showalter and written by Emily V. Gordon and Kumail Nanjiani. Based on the screenwriters’ real-life courtship, the romantic comedy follows the relationship between comedian Kumail (Nanjiani) and grad student Emily (Zoe Kazan) as they struggle with cultural differences and the unexpected impact of a mysterious illness. The film also stars Holly Hunter and Ray Romano. Paramount Pictures & Participant Media’s AN INCONVENIENT SEQUEL: TRUTH TO POWER, directed by Bonni Cohen and Jon Shenk will close the festival. As a follow-up to the Oscar®-winning AN INCONVENIENT TRUTH, the film charts Vice President Al Gore's continuing mission to solve our climate crisis before it's too late. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. Nick Broomfield (2017 NFF Honoree) and Rudi Dolezal’s WHITNEY: CAN I BE ME will screen as the festival’s centerpiece film. The documentary offers a candid look at the life, career, and untimely death of Whitney Houston.